CONTEST: Win a Roxette stamp booklet!

Santa thought it’s nice to surprise you all with a little retro contest. You surely remember that 25 years ago Roxette was honored by being featured on a Swedish stamp. The “Rock och Pop” theme stamp was released by the Swedish Post on 5th October 1991 in 3.6 million copies (source: a Swedish stamp site).

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Photo shows the cover of the booklet

Per said at the time:

We’re not even dead. We thought it was a joke at first. I know ABBA was a stamp in 1982, but it’s not something that happens every day. It’s nice to have the entire Swedish nation licking your back.

Some months later he said:

That was a kick, of course. It was almost like being knighted, I guess. I have used them a lot. I used to send cassettes to my record company with them. They can’t refuse the music that way.

 

The stamp was also released in a special booklet featuring Roxette on the cover and including 6 stamps (2 Roxette, 2 Lena Philipsson, 2 Jerry Williams) and 3 postcards (1 Roxette, 1 Lena Philipsson, 1 Jerry Williams).

Now this booklet is what you can win! We have 3 of them to give away! In order to participate, answer the following questions correctly:

  1. What was the face value of the 1991 Roxette stamp?
  2. Which Roxette studio album was released in 1991?
  3. Was there any Roxette tour in 1991?

Send an e-mail with your name, address (so we can send the booklet in case you win) and the correct answers to the questions to rxbcontests@gmail.com until 23:59 CET, 21st December 2016. The lucky winners will be announced a few days later. Good luck!

 

Contest terms and conditions:
– In order to participate, you have to send an e-mail to rxbcontests@gmail.com with name, address and correct answers to the
3 questions. We will consider all e-mails we receive until 23:59 CET on 21st December 2016.
3 winners will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice or more times will lead to your disqualification.
– Prize won’t be paid out in cash. Prize will be sent by registered
mail only once.
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer the e-mail confirming your address.
– RoxetteBlog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are the lucky winner, to send you the prize.

 



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Interview with Marie Dimberg and Per Gessle about Space Station 12

ss12Marie Dimberg and Per Gessle launched the label Space Station 12 in February 2016. Since then, three artists have released their single at SS12. You may have seen Per posting about SS12 on Facebook quite frequently this year, so we thought of asking Marie D. and Per a bit more about the company.

Judith: When did you have the idea and how did it all start?

Per: The music industry is changing so much at the moment I felt like I, before I go to sleep, should take part of the new revolution. There’s a window at the moment for indie labels. And for indie way of thinking. I like that.

J: What was your motivation?

P: Same as with everything else in my musical life; to take part of music that I like and enjoy.

J: What do you want to achieve with SS12?

P: A great logo and a few gold records.

J: What are your tasks/responsibilities?

P: I’m the DJ, I am what I play!

Marie D: I run the daily operations with my team Lotta and Josef and we work together with our great license partners at BMG. We also have independent press- and radio people.

J: What is the story behind the label’s name?

P: The name comes from a Montrose-song, “Space Station #5” but I thought 12 was cooler since it’s my birthdate.

J: So far, 3 artists have released their latest singles at SS12. Their styles are rather different, who is involved in the A&R process and how does it work in your case?

P: We all are. But I have the last say. If I don’t like it, we won’t release it. But I’m pretty easy to convince.

MD: We all listen and try to convince Per if he doesn’t agree…! A good song, a great voice and an artistic expression are of course key ingredients. No matter what kind of “genre”

J: What are your main criteria when picking an artist up?

P: Personality. Intelligence. We don’t want artists who strive for fifteen minutes of fame.

J: Why did you choose these 3 to start with? How did you discover them?

P: Alex was number one. He’s the best songwriter I’ve heard in years. He wrote “Sinking Deep” for Fanny. That’s how Fanny came aboard. She turned out to be a great communicator with an interesting voice. Good Harvest stand for something a little bit more “classic” and organic. That’s very rare to find these days. They’re amazing.

J: Marie, you mentioned that Fanny’s single has almost reached 400.000 plays on Spotify, which is amazing for a new artist. How are you promoting the artists? What are the target audiences and countries?

MD: We start with Scandinavia as a home market but make the release available worldwide digitally. Together with the BMG team, the press- and radio people we try to get exposure wherever suitable for each individual artist.

J: The three artists are rather young and newcomers; are you focusing on this kind of artists or are you also looking to sign up established ones?

MD: We’ll see… our focus is great talent with great songs and I’m sure we’ll eventually embrace established acts as well.

J: Per, you co-wrote the lyrics of Alex Shield’s and for what I understood from an interview with him, the song was finalised and has been released as a single because of this.

P: Yes, I co-wrote the lyrics and the music to “New York City Ways” but that’s not the reason it was released as a single. Who writes the song doesn’t really matter. What matters is if it’s a good record. It has to communicate.

J: In what way have you been involved in the final results of (so far) the singles? Do you get to give input / feedback during the recording/composing process or final outcome?

P: Sometimes. I’m there if I’m needed.

MD: Per’s input is extremely important given his long and successful career both as a songwriter and an artist!!! In my mind, it’s a fantastic opportunity for young artists to have an artist/songwriter of Per’s magnitude as your “wingman”

J: Are more songs co-composed by you planned?

P: I’ve written quite a lot of songs together with Alex which are really cool. You’ll see.

J: What are SS12’s plans for the future and what is in the pipeline?

MD: We’re currently focusing on these three for the rest of 2016. There will be a new song by Good Harvest released in December penned by themselves; “Charly”. They will also perform at the Eurosonic in Amsterdam. Alex “New York City Ways” will be accompanied by a lyric video this week. Fanny is writing and recording and will make her first performance at Musikhjälpen in December.

If you want to know more about the three great artists go on reading.

Read the rest of this entry »



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Per Gessle on tour and new album in 2017

Just in! Per is going on tour next summer! A new album is also on the way.

En vacker kväll. Sommarturné 2017 is the name of the tour. Tickets go on sale on Thursday November 24th. Here are the dates.

6/7 Helsingborg
7/7 Oskarhamn
8/7 Örebro
13/7 Rättvik
14/7 Töreboda
15/7 Karlskrona (festival)
21/7 Grebbestad
22/7 Göteborg
23/7 Fredrikstad (festival)
27/7 Stockholm
28/7 Östersund
29/7 Piteå
1/8 Borgholm
2/8 Malmö
3/8 Arvika
11/8 Halmstad
12/8 Linköping
18/8 Uppsala
19/8 Eskilstuna

Message from Per:
Så här skriver Per själv om turnén:
Det är dags att ta en musikalisk selfie!
Jag har skrivit låtar och varit artist i 37 år. Helt klart lyckligt lottad. Tre karriärer har det blivit. En med Roxette, en med Gyllene Tider och en alldeles solo. Alla tre är olika men ligger lika nära mitt hjärta och bär mitt personliga DNA och nu, till sommaren 2017, tänkte jag blanda om i min gryta och spela låtar jag skrivit som betytt extra mycket för mej. Både från Roxette, Gyllene Tider och från min soloresa. Det känns rätt. Och på tiden.

Det är tio år sedan jag gjorde ett svenskt album och en turné i Sverige på egen hand. Hoppas vi syns någonstans i den vackra sommaren.

P.

English:
It’s time to take a musical selfie!
I’ve been writing songs and has been an artist for 37 years. Clearly fortunate. It has been three different careers. One of Roxette, one with Gyllene Tider and solo. All three are different but as close to my heart and bear my personal DNA, and now, in summer 2017, I thought to make a mix and play songs I’ve written that have a special meaning for me. From Roxette, Gyllene Tider and from my solo trip. It feels right. And the right time.

It is ten years since I did a Swedish album and a tour in Sweden alone. Hope to see you somewhere in the beautiful summer.

P.

new album will be out in spring 2017. Per comments: “I recorded it in Nashville, I was there for a month and recorded it. It doesn’t mean that it will be a country album, but of course there will be influences from Nashvile in the arrangements and feeling. One can say it is the small cousin to Mazarin.”



German edition of Marie’s biography out next week

As already announced back in May, Marie’s biography is about to be released in German in Germany, Austria and Switzerland by Edel Germany. The final release date has now been set to November 21st  (the book can already be found in some stores in Germany though).

Picture taken from the German edition

The biography “Listen to my heart: Meine Liebe zum Leben” has been translated by Ulrike Brauns and is 256 pages long. You can preview the first pages of the book (in German) here. A digital version is also available.

Fans can look forward to the biography as it was in Swedish plus a new chapter written in summer 2016 after Roxette decided to stop touring (Kirsten posted a translation of the chapter on our FB page) as well as new/different pictures that were not included in the Swedish version.

You can (pre)order the book on the following stores (many more available) or just walk down to the next book store and get it there on Monday.

Amazon.de
Thalia.at
Bücher.de
Buch.ch
Thalia.de



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More music from Space Station 12

The third artist to release music on  Space Station 12 is Alex Shield, who has released two singles so far: Staying Alive and New York City Ways.

The text of the New York City Ways has been co-written with Sofie Bonde and Per Gessle, as he himself mentioned on a post on FB.

If you like both songs, you have something to look forward to, as Per also informed that Alex’ album will be out “soon”.



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Why Don’t You Bring Me Flowers – snippet #2

5054197420924_ROX_WHY_WT.indd We just received another snippet from the upcoming Roxette single Why Don’t You Bring Me Flowers – enjoy!

The single will be out this Friday November 4th.

You can listen to the other snippet on TDR.

Thanks to Warner Music Sweden and Dimberg Management

 



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Per Gessle’s cookhouse

Per’s latest posts made many fans wonder what Mr. G is cooking again. First you see him posting a video, getting ready to work with Clarence. In a different time zone. Okay, it’s music in the making, not just a random holiday. Then bang, there is a Sunday selfie with Anders Herrlin, Clarence Öfwerman and Per. Anders? Hm hm… Then it comes to your mind that Anders is very much into soundtracks and you remember Per said in an interview quite some time ago that he is working together with Jonas Åkerlund again on a soundtrack for Jonas’ new movie. Jonas is indeed working on a new film. The title is Lords of Chaos and it’s based on a true story. It was announced already in May 2015 that Jonas is directing this movie, but the shooting was a bit delayed for whatever reasons. Now it seems Mr. Åkerlund is very busy with it and the project is in pre-production phase.

Back to Mr. G’s new dice, the storyline on IMDb states: A teenager’s quest to launch Norwegian Black Metal in Oslo in the 1980s results in a very violent outcome.

Black metal… Aha… What does Per have to do with black metal??? Oh my… Then ooops, he posts a picture of Christoffer Lundquist and Clarence Öfwerman hanging out with a cutout Alan Jackson (famous country musician) and he writes ”Chris, Anders & Clare preparing yet another heavy metal arrangement.” Heavy metal… so why Alan Jackson? Just to confuse us… Oh, Alan Jackson has a good-looking country bar in Nashville.

Back to the movie. You check anything related to the ”music by” section of Lords of Chaos, but all you can find related to sounds / music so far is that Mattias Eklund’s name is stated as re-recording mixer / supervising sound editor. Mattias was there to edit sounds for Small Apartments as well. You know, the movie with beautiful soundtrack music by Per Gessle.

So is Per making black metal music together with Anders, Clarence and Chris? Or are they all there in Nashville for country music only? Haha. This guy is certainly not running out of projects. Good for us!

 

PerAndersClarence_US

Picture taken from Roxette’s Facebook page

Update on 2nd November 2016: Helena Josefsson joined the gang in Nashville for 3 days & they are recording together with Jessica Sweetman (British singer / songwriter). Jessica says: “Yesterday [1st November] I was recording in the Blackbird Studios in Nashville with Per Gessle from Roxette. I am so happy that I am going to be featured on a song of his that he is releasing next year. Per and his team are such wonderful souls and incredibly talented musicians. I feel blessed I have had this opportunity of collaborating with them on this project.”

Update on 5th November 2016: Drummer Elizabeth Goodfellow joined Per Gessle & Co in Nashville. Elizabeth also worked together with Helena Josefsson and Christoffer Lundquist at AGM a month ago. Elizabeth says: “Just wrapped up tracking drums for Per Gessle! It’s an honor to play for a songwriter I listened to on the radio since before I can remember. So grateful to keep growing and learning. Thank you!”

 



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What Per Gessle played with this pick stays with this pick

For obvious reasons, during the past few months there weren’t as many plectrum updates as used to be, but then in July something popped up on a certain Instagram account. Per Gessle posted a picture of a guitar pick saying ”New guitar pick, flipside!”. We all started wondering what the text (What’s been played with this pick stays with this pick) and sealed-lips emoji on the plectrum could refer to and it didn’t last too long to find out it had surely been produced for private gigs.

We had to wait 2 months to see where the pick was used and it turned out it was the only occasion Per played it. It happened at a birthday party at A.b.b.e.y. R.o.a.d. S.t.u.d.i.o.s. Wow! It must have been an awesome feeling to play at such a historical & magical place.

What the pick (1; 2) says is not completely true though. Of course we don’t know the full setlist, but we know the band played The Look and more importantly, they also played Här kommer alla känslorna (på en och samma gång). Huh? Who would have thought that Per would EVER play THIS song at THAT place? Yep, it was a Swedish business man’s birthday party after all, but still! It’s just amazing!

Fortunately, Mr. G was generous enough to share the pick with the greatest plec collector among Roxers, Sandra Knospe and this way the PLECtionary could be updated. Woohoo! Check it out!

We asked Sandra how she feels about having this item in her collection:

I remember that Per mentioned in the interview about the guitar picks, that he considers it a mission to help me find Plectrum-Nirvana. And I also remember how shocked (in a positive way) I was when I read this back then. That alone was more than I ever could wish for. Of course I didn’t dare to believe that he actually would make it true. But he really did. More than just once. And I still can’t believe it. I am so happy and grateful that he helps me to keep the collection complete. And it also makes things so much easier. It sometimes is like pulling teeth if you try to swap a missing pick with somebody, esp. such rare ones that have not even been played at public events. So thank you again, Per, for being such a kind person and also for making the hunt much easier. I can’t find the right words to explain good enough how much I appreciate that. But I so do!!!

Huge thanks again for the updates, Sandra and much appreciation to Mr. G for making it possible!

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Photo by Sandra Knospe

 



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Roxette announce 3rd single and video contest

Roxette have announced today that the 3rd single from their latest album, Good Karma will be ”Why Don’t You Bring Me Flowers?”. It was no real surprise, since Mr. G already talked about it in the interview we did with him some months ago:

5054197420924_ROX_WHY_WT.indd

Addeboy vs Cliff have just finished a fab uptempo version of ”Why Don’t You Bring Me Flowers?”. A song of mine done in Addeboy vs Cliff-style. It will hopefully be released later this year.

So the time has come. Better said, the time will come on 4th November, as the release date is set to that Friday according to Ginza.

But it’s not just a simple single release (on CD and in digital form). Marie and Per ask you to be creative and they give you a chance to appear in the official video to the song. All you have to do is record a 10-20 seconds video of yourself, friends or a situation to where you associate to the song and upload here. You don’t have much time to do that though. The deadline is next Friday, 21st October. For more details you should check out the terms and conditions. Make sure you use #WhyDontYouBringMeFlowers when you upload your video to any social media site.

The winner submissions will be part of the official video. It’s a nice idea. And hey, it means there will be an official video, not just a lyrics video. Does it also mean that besides the parts with the winner clips there will be Marie and Per in the video as well? Good question… Not much time left until we see what happens. Fingers crossed for some really creative clips and a fab end result! Good luck to all participating Roxers!

 



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New vintage, new label for Per Gessle’s Kurt & Lisa

The Wineagency announced that vintage 2012 of The Per Gessle Selection’s successful Kurt & Lisa wine will be available for order at Systembolaget.

Mr. G posted about the samples and testing of this vintage in July and August 2015. Per said it was hard to choose between the last 2 samples, because both were awesome and he said it might be the best Kurt & Lisa so far.

Wine lovers will surely find it out soon and the collectors can be happy too, because the wine is out with a new label, of course. As Mr. G told in the Allt om Vin interview, this new label for each vintage thing was inspired by the American Sine Qua Non winery, which each year has new fun designs and names for each vintage.

If you are in Sweden, you can check it out and order Kurt & Lisa 2012 at Systembolaget.

K_L_2012  kurtochlisa2012

 



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First ear candies on Per Gessle’s new record label

While we are waiting for the third single to be released off Roxette’s 10th studio album, Good Karma, Per Gessle is busy with releasing singles on his new record label, Space Station 12.

The first release was Good Harvest’s own interpretation of Joni Mitchell’s Woodstock and the second is Fanny de Aguiar’s debut single, Sinking Deep. If you haven’t listened to the songs yet, you should! Both acts sound quite outstanding.

 

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PG in his SS12 tee. Pics from Roxette’s Facebook page (1,2)

Per about Good Harvest:

The first time I heard Good Harvest, I was completely cracked by how tight they are singing. It’s incredibly brilliantly done, while it hits straight in the heart. This kind of timeless quality is what makes you immediately want to hear the song again.

Good Harvest about the first meeting with Per Gessle:

To meet Gessle is in many ways like meeting a living legend. But he was really nice and it felt very relaxed. He offered coffee, cake and a record deal in his apartment in Stockholm and later that night he came to see us at a gig we had in town. We worked with the same business manager as Gessle last year and from him we have already heard about “Per” in a familiar way. But of course it still feels a little weird when an e-mail from Per Gessle pops up in your inbox …!

Fanny de Aguiar about Per Gessle:

Per is the kind of person who makes music and appreciates personal expression. At least this is the impression I got. I haven’t met him in person many times until now, but we are in contact via e-mail. I often send him over what I’m working on in the studio and then he gives me feedback and shares his ideas and concerns. It’s so simple!

 

Per seems to be proud of the first releases and artists. No surprise he promotes them even on Roxette’s Facebook page (GH1, GH2, FDA1). Well, I think most of the Roxers’ education in music (at least partly) has been provided by PG himself over the years. I don’t only mean Per’s own music (solo or Roxette or GT), but his record collection, the roots and music history. Now we get some more ”education” about today’s music. Today’s music which is different to the mainstream pop world where most of the songs sound the same. And that’s exactly why Space Station 12 will probably be distinctive of any other record label. Releasing something different. As Mr. G says:

My ambition with Space Station 12 is to create an environment with strong roots in the history of pop and rock. I would love it to become a label you as a listener can identify with, just like I did with Atlantic, Stiff and F-Beat Records when I grew up. SS12 will be a home for strong musical personalities, brilliant songwriters and curious producers.

So, good luck to Good Harvest and Fanny de Aguiar, as well as Space Station 12! Looking forward to hear the next artists on this label. In case you are also curious about what’s next, follow SS12 on Facebook.

 



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We miss Marie – 150 days later

Exactly 150 days have passed since Roxette cancelled their summer tour 2016 and in the same second ended their career as a touring band. 150 days until September 15th, a day that means a lot to many people.

I wasn’t even aware of the date until I read about it this morning on Facebook. I don’t really connect it to Marie’s illness. Yes, it was the day they let us know about it, it was a Sunday, never will be forgotten. But she knew before and everything happened before this day (in my world), so it’s not really a day of significance to me. Maybe September 11th, maybe not.

Photo: Gaby Hildebrandt

Photo: Gaby Hildebrandt

However, 150 days have passed since finally happened what was supposed to happen. We all knew it would happen, and many of us were actually waiting for it, not being able to see Marie struggle on stage any longer. It was a relief, it was a disappointment. It was the saddest moment in the history of Roxette for many fans, it was yet a step that made many of us just sit and nod silently in understanding and sympathy.

Now, 150 days later, finally the feeling of finality got to me. I woke up two days ago and missed Marie badly. I did before in these 150 days, but this was different. I thought of her, the many concerts I was able to join, her smiles, her voice, her moves, and suddenly I realized we will never have this again. Never.

I thought of this before, but I never felt it and now the feeling got to my heart and I couldn’t breathe for a moment. How silly, really! She’s not dead, I thought. Get over it! You have  your own life to live. But still, she was and still is a part of my life. For 25 years and for the rest of my life. She is part of my system.

It feels like she was kind of a battery that never ran low, she always provided strength and gave me energy to move on, even in the darkest hours of my life and even in the darkest hours of HER life. She never failed to do that and suddenly it feels like someone unplugged me from this battery. There is no more energy to come from this source; the source I got used to so much during all those years. I wondered why it felt like this, we had times of no messages, photos and concerts before. I remember seeing her now and then in the Swedish newspapers when she attended a concert or something else: even when she was ill.

But this is different for a significant reason: We had the best six years of our fan life. We saw Phoenix rising again, we saw her getting stronger and better again every night, we certainly helped her doing it, we connected with our favourite band in a very new and very special way. Somehow it felt like we finally became a family, as strange as it sounds. We became a family until the day we didn’t. The day we realized we didn’t – because not even family couldn’t prevent April 18th from happening. And while I was so disappointed that fate didn’t let them at least end their 2016 tour, now it’s about feelings. Här kommer alla känslorna på en och samma gång. Yes.

And even when she struggled so much last year with all the travelling – she still sent her waves of love, power, strength to the world and reached thousands of people. Yes, I miss her. I hope she is doing fine, enjoying the quiet and good life she of all deserves the most. Sitting on a table in the sun with her red roses and her beloved ones. That’s maybe all we can wish for.

We still hope for a life sign now and then. A photo, a video, a message. Don’t we? No, she doesn’t owe us anything. But you won’t deny your joy when we got that lovely little video 108 days ago, will you?

And while I am still trying to get over all of this, I hope that she thinks of us now and then with a loving smile on her face. We certainly do.

If you feel up to, send us your best meeting story or photo with Marie and let’s celebrate this special kind of love. The photo you see in the article has been taken in Amsterdam 2011. Marie came out and was in a great mood. She hugged almost everyone who stood there and it felt like she was very happy to see us. We gave her roses, talked to her and enjoyed every second, so did she. Gaby was quick enough to take this photo when she hugged me.



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Marie Fredriksson interview from 1984

Another fab interview popped up in Elisabeth Elle Sandberg’s archives. Some weeks ago she shared an interview she did with Per Gessle in 1985 and now it’s Marie’s turn. Elisabeth did an interview with her in 1984, probably on 15th May, just some days before Marie’s 26th birthday. How awesome it is! Thanks a lot again, Elisabeth for sharing such gems with the world!

The interview starts with the intro telling that Marie Fredriksson has recently released her single ”Ännu doftar kärlek”. It is a ballad that Marie has written together with Lasse Lindbom. On the back side there is a song written by Per Gessle, ”Tag detta hjärta”. What happens in the future will depend very much on how the single is received. The upcoming LP is released when it feels timely, possibly in August.

Marie tells Elisabeth that it was planned that the LP would be released this spring. They wanted to wait a bit, so they had time to write some more material. She says she will go to the studio again in June and record 3-4 songs that they have written now. Possibly they release another single in summer and it depends on how it goes with it. She will probably record a video and it will be very exciting.

Marie also talks about the fact that most of the material on the LP she wrote together with Lasse, but there are also some songs that she herself has written both music and lyrics to. Martin Sternhufvud also made a song that will be included on the LP which is damn good and Marie is very proud of. Per wrote a song that is the B-side of the single. Marie also worked together with Björn Holmgren, who is a director in Halmstad. He is very good at writing and has written some children’s plays. On the LP there is a song he wrote the text to and Marie wrote the music.

Miss Fredriksson tells Elisabeth that she is happy that Lasse and she have been able to write so well together. They didn’t know it, just tested it for fun and it worked damn well. Everything is exactly as Marie imagined, but she says they have to see if it sells. You’ve done what you could, you’re only human. But if people don’t want to buy it, you have to do something new. Marie thinks the mmost important is that she is satisfied and she 100% is.

Elisabeth asks Marie if she can make a living on music. Marie says it’s OK. She was on tour with Gyllene Tider and she got paid. She managed to have her apartment in Halmstad. Later in the summer she will tour with Lasse Lindbom Band. She will be there as a guest, just as she was on the Gyllene Tider tour. In autumn, when her LP is released, she will go on tour and will go with Lasse and they will have the same band. Marie says they should not work as Dan Hylander and Py Bäckman, but Lasse does his songs and Marie hers. There will be two performances, so the audience get double value for their money. Then they do the end together. After that she decided to go on a bigger tour. It will be her first thing, which she is in charge of. The musicians will be Pelle Andersson and Pelle Sirén from the X-models. They are not known, but very talented. Probably Janne Bark as well, but it is not decided yet. Even Backa Hans (Eriksson, Elisabeth’s comment) who have played with Lundell and perhaps Göran Fritzson from Gyllene Tider. It’s a great mix that feels very fresh, and there are some new people.

Elisabeth asks about the band Marie played with last summer. Marie says unfortunately she doesn’t play with them now, but it was fun and they are thinking about doing some gigs together this summer, maybe in August. They have some contacts in Kungsbacka and Falkenberg, who would like them to come back. But with them she does only covers, no own songs.

Elisabeth is curious about how it feels to be on tour with Gyllene Tider. Marie says she had a blast and it was really fantastic. It was very fruitful for her. This spring she learned a lot about stage experience and how to talk to the crowd. She performed one song as a guest. They were on tour for 5 weeks and they became like family, so it was sad when the tour ended. And it’s not only the band, because Gyllene Tider you meet every now and then as they also live in Halmstad, but also the crew who take care of everything from sound to lights, they won’t see each other for a long time.

Marie is asked what she thinks about Swedish female rock singers? For example, Py Bäckman and Anne-Lie Rydé. According to Ms Fredriksson, Anne-Lie Rydé is really good. Py Bäckman is a wonderful text and music writer. Her latest LP is very good. She has also written a text for Marie and she is now making music to it. Marie says she saw Anne-Lie Rydé when she was in town last  time. She is very good on stage. But Marie likes Py Bäckman’s depth. Elisabeth asks about Efva Attling and Eva Dahlgren and Marie replies that she liked Eva Dahlgren’s latest LP ”För väntan”. Marie thinks Efva Attling is very professional on stage. Marie says if she goes to a concert or is listening to an album, then she wants to feel something.

Talking about Swedish male singers Marie says Mikael Rickfors is very good. He sings very well and writes good songs. Marie thinks that Mikael Rickfors and Lasse Lindbom are the best male singers in Sweden. She listens closely to the voice and the feeling in it.

Elisabeth asks Marie if she remembers her first gig. She does and it was very interesting. No one has ever asked it so far. Marie’s first performance was horrible. She was 7 years old and was singing for many people. There was her mom and a lot of old ladies. It was kind of a celebration, some sew meeting. “Oh, then little Marie could sing”. She was singing Rönnerdahl. She was standing there in a nice dress. She did not look at the audience, but at the floor all the time while she was singing, so the ladies didn’t hear a damn thing of what she sang. She was so nervous and afterwards she started crying, came home and was completely broken.

After that, Marie was singing in a lot of children and youth choirs while she went to school. She often sang in churches. Then she went to learn music program at a college for two years, where they sang a lot. Then she started singing jazz. Marie will never forget the first time she sang to a thousand people. It was with Strul, which was the support act to Eldkvarn. It was the first time they had a really big audience. Earlier they had crowds of 400-500 people. When they walked up on stage, everyone cheered when they started to play. It’s probably the best memory she has of Strul. Then there was an occasion when they played for 450 people with several other bands at Kattegattskolan. They played last and it went so well they got to do more than one encore. Marie thinks it was in 1977. These are wonderful memories and Marie is grateful.

Marie ends the interview with saying one shouldn’t be giddy with success. You must be able to be with ordinary people, otherwise you can’t write. If she becomes a diva, it won’t work. Then she couldn’t write. You must live the everyday life to get inspiration for new songs. Marie thinks that one person is not worth more than others just because she made an album. She thinks it’s important to think this way. You should be just like you were before.

Interview_with_MF_by_Elisabeth_Sandberg

 



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“Kom vila hos mig” featured on “Krigarnas Ö”

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Emil Jonsvik with Marie Fredriksson. Photo: Pernilla Petersson

It’s almost a year now since we reported that a song by Marie Fredriksson was supposed to be featured on the Swedish movie “Krigarnas Ö” by Emil Jonsvik (who directed Marie Fredriksson’s video “Sista Sommarens Vals“). The movie is out in Sweden since May and now it was time to ask Emil about the song and the movie again since we weren’t able to watch it until now and haven’t read anything about Marie’s song anywhere yet.

The demo version of “Kom vila hos mig” is what you can hear in the credits of the movie. Emil wrote us why he chose it:

“It’s a naked beautiful song of Marie Fredriksson and the tune written of Mikael Bolyos and it makes everyhing come together. I’m always happy to work with so genius musicians as Marie and Mikael.”

So, technically, when the movie was being shot, the song was still new. Right now, Emil is trying to make the movie available worldwide. Until now you can purchase the movie in Scandinavia only:

The film is right now released with the big company SF, SF anytime in Sweden, Norway and Denmark. (Se it on SF anytime, Telia, comhem, Xbox 360 app, bredbandsbolaget …) We hope to plan a world wide release later this year.

Thanks to Emil Jonsvik for the information!

 



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12 Peaks of The Beatles by Per Gessle

In this 12 Peaks, Per Gessle and Sven Lindström feel like teenagers and talk about one of their favourite subjects on the planet, The Beatles. Huge thanks to Sven again for sharing the program with us! You can download the sound file in 3 parts from HERE (link is valid until 22nd August).

Mr. G’s 12 favourite hits from The Beatles:

  1. 12 Peaks of The Beatles by Per GessleHey Jude (1968)
  2. A Day in the Life (1967)
  3. Taxman (1966)
  4. I Am the Walrus (1967)
  5. Something (1969)
  6. Dear Prudence (1968)
  7. Rain (1966)
  8. I Feel Fine (1964)
  9. I’m Down (1965)
  10. While My Guitar Gently Weeps (1968)
  11. Run for Your Life (1965)
  12. Strawberry Fields Forever (1967)

In PG’s book The Beatles is the biggest there ever was, the most influential band in his life. All their songs are masterpieces, so it was pretty easy to pick 12 favourites. It would be really difficult to find 12 bad Beatles songs, so there won’t be a 12 Peaks show like that.

Per says one of the best songs ever written is ”Hey Jude”. He thinks it’s brilliant and it changed the world for so many people.

The second song on the list is ”A Day in the Life”. When Per first heard it, there was just magic all over the place in his little room. His brother had the album, Sgt. Pepper’s Lonely Hearts Club Band and Per was listening to it all the time.

Mr. G’s 3rd fave hit is ”Taxman”, a song written by George Harrison and released as the opening track on the Revolver album, which is one of Per’s favourite Beatles albums. But he can’t really make up his mind about which album is really his favourite.

The fourth song is something completely different. Per thinks it’s one of the wildest songs he knows and every time he hears it, it puts a smile on his face. It’s ”I Am the Walrus”, John Lennon in top shape. Sven and Per are of course 2 of the biggest Beatles nerds and they talk about the hidden messages in the song, namely, the lines of Shakespeare’s play, King Lear which one can hear in ”I Am the Walrus” in the background in a radio broadcast.

”Something” was written by George Harrison and it’s on the Abbey Road album, which is a stunning piece of music. Another most favourite Beatles album for PG. ”Something” is probably the most mainstream track, covered by so many artists.

”Dear Prudence” has a beautiful melody, a simple production and it’s mesmerizing to hear this track. Per just loves the song forever and ever.

”Rain” is the B-side of Paperback Writer and it’s a magnificent song. The vocal performance by Lennon is just amazing. Per also loves the glasses everyone was wearing on the sleeve. Sven says things were starting to get slightly psychedelic then.

The intro to ”I Feel Fine” just blew Per’s mind when he was a kid. It’s still fantastic, but in those days you never heard anything like that. PG loves the great harmonies and the great voice of John Lennon in this song.

Before Per and Sven get down to the next hit, Per mentions Sven wears a Rubber Soul watch. Sven says it doesn’t work, but never mind. The clock is always quarter past Ringo. Haha.

”I’m Down” is a hidden gem according to Mr. G. He can’t remember which single had it as a B-side, because he always played this song all the time. [It was the B-side of Help! /PP]

”While My Guitar Gently Weeps” is a song written by George Harrison and it was also a stunning piece of music when it came out and it still is. There is Eric Clapton on guitar.

”Run for Your Life” is fantastic pop music. It’s from Rubber Soul, which is a great album and everyone loves it. It’s a jukebox and John Lennon’s voice at this time is just the best there is.

Per picked ”Strawberry Fields Forever” as the last track on his Beatles list. He thinks it’s a magnificent piece of recording and is a highlight in pop history for Mr. G. It’s still very unique and at the time it came out you never heard anything like this. Per says it was always so cool with The Beatles that they did so many different things all the time. You could never know what to expect.

Before they play the last song, Per and Sven talk about PG visiting John Lennon’s house on Menlove Avenue in Liverpool. Strawberry Fields was a place close to where John grew up. Per says it was very special to visit the house. They kept it intact, how it was when John grew up and the guide showed them a little room inside the door at the main entrance where John and Paul were singing, because there were great acoustics inside. Per says he was standing there and started singing to see how it feels like and it sounded fantastic in there. It was almost like an echo chamber.

 



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