Eskobar: “We are so much looking forward to the tour!”

eskobarI met Daniel Bellqvist and Frederik Zäll from Eskobar in a café at Mariatorget, Stockholm, a few days ago to talk about the upcoming tour as guest artist during Roxette’s XXX Anniversary tour in Europe, the band in general, creativity, upcoming projects and more. To find out more about the band and follow them on tour check their Facebook page. I have also prepared a playlist on Spotify (check at the end of the interview) with some of their hits so you can start learning the lyrics. First stop will be Madrid.

Judith (J): Thank you very much for taking some time for this interview. I know you are quite busy. So how are you?
Daniel (D): Lots of preparations before the tour, finishing up some things. We did a small tour in Denmark in March, we were just three of us, Frederik – who plays about 1000 intruments – , a drummer and me. We liked the setting so much, we decided to record an album in that setting to sell during the tour. So we recorded it some days ago, now we are finishing it. And we are trying to find something to travel in during the tour where we can all fit in.

J: That sounds like a lot of planning. Let’s start from the beginning in order to present the band to the Roxette fans. When did you start as Eskobar?
D: We released our first album in 2000, but we had played together many years before, six maybe?
Frederik (F): Yes, at least 6 years. I had a strange grunge band back then, and I needed a bass player for one show, I knew Daniel could play the bass, so I asked him to play in my band. And in return Daniel asked me to play guitar in his band, so we started helping each other, and one day we just decided to work in a band together. We have been brothers in arms since then.
D: Yeah! We went to the same music class in school, that’s how we knew each other in first place.

J: How did you choose your band name? Some Spanish fans have been wondering if it is related to the Spanish singer Manolo Escobar.
D: When we got our first record deal with V2 records we didn’t have a name for the band. We were so focused on music that we didn’t care that much about the name. Our first record deal doesn’t even mention the name of the band but just the names of the three of us who formed the band back then, Frederik, Robert and me. So we asked around for suggestions for the name, and the manager of another American band suggested Eskobar, we liked it and we said ok.
F: I think it was a few days before the first single was about to be printed, so the record company told us we really have to put a band name on it, and we were like “but it’s just about the music!” but well, in the end we found a name that we love.

J: So no connection to Manolo Escobar…
D: No, not directly at least.
F: We don’t know where the American guy got it from, I think it’s a typical surname.
D: We know Manolo Escobar, and he has this one song “Porompompero” that was translated into Swedish and sung by the Dutch-Swedish singer Cornelis Vreeswijk, it’s an amazing song and we had listened to it a lot, but we didn’t know it wasn’t his original song. So when we found out that it was Manolo Escobar’s song, we thought it was funny, like there is a connection between our name and the song that we like so much.
F: Indeed, I remember we used to sing this song on the tour bus even, so it’s a fun connection.

J: How did you start making music?
F: I started playing classical piano when I was five or so, I think I read music sheets before I could read, so I was really early in that, then I learnt to play saxophone, guitar, everything felt easy to learn and it was fun. I also didn’t think of starting a band back then, I just wanted to play. It was when we started high school that I thought, hey, we could actually start a band!.
D: Sort of the same for me, my grandfather was a folk musician, he always had lots of instruments around, he could play everything, like him (pointing at Frederik). The first instrument I started to play was drums, then bass, guitar.

Read more

“Some other dude” goes viral

It definitely wasn’t intended to end like this, but some person who visited the Roxette show in Perth made an expression written in an angry posting go viral. Disappointed by Marie, writing that she shouldn’t be on stage when she’s not well and not leave “some other dude” singing.

It didn’t take long and the post – or to be more specific that “other dude” went viral. While we have no intention to embarrass the visitor more than it already happened, this “some other dude” joke is too funny to not share.

In the meantime, the post has been deleted, but the “some other dude” memes make their way through the social networks.
The Daily Roxette joined in with this one:

10945550_10153084555889134_6345091943964418151_n

 

Earlier, some fans already had great ideas how to use Per’s name. The following photos are courtesy of Alexandra N., Basia K., Ricardo A. H., Marie D. and “some other dudes”.

 

Have a “Gessle inspired weekend”

Any plans for March? Particulary, March 13 and 14? No? Then you could go and book a “Gessle inspired weekend” at Per’s Hotel Tylösand in Halmstad. Everybody who books a “Spa & Entertainment package” will get a special treat with a wine tasting of exclusive Gessle wines as well as do a tour around the hotel’s unique pop history landmarks – as is stated on the homepage of the hotel.

This is the complete program as listed on the site:

PROGRAM

WINE TASTING – Friday and Saturday 17.30 PM
The Per Gessle Selection is the brand for the series of wines that the Swedish super star and wine aficionado Per Gessle has launched with the help of some of the world’s most prominent wine makers. In this series there are champagne as well as red, white and non-alcoholic wines, and we will be served a selection of these during the tasting session.

THE POP TOUR – Friday and Saturday
On both Friday and Saturday there will also be a guided tour of selected pop history items on display at the hotel, led by music writer and Per Gessle biographer Sven Lindström, who guides us around Leif’s Lounge with its exhibition of unique Roxette and Gyllene Tider material from Gessle’s long music career.
Sven Lindström has written the authorised biography ”Att vara Per Gessle” as well as chronicling Roxette’s career and sensational comeback. Together with Per, he also hosts the weekly show Nordic Rox, presenting the best music from the Northern countries on Sirius XM satellite radio.

BOOK NOW!
Availability is limited, so book now for a weekend in March with a little bit more of everything.

If you don’t like it – don’t go: A ticket price rant..

This is just a blog post, WARNING, no news included.

In the middle of the ticket presales that started this week the fans have been surprised by not so nice things. One of the “things” popping up was an issue already months ago when the ticket sales in Australia started. Australian fans were – let’s say – surprised when they found out that the prices for tickets in the front rows were high above what they were willing to pay. A check today made clear the prices never changed, even though many fans complained about them on Facebook, Twitter, official sites and elsewhere. So, a “hot seat package”, which probably means you have a “hot seat” in front of the stage costs around 212 Euro. And then there is a “VIP package” which costs around 280 Euro. And of course, there are normal tickets – even in the front row, if you are lucky enough to get them. In the end that means that someone who paid 90 Euro could easily set next to somebody who paid 212 – a really bad thing and a trend that cannot be stopped it seems since there are always some people out there who pay every price they have to. For those who want to see more than one show it’s even harder.

However, prices in that range were hardly imaginable in Europe, but today we learned better. A front row seat for the show London costs around 380 Euro and a ticket for the also seated show in Paris is around 200 Euro. But this is not the only problem regarding the ticket issue. Many fans wondered why there are “exclusive presales” when it’s not possible to book and buy the best possible seats. This problem showed up for the show in Mainz (seated show, tickets costs 86 Euro which is pretty much for Germany and starting from row 3) and Paris (tickets from row 7 only). So yes, the question is: Why exactly do they offer an “exclusive presale” when it’s not possible to get the best tickets? Who else but hardcore fans buy tickets on an “exclusive presale”? Seriously?

A quick poll among fans showed what even hardcore fans are willing to pay. The German Roxette fan site Planet Roxette asked their users on Facebook about that. Many would definitely pay more for their favourite band but then buy less tickets and see less shows. For the German fans 80 Euro seems to be the magic limit. Compared to let’s say Romania this isn’t much. The tickets for the Romanian show cost 60 Euro, but please keep the ticket price-salary relation in mind. 200 Euro for a ticket is about 1/6 of a monthly average salary. 60 Euro in Romania are 1/7.

Another short story from yesterday/today. The Swedish presale via coop and comviq yesterday didn’t include the possibility to book tickets with an “early entrance” option. Today suddenly this option appears – for some extra 90 Euro. We wonder: What happened to the numbering system? Is it really all because of the money? And why is it necessary to totally rip off the fans?

Throughout the day many fans were clearly irritated about the increasing prices for concerts, prices which are not much longer affordable.  In the end, it’s pretty easy: “If you can’t afford it, don’t buy it. If you don’t want to afford it, don’t buy a ticket.” But maybe it’s not that easy in this case. Many fans save their money for concert tickets for months, waiting for this one concert, this only chance to see their favorite band on stage. Everybody in this world should be able to do so. It’s clear that this is not Roxette’s fault but certainly a big fault of the promoters. Or maybe really their intention. In the end it means that at least some foreign fans don’t travel to Swedish Liverpool, because they are not willing to pay 190 Euro to stand in the front.

Just a short note: The German promoter Marek Lieberberg blocked the two front rows for the Mainz concert for themselves – no chance for fans to get in the front row. And not many people are willing to pay 86 Euro for a third row ticket.

This feels wrong. It probably shouldn’t be like that – neither the prices nor the way the agencies deal with the tickets they give away.

UPDATE, November 14th:

This is getting more and more absurd. Not only in Mainz but also in London the front rows are already blocked for American Express customers. So it says on the website: “”American Express Invites® Reserved Tickets.” If this is the future of pop concerts, then no, I don’t want to be part of it anymore.

Per Gessle’s “Kvar i min bil” released by rockabilly trio in English

JLT-still_in_my_car_COVER_1400px-300x300The Swedish rockabilly trio JLT (John Lindberg Trio) just released a new album called “DiG iT!” which features the song “Still In My Car”, co-written by Per Gessle (music). Per initially wrote the song in Swedish under the title “Kvar i min bil”, as you may have already guessed, and now the trio has written English lyrics to it. The song is the trio’s new single as well.

The Swedish song was written for the film “Låt den rätte komma in” and is also included in “The Per Gessle Archives – Demos & Other Fun Stuff Vol. 2”. As Per explains in the Conversations, the song included in the Archives is not really a demo but the final product and it was never released officially until now. And now actually twice, as it was also released by Per on vinyl in April for the Record Store Day.

Kvar i min bil:

Comment from Per:

John Lindberg, Martin Engström and Jocke Dunker from JLT performing “Still In My Car” at Go’kväll in April.

You can listen to the full album on Spotify.