Per Gessle shows his Ferrari collection on Antikrundan

In the January 16th episode of Antikrundan, SVT, there was a 4-minute-long reportage with Per Gessle. Antikrundan is the Swedish version of the original BBC format Antiques Roadshow. The show visits different locations in Sweden and lets people bring their antiques to be valued by experts. The show is hosted by Anne Lundberg.

Watch it HERE!

The recordings took place in August 2024 at Hotel Tylösand when Anne visited Per in Halmstad. Per’s part starts 23:40 into the program. After greeting Anne outside, with a view to the sea, they enter the hotel and walk into the area where The Joyride Car Collection is exhibited. Anne explains Per is a collector of both art and musical instruments, but today it’s about something else. Per enthusiastically says they are going to talk about cars. He thinks it smells so good in there, it smells like cars.

Anne is curious how Per’s interest in cars started. He thinks it was when he was a kid and watched Formula 1 with Ronnie Peterson and Jackie Stewart. Then he got completely hooked on Ferrari when he saw The Persuaders! with Tony Curtis and Roger Moore. Roger Moore drove an Aston Martin, but the Ferrari Dino Tony Curtis was driving was Per’s dream car. He is not the type who has to drive his cars so fast at all costs. He loves looking at them and he loves the romance around it. It’s Italy, la dolce vita. He thinks older cars in particular are fantastic, but they are so incredibly expensive and difficult to find.

Anne wants to know what the oldest car in the collection is. Per shows the one from 1962. It was bought new by Ragnar Åhlén, who started Åhlén & Holm which later became Tempo and then Åhléns, a chain of Swedish department stores. Per says this car is a 250 GTE. Anne asks PG how he knows that it is the one that Ragnar Åhlén had. Mr. G explains that there is a fantastic sign inside. He allows Anne to sit in the car and she finds the sign that says Åhlén & Holm AB, Ringvägen 100, Stockholm. Considering that the car is 60 years old, it is in fantastic condition in every detail, Anne says. Per says there are a few flaws though, a little patina that is. Anne says they like it like that in Antikrundan.

The next car is the Dino. Per asks Anne if she has seen anything more beautiful. He draws Anne’s attention to the taillights. PG loves them. Anne likes the shape of the car and says it could have been a super exclusive piece of furniture. It’s from 1971. Per lets Anne sit in the Dino. Anne says she has never sat in a car like this, it’s the first time. She hits her head while getting into the car and they are both laughing. Anne notes that you must not be too tall, if you have a car like this. She says Per probably didn’t know it when he was sitting at home watching The Persuaders! that one day he would own a car like this. Per says it’s fantastic. It’s the classic Rosso Corsa. Anne says it’s the color that people associate with Ferrari. Per confirms. Anne has heard that Per even got his own color. It’s Gessle gray (Gessle-grå). He points at the car next to them to show the color. It’s a ’60s color called Grigio Ferro. Many of their cars are in this color, so at the factory they call them Gessle gray (Gessle-grå). Per says they have learnt the Swedish word.

They jump into the Gessle gray Ferrari and Anne asks Per if there are still any dream cars left when he has such a fantastic collection. PG says not really, but of course, there are cars that you would like to have. He loves Ferrari California Spyders from the late ’50s, but they are almost unobtainable. They are extremely expensive and there aren’t that many of them. But it’s always fun to have a dream or two left, Per adds. You have to keep on dreaming.

Stills are from the program.

The Roxette musical wins numerous categories at the 2024 BroadwayWorld Sweden Awards

Joyride – The Musical was nominated in all possible categories at the 2024 BroadwayWorld Sweden Awards and after the voting ended on 31st December, now winners of the categories are announced. Check it out HERE!

The 2024 Regional Awards honor regional productions, touring shows and more which had their first performance between 1st October 2023 through 30th September 2024. Local editors set the categories, readers submitted their nominees and then voted for their favourites.

Categories in which Joyride – The Musical was nominated:

  • Best MusicalJoyride – The Musical at Malmö Opera WINNER!
  • Best EnsembleJoyride – The Musical at Malmö Opera WINNER!
  • Best Performer In A Musical: 4 actors from Joyride were nominated: Jessica Marberger, Marsha Songcome, Alexander Lycke, Tilda Hallström (Winner is Sayuri Yukawa – BEETLEJUICE – Östgötateatern)
  • Best Supporting Performer In A Musical: 4 actors from Joyride were nominated: Sanna Martin, Patrik Martinsson, Oscar Pierrou Lindén, Sara Lehmann (Winner is Alexander Larsson – DREAMGIRLS – Chinateatern)
  • Best Direction Of A Musical – Guy Unsworth – Joyride – The Musical at Malmö Opera WINNER!
  • Best Scenic Design Of A Play Or Musical – David Woodhead – Joyride – The Musical at Malmö Opera WINNER!
  • Best Lighting Design Of A Play Or Musical – Ulrik Gad – Joyride – The Musical at Malmö Opera WINNER!
  • Best Costume Design Of A Play Or Musical – Torbjörn Bergström – Joyride – The Musical at Malmö Opera WINNER!
  • Best Sound Design Of A Play Or Musical – Avgoustos Psillas – Joyride – The Musical at Malmö Opera WINNER!
  • Best Choreography Of A Play Or Musical – Miles Hoare – Joyride – The Musical at Malmö Opera WINNER!
  • Best Music Direction & Orchestra Performance – Joakim Hallin – Joyride – The Musical at Malmö Opera WINNER!
  • Favourite Local Theatre – Malmö Opera WINNER!

Joyride was nominated in 11 categories and won 9 of them! Category 12 was Favourite Local Theatre where Joyride is played: Malmö Opera! This is pure awesomeness! Hats off to all involved in the making of this amazing musical and big congratulations to all the winners! So well-deserved!

Joyride is performed until 27th April 2025 at Malmö Opera. All shows are sold out! In case you can catch a ticket, make sure you go and see it!

The Roxette musical continues its joyride and the next stop is China Teatern in Stockholm with the premiere on 11th September 2025. The set at China Teatern is directed by Guy Unsworth, who also directed the show at Malmö Opera. However, a completely new ensemble will be selected. Tickets will be released in spring 2025.

Per Gessle to release The Lonely Boys demos!

Per Gessle continues the tradition of releasing music in connection with his birthday on 12th January, and in 2025, he offers something truly special.

Mats Olsson, writer, reporter and a very good friend of mine, wrote an amazing book called “De ensamma pojkarna” (translates into “The Lonely Boys”) about a striving young Swedish rock group in the ’60s. Someone came up with the brilliant idea that Nisse Hellberg (from one of my favourite Swedish bands) Wilmer X and yours truly should try to write a “soundtrack” to the book.

Three of my songs (“Adam & Eve” + “Apple In The Mud” + “Keep The Radio On (This Is The Perfect Song)” were born on the road with Roxette. We were on our “Crash! Boom! Bang!” tour and these songs were written in April 1995 in Santiago, Chile.

“Lonely Boys” and “Stay (At Home, At Work, At Play)” were born in June 1995 while “Genius Gone Wrong” goes way back to 1984.

I recorded my six demos together with MP Persson and Micke Syd during two hectic days in July 1995 at the Tits&Ass Studio in Halmstad.

By the way, there’s another song by me on the “real” Lonely Boys album (“I Wanna Be With You”) which made it to the record only because “Stay (At Home, At Work, At Play)” didn’t really fit in. Sometimes you have to kill your darlings.

The “I Wanna Be With You” demo was made in November 1994 and is not included on the vinyl maxi EP but stands loud and proud, just like the other six tracks, in a brand new mix by MP on all streaming services for your listening pleasure. Have fun!

These fantastic power pop songs are now being released in a refined form with completely new mixes. 6 of them are released as a 12″ vinyl in limited edition on 10th January.

Order a limited signed copy by Per Gessle HERE!

The Per Gessle Archives – The Lonely Boys – Demo Sessions 1995

SIDE A

1 Lonely Boys (T&A Demo July 4, 1995 – 2024 Mix)
2 Apple In The Mud (T&A Demo July 4, 1995 – 2024 Mix)
3 Keep The Radio On (This Is The Perfect Song) (T&A Demo July 5, 1995 – 2024 Mix)

SIDE B

1 Adam & Eve (T&A Demo July 4, 1995 – 2024 Mix)
2 Genius Gone Wrong (T&A Demo July 5, 1995 – 2024 Mix)
3 Stay (At Home, At Work, At Play) (T&A Demo July 5, 1995 – 2024 Mix)

Produced by Per Gessle

Recorded at T&A Studios, Halmstad July 4-5, 1995

Engineer: Mats Persson

Mixed by Mats Persson at T&A Studios, Halmstad August 2024

Played by

Micke Syd Andersson: drums
Per Gessle: electric guitars + piano + harmonica + synthesizer + vocals
Mats Persson: electric guitars + bass guitar

Words + Music by Per Gessle

Published by Jimmy Fun Music

Mastering: Mats Persson, T&A Studios Halmstad

Design: Pär Wickholm, Wickholm Formavd., Stockholm

Photo by Åsa Gessle

The digital edition contains the 1994 demo of I Wanna Be With You in a 2024 mix as well. Tracklist:

1 Lonely Boys (T&A Demo July 4, 1995 – 2024 Mix)
2 Apple In The Mud (T&A Demo July 4, 1995 – 2024 Mix)
3 Keep The Radio On (This Is The Perfect Song) (T&A Demo July 5, 1995 – 2024 Mix)
4 Adam & Eve (T&A Demo July 4, 1995 – 2024 Mix)
5 Genius Gone Wrong (T&A Demo July 5, 1995 – 2024 Mix)
6 Stay (At Home, At Work, At Play) (T&A Demo July 5, 1995 – 2024 Mix)
7 I Wanna Be With You (T&A Demo Nov 2, 1994 – 2024 Mix)

Listen to it on Spotify, YouTube, Deezer, Apple Music or any other streaming platform!

Vote for Sommartider – the almost true story of Gyllene Tider!

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Which films and who should be nominated for the Guldbagge Awards in different categories are determined by a nominating committee. It consists of 45 members who nominate three candidates in each category. The Committee members are active in the Swedish film industry and are appointed by their respective organizations or institutions, as determined by the Swedish Film Institute’s board of directors.

This year’s nominees were announced on 17th December and Sommartider, the almost true story of Gyllene Tider received only one nomination, Johan Palm in Best Cinematography category. Congratulations! The movie was a big hit this year, more than 208,000 people went to see it in the cinema, so we think it would have deserved more nominations. We agree with Jan-Olov Andersson at Aftonbladet that Valdemar Wahlbeck, as Per Gessle, should have been nominated for Best Leading Actor. Anyway, we keep our fingers crossed for Johan Palm to win. He and his team did an amazing job!

Sommartider has a second chance though, to win the Guldbagge Audience Award!

Voting for the most popular film of the year is now open. In the first stage – starting today, 18th December – the audience can vote for all Guldbagge-nominated feature films from 2024, a total of 50 titles. On 2nd January, the three films that will advance to the final will be revealed, and voting will continue until 8th January. The winner will be announced at the Guldbagge Gala on 13th January.

Vote HERE!

Everyone can vote for the Guldbagge Audience Award once a day, and those who vote can also compete for great prizes: tickets (including hotel) to the Guldbagge Gala, cinema pass (Biopass) and Guldbagge merch.

Good luck!

 

Interview with Per Gessle in Svenska Dagbladet – “Marie always made my songs better”

Elin Liljero Eriksson did an interview with Per for Svenska Dagbladet. Elin and Per met in the Cornelis room at Södra Teatern in Stockholm.

It has been a busy year for Per. In addition to the feature film about Gyllene Tider and a musical with Roxette’s songs at Malmö Opera, he has turned 65 and released his first album of original material in over eight years – the duet album Sällskapssjuk. Now he is preparing for a world tour with Roxette next year, together with Lena Philipsson. He is really longing to go on tour again.

How his most successful project would be managed after Marie Fredriksson passed away in 2019 has not been a matter of course. Per explains that at first he didn’t want to continue with Roxette. Then he felt that this is over 30 years of his life and he has written almost all the material, songs that he wants to live on. Roxette has also been streamed more than ever in recent years. When he then made a single with Lena for his latest album, it felt right to ask her. But they haven’t started a new Roxette, Lena is hired to manage the Roxette catalogue.

PG is shocked at how many tickets they are selling for the new Roxette tour. There has been skepticism from some fans, but there are a lot of people who think it will be fun to hear the songs again.

Per wrote the lyrics of Kärleken är evig, Lena’s song that ended up at the second place in Melodifestivalen 1986. About writing songs for other artists, PG says he never liked it. Also if you write together with others, it usually means a lot of compromises that don’t make anyone happy, unless it becomes a hit. But that’s not really why Per is doing that. He is at his best when he gets to do things his own way, which is reminiscent of his upbringing in Halmstad.

I was a loner during my school years. I lived in my little bubble, listened to an extremely lot of music and was quite shy. But I was the one who got to sing “Staffan var en stalledräng” in third grade. I can’t believe I dared it, because it was incredibly unlike me. But there was something in me even then, that I wanted to be a pop star.

Per’s mother was a teacher of porcelain painting, his father was a plumber. They had a piano which was sometimes played by Per’s sister, but no deeper interest in music can be traced in the family, except to a violin-playing relative in the 1800s.

I don’t know where it comes from, but I’ve noticed that I have a completely different musicality than the fantastic musicians I’ve had the privilege of working with all these years. To this day, I can’t sit down at a piano and play my songs. I can play them wrong in the most ridiculous places. But if you ask Roxette producer Clarence Öfwerman to play anything from The Beatles, for example, he’ll play it even though he has never done it before. What I have is that sometimes I hear something in music that they don’t.

Elin wants to know if Per hears melodies.

Yes, I don’t know how they get to me. I have no idea how to write a hit. I’ve never had a formula for it. But I’m so glad I love commercial pop music, it’s in my DNA. That’s why there has been a lot of that kind of music. The melodies are the interesting part.

Elin is curious if Per has ever had complexes about not being a typically trained musician. Mr. G thinks „complex” is perhaps not the right word, but he has always felt inferior. Already on Gyllene Tider’s early tours, MP had to go on stage and tune Per’s guitar, because Per couldn’t. But when it was tuned, PG rolled on.

About Marie Per says:

Marie always made my songs better, that’s why I needed her. If she could have written those songs herself, she would have dumped me in the nearest trash can. But she couldn’t. We complemented each other very well.

Marie joining Roxette was not a given.

She was much bigger than I was at the time. No one around her, including the record company and producer Lasse Lindbom, wanted her to do anything with me. She did this against everyone’s will.

To the question how that could happen Per replies:

On the one hand, we had a fantastically pleasant relationship, but above all we were united in the desire to play abroad. But from Marie’s side, it was always the feeling of “we’ll see what happens”. Therefore, it was important for me to deliver. So I wrote the “Look Sharp!” album that was full of goodies. She liked the material for it very much, and I noticed that she sang in a different way when I could have a say. There was a sexiness in songs like “Dressed For Success” and “Dangerous” – a completely different Marie than the one who sang ” Ännu doftar kärlek”.

Look Sharp! was the start of a global Roxette hype that led to intense touring for several years. Elin says that despite the fact that both Per and Marie had partners, there were often rumors that they were a couple.

No, I have never had a relationship with Marie. We had a very intense relationship through Roxette, it was like our child. But after the Crash tour in the mid-1990s, everything changed, because Marie had a child. Then it became a different focus in her life, which was perfectly fine.

Per says he doesn’t really feel at home in the music industry anymore. It’s not because it is worse or better. That’s because it’s different from how it was when he was growing up. That’s why he still likes album covers. If you are 15 years old today, you don’t care about that.

Elin informs about the many projects in Per’s life. In addition to Gyllene Tider and Roxette, he has released several solo albums, runs Hotel Tylösand together with his wife, where he also has the photo gallery Tres Hombres Art and a solid Ferrari collection. He has a house and studio in Halmstad, in addition to his two floors on Strandvägen in Stockholm where he lives. Financially, he could have sat back a long time ago, but Per Gessle can hardly handle free Sundays. He says then it is impossible to get hold of anyone, the offices are closed and everyone is hungover. He wants access to things. Per says you can try to use Sundays as a contemplation day, but every seventh day is a bit too often.

Elin is curious what Per does when he contemplates. Mr. G says he walks and thinks a lot. Åsa likes to have the TV on in the mornings, which is a big schism in their family. Per is easily stressed by too much information, and if it is negative, which it often is these days, he can get quite low. Silence is a way for him to survive.

I never have music on unless I’m actively listening to it. Not in the car either. If it’s a nice car, I want to listen to the engine.

Regarding losing many around him in recent years, Per says:

It has obviously been very tough and has probably affected me more than I think. You are reminded of the impermanence of life.

Elin asks Per if he often thinks about death.

No. The most annoying thing about aging is that it’s so easy to look back. Besides that, it’s a very young world we live in, it’s not quite made for my age. 40 years ago I thought it was great, now it’s something I have to fight against. But if my ambition had been to only do bigger and bigger things, I would have gone crazy. Because what am I supposed to do with it? If I come up with an idea, I implement it. If I feel like it, I write a song. There will probably be a day when I feel like I’m done, but I’m not quite there yet.

Read the original interview in Swedish by Elin Liljero Eriksson and check out the photos by Rickard L Eriksson HERE on Svenska Dagbladet!

Rickard also shared the photos on his Instagram.