Marie Fredriksson – Sea of Love

It’s 9th December and it has been a year since Marie Fredriksson passed away. On the anniversary, the single Sea of Love is released on the family’s initiative to honor the memory of Marie. This is the last song Marie recorded.

During Marie’s final years, she released a series of singles that were close to her heart; the jazz ballad Alone Again (2017), the blues cover I Want To Go (2017) and the big band ballad Sing Me a Song which was released in 2018 in connection with Marie’s 60th birthday.

Sea of Love was inspired by the demonstrations in Stockholm after the terrorist attack on Drottninggatan 2017, and the sea of people who stood up for love and reconciliation.

Listen to Sea of Love HERE.

Sea of Love

Like a sea of love, of love

You and I, me and you
You’re so strong and I’m so blue
Close to you I feel the sun
One for all and all for one

Place yourself in a world
Where every voice could be heard
Not just me, not just you
But all of us like a sea, sea of love, of love, of love

I woke up in a dream
We were one just like a team
We marched together with a common goal
Peace in mind and in your soul

Free to live your only life
Without hate and with no strife
In a world where we could live
Side by side like the sea, sea of love, of love, of love

You and I, me and you
You’re so strong and I’m so blue
Close to you I feel the sun
One for all and all for one

Composed by Mikael Bolyos


200 Roxette World related shows

As we mentioned it in our latest review, Sandra Knospe celebrated her 200th gig in Amsterdam 2 days ago. 200! What an impressive number! Hard to beat it except if you are member of the band or at least the crew. 😉 It’s not only Roxette, but also Marie and Per solo, as well as Gyllene Tider, but most of the shows she attended were Roxette gigs. She followed the band from South America to Australia, but being a German girl, she of course went to the most shows in Europe. And why I use past tense here I have no clue… she followed the band from here to there and she’ll never stop. Well, she was truly born to follow.

When Sandra enjoyed her 100th show she surely didn’t expect she would have such a special treatment 100 concerts later. The crew offered her to see the venue from a different perspective and showed her around the stage. Then on the concert the band mentioned her anniversary. What a night!

Here are Sandra’s thoughts about her 200th gig:


A Rox gig with a different perspective

Pic by Sandra Knospe

Another day another concert. After Rox had played in the famous L’Olympia just the other night it was Amsterdam’s turn now. Approaching the venue at around 5pm I have to say I was surprised to see way less people queuing in front of it than usually. There were two entries, one for people who had bought the expensive Early Entrance tix and one for the remaining concert visitors. I expected to see more “hardcores” in any of the queues, but I guess some just decided to come late since it didn’t make sense to queue the whole day with a normal ticket and no big chances of front row anymore. And other Roxers probably have decided to skip the concert completely and boycott the EE ticket policy from Live Nation. So maybe one doesn’t need to wonder that it felt a bit different outside this time. And in a way it continued inside.

The entrance for EE ticket owners was around 6.15pm and the others followed shortly afterwards. I can’t really tell how the entry was outside, because a friend of mine and I were lucky enough to get to see the stage from the other side of the fence while the doors opened. That evening I celebrated my anniversary of 200 concerts including Rox, P&M solo and GT and a very kind person suggested that maybe it would be interesting for me to see the things from a different perspective. And it was!! I am very happy and extremely thankful that we got this little special treatment!!

After that my friend and I found our places in the front and we were eager to see the show. Some chit chat with people around us and then Eskobar started to play. As a fan who has seen a few shows you can already sense during the supporting act what mood the crowd is in and if they will get infected by the vibe and atmosphere on stage. At least to 90% you can guess that already before Rox enter the stage. And this time it felt as if it would be a bit of a tough job to get the crowd into it. And it turned out to be like that. Of course Rox got a warm welcome when they finally entered the stage and people surely clapped and sang along to the choruses of the oh so well known hits, but in between it felt a bit quiet and the enthusiasm was, well, let’s say limited compared to all other shows of this leg so far. But that only goes for the audience. On stage the glorious 7 had a top night. Marie delivering a great performance, Per bouncing, spinning and dancing around. Lyrics where they belonged. Only Per with a cock-eyed brain once, when singing this line twice in a row during “Crush on You”. And speaking of Per I have to take the opportunity to mention here that there is a noticeable change since this leg in the way Per interacts with the audience. There is much more contact with the people in the front rows than before. Keeping eye contact for more than just a millisecond and checking out the first few rows quite often is not that usual for him. It feels nice to see him being so relaxed and acting and reacting to the crowd in a more open way on stage. And it’s not just me who has noticed it. So whatever has happened that made him change this I hope he keeps it and I am sure all other Roxers hope that, too. Because it adds some extra kix to every gig.

The band was in top shape as well. What I really like a lot is that meanwhile the short dialogues on stage are alternating. It’s not always the same every night and it looks and sounds more spontaneous and not that practiced anymore. Really funny. They should keep that. It adds a lot to the atmosphere. And if not for the normal concert visitors then for sure for the hardcore Roxers. OK, I have to admit I am probably not very objective now since I got a little extra mentioning on stage that night. And THAT surely made my anniversary even more special!! So unexpected and freaking amazing. You simply have to love them all. Not only for the music. But before going into raptures now I’ll rather stick to the review.

I enjoyed the concert to the full and the energy and mood on stage made it exciting for me. So after the gig I was all smiles. The only question I’ve asked myself was “Would it have been different audience wise without EE tix?” I tend to say yes, because I think more hardcores would have shown up and been in front row, partying and jumping all the time. But with 150,-€ per ticket one simply has to cross out some shows when you have planned to see them more than just once during their tour. So I really hope that EE ticket policy won’t become a regular thing. But that’s just my personal impression. And even if most of the visitors weren’t physically active, the general opinion of the people who were standing next to me was positive. They all enjoyed the concert. The only thing some mentioned was the feeling that the concert was too short. Well, what can I say? Surely, I agree on that and all of us would love to get more than 17 songs on a gig, but nevertheless, we enjoyed what we’ve got to the max. So thanks for playing and cheers to the next 200!!


The audience could have been more active, but anyway, even if there is a standing still crowd, you can always be sure there is at least one person jumping in the front during the complete show. And it’s Sandra Knospe. Indeed, to the next 200, Sandra!

25th anniversary It Must Have Been Love single on Spotify

As we already informed you about it, a 25th anniversary It Must Have Been Love 10″ single in red vinyl will be released soon. The physical release date is 6th May, but today, on the 25th anniversary of Pretty Woman’s movie premiere the single is made available on Spotify. Click HERE to have a listen!

Check Bengans, Ginza and CDON for the limited edition vinyl!



25th anniversary release of It Must Have Been Love

As Per informed some days ago on Roxette’s Facebook page, a 25th anniversary It Must Have Been Love 10″ single in red vinyl will be released soon. The release date is set to 6th May! The anniversary sleeve is also shared at the record stores’ websites. Bengans, Ginza and CDON have already listed the limited edition item.

Track list:

A1           It Must Have Been Love

B1           It Must Have Been Love (Christmas for the Broken Hearted)

B2           It Must Have Been Love L.A. Version (1992)

As Bengans informs, track 2 on the B-side is an edited studio version of the track originally on the Tourism record, previously not released.


Thanx for the links, Daniel Kühn.

Ticket sales: What the fans say

There have been many other occasions on which some parts of the fans have been ranting – thinking of the RoxBox in particular, and some other releases as well as of course some tour problems. There is always something to complain about, but this time it seems the hardcore Roxers out there all think the same: This is a rip off and I won’t join in this time. So please, if you want it like this, no fans in the front rows or there at all.

We just collected some of the fans’ reactions that came on Facebook, have been written on the Roxette Official wall or have been posted in a “Roxette Tour Group” on Facebook. And yes, it’s all there: disappointment, anger, frustration, desperation, resignation – and over all the decision not to get on that ship and rather buy no tickets.


 it’s gettin’ insane! To pay a fortune just for front row in a standing section, which usually is occupied by hardcore fans, is now sold to snobs and hipsters!


Rox in Halmstad was my biggest dream since many years, it never worked but 2015 it should come through. All was checked and planned: Babysitter, Holiday , Money – but now when i think about the reactions after the last shows and the prices for the different tickets, i don’t know if it is that worth i’m very sad and feel helpless at the moment.


With all these developments, I have just lost the interest in going at all. And I am sadly not the only one.


I believe this is not really the aim of this Roxxxette 30th Anniversary; many of us hardcore fans have been making many efforts for the last years to follow you almost everywhere possible, we spent tons of money and time because we really enjoy and love being on tour with you but with this situation coming up, it’s becoming more and more difficult or at times impossible to be there for you, just a pity since this should be a tour for everybody but certainly also for all of us who have been there for you for such a long time!


Maybe you should consider changing the name of the tour to “$$$ – The Rip-Off Tour”, seems much more fitting! I never thought I could be so disappointed in a band I’ve been a fan of for 20+ years… *sighs*


This is so very sad. I WOULD pay a fortune to see you if I had the money, but I think it’s unfair to all your fans/supporters throughout the world. We were there for you when Roxette returned. We gladly paid all we had in our wallets to see our Queen and King of Swedish pop music throughout the Neverending Tour, but it was AFFORDABLE. This is NOT affordable, it’s so freaking EXPENSIVE! I humbly ask you to review this issue and reconsider what can be reconsidered. We are always waiting for you, but I’m afraid 90% of us won’t make it this time around.


Unfortunately this is the way ticket sales work these days, especially with live nation as a promoter as this is the way they work. They probably didn’t have all these packages last time as they didn’t know how many tickets they would sell, but now they see that Roxette still have great selling power they will chance their luck. I understand peoples frustrations, but in reality moaning to Per will achieve very little, as he will have very little to do with setting ticket prices. They will have a contract with live nation and will be paid a certain amount and it is live nations job to make that money back and make a profit for themselves. Even if Per wasn’t aware and complained to live nation it would be too late to change anything, as as soon as these tickets are sold, you can’t go back and tell these people they can’t be at the front, even though they paid a premium for it. For me personally, it does mean I will go to a few less gigs. If I go abroad for a concert I want to be at the front, and there are only so many early entry tickets I can afford….especially so close to Xmas. Also disappointed that I don’t have tickets to london yet, and I might not be able to get very good tickets, especially since that venue is an hour away from my house…..but that’s life!


I laugh at the people who say ” If you don’t like it then don’t buy it” because that’s the easiest way out of the argument. It takes ZERO brain power to come up with that. For me I don’t care to be up front because I miss the ” big picture” of the concert. I love a wide view. Ticket prices are high because we as consumers set them high. Stop buying pricey tickets and the market will go down. It’s that simple. Two examples where I live was when the Rolling Stones played in LA and prices were outrageous! $400.00 got you back of the arena and the nose bleeds cost $200.00. People were pissed didn’t buy and for the first time the Stones didn’t sell out the arena. Weeks before the show they cut the prices from 200.00 to 80.00 and 400.00 to 150.00. That’s when they sold out. The same thing happened to the Who. They over priced their last tour 2 years ago and people didn’t show up. The had to use a discount ticket company to sell tickets at 60% to 75% off face value. For their 50th year tour in 2015 they price tickets at affordable prices and people are back.


Having been to 184 Rox/Per/Marie/GT gigs I have to say I was never as dissapointed as with the actual ticket selling policy.

First lots of presales where the good places couldn’t be bought or people haven’t been informed that other tickets with Early Entrance will pop up later which didn’t gave them a chance to chose because they didn’t knew all terms. And then prices where I choked when I first saw them.

380,-€ for a hot seat (=front of stage) in UK. 200,-€ for one in Paris and in Sweden Early Entrance tix for around 150,-€ and 169,-€ for Amsterdam????

Is that the way to treat the devoted fans for their loyalty and support throughout the years??? And of course the hardcore Roxers are the aim with that policy because no one else than them would be willing to pay a lot of their well saved money for this opportunity: to see their beloved idols as close as possible.

Now I also have to reconsider what concerts I will go to because I simply can’t afford it. And travelling through Europe to go to concerts with rhich people in the front who don’t need to care about money but who also don’t know how to party and sing along is nothing I want to see. That’s why the average ticket to a lower price is useless for me and many other hardcores. Then I also rather skip those concerts and try to find some with normal ticket policy instead.

I planned to go to 24 gigs. 10 are already crossed out now (so far). Unfortunately also Sweden which is a pitty since I love to be there and have vacation combined with some concerts. But 150,-€ x4 plus vacation is nothing I could afford and imo it’s also not worth it. I guess that’s the point where my support ends. I am no gold donkey for anyone. Sad about this development. Really. But I hope you will still have fun at your concerts with some familiar faces in the front.. if there are any left.


I had planned fix 5 shows, with about 5-10 more ‘probably’. I think it will be just 4 in the end, which solves the problem with some ‘conflicts’ I had regarding number of holidays etc.

Usually one celebrates an anniversary with the ones one loves/likes, family and friends who are around for good and bad, this seems to have become a party for VIPs only, well, have fun, without many of us.
I have never seen so MANY angry fans before. Sad but true.

Funny how, after the concerts in NY and Boston I had the feeling something had ended, or a book had closed. I remember Per messing up Things will never be the same in Boston, the last I saw, and though that may be a funny sign. Well.