Exclusive interview with the Man, the Myth, the Legend – ”I keep them proud and polished in my archive. They’re all part of my family tree.”

© Patrícia Peres
© Patrícia Peres

If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?

It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!

The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.

Now the intro is over. Go and read the real deal, Roxers! Enjoy!

 

Base pic © Sandra Knospe
Base pic © Sandra Knospe

Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?

Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.

PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?

PG: –  Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!

PP: – Do more plecs exist besides the ones you can see in the PLECtionary?

PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.

PP: – Have you kept at least one of each of your plectrums over the years?

PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.

PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.

PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.

© Patrícia Peres
Jonas Åkerlund’s plec photos in Hotel Tylösand
© Patrícia Peres

PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.

PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.

PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?

PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.

PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?

PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.

PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?

PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.

Scan of an old interview (source unknown)
Scan of an old article (source unknown)

PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?

PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.

PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?

PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.

PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?

PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.

PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?

PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?

PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?

PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.

PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?

PG: – No, I only try to hit the right strings with them.

PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?

PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.

PP: – Which is the all time favourite plec of yours and why?

PG: – They’re all part of my family tree. No personal favourites. Sorry.

PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.

PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.

PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.

PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.

PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?

PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.

© Patrícia Peres
© Patrícia Peres

PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?

PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.

PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?

PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.

PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?

PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.

PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?

PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….

PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?

© Per Gessle (or Micke N-S? - pic taken from Roxette Official)
© Per Gessle (or Micke N-S? – pic taken from Roxette Official)

PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.

PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you. How does it feel that we are so crazy about these tiny little picks of yours?

PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.

PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.

PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.

PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.

PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.

PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?

© Patrícia Peres
© Patrícia Peres

PG: –  Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.

PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?

PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!

PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?

PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.

© Per Gessle
© Per Gessle

PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.

PG: – It happens but not that often anymore. I lick ’em!

PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?

PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.

© Patrícia Peres
© Patrícia Peres

PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?

PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.

PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?

PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.

PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?

PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?

Screenshots are taken from Gyllene Tider's "Man blir yr" video
Screenshots are taken from Gyllene Tider’s “Man blir yr” video

PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?

PG: – It’s a first take. Of course.

PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?

PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?

 

© BandGuitarPicks.com
© BandGuitarPicks.com

PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?

PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.

PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!

PG: – That makes it two of us! Cheers!

 

Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.

 

Emil Jonsvik: “I wanted to bring out Marie’s enormous energy”

We had the chance to interview Emil Jonsvik, the director of Marie’s latest video “Sista sommarens vals”, taken from her latest album “Nu!”. Emil told us about his career and the shooting of the video with Marie.

Judith: To start with, could you tell us about you? When and how did you get into filming and directing films?

Emil_Jonsvik_01_Emil: I was born in Gothenburg, Hisingen 1978. I started producing my first films at the age of 12. This was for Swedish television (ZTV) and the film was “Gold”, which was a skateboard movie. When I look back on it I see that I already then wanted to create drama in film. I used scenes with actors walking through smoke in slow motion with strong cinematic music. After that I produced the Award winning break dance documentary “Shindig” and two other dance movies, “The Book” and “No One Knows Our Thoughts”. They were about winning over your inner fears. In 1998 I went to a film school, “Film I Väst” (Trollywood), and started working with blockbusters as “Santa is the father of all the children” and “A Witch in the Family” as a lighting designer and set lights along with being the cinematographer on location. I met the director Daniel Fridell which started a long cooperation, among others I became a cinematographer on his award winning TV series “A Class Apart” as well as the movies “Sökarna 2” and “Blood Brothers”. After that I directed the very popular television program (with over 1.5 million downloads on YouTube) “Late Night with Pierre” with little Al-Fadji for Swedish television (SVT). After that came my debut as a feature film director with “7X / Seven Bullets”. This movie was about seven kids that find a gun with seven bullets. This is a multiple award winning film including awards for “Best film” and “Best director”. Now I’m in the final cut with my new feature film “Krigarnas ö” (The Name of the Game) with the great actor Kim Bodnia known from TV series “The Bridge / Bron”. An exciting drama / thriller.

J: What do you like about being a director?

E: I love the creating process. To take a idea, put it down on paper and then manage to make these scenes come alive, that’s where my drive comes from. I get inspired by many different kinds of films in different ways. I love movies like “City of God” and “La haine” but I can also find inspiration in films like “The Last Samurai” and “The Driver”.

Emil_Jonsvik_02_J: You started mentioning inspiration, but what do you want to tell with your videos? what do you think is your “trademark” and what makes you different from other directors ?

E: I get inspiration from people’s energy, music and films. In meetings with actors and artists, I often feel what they want to create together, it is important that I together with the team create the best energy on location for the shoot. Because of my broad experience with film production it’s easier for me to decide what to focus my energy on which makes my work very efficient.

This ultimately results in me laying my energy on the right stuff. I want to get the artist and the actors to have trust and feel secure with me in order to create magic together. That’s what makes every difference, and that’s my “trademark”.

 

 

Emil_Jonsvik_03_J: Now about the video you did for Marie:  how come you ended up doing the video? Did Marie or her management ask you?

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Tack för musiken, Marie Fredriksson

SVT broadcasted the show ”Tack för musiken”, for which the recordings with Marie Fredriksson were on 27th August. Click HERE to watch it!

It begins with Niklas Strömstedt and the band performing ”Tro” live. Niklas welcomes Ms Effe only after this. They are sitting and talking about Marie’s career (solo, earlier bands, Roxette, Per Gessle), illness (she’s healthy now and grateful to be there) and her family. Marie’s husband, Micke Bolyos was sitting in the band, playing the keyboards during the show.

You can see how much Marie enjoyed being there and how fine she is. She was very relaxed, smiling and laughing all the time. Tears appeared in her eyes when Niklas was talking about her album ”Den ständiga resan” that there are 13 songs about darkness, but the last song, ”Till sist” is different. He read up the first lines of the song and asked who these lines are about. Marie pointed at Micke and told it’s about him. They looked at each other with so much love during the whole show.

MF_Tack_för_musiken_01  MF_Tack_för_musiken_02

Marie started singing when she was a little child. She started the day with singing at 7 am, when everyone else would have loved to sleep. Later, at the age of 17 she wanted to be an actress. It was her dream. She was talking about how she loves writing songs, but after her illness it’s not that easy anymore. She talked about Lasse Lindbom, how much he means to her. They had a fantastic time and were writing a lot of songs together.

In the audience there were many familiar faces and at one point Niklas started talking about Argentina and the fans. Marie realized there were fans in the audience from Argentina, too and said that a lot of Roxette fans are here and they are fantastic. The fans are always by their side, following them and they are even here at this show. Marie told the fans know all the lyrics regardless of where they are coming from or which language the songs are in.

Niklas was joking about Marie’s name, Gun-Marie and pronounced it the English way: Gun-Marie from Roxette. Everyone was laughing.

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Long interview with Per Gessle in Livets Goda

As Per already informed us some time ago, Livets Goda did a very long and veeery nice interview with Mr G. The December issue contains 16 pages of Per Gessle: awesome interview, 20 important songs, some wine tasting and hot photos of Per. Interview by Anders Enquist, photos by Erik Dahlström.

The magazine is available in Sweden at the newsstands from 10th December, but you can also have your own copy even if you don’t live in Sweden. Here you can buy the pdf version online for 50 SEK. (You can pay even via PayPal.) It is really worth it!

The interview is mainly about Per’s career in the music business, stories about how Gyllene Tider and Roxette started out, his solo projects, the 80’s when he met Åsa (he says it was the best thing that happened back then), The Look, the US, It Must Have Been Love, the Billboard, EMI, later years, Roxette comeback, GT comeback, how he became interested in wines, so briefly, kind of the whole story of his life so far. There are not too many real news in the interview, but it’s always nice to read Per Gessle’s thoughts and what he is saying about different songs, for example.

Per_Gessle_Livets_Goda_2013

THERE IS SOMETHING NEW: Per would like to record an acoustic album with some of his old songs.

Great news! 😉

You surely remember Mr Gessle was talking about the Top20 songs he was setting up for this article in Livets Goda. These are not his all time fave songs, but the ones meaning a lot to him. Here is the list:

1. Nina Simone: Wild Is The Wind
2. Heart: Love Alive
3. Air: Le Femme D’argent
4. Caitlin Rose: For The Rabbits
5. Big Star: September Gurls
6. The Young Rascals: How Can I Be Sure
7. Fleetwood Mac: That’s Alright
8. John Holm: Den Öde Stranden
9. The Beatles: Hey Jude
10. Tom Petty & The Heartbreakers: Refugee
11. David Bowie: Lady Grinning Soul
12. Lorde: Royals
13. The Tornados: Telstar
14. Docent Död: Solglasögon
15. Divinyls: Pleasure And Pain
16. Joni Mitchell: Rainy Night House
17. Kenny Rogers: Ruby, Don’t Take Your Love To Town
18. Frank Sinatra: It Was A Very Good Year
19. Lee Hazlewood & Nancy Sinatra: Summer Wine
20. The Buzzcocks: Ever Fallen In Love

 

Some probably think that I’m a super-capitalist who is just sitting there and earns a lot of money on nothing, while others think I’m a talented pop craftsman who knows far too much about pop music, a nerd … I don’t know …

There are many things I’m not talented in, but I’m good at melodies and writing songs. That’s what I can do, so I need people who are doing all the other stuff I can’t.

 

He also mentions in the interview that he always thought Marie is the world’s best singer since they met for the first time.

Per’s 5 favourite Roxette songs which are lesser-known (with his comments):
1. I’m Sorry – Great chorus, a hit in Brazil.
2. My World, My Love My Life – A damn good song.
3. It Takes You No Time To Get Here – Some country text and feeling.
4. Opportunity Nox – Our best pop wallop.
5. Sleeping Single – Marie sings amazing. She makes the album.

 

I have no idea why Roxette is still so big. Maybe it’s because of the songs, maybe there is a certain timelessness in many of the songs’ melodies. But why exactly us? Maybe it’s my Swedish poor self-confidence that makes me unable to respond to it …

Regarding the next Roxette tour he says that first Marie goes on tour, but sooner or later there will probably be a major Roxette tour. Bring it on!

 

Busy St. Lucy’s day for the fans

You already saved the date in your calendar, as we already informed you that the 1-hour-long part of ”Tack för musiken” in which Marie Fredriksson is the guest will be broadcasted on SVT1 at 21:00 CET, 13th December. The show was recorded at the end of August and many fans could buy tickets and be there in the audience. It is going to be a fantastic show with Marie performing some of her songs live and a long interview with her done by Niklas Strömstedt.

Before you can enjoy watching Ms Effe on TV, you’ll have a chance to see another program on another channel, TV4. ”Gyllene Tider sommaren 2013” starts at 20:00 CET the very same evening. This will be an appetizer from the upcoming DVD. It will contain parts of the ”Dags att tänka på refrängen” tour, as well as some exclusive shots from the backstage. One bad thing about Swedish TV channels – understandably – competing with each other is that the GT stuff ends at 21:30. Fingers crossed that both programs will be available online after they are over on TV.

Oh, one more thing! Hopefully, history won’t repeat itself and we won’t have to wait another year for the GT DVD after this TV cut is broadcasted. 😉

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Marie Fredriksson & Mikael Bolyos interview on TV4

This morning at 10:15 am CET there was a short interview with Marie and Micke in Nyhetsmorgon on TV4. The interview took place at Marie’s & Micke’s home in Stockholm. Marie was talking about how grateful she is for everything and they both said they learned how to live in the present. Marie said she learned to live with the fact that it takes her more time to write and also that she can’t remember the lyrics sometimes.

It means a lot to both of them that they could make this new album, ”Nu!”, however, it took a long time to release it. When she wrote ”Sista sommarens vals” of course she was thinking about Micke and when Micke wrote ”Vad vore jag utan dig” he thought about Marie. Marie says this latter song is so beautiful. That’s her favourite off the album and it feels fantastic to sing Micke’s words. Watch the video how Marie is “touching” Micke when they are talking about these 2 songs. So lovely! 😉 Both Marie and Micke were in a very good mood and relaxed, Marie was smiling all the time during the interview.

They were also talking about the kids, how fantastic it is to have them and that they are also interested in music and they are talking about music each day. They also told the story of their meeting in Sydney and how they became a couple right after that.

While touring with Roxette she felt better and better, she got strength and she gained her self-confidence back. Marie – besides her family – is grateful also to Per who was writing new material for Roxette and believed so much in Marie.

Marie is longing for the tour. It will be fantastic to tour in Sweden with a great band she’ll have with her. Besides new songs, there will of course be old ones, too on the setlist.

Watch the video HERE! Don’t forget to check the wonderful old pic of Marie in front of Micke!

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Marie interviewed on P4 Premiär

Swedish Radio programme P4 Premiär interviewed Marie during the presentation of her single in Stockholm last Tuesday.

Here is a transcript of the interview. We tried our best (Jud with a little help from Patrícia), just drop us a line if you would write things differently.

P4: How would you describe the artist Marie Fredriksson in year 2013?
Marie: Yeah… relatively fun artist. I have been working on this album for a loooong time…

P4: For how long?
M: well.. about 6 years. But I’ve been busy with Roxette for more than 2 years. I am so happy that the album is finally ready and with the single “Kom vila hos mig”, written by my husband.

P4: It’s a very nice song, but also a bit sad or a bit melancolic. Can you tell us what is it about for those who haven’t heard it yet?
M: What one feels inside.

P4: What is it about for you?
M: For me it’s about strength. It has given me a lot of strenght. When you think what I have gone through, I am very very happy about this song, it means a lot to me.

P4: After all you’ve gone through and now that you are healthy again, do you think it’s shocking to talk about cancer?
M: Yes, very much. It’s sad to talk about it again and again. I am now fine and healthy again for a looong time so let’s talk about other stuff.

P4: But what came out of this? what has changed?
M: Mainly, I got a stronger voice. I had a great voice before, but now it’s heavier. I am happy about that.

P4: Why do you think your voice changed?
M: Well, I don’t know. Probably age and of course what I’ve gone through. But why talk about that, it’s so long ago. I feel very well now.

P4: I gotta say that you are shining. One reads that people who have gone through such hard times are stronger. Do you think people realise what life is about after such experiences?
M: Yes, I think so.

P4: And your album is called “Nu!”. Are you good at living the present?
M: Oh yes, I am damn good at that haha! I love to live in the present, it feels very strong to live the present, it feels very powerful, it’s the best there is.

P4: Do you remember when you started back in the 80ies, how was Marie back then?
M: The first song that was  a success was “Ännu doftar kärlek”. I wrote it together with Lasse Lindbom. We were so lucky and we had so much fun. It was great to get that much success with the song.

P4: Was it your dream since you were a kid to sing on stage, become a singer?
M: Yes! I used to wake up the whole family in the morning singing kind of arias, aaaahhh aaaaaah. I woke up all my family with that, everybody was like “cmon, shut up now”. But I went on, singing a bit lower. I was crazy to sing.

P4: And when did you find out that you had such a strong voice?
M: I guess when I sang at choirs and with my sibilings. I used to sing so strong. We were 5 of us, my brother was the oldest and then 4 girls. But too bad one of my sisters died in a car accident, I was 4 years old, that was horrible. But one doesn’t really realise when one is so small.

P4: So now that you will release a new album and you will go on tour next year, how does it feel, how do you plan it?
M: Yes! it will be sooo much fun! I really look forward to it and to start rehearsing.

P4: You have never been a primadonna and there was never a huge circus around you, you are very down to earth…is that right?
M: Ah.. I don’t know, it’s just the way I am. I can’t be any other way. Of course, we were very big when we did all those world tours with Roxette and we got the 4 number 1 in the USA, it was great.

P4: You’ve been famous since the 80ies with “Ännu doftar kärlek”. Was it hard when you were sick? People wanting to know how you feel, etc?
M: No… , well, of course it was hard, but now I am fine, so I am very thankful for every day. I see life in a totally new way nowadays.

P4: And how is it going with painting?
M: Oh! I haven’t had much time lately! I love it, I already did 3 exhibitions, but I like to do different things. I have to be creative with music, art…

P4: What do you do when you are not creative? Is there anything you do that is not creative?
M: Well.. I write texts sometimes, always did so. But I have to have something to do. Even though I also think it’s important to take it easy, maybe look at birds outside or something, do something outside the house, but it has to be warm, not too cold, haha!

P4: If you had to choose the absolute Marie Fredriksson song of all timesy, which one would it be?
M: Sparvöga, it means so much for me. Lasse and I wrote a lot of songs together, but this one I wrote myself. I got this offer to write this song for this TV series called “Sparvöga”, it was inspiring. And I got a lot of self-confidence because it was a success. And then comes “Tro”.

P4: What is your driving force?
M: My family, they mean everything to me. Without them I probably wouldn’t sit here today.

 

Marie_Fredriksson_2013_September_P4

Sven Lindström: “I thought the Roxette story deserved to be told”

I met Sven Lindström, the author of “Att vara Per Gessle” and the new book “Roxette – Den osannolika resan tur och retur” in Stockholm just right before the release party of the book. Sven told me about himself and especially about the making off the book. Enjoy the interview!  

JSven_L_Roxette_DORTOR_coverudith: To start with, could you tell us about you, how you started to write about music and what you’ve done so far?
Sven: I started as music journalist in Malmö for Sydsvenska Dagbladet, which is the biggest morning paper in the area. I became a music journalist back in 1983 and one of the first guys I interviewed was actually Per Gessle. We connected; I thought he was a fun guy. It was when Gyllene Tider were having a break due to military service and he was about to release his first solo album and he was starting a new chapter in his career.

Some years later I quit writing about music, I got fed up with doing nothing but reviewing concerts or albums, I wanted to keep this more as a hobby, so I went into advertising. I’ve been working as a copywriter since the end of the 80’s.

Some years later, Per called me up and wanted me to make an interview with Marie and him to be used as a press release for the Joyride album, so I met them in Per’s apartment in Halmstad in December 1990 and wrote the piece which was then given a magazine look where we tried to emulate the feeling of Rolling Stone interview.

And since then I’ve been working doing a lot of press releases, biographies, CD booklets, tour programs for Roxette and GT. So basically I am a music writer that tried to quit but didn’t really manage to. And I’ve published three books so far.

J: One of them is another Rox-related book, “Att vara Per Gessle”. How did that happen?
S: The idea came up at the after-show party at the last concert of the Room Service tour in Göteborg, it was Per who suggested that at 5:30 in the morning when most people had gone to sleep and the others who were still around were not terribly sober. He said, “You know, one day somebody will write about the Roxette story, why don’t you do it?”

I heard myself say “Yes, of course,” I didn’t realize what I had just said yes to, haha! So afterwards we decided to make a biography on his career and life, we wanted to do it very candid open and very interview based. But it took forever to do it because I worked with other stuff as well, so it was released in 2007 in the end.

J: And what can you tell about the third book “Han sitter där nere mellan Clapton och Hendrix – Jan Olofssons galna tripp genom pophistorien”?
S: It’s about a photographer from Malmö, Jan Olofsson. It’s a very funny story, a bit like Forrest Gump in the pop world of the 60’s. He met The Beatles in Hamburg in 1960, when he was just 16 and The Beatles had just arrived from Liverpool. And then he went to London and stayed there, working as a manager, photographer, record label boss, producer, club owner etc. Whenever something amazing happened, he happened to be there. It would make a great movie.

J: You are also the voice behind Nordic Rox. When did you join this radio program?
S: Nordic Rox started in 2006. There were quite a lot of people involved, like Pelle Almqvist of The Hives, Per and the ABBA expert Carl Johan Palm. I am not sure what happened before I joined, but around the time when “Att vara Per Gessle” came out at the end of December 2007, Per asked me if I was interested in taking over as the show’s host together with him, but that he would be more of the flagship of the show, and I would do the work, haha! So that’s how it started for me.

J: But you don’t travel to the US every time for the show, or?svens
S: No, I do it from Malmö. My kids have found me in the closet sometimes because it’s good acoustics there, so when you hear the “Hello, you are listening to Nordic Rox – good looking music” you now know where it was recorded, haha! I still do it from home, recording voice breaks with the regular Mac stuff like GarageBand and doing playlists of songs in iTunes. Then I send it to the Sirius XM headquarters in New York where they produce it into a proper show. I still haven’t really understood that it’s aired in USA, it’s amazing. A friend of mine who was once somewhere in California, was at a hotel with a few business people and he heard the program on the radio and called me “I am sitting here at a restaurant and they are playing something called Nordic Rox, is that you??” haha! So you see, it’s a small world.

J: But it’s great that you are able to spread Nordic music in the states, what is your favourite Nordic band right now?
S: The Asteroids Galaxy Tour from Denmark, I listen to them a lot lately. But there is a lot of good music coming from the Nordic countries, so I think Nordic Rox is a good call.

J: You explained how “Att vara Per Gessle” happened, but how did you get the idea to write this book about Roxette?
S: The original idea was to make something out of the tour, but that idea changed in-between. I realized that the only book that had been written purely about Roxette came out in 1992, I think. So much has happened since then, everything that happened before the 2011 tour, and then how it progressed into 2012, I thought this had to be recorded and told. Of course, fans know about this and are totally involved, but the majority of people didn’t know the whole story. Some knew parts of it of course, but they didn’t really know the details of the struggle that went on, so I thought the story deserved to be told.

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Marie Fredriksson about upcoming solo album: “You can expect a typical Marie Fredriksson style”

There have been some rumours going on about a new Marie solo album the past months and specially since the recording of “Tack för musiken” last week. I had the chance to ask Marie a couple questions about the album and other topics:

RXB: First of all, how was your summer? You did some appearances like with GT at Ullevi or at Madeleine’s wedding or now the recording of “Tack för musiken”…
Marie Fredriksson:
My summer was relaxing and sunny. And GT was a great evening! Sweden and GT at its best. Madeleine asked and it was lovely to play at her wedding. I think “Tack för musiken” is a great TV show and Niklas is a great host and a good ol’ friend of mine. I was very surprised and happy to see all of you in the front rows!

RXB: There have been rumours for a long time about a solo album, what can you tell us about it?
Marie: You can expect a typical Marie Fredriksson style. The album is in Swedish.

RXB: When did you start working on it and with whom did you record the album?
Marie: I started a long time ago but a world tour came in-between. The album is produced by Micke [Bolyos] and Christoffer Lundquist. We had Mr. Pelle Alsing on drums on a couple of tracks. Jens Jansson and Christer Jansson played drums too. Then Christoffer Lundquist played bass and guitar, so did Staffan Astner and Jokke Pettersson. Ola Gustavsson [who was at “Tack för musiken” as well] played guitar and pedal string. Micke played keyboards and did some programming together with Christoffer.

RXB: and who wrote the songs?
Marie: I wrote one song, Per [Gessle] wrote one song too and the rest are written by Micke, mostly together with different lyricists.

RXB: There were also rumours about a solo tour… so we are wondering if and when?
Marie: Definitely not during 2013. Maybe 2014, but nothing is decided yet, so I cannot tell you more at this stage. But I love to tour, it’s the best I know!

RXB: What are you doing nowadays when you are not busy with music?
Marie: I am painting, relaxing and having fun. I love to be close to my family.

We are very much looking forward to the album (and tour)!!

Interview with Micke Syd: “It’s the way we deliver the songs and the communication with you that create this good vibe, I think it’s very unique.”

We met Micke Syd in a café in Södermalm, one of the nicest districts of Stockholm, the Monday after the Stockholm concert. The weather wasn’t as nice as the previous days, but still allowed us to sit outside for “fika”, the Swedish word for “drinking coffee”. After a bit of chit-chat about our stay in Stockholm, travelling here and there to go to concerts and how Micke Syd is feeling today (“better today, yesterday I was totally KO!” he told us) we started with our interview.

Judith: So let’s start with some background. How did you get into music and when did you start playing drums?
Micke: I think I’ve always wanted to play drums. I remember when I was 5 or 6 and my parents had parties at home and played music and danced, I had a metallic ashtray and I played with knitting needles on it, just for myself, following the rhythm of the music. I don’t know why! (says with a smile). Then I got a drum kit for Christmas when I was 12 or 13, so I learnt to play myself. When I was in 9th grade I had some music lessons for some months but I learnt the rest myself. Then I started to play with Anders and a friend named Martin and the rest you know.

J: and did you have any favourite drummer or inspiration?Micke Syd 2
M: I think I had when I was younger; I always liked all those good drummers who had a personal sound when they play. A beat is a beat, but there must be that special something.
The thing is, you can be technically very good and fast but that doesn’t mean that it’s good.  So, of course, Ringo Starr or Charlie Watts were some of my inspirations. When you hear them play, just one beat, you know it’s them playing, it’s their personality coming through the drum sticks.

J: I think there are just a few drummers you can put in that category, I just got into Bruce Springsteen lately. I sometimes like to concentrate on an instrument when listening to an album, mostly it’s the drums or guitar. So I am amazed the way Max Weinberg plays.
M: Max Weinberg is fantastic. The feeling you get from him is very strong and precise. Love it.

J: It reminds me in a way you play, very much defined strong beats, very fast and catchy as well. And that’s one of the things I love about Gyllene Tider. You hear the difference if you are not playing the drums. You have a very much defined strong beat and you totally miss it when somebody else plays GT songs.
M: Thank you! I think this is the biggest thing with us in Gyllene, we have a totally own sound. All the 5 of us need to be there for this special thing to happen. And the fact that you hear when it’s me playing is the key. It comes with age, I know that I am never gonna be playing faster than *beep*, but I know that I can play ME.  Like MP plays himself, or Anders and Göran and Per. And that is the formula that makes us so special. It’s important to know who I am when I play. And what happens with me and the others in the band. And this is the kind of drummers I like and what I like to hear in other bands too. I am rather old now so I don’t listen to songs that way anymore, but sometimes you just have to. Like for instance, Paul McCartney’s drummer – have you seen him live?

J: Yes, just a month ago!
M: that is great to hear. Did you notice the drummer? Abe Laboriel Jr. His father is a legendary bass player; you can check him on Youtube. Abe Jr. is a huge guy, he also sings and has a very soulful voice and he plays fantastic drums. We could do the same beat on the same drums and it would sound totally different. Just because of the way we do this. And that’s all about music. Find who you are and play the best you can.

J: How did you create the drum parts for the new songs? I understood that Per sent you the demos, which are basically guitar and some keyboard, and that’s all. Was it on the fly in the studio or did you prepare yourself?
M: that’s one thing that was so magical about “Dags att tänka på refrängen” and the difference to when we did “Finn fem fel”. Per had written like he always does, on guitar and him singing, maybe some rhythm pattern or keyboard. He sent the songs bit by bit in spring I think, and I decided for myself to just listen to the songs once this. Sometimes when you listen to them more often, you listen to the chords, you may think ‘I have heard it before’, and you get a wrong input or idea about the song. Then you also start to think how you will play things. So I just listened to them once and left them. I think that one of the best things with us is that when we are together things just happen, we just do it. Of course, I have my box of fills and my beats and rhythm, you will probably hear the same or similar on more than one song. But it’s my way of doing it. So this time we just played.

J: And it worked out amazingly, because the album is great and you really seemed to have fun, some songs sound even like having been recorded live.
M: I think one of the good things was that we started out with “Det blir aldrig som man tänkt sej” because it’s a very powerful song and because we had already played it 32 years ago, but we still remembered it. Now when we rehearsed we even did songs from the EP “M”, like “M” which we never played back then, so we just said ‘let’s see if we can play it’ and we could. So songs are somewhere here in the brain, and when we get together it all comes back.

J: So what happened after “Det blir aldrig…”
M: We recorded this song in two or three takes and that was the beginning of the creative thing going. The first day we did a lot of takes, everything went so fast we didn’t even have time to think and I think that was the good thing, we simply played.

And many times what we played then became the arrangements, so you could say that we did the arrangements for the songs in real-time. And when you do that, often the stuff that comes out is amazing and the way it should be.

And for me this is very important too, I have to keep the tempo, I have to know what is happening to put the beats and the fills so it melts with the rest, so I like when it’s flowing, it shouldn’t stop, it should be like a dance. The parts between the verse and the chorus should be together with some nice … something. So when we do it like this, that fast, it just happens, this is nothing you can talk about. And it’s so special to be in a band where we have such a communication that is not verbal, it’s totally something else.

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Motivation is what drives Per Gessle

Hallandsposten made a long and interesting interview with Per in the garden of his house in Sandhamn. From the interview it turns out that Halmstad is the place where Per can get energy. He also mentions that Åsa is the best wife in the world and Gabriel is as interested in computer games as he was in The Beatles and all other music at the same age as now Gabriel is.

According to the article, first it was the answering machine, then the tape recorder and mini-disc, but today Per Gessle‘s most important “instrument” to record and collect his ideas is his iPhone. Later he is saving all his files to computer, too. Per’s mobile is full of cryptic names of draft files that later might become hits. The working name of e.g. Singel was ”Apelsin” (= Orange – this word appears in the lyrics). Talking about hits, there are more than 1000 Gessle songs registered at Stim (International Music Agency of Swedish Composers).

As Per says to Hallandsposten, in terms of percentage, the lyrics take much more time to write than music. It’s often verses, quotes or events he’s picking. For example, ”Tiden är en dåre med banjo” (= Time is a fool with a banjo) is a Charles Bukowski quote.

Regarding ”Anders och Mickes första band” Per says:

It was my way of showing that we are five in Gyllene Tider, not just me.

 

Of course, we all know Per likes playing with words, he’s creating awesome rhymes. He says to Hallandsposten that ”Det blir aldrig som man tänkt sej” is about disappointment and with the rhymes ”Du kunde knappast knäppa knappar och knyta knutar på en och samma gång – du stod på fyllan bakom hyllan som en Bob Dylan väntande på varm buljong” he could express exactly what he wanted.

Hallandsposten writes it was 37 years ago when Per got his first ever fan mail – from Katarina. He remembers the letter clearly and says if he writes a song he thinks is good and then anyone else likes it too, he’s proud. He says he always wanted to succeed with his art, so today he feels that there is nothing left to prove. Therefore, being No. 1 on the charts or commercial success are not that important anymore.

To Hallandsposten’s question regarding what is driving Per, he replied:

Motivation. If I would lose it, no more melodies or chords would come to my mind. I wouldn’t be so open to ideas and wouldn’t take down what is out there.

 

Hallandsposten also asked how Mr. G can manage all the things he is doing at the same time: music, hotel, wine and even handling several social media sites. Per says:

If it wasn’t me doing it, then someone else would. And then I still should check it. So why not doing it myself? After all, it’s fun.

 

 

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Original article © Hallandsposten; GT photo © Jari Välitalo

Celestte Williams contributed to the article.

 

Marie Fredriksson in ”Tack för musiken”

It’s nice to hear so many news about Ms Effe being very active nowadays. Today it has been announced that Marie will appear in Niklas Strömstedt’s ”Tack för musiken” (= Thanks for the music) show.

The show provides an exclusive and unique picture of Sweden’s most famous artists. Niklas and his guests are talking about music, memories, anecdotes from the artists’ career and also singing songs during the program that is recorded in Maximteatern, Stockholm. Other famous guests related to the participating artists are also attending the show, so we might see Per in the part with Marie as well.

The third season of this program starts in December on SVT, but recordings with Marie are on 27th August.

If you want to be in the audience, apply for tickets asap by sending an e-mail to Joanna Nilsson (Audience Manager): tackformusiken@titan.se. Provide your name, phone number, e-mail address, number of tickets you need and the name of the artist you want to see. Tickets cost only 70 SEK, payable in cash at the entrance. Who comes first is served first!

 

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Gyllene Tider’s Parkliv today

SVT1 broadcasted a 55-minute-long Gyllene Tider nostalgia trip at 22:00 CET on 6th June. The documentary – Gyllene Tider’s Parkliv today – was teased as you can watch Parkliv (1981) ”together” with the guys and it indeed felt like watching the old docu together with them. They were sitting in a studio and while they were chatting with each other and with Annika Jankell, Parkliv was on in the background. They were watching it on a screen in the studio and it also appeared in the corner of the TV to make it possible for all viewers watching it at the same time. Unfortunately, the documentary is only available in Sweden. Click here for watching it.

 

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The whole docu is very cosy. Everyone is chatting, drinking water or wine, eating crackers and laughing a lot. The guys are joking with each other about how they looked like back in 1981, how Per was singing, how Micke Syd was playing the drums, etc. They are humming some tunes and playing air guitar and air drums while watching Parkliv. The make-up girl comes in every now and then and is adjusting make-ups (not only Per’s).

 

GT_Parkliv_idag_02

 

The guys are telling anecdotes like the story of Per saying the phone number of Micke Syd’s mother’s hair salon in Parkliv (where there is a long beep), but girls read Per’s lips, so they were calling the saloon all the time and drove Micke Syd’s mother crazy with that.

Looking at the 1981 crowd Micke Syd is inviting you, guys and girls, who can see yourselves in Parkliv to post them a photo on Gyllene Tider’s Facebook site.

Annika is also trying to make a comparison between the girls falling for Gyllene Tider and the ones falling for e.g. One Direction or Justin Bieber. Interesting topic, but c’mon! Where will these latter boys be in 30 years…? 😉

 

GT_Parkliv_idag_03

 

© All screenshots are from the documentary

“Gyllene Tider’s Parkliv today” is broadcasted again at 13:55 CET and 01:05 CET, 9th June on SVT1.

 

Thanx for the cooperation to Celestte Williams.

 

1.5-hour-long interview with Per Gessle

Kristoffer Triumf (Värvet) made a long long long long long interview with Per on 30th April, 2013. This is 100% interview, containing no music in between. Värvet, an amateur radio channel is known for making such interesting interviews with popular Swedish people, talking about their working life and being human. It’s in Swedish, but one has to get used to it: if you’re a fan of Roxette / PG / Ms Effe / GT, you have to practice your Swedish every now and then.

Click here for the interview. You can even download it.

Per is talking about everything from how he’s writing songs, what kind of music he is listening to via the Roxette tour, Gyllene Tider’s new album to how he’s managing all the social media sites and what he’s sharing there (song of the day, videos he makes in the studio with his iPhone, old video clips, etc.). There are some thoughts about how music and ”artists” have changed during the past years.

We also get to know that Per is walking 8-9 km in 1 hour 15 minutes each morning and probably that’s why he’s so fit. When he’s on holiday or when on tour, he’s visiting the gym. He tells he weighed himself before and after a gig and lost 2.5kg during one concert. He’s also talking about how much time he’s spending with his appearance.

Kristoffer asked him if he’s a feminist. Per asked back what it means. Kristoffer explained and Per said he is. They are also talking about how eccentric Per is and what eccentric means at all.

Per says Knallpulver (the only instrumental song on Gyllene Tider’s new album, Dags att tänka på refrängen) was inspired by a garage band. Then he made the demo in his hotel room in Curitiba.

We already heard it in some interviews, but he said it again regarding how to choose singles that he’s not too good at it. He didn’t really believe in Wish I Could Fly, for example. He finds it exciting to see why people like certain songs, so on Facebook he’s asking questions about which songs fans like and why.

Per, as a fan is also telling 2 anecdotes of meeting Tom Petty.

He’s talking about his childhood, tells no one knew how to pronounce ”Gessle” correctly – his grandfather’s name was Johansson and his father changed it to Gessle.

They are talking about how much of a businessman he is and how much he is involved in the daily operation of Hotel Tylösand. Per has 7 cars now and is not using public transportation (bus or subway) in Sweden (surprise, surprise…).

Kristoffer asked Per who he thinks Kristoffer should make an interview with. Per suggested Marie. So, we hope for a Marie Fredriksson interview on Värvet.

After the interview Mr. G went home for lunch, eating char (röding -> fish) with his family.

VARVET_61_Per Gessle 1 by Kristoffer Triumf.jpg  VARVET_61_Per Gessle 2 by Kristoffer Triumf

Per in the studio (a smile would have been nice 😉 )           Per leaving the studio after the interview

Pics by © Kristoffer Triumf

 

 

Gyllene Tider report on TV4

Jesper Börjesson, TV4’s reporter visited Gyllene Tider in Tylösand, Halmstad on 10th April. They were talking shortly about Gyllene Tider’s history, their regular lives and this summer. The report includes screens mainly inside Hotel Tylösand, parts of Parkliv 1981 and parts of Man blir yr video. You can see some pages of Jesper’s Gyllene Tider scetchbook as well from 1981. Nice report, but just like the new album – Dags att tänka på refrängen – it was too short.

You can watch the report if you click here.

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