Gyllene Tider interview in Aftonbladet – Scensommar magazine

Aftonbladet’s Scensommar magazine did an interview with Per Gessle and Anders Herrlin about Gyllene Tider’s last album and tour.

The reporter, Jens Peterson asks Per and Anders how it feels to come back to Ullevi with Gyllene Tider. Per says it’s grandiose and if there is something in music industry you have to learn it’s that you can’t take anything – e.g. success – for granted. Anders also thinks it’s fantastic and they feel honoured.

Per gets the question what is more fun and what is harder when he tours with Gyllene Tider vs. when he is out there as a solo artist. Mr. G says the most fun is that when they meet, it feels like time stood still. Everyone takes their own roles in the band. They come up with the same jargon and same type of jokes. Besides that, they play together in a very special way. If anyone of them would be changed in the band, the sound would be totally different. There isn’t anything worth to be mentioned as a harder thing, but Per is basically not a team player. He likes to work with his own compositions under his own terms. When there are 5 people in a band, it’s obvious that there will be compromises, but it didn’t affect the end result this time. Sometimes it’s good that someone puts Per in place, because he thinks he isn’t always right, even if it’s hard to believe. Haha.

Scensommar asks the guys if it is hard to pick songs for the setlist. Anders says not really, because they play together so seldom that it’s clear the concerts will be based on their old hits. There are a lot of songs tons of people expect to hear, then there will be new songs and they also dig deep in their catalogue. To the question how many songs they feel is obligatory to play, Anders replies appr. 20.

The reporter asks if they are tired of playing Sommartider. Per says he is not tired of it at all, but he can’t rehearse it anymore. Once they play it in front of an audience it’s fantastic. Anders’ advise is ”never underestimate hits!” It’s good to have an ace up their sleeve.

The new album is out on June 14th and the journalist asks how many new songs will appear on the setlist. Anders says they will run through the entire album on the rehearsals so that they can see what fits and how it feels. He says this album might be the best they have done. Per agrees with Anders and thinks the new album is fantastic. Their ambition was to get the feel of a band where everyone matured a bit while the years have passed, but without losing the pop nerve. It’s difficult, but Per thinks they succeeded.

The reporter asks why they recorded the album in France. Per says it’s perfect for bands to go away, live together, have breakfast, hang out, fool around, drink wine and create music together. He saw a documentary with Nick Cave & The Bad Seeds and liked the studio they played in a lot, so he researched a bit and it turned out the studio is in Saint-Rémy-de-Provence, north of Marseille. First they sent Anders there last autumn to check it. He filmed there a bit and he was all positive about the studio, so they decided to go there in the spring of 2019. They started to work there the same day Morrissey left the studio. They found his vegan cookbooks in the guest toilet, Per says.

The reporter says when GT started touring, concerts were very different. He asks how the guys remember those days. Per says he remembers they were quite blonde. Haha. They were so young and lived in a colorful pop star bubble for years. They learned how to run a street race, they learned that they can’t live on the first floor at a hotel and that anything they leave outside their houses will be stolen (clothes, mails, number plates, etc.). Such things belonged to their everyday life in the early years. Concerts were short, but intense and folkparks were amazing. Anders adds the audience knew the lyrics already then. Better than they did.

To the question if this is really the last chance to see Gyllene Tider live, Anders replies that it feels so. They are all around 60 and life goes on. It feels good to end GT when they are still alive and everything feels to be on top and that they can do a phenomenal farewell tour.

Referring to Mick Jagger’s operation and that The Rolling Stones had to postpone their tour Jens asks if the guys have any health check before such a tour. Anders says they filled in a lot of papers about their state of health and went on medical checking. Even Göran was alive. Per ’s reaction to that is that it’s exciting.

The reporter is wondering why there are more veteran artists who attract audiences than younger artists. He mentions Bob Dylan, Sting, Rod Stewart, Elton John, Patti Smith among others. Per says it has to do with various things. On one hand, it takes time to come up with a song catalogue like what Elton John, Bruce Springsteen, U2, Paul McCartney and Bob Dylan have. On the other hand, there are hardly any stars of the same dignity these days. Music industry works differently now. Anders says it will be a problem at festivals in a few years, because: who will be the headliner?

Jens asks the guys who they think have been good at cherishing their own catalogue. Per says it’s those who have the opportunity to tour a lot and have active publishing companies that put music in movies and TV series. It’s important to always try to make the songs actual. Either in their original version or in another context.

Jens asks what kind of relationship GT have with other big artists who tour this summer. Per says they are of course all awesome in different ways. The touchpoint with Gyllene Tider is that earlier they did a Swedish version of Patti Smith’s ”Ain’t It Strange” from her ”Radio Ethiopia” album. Odd choice, one could think today, but it was obvious for 5 teenagers from Halmstad in the ’70s.

Thanks a lot for sharing the magazine with us, Pontus Ljungsten!

 

Vote for Per Gessle on Rockbjörnen!

Nomination period started for this year’s Rockbjörnen (music prize awarded by Aftonbladet annually). They have Per Gessle in the drop down menu for the best male live artist. And we of course have a new Per Gessle album, so it’s easy to choose the Swedish song of the year, too. Please, fill in at least the live male artist of the year, fans of the year and Swedish song of the year boxes at the voting link. You can surely fill in other boxes, too. As per this year’s breakthrough artist (Årets genombrott) you can always check out the artists signed at Per’s record label, Space Station 12 and vote for them.

Vote HERE each day until 9th July!

If you can’t speak Swedish, we help you which boxes to fill in and how you can proceed with your voting:

  • Årets manliga liveartist = Male live artist of the year: Per Gessle
  • Årets svenska låt = Swedish song of the year: Småstadsprat – Per Gessle & Lars Winnerbäck (this song has probably the highest chance to win, since it’s the first single and it’s played on Swedish radio heavily, but of course, you can choose any other song off ”En vacker natt”)
  • Årets bästa fans = Fans of the year: Per Gessle fans
  • Årets genombrott = Breakthrough artist of the year: Good Harvest or Fanny de Aguiar or Alex Shield or Charla K

After filling it in, click on ”Nästa” (= ”Next”) and fill in your name (first name & surname), e-mail address, mobile number, year of birth (födelseår) and whether you are female (kvinna) or male (man) or other (annat), then reply to the control question (e.g. 2 + 2 = 4). If you want to receive info and offers from Aftonbladet, leave the tick in. ”Tillbaka” means ”Back”, ”Rösta” means ”Vote”. It’s simple as that.

For a little Rockbjörnen history check out our article from 4 years ago.

 

Per Gessle interview in Aftonbladet Söndag

In yesterday’s issue of Aftonbladet Söndag magazine there is a Per Gessle interview on 6 pages, including some killer shots of Mr. G. The interview is done by Monika Israelsson, the photos are taken by Maria Östlin.

Nashville, autumn 2016

This time Per Gessle ended up in Nashville, Tennessee, in T-shirt weather in October. Per tells Monika that if he needed a harmonica in an odd key, he would have just walked five minutes to find one in Nashville. Mr. G brought his closest gang with him and a bunch of demos. Per says he thought they should record acoustic sketches only and then bring in local musicians and see what they bring. He asked the owner of the studio if they could take a pedal steel guy and Dan Dugmore got there, an old hero. He was so good. The result is two albums, first out ”En vacker natt”. Strings and steel guitar provide a classic country sound, yet the white sand dunes and an empty beach appear (referring to Halmstad). On the album cover there is a girl in a headscarf, singing at the sea in winter.

Stockholm, April 2017

The photos were taken in Ölandsgatan in Södermalm, Stockholm. At one moment, when a car was getting closer, the stylist shouted at Per and the photographer to beware, but they weren’t stressed. It turned out the car didn’t want to hit them, just stop by and ask Per how Marie is. Per walks to the car, leans down and says she’s just fine. They chat a bit, then the car is leaving. Per looks happy and is joking there was no selfie asked. Though it happened yesterday. And the day before yesterday. Since Per was at Skavlan a few weeks ago and said that he “gets depressed if no one wants to take a selfie”, there are even more requests.

They walk back to the record company’s office and there Per says his existence basically depends on what people think about the things he does. The new albums are not mainstream radio compatible. Per says to Monika that when you are used to meeting the public, you will be disappointed if you don’t get the cheering. At a concert he then thinks: “Why don’t people scream like they do usually?”. But if they scream extra much, you feel “calm down, you all”. Haha. He says one is analyzing things to death.

Per keeps his private life safe and people don’t know much about him. This is how he wants it. He says he won’t ever be on Parneviks (Swedish show that features golfer Jesper Parnevik and his family as they welcome celebrity guests to stay at their mansion in Florida for a few days) or on Så mycket bättre (Swedish reality TV show in which each artist attempts to do their own version of another artist’s well-known songs, with each person getting an episode featuring all of their songs being performed by the other musicians). He doesn’t know what he could win with it. He is very pleased that ”Tycker om när du tar på mig” means something for people, but he or his life doesn’t need to mean anything to anyone. He doesn’t feel the need to show his home or his cars or where he buys bananas. Åsa and Gabriel are the same when it comes to such things.

Regarding himself being a small town guy, Per tells Monika that there is a difference in growing up in a big city and a small town, and there was even greater difference in the ‘60s and ‘70s. That small town mentality has colored him so much that it lies in his personality. He grew up in Furet district of Halmstad with his mother who was a teacher in porcelain painting and his father who was a plumber. He was a trailing child and a loner. He was more into lonely stuff, like painting and drawing. He always felt more like an outsider. His brother introduced him to rock music: The Beatles, The Kinks, Joni Mitchell, Leonard Cohen, who became a direct channel to another world, much more exciting than Furet.

Per tells Aftonbladet Söndag that he went to a tough high school. There were a lot of drugs, a gang that broke the seats in the bus. Being good at school was the worst thing one could do. His dad drove him to school because he didn’t want to take the bus.

He started to play in a band with Mats MP Persson. Per asks Gabriel if he knows what one misses when he doesn’t play in a band. There you have your friends and you can play together the same song and that sounds damn good. That thing is sensational. It brought him a kind of gratitude. He and MP started as a punk band that sounded terrible and developed into Gyllene Tider. Per was purposeful and he covered Halmstad with leaflets and sent cassette tapes to record companies. They succeeded when EMI offered a contract and they recorded their first album in 1979.

The early Swedish texts are like a highway into a teenager’s head and body. Over the years, the songs have become more thoughtful, but still they take off in everyday happenings, often including sadness. A fishing trip, a rainy morning on the beach, an old love on the bus. Per says he usually tries to keep a fairly high minimum level of texts. Sometimes a song is so contagious that the text doesn’t play an equal role in the context. But when the music is more naked and crisp, the lyrics become important.

Monika asks Per if he can really put himself in the lives of ordinary people, with his luxury cars and private jet. Per says he doesn’t write about townhouse life or a night on the subway. He thinks that just because you tell a story, it doesn’t mean it’s true. If that means something to someone, he has succeeded. Then whether  he has experienced it or not, it’s quite uninteresting.

To the question why he doesn’t write sorely or about politics Per replies he doesn’t think he has had any political substance to come up with. Besides that, he doesn’t think it would be interesting enough. He is more towards the dreamy stuff. He thinks all people are political in some way when in a society. Mr. G thinks it’s unacceptable not to vote, it’s a democratic right so it’s better to vote for anything in that case. But he doesn’t really know how to use it.

Monika asks Per about his musical self-esteem. Per sayst it started at minus 100, he thought he sang damn badly. He started singing in Gyllene Tider because no one else would. Now he has learned that this damn voice is an asset. Everything that stands out is good.

Per thinks of himself as a kind of director. He always choose to work with people who are much better than himself. That can help him to pursue any kind of vision he has. He knows something will be fine, but he doesn’t know how to get there. He has always thought Marie Fredriksson is the best in the studio when Per is there. Mr. G means he thinks he makes Marie take one more step.

Per met his wife, Åsa in the mid ‘80s. The early years were significant in their relationship. Gyllene Tider’s English album and Per’s second solo album flopped. When looking at Roxette and his actual life, it’s easy to think that it has always been so. But it has not. He was a ”has-been” when he was 24 and it was damn hard for him. He lived on Åsa’s salary from Vingresor and had no real master plan. When Roxette had its break-through, it was evident that Åsa, with her professional background took care of the gang’s trips. This way Per and Åsa didn’t spend much time apart, despite long tours around the world. She often documented with a cam. The films became raw material for the Jonas Åkerlund documentary, Roxette Diaries (2015).

Per’s voice is shining when he talks about the ‘90s, the years when Roxette had several songs on the Billboard charts in the US for 4 years in a row. Per remembers playing Joyride for 200 radio directors in the US. It wasn’t even released, but they came to them to congratulate on their next “number one”. If you’re lucky, you have this success once in your life. Back then Roxette was exactly what America wanted. Nevertheless, they were never completely in the heat. The US record company wanted them to move to the United States and they would replace musicians in the band. But Per and Marie said no. Per says it’s one of the things he is most proud of, that they kept their gang. They created the Roxette sound together.

When Per is listening to old songs today he can be knocked out. Marie’s voice is amazing, Per says he can feel “damn how good she sings”. He smiles and says back then he didn’t sense it, it was more like “sing better!”.

Monika and Per talk about the times when Marie got ill and that Mr. G among others thought it was the end of Roxette. He started to work with Gyllene Tider and did solo projects. Then in 2009 Marie and Micke came to Amsterdam and Per asked Marie to come up on stage to sing Listen To Your Heart. He thought people would die for it. Marie didn’t want to, but Per knew she wanted, so it took like 15 minutes to convince her and she said OK, let’s try it.

Per is grateful for the Roxette tours and albums during the past years, saying he felt something of a “brotherhood responsibility”. Today they talk regularly.

There is a deep melancholy in the music on Per’s new album. In recent years, Per has first lost his mother and then his brother and sister, who both passed away in cancer. Mr. G says when people die around you, you grow older sooner. There is a thoughtfulness and one is thinking more about everything. He says he has to stop himself so that he doesn’t only write about what has been, but about what is and the future too. When his sister died, her son found a box of old diapositives from 1966. It is Gunilla who stands by the ice and sings. Per has selected some of the pictures for the albums. It felt like they fit the record.

Per’s replies to special questions:

5x the last time I…

… cooked: ”Scrambled eggs. I’m miserable in the kitchen.”

… bought something extremely expensive: ”A dulcimer, a string instrument. Pretty expensive but very fine.”

… loughed out loud: ”Quite a lot of times last week, when I was watching Dag, the TV series.”

… felt ashamed: ”I’ve stopped doing that. No, in fact, I feel ashamed just now about this answer of mine.”

… took a selfie with someone: ” Yesterday in a car shop. Then you just have to be in for it!”

3x the coolest cars in the world:

  1. Ferrari Dino: ”Cars don’t have to be practical. And they don’t have to drive at 350 km/h, because you never drive that fast anyway. However, it’s important that they are beautiful.”
  2. Mini Cooper: ”Classic, the one Austin Powers drives.”
  3. Rolly-Royce Corniche: ”So incredibly beautiful car. This is the one of these 3 I don’t own.”

3x people about Per:

Marie Dimberg, manager: ”Per, like most other artists, is hard-working, creative, target-oriented and focused. What distinguishes him is his amazing songwriting that gave him three careers: Gyllene Tider, solo and Roxette. I don’t think there is a big difference between the private and public Per. He is immensely positive and thinks fast both inside and outside the job. And he is just as bad at keeping the time in both cases…”

Marie Fredriksson, artist: ”Per is extremely creative, focused, positive and cheering in the studio. This is how he is as a person. We’ve had so much fun together through all the years. We had a lovely dinner together just the other day. There were many memories that came up and it’s obviously nice with such a long friendship that it continues even outside the stage and the studio.”

Mats MP Persson, band member in Gyllene Tider: ”My first impression of Per was that he was a real artist, translating Leonard Cohen’s and David Bowie’s lyrics into Swedish, and he had a tape recorder with microphones that could be used to play and record. He also had great visions. I thought it was really exciting and once we started doing covers with Per’s translated lyrics, for example, Doctor Feelgood. We did everything on our own and called us Graperock, if I remember right…”

3x this is how I wrote the song:

(Dansar inte lika bra som) Sjömän (Gyllene Tider, 1980): ”One summer I was weighing mushrooms. There were over three hundred girls and two guys. When we had nothing to weigh, we sat in our Ford Transit, where I wrote the text and then we made a song of it in the evening. Just because I could. In a way it was like solving crosswords.”

Allt gick så fort (En vacker natt, 2017): ”This song wrote itself. I was in France on a beach, a woman was picked from the water. I don’t know what happened to her afterwards. It became a catalyst for the fact that life goes fast.”

Neverending Love (Pearls of passion, 1986): ”I wrote a song for Pernilla Wahlgren, Svarta glas. Then I accidentally heard that her brother Niclas had recorded it and that was not the idea. I made an English text instead and recorded it with Marie.”

There are captions next to the photos in the article including Per’s thoughts on Roxette was the second pop group ever to play in Beijing. The concert in 1995 was met by both criticism and praise. When they played It Must Have Been Love, there was a banner in the audience saying ‘one world one unity’. One felt they became their longing for a Western life. The whole band went out and cried afterwards.

Another caption says that despite his worldwide success, Per Gessle remains a small town guy. He has never left Halmstad. By many, he is still perceived to be private – and that’s exactly how he wants it.

In a third caption it’s written that Gyllene Tider’s first hit wasn’t obvious. Per says they were told that the first single must have a certain pace to make it disco comaptible. But just then Frank Zappa happened to have a hit with Bobby Brown and that was very slow. So some discos in Stockholm started playing Flickorna på TV2, which had the same pace. Slowly but surely people began to recognize it. An organic hit, that’s the best kind.

The article closes with Monika’s thoughts that among the memories flowing from Per, names, places, anecdotes, she can’t find the right moment to ask why Per makes new records and gets out on exhausting tours when he has millions on his bank account. But eventually it becomes irrelevant. It is clear that Per Gessle lives and breathes music.

Great interview! Thanks for that, Aftonbladet Söndag!

Per was asked to draw a portrait of himself. Of course he made a Leif drawing. Haha.

 

Update on 3rd May: Aftonbladet shared the article online for subscribers.

Per Gessle: “I often cry” – Aftonbladet interview

Aftonbladet published an interview with Per Gessle on 25th April. he interview was done by Jan-Olov Andersson. The title already grabs your attention and you get curious about what Mr. G has to tell.

Jan-Olov states that even if Per has sold 80 million albums so far, he is not tired of it all. When they meet to talk about the new album, the love towards his wife, his role as a father and missing those who have passed away, both artists and those in his family, Per reveals what makes him extra fond of meeting his fans.

According to Jan-Olov, ”En vacker natt” is one of the best albums Per has ever made. Per says he wanted to write lyrics-based music, with his voice and acoustic guitars. It wouldn’t be pop, but thoughtfully beautiful music. Sentimental, but not tearful. It was quite easy to write and he also noticed that it became much more private than what he wrote earlier. Country sentimentality didn’t come until Per came to Nashville and met the musicians, especially Dan Dugmore and Stuart Duncan, who play pedal steel and violin. Then Mr. G felt shit, they don’t need strings, guitar loops or piano. It was something that was created in the moment.

Even if ”Småstadsprat”, the duet with Lars Winnerbäck is played extensively on the radio, Per wasn’t sure how the audience’s reception would be. He means there is no ”radio bomb” on the album and some might think the music is too slow and the violin is too whiny.

Per says that’s amazingly fascinating about his job is that one can never predict what will happen. It might not be an album for everyone, in times of Spotify, when some only listen to 24 seconds of a song. This is from another tradition. It has probably taken 58 years of Per’s life to come to a point where he dares to do it.

Jan-Olov asks Per how he will combine this country melancholy with all his previous hits. Mr. G says his original idea was to select songs from his entire songwriter career. Roxette, solo and Gyllene Tider songs. He feels that with the band he goes on tour, including a pedal steel and a violin player, he has the opportunity to change even the other songs a little bit. But he hasn’t decided yet how exactly.

Regarding Roxette, Per says the last touring years they did on Marie’s terms. That they had to cancel the tour he understands and respects Marie to 100000%. He says it felt nice that Marie herself made the decision, she could decide if it was on or off. Per says Marie and he talk sometimes, not every day. They had dinner together a few weeks ago. She is fine that she doesn’t have the stress and pressure now. That was crucial. Having 10000 people in the audience waiting…, she now feels damn good that she doesn’t have to deliver this way.

After Roxette was over, Per was thinking about what to do. Jan-Olov thought Per had hundreds of songs ready on stock, but Mr. G says the only ones he has is a few left-overs from earlier recordings. Otherwise, he doesn’t write until he knows he would make a record.

Per says he always has the antennas out. It might be something a taxi driver says, something he heard on TV or saw at the cinema. If he goes to a clothing store in London and hears a groove he likes, he records it on his iPhone. Jan-Olov asks Per what he is doing with all of these things. Mr. G says he has an idea archive. Titles, verses, words he thinks can be exciting, which can open doors. Often when he is in a writing phase, if he fails in the second verse, he can go to the archive and see if he finds something that fits.

Per talks about the fact that he uses symbols in the lyrics. If we look at his Swedish texts, there is a lot of sea and summer. He never tries to show the way, say how things are, he rather tries to let people form their own view. Then he has to use symbols. Like tussilago in ”Småstadsprat”. That means everything goes on, you get a new chance.

Per tells Jan-Olov that when people say they sing his songs on weddings or birthdays and say it’s about them, about their boyfriend or about their siblings, that they have interpreted it that way, it’s the coolest thing for a songwriter. He says then he knows he has succeeded. Mr. G says many of the lyrics that meant a lot to him, by Paul Simon, Leonard Cohen and Bob Dylan, he feels like they are about him. He mentions that it was Mauro Scocco who once said it doesn’t happen often that you go and look at a sculpture and start crying. But the identification, it’s so amazingly awesome with music.

To Jan-Olov’s question if he cries often Per replies he is a weepy type when it comes to movies, in the most ridiculous context. He thinks it’s super sentimental when, for example, you portray injustice in a movie. He cries a lot more often than Åsa. She thinks it’s great fun. Per says men are raised to try to hide it.

The guys are talking about several rock icons who have passed away lately. Jan-Olov asks Per if any of them touched him extra much. Per says David Bowie and Leonard Cohen. Bowie was a shock, the day after his birthday, they were on vacation. Cohen was old, Per tried to see him as often as he could in recent years. His feeling influenced his record quite much. Girl choruses that give an angelic sense. So sometimes he uses Helena Josefsson’s voice, already since ”Mazarin”.

Jan-Olov asks Per about Sven-Erik Magnusson from Sven-Ingvars, who has died recently. Per says he wrote some songs to them. He can’t say he knew Sven-Erik very well, but he always felt young. Sven-Ingvars was a fantastic band. Their ‘60s hits can’t be copied. Listen to ”Börja om från början”. Highest elite! But when Per was young, they didn’t like the band had a ridiculous name and the guys had short hair. Back then everyone wanted to look like The Beatles on the ”Rubber Soul” cover.

Per Gessle was still living at home when Gyllene Tider became Sweden’s most popular band. His brother Bengt, who was 7 years older than Per and his sister Gunilla, who was 14 years older than him, had moved from home. Per’s father Kurt, who ran his own company as a plumber, passed away when Per was 19 years old. So when he suddenly became famous throughout Sweden, it was he and his mother who were affected. Jan-Olov asks if Per’s mother understood the strange journey Per has done. Mr. G says yes and no. He lived home for quite a while and it was so terribly hysterical around Gyllene Tider. Everyone who rang the door, the huge amount of mails, things stolen from number plates on the car to the laundry on dry. But the Roxette stuff, his mom thought it was amazing and she was always reminded of success by the people in her vicinity, but she understood just enough. She was barely outside Sweden, she was in France once. When Per showed pictures and videos she said worried: Ojojoj, I hope you take care of yourselves. Bengt passed away in spring 2014, Per’s mother Elisabeth 3.5 years ago and his sister last autumn, in cancer. Per says he hasn’t had any depression, but when your relatives die, you find other values important. Losing them certainly affected him and probably his new album too. Old photos of Gunilla and Elisabeth now are on the 2 new albums’ covers.

Per says that a lot of lyrics he has written now required a whole life to mature. He says a few years ago sometimes he drove past the house where he grew up. Now he doesn’t do it anymore, they have changed so much so you hardly recognize it. It’s strange that you want to do it, but it’s also human. When time passes you become restless, you want to belong to something. You imagine how it was, but it looks quite different. It’s like in Per Myrberg’s song ”34:an”.

Now his family is his wife Åsa, they have been together since Per was 25, and his son Gabriel, 19. To the question why Gabriel came so late Per replies his life was much about his career and Åsa was so involved in it. Organized the travelling and such. They prioritized their job. Marie set the trend when she became pregnant. She had two children, so we also took the opportunity. Roxette took four years of child break.

Jan-Olov asks Per how he is as a father. Per says he shouldn’t ask him, but he thinks he has a great relationship with Gabriel. His upbringing is quite special. There has been a lot of travelling, sometimes he had a teacher on the tours. Per thinks Gabbe has become a very easy going, normal guy. He has surely got it from his parents. Per says they are quite common people, even if it doesn’t seem so in the media.

Jan-Olov asks Per how he and Åsa have managed to keep their love alive for so long. According to Per, it’s probably just because they are pretty alike but still different. They fit well together. Per can’t see his life without Åsa. They have never had any heavy schisms, even if sometimes they think different. To the question about what, hereplies small things. Shoes choice or something like that… (laughs).

In the video which is inlcuded in the article, Per is asked about the similarity between him and Lars Winnerbäck. The reporter says if he listens to Per’s first solo album from 1983, it sounds like anything from Lars. Per couldn’t really get what he meant. He says he hasn’t listened to it since long and asks the reporter if he likes the album. The guy says yes, absolutely. Per says Lars is a fantastic songwriter and artist and Per is very happy and proud that he is on his new album now. He is a wonderful person. That he is also a small town guy, it fits well for ”Småstadsprat”.

 

Vote for Roxette and Roxers!

Nomination period started for this year’s Rockbjörnen (music prize awarded by Aftonbladet annually). Last year Aftonbladet introduced a drop down menu for those who find it hard to nominate a band / artist / etc. by themselves and if you check it, you can see they still have Roxette on the list for the bands and Roxette fans on the list for the fans of the year. So, please, fill in at least the live band of the year and fans of the year boxes at the voting link. You can surely fill in other boxes, too, e.g. Swedish song of the year: ”It Just Happens – Roxette” or when the album is out, you can pick another song as well. 😉

Vote HERE each day until 10th July!

If you can’t speak Swedish, we help you which boxes to fill in and how you can proceed with your voting:

  • Årets livegrupp = Live band of the year: Roxette
  • Årets bästa fans = Fans of the year: Roxette fans
  • Årets svenska låt = Swedish song of the year: It Just Happens – Roxette (or any other new song after the album is released)

After filling it in, click on ”Nästa” (= ”Next”) and fill in your name (first name & surname), e-mail address, mobile number, year of birth (födelseår) and whether you are female (kvinna) or male (man) or other (annat), then reply to the control question (e.g. 2 + 2 = 4). If you want to receive info and offers from Aftonbladet, leave the tick in. ”Tillbaka” means ”Back”, ”Rösta” means ”Vote”. It’s simple as that.

 

Pic by Patrícia Peres; Göteborg 24/07/2015

 

For a little Rockbjörnen history check out our article from 3 years ago.