Roxette on Rocksmith

Rocksmith is an award-winning method, the fastest way to learn to play guitar. You can plug any real guitar or bass into your PC, Mac, Xbox 360, Xbox One, PS3 or PS4 and join over 3 million people who have learned to play guitar with this method that adapts to you as you play. Hundreds of songs are available and now 3 Roxette hits are also added. The Roxette Song Pack contains The Look, It Must Have Been Love and Listen To Your Heart and is available on Xbox Live, PlayStation Network, and Steam. The songs may be posted later for players in territories served by the European PlayStation Store due to differences in publishing times. See the tunings and arrangements in THIS VIDEO.

Roxette Song Pack

  • “It Must Have Been Love” – E Standard – Lead/Rhythm/Bass
  • “The Look” – E Standard – Lead/Rhythm/Bass
  • “Listen To Your Heart” – E Standard – Lead/Rhythm; D Standard – Bass

Thanx for the hint, Gaby Hildebrandt!

 

Busy April 12th for Roxette and Per Gessle fans

12th April brings for us fans one surprise after another. First it was announced that Roxette’s 6th studio album, Have a Nice Day will be released as a limited edition 180g yellow double LP gatefold sleeve. It was released only on cassette and CD in 1999, but never on vinyl. Nice way to celebrate the album’s 20th anniversary, isn’t it?

Per Gessle looks back at the record as a definite highlight in the band’s career:

Song-wise I think ”Have A Nice Day” could be our best album ever, maybe the only one that turned out like I hoped it would. That’s probably because the five-year break allowed enough time for lots of songs to grow — I wrote some of my strongest stuff and Marie’s ”Waiting For The Rain” and ”Beautiful Things” are among the best things she ever made for Roxette. And then we also added some crucial new members to our core team.

We were testing a lot of different things on ”Have A Nice Day”, mixing guitar pop ditties with drum machine driven dance beats, also adding more strings than on any previous album. And we’re talking real string sections here. You can tell that it’s recorded by a band with a big budget — maybe too big.

It has many songs and quite a long running time, a fact which in hindsight might have hurt it a bit — the “too much of a good thing” syndrome. Maybe ”Have A Nice Day” always was a double album that somewhat reluctantly was squeezed into a single CD. That’s why I love the double vinyl album format in this re-release. “Have A Nice Day” has come home again.

Tracklisting:

Side A

  1. Crush On You
  2. Wish I Could Fly
  3. You Can´t Put Your Arms Around What´s Already Gone

Side B

  1. Waiting For The Rain
  2. Anyone
  3. It Will Take A Long Long Time
  4. 7 Twenty 7

Side C

  1. I Was So Lucky
  2. Stars
  3. Salvation

Side D

  1. Pay The Price
  2. Cooper
  3. Staring At The Ground
  4. Beautiful Things

PRE-ORDER the album HERE!

 

Then there is another limited release by Per Gessle, tribute to The Ramones, I Wanna Be Your Boyfriend on 12″ vinyl in 2 colours. Clear red limited edition (500 copies) and clear limited edition (500 copies). It will also be available as a bundle with both colours.

Per about the release:

Ramones was a huge inspiration when we started our first band “Grape Rock” in 1977. The unbelievable energy, the amazing guitar sound, the cool lyrics and the added touch of surf music floored us totally. Impossible not to fall in love with.

In 2002 White Jazz Records was about to make a Ramones tribute album and I was invited to participate. My choice of song was the brilliant “I Wanna Be Your Boyfriend”. I couldn’t stop there so I decided to do two more killer tracks outside the album at the same time. Just for fun. Hey Ho!

Tracklisting:

Side A

  1. I Wanna Be Your Boyfriend
  2. Gimme Gimme Shock Treatment
  3. Sheena Is A Punk Rocker

Side B

B side is with engraving “Per Gessle” sign.

PRE-ORDER the album HERE!

 

Gyllene Tider release 2 new compilation albums

Before they start recording their last album, Gyllene Tider released 2 compilation albums on Spotify today. Both contain bonus songs and also alternative versions of some gems. Tidiga Tider: Bonuslåtar och alternativa versioner 79-81 and Andra Tider: Bonuslåtar och alternativa versioner 82-84. Click on the album titles here and you can reach them on Spotify, even in countries where you can’t find them under “Gyllene Tider” or when you browse and try to search for the albums. However, 4 songs you will still not reach in every country. Hopefully, the albums are released on other digital platforms too.

TRACKLISTS

Tidiga Tider: Bonuslåtar och alternativa versioner 79-81

  1. Ljudet av ett annat hjärta – 7” single 3:51
  2. Gyllene Tider för rock’n’roll – Swing & Sweet EP 2:59
  3. Teena – B-side ’Ljudet av ett annat hjärta’ 6:07
  4. Marie i Växeln – Parlophone pop! – Instant hits, singlar & out-takes… vol 1 3:43
  5. Vill ha ett svar – Swing & Sweet EP 2:14
  6. Leka med elden – B-side ’Kom så ska vi, Leva livet’ 4:50
  7. För dina bruna ögons skull – Fan-club single 3:38
  8. 24:e december – Out-take ’Gyllene Tider’ album 4:30
  9. Beating Heart – ’Modern Times’ promo single (not /yet?/ available in all countries) 3:04
  10. Tylö Sun – Early version (not /yet?/ available in all countries) 3:17
  11. Och jorden är rund… – Swing & Sweet EP 1:57
  12. Vem tycker om dig? – Fan-club single 4:31
  13. Åh Ziggy Stardust, var blev du av? – Parlophone pop! – Instant hits, singlar & out-takes… vol 1 3:21
  14. Ge mig inte det där – Swing & Sweet EP 2:22
  15. To Play With Fire – ’Modern Times’ promo single (not /yet?/ available in all countries) 4:56

Andra Tider: Bonuslåtar och alternativa versioner 82-84

  1. Hej! – Out-take ’Puls’ 1:51
  2. Bara vara nära – Out-take ’Puls’ 2:44
  3. Tylö Sun – B-side ’Sommartider’ single 2:41
  4. Vart tog alla vänner vägen? – B-side ’Sommartider’ single 2:51
  5. Marie, Marie – Radio Parlophone – Andra sändningen! (Rockfile) 2:16
  6. Offside! – ’Rockriff’ cassette compilation / Out-take ’Puls’ 2:39
  7. Hi Fidelity – ’Hi Fidelity’ compilation 2:05
  8. I Go To Pieces – B-side ’Flickan i en Cole Porter sång’ 2:37
  9. Skäl att tvivla – Out-take ’Puls’ 3:31
  10. Threnody – Radio Parlophone – Andra sändningen! 4:45
  11. Ingenting av vad du behöver – Covermount magazine ’Schlager’ 4:19
  12. Kiss From A Stranger – Out-take ’The Heartland Cafe’ 3:30
  13. Anytime – ’Hi Fidelity’ compilation 3:26
  14. Young Girl – B-side ’Teaser Japanese’ single 3:36
  15. Mr. Twilight – Out-take ’The Heartland Cafe’ 3:19
  16. Teaser Japanese – Oriental Version – 12” remix (not /yet?/ available in all countries) 5:46
  17. Rock On – Out-take ’The Heartland Cafe’ 4:05

The YouTube links probably work only in Sweden: Tidiga Tider; Andra Tider.

 

SvD’s interview with Per Gessle about aging and pop music

Andres Lokko from Svenska Dagbladet did an excellent interview with Per Gessle and it was published together with Staffan Löwstedt’s wonderful photos in SvD last Sunday. It’s the first time Per let journalists inside his apartment on Strandvägen, Stockholm, so the article also gives you a sneak peak at where family Gessle live when they are in the Swedish capital.

The title of the article is ”Per Gessle, how is it to be so old?” and it predicts they were talking about aging. But once you have access to the whole article (which was published in paper on Sunday and available for subscribers online), you realize it’s about much more than that.

Andres writes Åsa, Per’s wife proudly shows one of Per’s 60th birthday present when they enter, a Playboy pinball game from the ’70s with a kitschy cartoon Hugh Hefner in a bathrobe and with a pipe, of course, flanked by blondes in bikini. The 2-storey apartment is a virtual Fort Knox. Where the guys could enter is the airy office with a grand piano in the room and shelves along the walls with CDs and art books on them. Wherever they look they can see framed pop-historical photos. In the toilet there is a black and white Iggy Pop, for example.

Åsa serves coffee and tons of cookies. Andres writes no one touched the bakery but a bowl of English liquorice disappeared very quickly.

Andres asks Per how it feels to be so old and Mr. G replies with a little self-ironic resignation that it’s cool and totally OK. Andres (born in 1967) says when he started writing about music 30 years ago, Mauro Scocco, Orup or even Per himself seemed to be old. Now they seem to be the same age. Per reacts that you don’t even notice when it occurs, you just all become adults. Then the older you get, the least important the age is.

Talking about aging, Andres says it’s strange, but suddenly he has a new role as a music journalist. It can happen that one calls him when Little Richard dies and he can also be waken up in the middle of the night to keep a knowledgeable eulogy of any pop legend. Per says aging with pop music is what both he and Andres do in a way. When Tom Petty died, it was as if a close family member had passed away. He felt things would never be the same again. When your idols die while you have the chance to get older and you have experienced how, for example, Marie got sick and others close to you have passed away, it becomes even more difficult to accept that David Bowie or Pete Shelley from Buzzcocks dies.

Andres asks Per if it is stranger to turn 60 himself than to see his idols turning 60. Per says it’s surreal to think of himself as a 60-year-old. 50 was one thing, 40 was also weird. There are periods when there is nothing happening in the music industry or in your life, but then suddenly you wake up in the morning and realize so many things have happened. Not only with music, but social media exploded, streaming services took over and you suddenly find yourself in a whole new world. And that makes you feel even older. Per says he even notices it on his son. Gabriel is 21 now and he is dealing with his own music while he is studying at KTH. He asks Per a lot of things and Per tries to answer, but they come from 2 radically different planets. Gabbe listens to music as much as Per does or did in his age, but he doesn’t care at all about artists, producers, album covers – all that Mr. G thought was vital. When Gabriel and his friends are listening to Post Malone and suddenly Dylan’s ”Subterranean Homesick Blues” pops up, they don’t even raise their eyebrows. Music has become something that just flows forward. Per tells Andres when he grew up he always listened to P3 and ”Release Me” by Engelbert Humperdinck was followed by The Zombies ”She’s Not There”, ”Lucy In The Sky With Diamonds” by The Beatles and then an Evert Taube tune. On the same channel. According to Per, it’s the diversity that makes music much fun and interesting. He bought ”Delilah” by Tom Jones at the same time as ”Last Train To Clarksville” by The Monkees and his brother had records by MC5. During those times wanting to let hair grow over the ears was super-important, almost revolutionary.

Andres asks Per if he feels stuck there. Per says, a little. At least with the hair. It’s not just about age. As an artist you have a requirement to always rush forward. If he thinks of David Bowie, he changed his look all the time, but sometime in the mid-1980s he finished with it and was just David Bowie and it was alright.

Andres asks if it is something Per strives for. Mr. G says change for the sake of change is not necessarily ideal. As an artist, the change must come because you have a need for it. For example, the reason he searched for Marie Fredriksson was that he felt limited by his voice. He has a strange love-hate relationship to it and felt that he could write better songs than how he could sing them. So he needed a change to be able to maximize it. That was the main reason for him to start Roxette. THAT was a natural change for him. Andres says that in such cases the bonus is that after a while it’s fun to hear your own voice again. Per agrees. The more he works acoustically, the more he is longing to play power pop with Gyllene Tider and the more time he spends in an electronic world with Mono Mind, the more he suddenly wants to play acoustically. He thinks these cycles he has invented himself to keep the whole spectrum alive.

Andres says when he hears Per’s voice he often thinks of British singer-songwriter Al Stewart. He had a huge hit ”Year Of The Cat” in the early 1970s. Per asks Andres if he knows that Al Stewart recorded one of his songs once. It has never been released though. It was ”Call Of The Wild” from the first Roxette album. Per has it somewhere on a cassette. Andres asks if Al’s version sounds exactly like Per’s original recording. Mr. G says, not really. But he has a bunch of Al Stewart songs on a playlist he listens to quite often and then he actually thinks it sounds a little like Per himself.

Andres tells the fact that Paul McCartney has stopped coloring his hair was bigger news than his latest album. It was the same with Tom Jones. Andres thinks they went into a new, perhaps their last phases. He asks Per if he sees his paths this way. Per says it’s not far from him to think this way, but he hasn’t got there yet. The last few years he has done so many different things that he didn’t have the time to take that step where he would try to see himself from outside. He says he still doesn’t know what he’ll be when he grows up. The GT reunion this year is not news to him, because he has known since quite a long time that he would devote this year to it and has started writing songs for the last GT album.

Andres remarks that GT for Per is like a band on stand by. Per says it’s nice to have it like that. GT always comes back on a project basis and after a short intensive period it’s over again. Andres says Per constantly wants to move forward, but GT is a pure nostalgia machine. PG says it’s true, but everytime the band came back, one of his conditions was that they release a new album too. It’s not that they need new hits, because people want to hear the old ones anyway, but to get together in the studio and do a creative work. They have extremely good relationships within the band, but they hardly ever spend time together. Per works with Mats MP Persson in the studio in Halmstad from time to time, Anders Herrlin was there with him in Nashville when they recorded his solo albums ”En vacker natt” and ”En vacker dag”, but the others he follows basically only on Facebook. But during an album recording, they immediately find their original roles. Per thinks they really need to find that chemistry to be able to go on a tour together. Should they not do it this way, there is a risk that five strangers will suddenly play pop music in front of 150,000 people. Instead of partying together in Mallorca for 2 weeks, it’s more efficient to record some new songs, Per tells Andres.

It’s 100% right that Gyllene Tider is a nostalgia machine, but Per sees the band in a more serious way. He thinks GT is a very good pop band in the same way as Tom Petty & The Heartbreakers. Now that they are 60, he wants to try to make pop music that is worthy and adult in the right way. They can’t do any ”När vi två blir en” songs anymore.

The guys are coming back to the aging topic again. Andres mentions that they are the first to experience that such things as the death of David Bowie can happen, that pop artists die of old age. He asks Per how he deals with it. PG says Keith Richards is 75. He saw ”Under The Influence”, a documentary about him on Netflix the other day and he just said “I’m no pop star anymore and I don’t want to be that”. He has been there since he was 17-18 and now he is a groomed old uncle and feels relatively good in his existence. He can’t be compared to anyone else.

To Andres, Carole King is an excellent example of how she in 1960 wrote ”Will You Love Me Tomorrow” for the teenage girls in The Shirelles, but when she 10 years later sang it herself, as a ballad at the piano, she transformed the text author Gerry Goffin’s words into a sad and grown love triangle. Per says a good pop song works like this. Also some of Per’s songs work like that. For example, when Lars Winnerbäck sang ”Honung och guld” with Per on tour, the song got a completely different meaning.

Per tells SvD that as time goes by, he tries to understand how he was thinking when he was writing nearly 40 years ago. To find out what he was looking for. He was also thinking about it when he wrote the new songs for GT. He dreams to find a tone of adult dignity, but in their chosen form of pop.

According to Per, the school of composing that he works in doesn’t exist anymore. Definitely not in modern electronic dance or pop music. It’s a bit like when Paul McCartney sits down and plays ”Martha My Dear”. No one writes music like that today, but he has it in his DNA. When Per started playing, the first thing he learned was Swedish songs. He and his friend Peter Nilsson were Sweden’s first troubadours employed by the city council. Swedish social democracy at its best, Andres reacts. That music school mixed with Simon & Garfunkel and artists like Bernt Staf and John Holm meant a lot to Per. That song tradition is in his DNA.

Cover photo and all photos in the original interview article are by Staffan Löwstedt.

© Svenska Dagbladet, Andres Lokko, Staffan Löwstedt

Interview with Per Gessle by Variabeln

Carl Fredrik Lööw from Variabeln did an interview with Per. He asked Mr. G how a typical day looks in his life. PG said there is almost no typical day. It depends on what he is working with or where he is. When he is in the studio then he usually starts at 10 am and is there until midnight roughly. If he is on tour, then there is a lot of travelling and then a concert in the evening. If he is at home, he usually sits in the office for a few hours and answers mails and keeps everything running. He manages his, Roxette’s and Gyllene Tider’s Facebook, Twitter and Instagram accounts which is fun and doesn’t take much time. And then he writes songs from time to time. It’s a rather messy and varied life but it suits him.

Carl asked Per when he started to play the guitar and if he can play any other instruments. PG said he started writing lyrics when he was 14 but couldn’t play any instruments so he saved the melodies in his head. Then he learned to play guitar when he was 16. His first guitar was a nylon-stringed Spanish that he got from his mother. Then came the punk when he was 17-18 years old and then he bought his first electric guitar. Gyllene Tider was formed when he was 19. Mr. G also told Carl that nowadays he plays a little piano, but he is not very good at it. When he writes songs he usually uses both guitar and piano. It’s easier to keep track of the keys on the piano.

Carl’s next question was if Per has always loved music. Per replied he has. He remembers his first favorite songs. “Dizzy Miss Lizzy” by The Beatles and “Til The End Of The Day” by The Kinks. He was 6-7 years old then and there was something magnetic in pop music. He liked everything. The amazing clothes, long hair on guys, vinyl records and album covers, tough electric guitars, cocky pop bands. He has been completely swollen by pop romantic since then.

To the question what his favorite song is Per replied there are so many great songs so it’s hard to choose a special song. But just the day the interview was done he liked “Moonshadow” by Cat Stevens. He thinks it’s from 1972.

Carl asked how long Per has owned Hotel Tylösand and Mr. G said Björn Nordstrand and he bought the hotel in 1995. Time flies.

Carl also asked what Per is interested in besides music. PG said he likes cars and follows F1 with great interest. He usually goes to see a race or two every year. Of course, he is a fan of Ferrari.

Then there are 4 quick questions:

  • V: – Chips or chocolate? PG: – Chocolate. Though it has to be milk chocolate, I don’t like dark chocolate.
  • V: – Training or watching movies? PG: – Watching movies. I should train more but …
  • V: – Guitar or singing? PG: – Oh, how difficult. It’s super cool both. But I like to sing, especially in the studio.
  • V: – Be free or work? PG: – Work of course. I’m lucky because my work is my hobby.

 

Interview with Per Gessle by Diario Popular

Sebastián La Mastra from Argentinean newspaper Diario Popular did an interview with Per Gessle about Mono Mind and songwriting and Per told some anecdotes and talked about his admiration for the Argentine crowds. Read the interview in Spanish HERE!

In the interview Per talks about how it all started with Mono Mind and tells it’s a little more groove oriented than what he did so far, but without losing his writing style. Almost everything was done on the computer. It has become a tool to try different ideas with different collaborators. Per hopes to continue with Mono Mind for many years. He has many plans, as always, and the possibility of performing live shows is on the table. Mr. G says he would love to perform in South America and Argentina, it’s just about making things work financially.

About songwriting Per tells it’s easier to write mid-tempo songs or ballads than uptempo ones. Those 3-chord gems are hard to make at his age. You have to have the ability to keep yourself “simple” and that’s hard to do when you have written as many songs as Mr. G. He always tends to complicate his music. He hates that.

PG says the songs he writes are not about him, but they are written by him, therefore he is there somewhere. But at the same time, everything is fiction. He is a writer, he’s not making confessions.

The reporter asks Per what the funniest and most emotional memories are during his long career. Per tells the story of his trousers got broken on stage in Mexico back in the days and their 1995 Roxette concert in Beijing.

If he wasn’t a singer-songwriter, he would have loved to work in another artistic field. Maybe as an architect or interior designer or art director. Who knows.

Per mentions It must have been love and Queen Of Rain, Sleeping In My Car and The Look as his favourite songs. He also tells that all those years of touring with Marie were incredible, she is an incredible singer. Per says he was lucky.

To the question how he would define himself Per replied “lazy, lazy worker” and he shares his biggest dream, “peace and love on planet Earth”.

The guys talk a bit about Baladas en español. Per remembers that when choosing which songs to record, he only picked songs for Marie to sing. Except Vulnerable, which is interpreted by PG. The songs sounded great in Spanish, without knowing what they were about. It was a very strange experience, but at the same time fun. Per says he knows only “Hi, a beer please” in Spanish. To the question if he records anything in Spanish again, Per replies he doesn’t think so. But you never know. That’s what makes life interesting. Anything can happen.

The reporter asked Per to tell about his memories with Roxette in Argentina. He says South America and particularly Argentina have always been their favorite places to perform. They didn’t expect that kind of affection the first time they went. The crowds were so loud and they knew the lyrics. If only they could go back and perform to Argentine fans.

 

Where to end the Gyllene Tider farewell tour?

Most fans are wondering why Gyllene Tider would finish their farewell tour in Norway. It makes no sense at all. I honestly think the last gig won’t happen in Norway and of course I’m not the only one having such thoughts. Göteborgs-Posten published an article today written by Johan Lindqvist. Johan writes in details about why Gyllene Tider should end their last tour in Sweden and he points out where exactly that last show should happen. He asks the tour to be re-planned. Haha. If you ask me, it’s surely already planned, it’s just not known to us. Yet. 😉

Johan highlights Per Gessle is a man who likes good planning and order. He appreciates a great dramaturgy when it comes to writing the story of his bands. He has also read enough rock biographies in order to know how a nice finish should be directed. Therefore, it’s completely incomprehensible that he put his name on a tour plan where Gyllene Tider will celebrate his long career with a gig in Fredrikstad, Norway. I have to agree with Johan.

Johan says he has nothing against Norway, the country has good skiing places, but when Sommartider is played for the last time, it should happen in Sweden.

Public release of tickets for the tour is 9 am on 5th February. Johan doesn’t think the tour will sell out immediately, but the premiere gig in Halmstad and the last Swedish show planned for 3rd August in Gothenburg have a high chance to sell out faster than Per can say ”allsångsfest”. Haha. I have to agree with Mr. Lindqvist again. It would be quite reasonable to change the date of the concert and add it after Norway. But it’s not only the date, the venue should be changed too. To Ullevi, of course. GT made success there before and will do it again. Although many will see the band during summer, there will still be many who want to join in and fill Ullevi to pay tribute to Gyllene Tider during their last night.

Johan checked and Ullevi is booked only for Metallica and Summerburst this summer. So there is surely a chance to add GT in August. He asks Live Nation at the end of his article to make sure Gyllene Tider and the fans get a finale they deserve. At Ullevi.

Oh well. Fredrikstad is on Friday, 9th August. The distance to Gothenburg is only 210 km. So why not a finale at Ullevi on Saturday, 10th August? Or if not 3 gigs in a row, then OK, it can also be Sunday, 11th August. Who else is in for that? Or… Can 60,000 people fit in anywhere in Halmstad? 😉

Pic by Patrícia Peres taken at Ullevi, Gothenburg on 12th July 2013 

Per Gessle and Micke Syd Andersson on TV4 about the GT farewell tour

Per and Micke Syd appeared as guests on TV4’s Nyhetsmorgon and were interviewed by Jenny Strömstedt about the upcoming Gyllene Tider farewell tour. Watch it HERE!

When Jenny welcomed the guys, she noticed that they were wearing black clothes and asked if it is kind of grieving the ending of the band. Per and Micke Syd said nah, they are tough. Haha. Micke Syd said they were Sweden’s kindest pop band in the 80’s, so they are working on becoming tough.

Jenny asked what the fans think about the fact that it’s going to be Gyllene Tider’s last tour. Per replied that there are a lot of reactions. Micke Syd started singing Här kommer alla känslorna, but Per told him it’s not a GT song. Micke Syd said but it fits. Mr. G continued answering that GT means so much to a lot of people and it’s awesome. Micke Syd joined in and said fans say for example that their songs are the soundtrack to their lives. They grew up with Gyllene Tider. Per said it’s mainly their 80’s songs that he wrote when he was 19-22 years old. Back then he wouldn’t have thought they would be on a 40th anniversary farewell tour.

Then a short part of Parkliv tour film was shown and after that Micke Syd told the story that even if they beeped out the sound when Per told the phone number of Micke Syd’s mum’s hairdresser salon in the film, fans could read Mr. G’s lips and Micke’s mum got angry by constantly getting tons of calls after that. Jenny asked what the fans wanted. Micke Syd said ”talking to me” and Per joked ”having their hair cut”. Haha. Jenny asked how it worked with the fans back then. Both Micke and Per said they all lived with their parents and it was quite strange when fans were hanging around their houses. They were stealing washed clothes for example. Per said when he turned 21 he got 3400 mails, so his mum’s house was full of them. They also mentioned they had to check in at hotels on different names,picking different names each time. But of course, over the years it got calmer and the guys in GT also grew up and could handle it better. Jenny said that everyone tells about GT that they are like everyday people and so nice. The guys agree that they are nice.

Jenny mentioned that back in the days there were 2 big bands, Gyllene Tider and Noice in Sweden. They talked about the differences and Per said Noice was a big town band, while GT was a small town band. Micke Syd said this fact also determined that they had different mentality.

Per told that the band broke up in 1985 and since then they have always been doing something together on project basis. Like in 1996 or 2004 or 2013. The guys said they have a unique sound and when they play together it’s fantastic. They can’t put their finger on what it is about that uniqueness, but it’s like them 5 become 1 then. Per said when he plays GT songs with other musicians, they don’t sound like Gyllene Tider at all. There is a special style they have in GT and it shows up only when they 5 are playing together.

Jenny asked what the roles are in the band and if Per is the boss. Per said nah, he comes always as the last. Micke Syd told things are changing, but there are of course things that haven’t changed in the band. They also talked about how they play a song from 1980 these days. Micke Syd said they become young again on the inside despite the fact that he will soon turn 60. Per’s reaction to that was ”60?! Shit!” Haha. Jenny asked if it is the same feeling to sing about love now, when they are a little bit older. Per said when you sing a song you also act. Of course, when there is a song you wrote when you were 19 and sing it when you are suddenly not 19 anymore the song becomes different, it gets another meaning.

Per said GT is loved by so many people and one can’t take that for granted. It’s awesome to look back on their 40 years history. Micke Syd said there are so many memories related to their songs one can also see that on fans’ faces on the concerts.

At the end of the interview Jenny asked the most important question, if the guys can guarantee that this will really be a last time they go on tour again. Micke Syd nodded and Per replied ”it feels like that”. Jenny said it was quite a diplomatic answer.

 

Gyllene Tider go on a farewell tour and release new album

We all expected Gyllene Tider to go on a 40th anniversary tour this year and now the announcement is out! It will not only be an anniversary tour, but four decades, four million sold records and several record tours later, at the same time it will be a farewell tour. The word farewell sounds a bit sad, but also promises one last summer full of joy and fun on the road! And hey, the band will live on forever through their music and their name is forever written in Swedish pop history and in fans’ beating hearts. 😉

There will be 17 concerts with the premiere in GT’s hometown, Halmstad and the last show in Fredrikstad, Norway. 15 gigs in Sweden, 2 in Norway. All tickets go on sale at 9 am on 5th February on livenation.se and livenation.no, but if you check Gyllene Tider’s Facebook page, you’ll be able to buy your tickets in a presale. See Live Nation’s promo video HERE!

Tour dates

4th July (Thursday) – Halmstad, Brottet
6th July (Saturday) – Malmö, Mölleplatsen
10th July (Wednesday) – Helsingborg, Sofiero Slott
12th July (Friday) – Skövde, Boulognerskogen
13th July (Saturday) – Linköping, Stångebrofältet
15th July (Monday) – Uppsala, Botaniska Trädgården
17th July (Wednesday) – Lysekil, Pinneviken
19th July (Friday) – Ronneby, Brunnsparken
20th July (Saturday) – Kalmar, Fredriksskans
24th July (Wednesday) – Piteå, Pite Havsbad
26th July (Friday) – Rättvik, Dalhalla
27th July (Saturday) – Stockholm, Sjöhistoriska
31st July (Wednesday) – Karlstad, Mariebergsskogen
2nd August (Friday) – Eskilstuna, Sundbyholms Slott
3rd August (Saturday) – Göteborg, Slottsskogsvallen
8th August (Thursday) – Trondheim (NO), Sverresborg Museum
9th August (Friday) – Fredrikstad (NO), Dampskipsbrygga

 

Per Gessle:

40 years is a long time and it’s absolutely fantastic that we as a band and our music have managed to touch several generations of Scandinavians. I’m fortunate to have been playing with Sweden’s best pop band. Anders’, Micke’s, Göran’s and MP’s expertise has given me endless opportunities to write powerpop just the way I longed for as a teenager.

Anders Herrlin:

I think it’s a perfect opportunity to end now. Everyone in the band is still active musicians and is in many ways better than ever. All of that we can bring in the new album and the summer tour – and say goodbye with all flags still flying.

Micke Syd Andersson:

This tour feels like our thanks to the amazing audience we have had a love story with for so many years. It will feel like a single long birthday party you share with friends and family – the end of an incredible journey you can only be grateful for having been part of.

Göran Fritzon:

It will certainly feel a little sad to go on Gyllene Tider’s last tour, but everything has an end. It’s just so hard to believe that it has been 40 years since everything started. But I have my Farfisa organ close at hand in the music room, so I feel I’m ready.

 

New album in spring

The band chose to record their seventh and last studio album in France.

Mats ”MP” Persson:

This is the first time we go abroad and record, so it will be incredibly fun. Per has recorded fairly simple demos to leave all the doors open for the band to arrange the songs together. Since we all come in with different ideas, quite unexpected things can happen, such as when we tested reggae arrangement for an ukulele song – which became ”Tuffa tider”.

Per Gessle:

We are like five brothers who don’t hang out on a daily basis, but when we meet, something happens that one can’t put a finger on. Personal chemistry? 1 + 1 = 3 theory? I don’t know, but we have always agreed on our love for pop music. With the summer tour we say thank you and farewell and I bend my neck and smile. Thank you all.

 

Per Gessle about Mono Mind on Musikplats Stockholm

After Per Gessle got back from the US to Sweden this week, Fredrik Eliasson from Swedish Radio P4 Stockholm immediately did an interview with him to be broadcast yesterday on Musikplats Stockholm. Listen to it HERE!

The interview was about Mono Mind and before it was on air, they played I Found My Soul At Marvingate. Cool to hear it on the radio!

Fredrik introduced Mono Mind as Mr. G’s secret project that got out of the closet recently. Then he welcomed Per as Dr. Robot and Per said in a slightly changed voice that ”yes, I’m here” (trying to imitate Dr. Robot’s voice, but it didn’t work well without the computer distortion, haha). Fredrik wished a belated happy birthday to Per and asked how it was to celebrate his 60th. Per said it was quite intense for 2 days with a very few people. He said his wife is very social and he is the opposite, so he just sat in a dark corner and it went fine. Haha.

The guys talked about Mono Mind’s debut album that it was released on Per’s birthday. Mr. G shared the info that he started releasing singles in 2017 and the first single was Save Me A Place. He said no one knew he was behind the project and the song suddenly became No. 1 on the dance charts in the US and kept the position for 6 weeks. It was much fun to achieve this at his age and with an anonymous project.

Per talked about the characters and that he wanted to change his voice and how it worked in the studio when he was sitting there with Christoffer Lundquist for weeks. It’s not vocoder or any other gadget you can hear, but they created the new voice on the computer themselves. Each song took appr. 2.5 days to create. It was very exciting.

Per said the idea was to create some kind of modern pop music and pop music nowadays is made on laptops. So he wanted to try to mix it with his classic songwriting and it has become a new chapter in his career. Fredrik asked Per about Nashville where he went rather acoustic and Per said Mono Mind started already before Nashville.

Before they played Down by the Riverside, Per said it’s one of his favourite songs. He thinks Dr. Robot’s voice is the best on this one.

The guys then talked about Helena Josefsson. Per said she has a fantastic voice and it fits Dr. Robot’s voice very well and it brightens up all songs.

Per said Mono Mind is still like a playhouse for him. The album was released on 12th January and on 11th he was thinking shit, if it was really a good idea to reveal this project. What if people don’t like it? He would be a bit sad. And what if people like it? How to go on with it? And then there were questions if he goes on tour with Mono Mind. But how to do it? It can be something similar to how Daft Punk or Pet Shop Boys tour, but who knows. The only sure thing is that Per wants to continue working with Mono Mind and develop the whole project, the characters and their stories. One can do anything with such characters.

Per talked about the market for this type of music. He said there are a lot of competitors out there and you need much luck to succeed. He can’t see the same journey with Mono Mind as they had with Roxette, but it’s much fun to record and talk about it anyway. Fredrik jokes with ”are there any exchange students around?”. Haha.

As a last question, Fredrik asked Per which song he is the most satisfied with on Mind Control. Mr. G was thinking for a while, then he said In Control. They had some magical hours when they recorded that song. He likes its construction, the changes in it that don’t usually happen in dance music. There is a kind of progressive rock 1972 in it, Barclay James Harvest style. He thinks it’s magnificent music coming from him and laughs. After the interview they played In Control.

 

Lyrics for all the French LaLaLovers

Dr. Robot was kind enough to share the lyrics to LaLaLove’s French version, LaLaLove (LaLaL’amour). Merci beaucoup! Listen to the song HERE on the LaLaLove – The Remixes EP and sing along! Cooky Carter does make French sound cool, doesn’t she?

LaLaLove (LaLaL’amour)

We loved to drive a million miles
A fastback car and you and I
You craved the speed, I don’t know why
Some simple need to feel alive

Every heart is a weaver
Of dreams of la la la la love and devotion
When the two of us are put into motion

We run on la la la la love and devotion
I really loved ya
Ooh how I loved ya

Je m’souviens de toi, tellement bruyant
Un t-shirt gothique dans la foule
Tu n’étais jamais satisfait
Ce DJ nous a fait tomber amoureux

Every heart is a weaver
Quand nous deux sommes mis en mouvement

On marche à la la la l’amour et à la dévotion
C’est vrai, je t’aime
Oh comme je t’aimais

Chaque cœur est un tisserand
à la l’amour et à la dévotion
Quand nous deux sommes mis en mouvement
à la l’amour et à la dévotion

We run on la la la la love and devotion
C’est vrai, je t’aime
Oh comme je t’aimais

On marche à la la la l’amour et à la dévotion
C’est vrai, je t’aime
Oh comme je t’aimais

 

Words: Per Gessle + Martin Josefsson
Music: Per Gessle + Alex Shield
© Jimmy Fun Music 2018

 

Massive birthday celebration of Per Gessle’s 60th on TV4

TV4 already did a short phone interview with Per Gessle on 11h January. Per said that he was in the US, working a bit on Mono Mind, his new project under which he released an album the next day, on his birthday. Mr. G said he would be celebrating his 60th birthday in Florida. Åsa organized a surprise party for him. The program leader asked what the most heart-warming moments in his career are if he looks back and Per said there are so many, but Roxette’s greatness at the end of the 80’s and in the 90’s is sure one of them. He said he is fortunate that he can work with his hobby and to the question if he likes getting older he replied that he still feels quite young and he still doesn’t know what he will become when he grows up.

Then on 12th January TV4 shared a video report about 5 times Per Gessle made whole Sweden sing along. With Gyllene Tider, Roxette and as a solo artist. The video is based on footages from some concerts during the past 40 years and earlier reports, as well as some photos from the past and PG walking on Tylösand beach recently and some years ago. Watch it HERE!

Nice to see Mr. G on TV so many times, but the main thing came on Nyhetsmorgon on his birthday. TV4 invited Per for a longer interview in the morning show. Watch it HERE! The interview was recorded some days before. The reporter, Anders Pihlblad and Mr. G talked about Per’s career, aging, success, future and his actual project, Mono Mind.

Anders first asked Per how it feels turning 60. Per said it’s surreal in a way, 60 is very much. At the same time it’s awesome, because he is reminded that thanks to his age he has been through so many things and lived a lot. Anders is curious if Per has ever worried about his age. Per says kind of. He realizes that time goes by and he sees for example that a lot of his friends or relatives have health problems when they are getting older and this is how they are reminded of getting older. Then he thinks that he is not 58 anymore. It was tough for him to lose his mother, brother and sister after one another in a short period of time. But nothing stands still and you have to learn to live with it. It’s hard to understand though, but you have to find your place in life. The Earth is actually still spinning. When people close to you die you feel emptiness and all people are handling it differently. Per says he partially uses his songwriting for that.

Anders and Per talk a bit about the book Att vara Per Gessle in which Per’s mother and his siblings also talked about Mr. G. Anders asks Per how it feels to have all this documented. Per says it’s awesome. He says that he learned it over the years that documenting as many things as possible is important. For example tours, recordings, projects. Nowadays it’s getting easier with mobile phones. They already recorded a lot of backstage videos and album recordings, as well as took photos during the 80’s. The quality of those materials is catastrophic though, but it’s of course much fun to have them anyway.

Anders reads a short part of the book. It’s when Per’s mom tells about Mr. G’s dolls. Per says he had a little Barbie doll collection. He has always been into style and design and it probably comes from his mother, because she was always good at such things. She was kind of a female Ernst, fixing everything. (Ernst Kirchsteiger is a Swedish interior designer, also program leader on TV4. – PP) So Per learned a lot from her and he likes when everything is in order and likes nice things. His mom was always quite modern and supported him even when his conservative father – who died in 1978 when Per was 19 years old – said he should have get a proper job. His mother bought his first guitar for example and encouraged him to play and sing. She thought it was fantastic that Per was creating his own world and wrote songs. So she was Mr. G’s first and biggest fan for sure.

Anders says Per was his first big idol. Per says ”wow!”.  Anders says he brought some stuff from his collection. Per says ”shit!”. Haha. Anders shows the first LP he bought and it was Gyllene Tider’s ”Moderna Tider” that came out in 1981. Per says everyone felt that it was a great record, but they expected to sell like 10000 copies. They sold 140000 in the end. Per says it was awesome and they were so young back then. They were suddenly superstars, but also very uncertain and didn’t know much about anything. They did only 6 shows in public before they became No. 1 with ”Flickorna på TV2”. Per says they learned quite soon that as soon as you become successful it also has it’s backlashes that some wouldn’t want to deal with you anymore because they think you became too commercial. It was the same with Roxette and that also happened to ABBA in the 70’s. One has to be persistent, have the self-confidence and move forward.

Anders shows ”The Look” maxi single. Per looks at the cover and says ”tough guy and girl”. Haha. He says that Roxette had a fantastic journey. Roxette was huge during the first 10 and the last 10 years, but actually it’s still huge. The songs live on.

Anders shows a picture from 1988. Per smiles and says ”shit!” again. He appears in the pic and Anders is there too. He was interviewing Mr. G back then when Roxette had their tour premiere. Per says he looks like he wanted Anders to understand what he was saying, his gestures show that. Anders says then he asked if they would hit other countries too and Per replied they will hit the world. And some months later they became No. 1 in the US. Per says he can’t remember he was that optimistic, but he remembers he printed T-shirts with the text ”Today Sweden – tomorrow the world” and the Roxette logo. So he was determined and focused. He tells that they always wanted to work under their own terms. When they broke through in the US, their American record label wanted them to move there and work from New York or Los Angeles, but they didn’t want to. They wanted to keep their Swedish team and work from Stockholm. This is how they could keep their very own sound.

 

Anders and Per talk about Marie that she had to retire from touring. Per says she lives a quite private life nowadays, but they talk once in a while. It’s very sad what happened, but they had a wonderful journey together with Roxette.

Anders says it feels like Per is still curious and is trying out new things. He asks Per if he is satisfied with his success. Per asks back if one can be satisfied with his own success. He doesn’t know. He likes the creative work and write when he feels like it. The whole creative journey is very attractive for him and of course he wants as many people as possible to listen to his songs and sing along.

Anders wishes Per a fantastic birthday and Per thanks and says it was nice being there.

Then later during the morning show there was another report with Per about Mono Mind. Anders tells a bit about the project, that it has 4 fictive band members and they are releasing an album on Per’s 60th birthday and it’s actually Per Gessle behind this project. Watch it HERE!

There is manager Wicked Pete talking first and Harriet, the dog appears too, as well as Dr. Robot dancing in the crowd. Then Per starts talking and says he felt he wanted to record songs in a different way. He felt his voice limited his possibilities, because as soon as he starts singing everyone knows it’s him. So he tried out different manners, singing in various octaves and wrong keys, changed on computer. This way he found a new voice which is quite technical and maybe not too easy to recognize. It was exciting to record the songs this way and new ideas came up during the recordings. Then there were so many songs that he thought it could become an album.

The guys are talking about the 4 characters and Anders asks Per which one is him. Per says it’s Dr. Robot, the one who sings. He has a very similar personality to Per’s. Mr. G tells in pop history there are a lot of projects with fictional characters. He for example didn’t know David Bowie in 1973. Back then everyone was a figure, a character. Per says the fun thing is that a fictive band like Mono Mind can do anything.

Anders asks about the future, about touring with Gyllene Tider, as Per Gessle or with Mono Mind. Per laughs at the thought of Mono Mind touring. He says MM got 2 nominations on the NRJ Radio Awards in France and they were thinking as a fictive band how they could accept an award if they win. Haha. He also mentions that he would like to see the band members appear in a Family Guy episode. Why not.

 

1001 nights without Marie

The article is written by former member of RoxetteBlog, Kirsten Ohlwein. Kirsten decided to leave RoxBlog in June 2018 and I’m sure a lot of fans have been missing her words since then. We missed her too, but now we are happy it seems that once in a while we can welcome her and share Kirsten’s writing on our blog. Here is her thoughts on the time passed by since 18th April 2016.

“It was a rainy day in October 2018 when I suddenly counted days without realizing it at first. I wondered for how many days the Roxette how we were used to know it (Per and Marie) didn’t exist anymore. Of course I couldn‘t figure out the exact number on my own and then I didn’t give it any further thought anymore, but some days ago I suddenly remembered it and I checked online. I wanted to know the date of the 1000th day. I put the date (18th April 2016) on a website… and it told me, yes, the 1000th day of the Roxette non-existence is 12th January 2019, Per’s 60th birthday. Nothing but a coincidence, but it put a sad smile on my face anyway.

1001 nights without Marie. And yes, I don’t count her rare appearances with releasing songs on her birthday in 2017 and 2018 and one song in winter 2017. Those are old recordings. It’s not that she was in the studio recently and decided to record them. Yes, the videos are new, I know. And still… everything is different.

1001 nights without Marie. And I realize that I let her go much earlier than I thought I would back on that day in April 2016. Yet – it took me a long time to accept the truth. You can’t let go something or someone easily  that was so close to your heart for such a long time, that gave you some of the best memories in your life, that made you meet some of the best people in the world, people that became close and even closer friends. In autumn 2016 I started to come to terms with the fact that I would never see her in person. Ever again. That was the hardest part for me, and it still is. For the simple reason that she just appeared in a room and recharged my batteries instantly. For the simple fact that she made my life better just by singing a song being on stage in front of me, by smiling at me or by radiating with love and joy.

1001 nights without Marie. I made my peace with her having disappeared from all the stages, from public, living her life in privacy, surrounded by the people she loves. Because she nothing but deserves this so much. Who else showed death the finger and survived against all odds?

1001 nights without Marie. She proved me wrong. After April 16th, I had hoped for another miracle, for her to be too stubborn to give up, to be back in no time. Now I know she didn’t give up, it was just a necessary next step. She accepted it, she acted accordingly. She cheated death, probably more than once, she went on two world tours after that, she learned new songs despite the fact that she can’t read properly anymore, she recorded three Roxette albums within five years.

Pic by Kirsten Ohlwein

Do I still miss her? Yes, very often!
Do I still think of her? Yes, every day when I wake up and see her face tattooed on my calf.
Do I still hope for a wonder? No, we already had more than one.
Did I let go of her? Yes, the day I got her face on my calf forever. It’s a full stop. Everything came to a halt.
Does this article have any relevance? No, but why does it have to have relevance?

Do you still miss her?
Do you still think of her?
Do you still hope for a wonder?
Did you start to let go?
Do you think all of that has any relevance?

Today, and I can of course only speak for myself, I am happy that she is such a private person, living such a private life. I don’t want to know how she is doing, I don’t want articles in Swedish press, I don’t want press statements, I want her to live in peace, to sit at a table in the sun and enjoy life as much as possible.

And with this article I want her to thank one more and one last time for giving me the best time of my life, the emptiest bank account of all times, the best memories that I carry in my heart forever and the best vocals in some of the best pop tunes ever written!

Today, 1001 nights later, 1001 nights without Marie later, there is nothing but gratitude!

Last year I left the RXB team, because I felt it’s time to let that part of me go, too. A huge chapter in my life book is closed for quite some time now. I won’t stop following the fan pages or Per’s activities, but there won’t be any more concerts, I stopped purchasing new releases and I don’t consider myself an active fan anymore. So, this is my goodbye message to everyone out there in the Rox world that I know or those who know me! Thanks for all the meetings, the fun, the waiting in freaking heat or unbearable cold, for travelling with me, for understanding me, for still staying in touch with me, for some of the best years of my life! Gratitude, nothing but gratitude. Time flies when you’re having fun, right?

To the next 1000 days!

P.S.: In case something interesting comes up, don’t be surprised if you see an article from me here, anyway.“

Kirsten

Mono Mind interview with Per Gessle à la RoxetteBlog

Together with the Mono Mind press release 2 days ago, there was the opportunity to ask 5 questions from Per about his latest project. 5 might be even too many for most journalists, but too few for a fan who already has more than 30 in her mind. Fortunately, some of my relevant questions were answered in an earlier Instagram Q&A and the „Per Gessle presents Mono Mind” videos include quite some details too, so I could reduce the number of questions. But not to 5, no way. Haha. I thought Per knows anyway that I like novels, so I sticked to sending some more questions hoping for at least as many answers. He is fast, the answers are just in! And they are detailed. Enjoy!

Patrícia Peres: – Hi Per! First of all, thank you very much for the opportunity regarding the interview. What a fab birthday gift, a new album under a new project! Pure awesomeness! As far as I know, the songs were recorded years ago. (Not sure if all of them though.) Why did you decide to wait for so long with the release?

Per Gessle: – Hey Pat! Thank you. I started fooling around with this idea in 2014, spent weeks and weeks trying to find out how I could create different sounds with my voice. I did all this work together with Christoffer Lundquist in his fancy studio way down south. Why did you try to change your voice, Per? Well, that’s a very good question, Pat.

PP: – Haha. Thanks for asking in my name. Since the number of questions was limited, I didn’t want to use some which I thought journalists would ask anyway. But of course I’m very much interested in why you wanted to change your voice.

PG: – The thing is that the voice is the main thing you listen to in pop music. I felt a bit tired of my own tool and wanted to dream up something new and fresh. I tried out different manners, singing in various octaves and „wrong” keys to see if something special happened. We tried to out different gadgets in the computer and eventually found a way to stretch/ shorten the words, vowels and consonants and create different styles of melodies. We basically „drew” the melody lines by hand. I didn’t really sing it the way it sounds. Exciting, heh? It took forever, don’t try it at home.
Most of the stuff on the album was finalized 2016 and 2017. „LaLaLove” was recorded 2018. I wanted to start with at least three singles before I put together the first album. The big moment for this project was, of course, the six weeks at the Number One spot on the MediaBase Dance chart in the US with „Save Me A Place” in the late summer of 2017. That’s when I realized I had something special going on.
My ambition with Mono Mind has always been to create a „classic” album, that’s why you have instrumentals like „Away Away Away” and „Lap Dancing” in there to glue things together. Also, I wanted to use the same lyrics in different songs to see what happened and how they worked in various environments. It’s all been a magic carpet ride for me. Every song has created a new urge for another one.
Musically I wanted to create songs à la PG but made in the computer. We certainly used some guitars and keyboards from the outside but I wanted the production to sound electronic. Funny thing is I did most of this stuff while working on the Nashville albums which are TOTALLY DIFFERENT. Two sides of the same coin? The dark side of the moon? Fascinating.
And when I finally found the sound I liked I created the four characters. They were not there from the beginning. If you think about it… the history of pop is filled with „characters” with fake names; The Ramones, David Bowie, Marc Bolan, Alice Cooper. It made sense to me to create my own little circle of friends. Four cool names, looks, voices and opinions. It’s been very exciting to visit the Mono Mind quarters from time to time. And, of course, I had to invent Wicked Pete, their manager who takes all the money. He’s been all over me sometimes.

PP: – Amazing to hear so many details about how it all started and the way to what it has become! What is the main thing that you think differentiates Mono Mind from any other EDM band?

PG: – Mono Mind is not really about EDM. Mono Mind at this point is about combining classic pop music with electronica. That’s what’s been going on on the first album. However, next recordings might be different. It all depends on who I’m working with. I want to stay open to anything. I might lose the robot voice eventually. But right now I’ve been into putting together computerized pop and computerized voices with my style of writing which, as you know, is based on the 60’s and 70’s songwriting tradition. The EDM elements you are referring to must be from some remixes that’s been done. Some of them have been wunderbar, others have been crap. You haven’t heard those. Lucky you.

PP: – Yeah, the remixes might have misled me, but also I’m not a pro when it comes to defining genres. What can you tell us about your laboratory co-workers besides the wonderful trio of Helena Josefsson, Christoffer Lundquist and Clarence Öfwerman?

PG: – They’ve been crucial to the project. Especially in the beginning. Dr Robot’s unique voice wouldn’t have happened without Chris. I also wanted to use a female voice here and there to soften things up a bit and Helena is da shit! She makes a perfect Cooky. Also, I’ve been working with quite a few people from all over Europe and the US. Lots of stuff are not included on the album. Some things didn’t work out.

PP: – From your career so far I think Good Karma is the closest to Mono Mind. What was the difference in the process and cooperations of recording MM songs vs. GK songs? Or the difference to any other earlier project of yours.

PG: – GK was a Roxette album which was pretty complicated to create due to Marie’s illness. For me, Mono Mind is VERY different. And if I’m gonna be frank, the MM album got much better songs.

PP: – Your latest album lengths were quite short. Now with this release you get back to a length that is over 50 minutes. That’s really cool! Why did you decide for a longer album this time?

PG: – I have so many versions of various Mono Mind songs lying around. My first idea of the CD was over an hour long. But I skipped two songs (that I love) and put them on the double vinyl instead. I hate it when CD’s become too long.

PP: – Which was the very first song you wrote especially for Mono Mind?

PG: – „In Control”.

PP: – Now that’s really interesting. This is the song that has become an instant top favourite for me off the album, right after the first listening. Is there any song you wrote for another project of yours, but it has ended up as a Mono Mind song and is now on the album?

PG: – Yes, „Couldn’t Believe My Luck” was written for Roxette but was never recorded. And „Shelter From The Storm” (from the vinyl album) was written in the 80’s. The rest are Mono Mind originals.

PP: – Which song on Mind Control would you suggest a non-electronica fan to listen to for sure that you think it would engage the listener and would start to like EDM music?

PG: – Like I said I don’t consider MM to be an EDM-act. If you listen to „Tell Him I Said Hi!” or „Mile-Melter” or „Couldn’t Believe My Luck” or „In Control” for example, I don’t think the first three letters that pop up in your head will be E and D and M.

PP: – Before I get on your nerves with those 3 letters, I promise I’ll never use them again regarding Mono Mind. On the vinyl there are 2 extra songs. How did you decide which ones not to include on the CD & digital release?

PG: – „Shelter From The Storm” is amazing but very long so I kept it away from the CD. „Have Another Go” felt similar in style to „Love Is Loud” so one had to go.

PP: – Your Mono Mind lyrics also have that PG trademark on them. It’s amazing that no matter in what genre you write songs, it shines through. How can you keep your own basic style in such different projects?

PG: – That’s the whole idea. To mix my style of writing with new ingredients and other collaborators’ visions. It’s not that complicated. You have to have your antennas out, though. You have to like the final result. Sometimes I didn’t and those songs will not be released. Mono Mind will always be, first and foremost, my vision.

PP: – When you turned 50, you turned towards disco and released Party Crasher. Now when you turn 60, you come up with a whole new electro project. What do you think you’ll be dealing with when you’re 70?

PG: – Hahaha. Heavy metal? Haven’t got a clue. As long as I think I create interesting things (for myself, that is….) I will have a go. Ten years is a long time. Maybe we’re all dead and gone by then and will be singing „Love Is All” upside down on a cloud.

PP: – Oj… Don’t even joke with that, Per! I mean not with heavy metal. I would love to hear your growled vocals one day. Haha. I know I had the option for 5 questions only and I’m well over it, but let me ask one more. Is there any chance we will get to hear the demos to the songs with your non-distorted voice one day?

PG: – No, there isn’t any. I didn’t make any demos for this one. There is an acoustic version of „Couldn’t Believe My Luck” (or at least half of it…) but that’s it. The rest was made in the studio. And in bits and pieces on my iPhone.

PP: – No demos? Wow. Now you really surprised me. Good luck with the album release and I wish you a bright future with Mono Mind, as well as a fabulous 60th birthday!

PG: – Thank you. And thanks for your great support. Appreciate that.

 

Per Gessle’s 60th birthday present for himself and the fans

Per Gessle turns 60 this Saturday and wanted to celebrate in style. He releases a new album on 12th January! We have already written about Mono Mind before, but so far it was a secret project. Now it’s no secret anymore!

Mono Mind, consisting of the fictional members Dr Robot, Cooky Carter, Bright Jones and Rain Davies, has released three singles overseas during the past year, high on club and radio charts in the US and France. In the United States, the success includes a prestigious six-week first place on the dance charts in radio industry magazine AllAccess and No. 1 on both iTunes Electronica and Amazon Electronica. In France, Mono Mind was nominated in 2 categories in the NRJ DJ Awards 2018, as “Group of the Year” and for “Club Hit of the Year”.

Now Mono Mind’s album will be released all over the world and finally it can be revealed that it’s none other than Per Gessle who is behind this entire secret project!

Here is what the popmaster says:

After basically living in a recording studio for almost forty years I tried to find new ways of creating pop music. I wanted to do something I’d never done before. A new challenge. Still pop, of course (that’s in my DNA!) but created and presented in a new manner.

I started fooling around with different gadgets working with my own voice, recording in different octaves and different keys just to see what might pop up. In the end of the day it’s all about the voices. We all focus on the voices when we listen to pop music.

We didn’t use vocoders or anything like that. Instead we found ourselves spending days, even weeks “hand-painting” and “drawing” my melodylines in the computer. For some songs we created my voice in a r’n’b-fashion, others got a touch of Nine Inch Nails-desperation.

In the end you couldn’t really hear it was me singing which was a blast and felt really refreshing. So off I went creating a new little colourful band, four characters with different personalities and different kind of temper, humour and looks to represent MONO MIND. How gorgeous! I had so much fun. Still do.

CHECK OUT THIS VIDEO TO FIND OUT WHAT PER SAYS ABOUT THE PROJECT!

 

Follow Mono Mind on Facebook, Twitter, Instagram, check their videos on YouTube and most importantly, listen to them on the usual digital platforms (Spotify, Deezer, iTunes, etc.) and sing along.