Germany

Interview with Per Gessle about songwriting by Sound & Recording

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Frank Mischkowski from Sound & Recording (Germany) did an interview with Per Gessle about songwriting. Per gave some insights into the way he writes songs.

Frank informs that at the age of 10, Per Gessle’s record collection is said to have already included 100 vinyls, so his passion for music has been with him since he was a child. He learned English primarily by studying the lyrics of The Beatles, Leonard Cohen and David Bowie. He earned his first record deal with Gyllene Tider at the end of the 1970s.

When he founded Roxette in 1986 with Marie Fredriksson, who unfortunately died in 2019, he had no idea how successful the duo would become: “We joked: ‘Today Sweden, tomorrow the world.’ But what we meant was small performances in Amsterdam or Germany on TV. We were probably in the right place at the right time.”

Sound & Recording: What makes a really good song for you?

Per Gessle: This changes from generation to generation. I always say the point of pop music is to reflect its times. The music of the ’60s and ’70s was much more melody driven. Today you don’t start with the melody anymore. Listen to songs like Dedicated Follower Of Fashion or SOS, they are based on melodies. That’s where I come from.

S&R: You have written so many great songs. How do you come up with these strong, memorable lines?

PG: I’m interested in words and stories. And I’m always looking for phrases – “Hello, you fool, I love you”, “Come on, join the joyride”. The first impression you get of a song is often the title. You read the title and if it sounds good, your interest is awaken.

S&R: You write in both English and Swedish. Are there ideas that you can express more easily in one language than in the other?

PG: I write very personally. Of course not something like How Do You Do!, but songs like Queen Of Rain, Perfect Day or What’s She Like? are as personal as possible. It’s easier for me to dive deep into myself in Swedish, simply because it’s my native language. On the other hand, English is a very singable language. Swedish is a pretty difficult language to sing.

S&R: Do you find it easier to write for yourself or for other artists?

PG: I prefer writing songs for my own projects. In the early ’80s, when Gyllene Tider broke up and I had a few years before Roxette started, a lot of people wanted songs from me. Especially lyrics, but also music. I never felt comfortable with it. Someone always talks you into it. I prefer to write for my own projects where I’m the boss.

S&R: But then you wrote for Marie.

PG: When I started working with Marie, I was looking for a voice that could sing my songs much better than myself. We recently listened to a live Roxette thing from the ’90s that we’re working on. Marie’s singing skills were incredible. My main talent has always been finding these people. Clarence [Öfwerman, Roxette’s longtime producer] is also a good example for that. His influence on production and arrangements changed my worldview.

S&R: Can you give us some insight into the way you write a song?

PG: Let’s say I’m sitting at the piano and I come across something special. I then record it with my phone. I date it and put a note on it; “Piano Intro” for example. Then, six months or six years later, I might be looking for something like that. I go through my archive, hundreds of fragments that have been collected over the years. So maybe I have a great chorus, but I need something interesting for a verse or intro, then I go through these files and maybe something fits. It’s like a big puzzle.

S&R – a question to mixing engineer Stefan Boman

Stefan Boman is a mixing engineer at Atlantis Studios in Stockholm and counts artists from Ghost to Avicii among his references. In a complex process, Boman transferred Roxette’s work into the immersive audio format Dolby Atmos. To do this, the original tapes were digitized and the mixes were created from scratch in Dolby Atmos.

SB: The quick and easy solution would be an upmix, but if you want to create something that lasts and leaves an impression, you have to mix from scratch. And that’s what we did. We partially baked the tapes and then carefully digitized them, divided the tracks and then, in the first step, recreated the stereo mixes. I then spent a lot of time recreating the reverb chambers and effects – not exactly, but as close as possible and in an immersive format. The Roxette tracks were recorded excellently, it was a lot of fun translating them into a new format.

Photo by Fredrik Etoall

Read the original interview in German HERE!

Per Gessle interview for German media – “Marie will always be a legend”

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Spot on news agency in Germany did an interview with Per Gessle related to the Bag of Trix release. Vol. 3 is out today!

On “Bag of Trix” you release rediscovered Roxette songs. What can the fans expect?

PG: “Bag of Trix” is a compilation of previously unreleased songs, most of them from the 80’s.
There are also alternative versions of published songs and songs that were simply lost when switching to streaming. But the songs are definitely worth listening to, I am really satisfied with this album!

Have you found any songs that you would no longer stand behind?

PG: Regarding some songs I think to myself: they weren’t that good. But there isn’t a song that I regret because they were all fun to make. When I listen to Roxette songs from the 80’s, I sometimes think that some of the lyrics were not the best. But I was still young then and not yet able to express what I wanted. And besides that, as soon as Marie started to sing, it almost didn’t matter what she sang.

How does it feel for you to release new albums by Roxette without Marie?

PG: Even if I’m releasing the album without her, she’s still part of it. She’s part of every song. I try to think positively and not let my grief drag me down, because then I wouldn’t be able to continue working on our joint projects. She was seriously ill for so many years – since 2002 – and at some point you get used to the idea that one day she will no longer be with us. It is now almost a year since she passed away and I am trying to look ahead. It didn’t deter me from going through our collection. To hear the songs that I recorded with Marie makes me proud in a special way. A lot of the songs are incredibly good and Marie was a great singer. She was just magical. She made my songs a lot better than they actually were. I think that while listening. We worked together for so many decades which is why I wrote most of my songs especially for her. For me as a songwriter, the way she performed was the greatest gift. When I hear her sing, I always have a smile on my face.

How do you deal with being asked repeatedly about Marie Fredriksson?

PG: She was part of my life since I was 19 and was like a sister to me. That’s why she’s always there and I remember her all the time, for example when I hear a Roxette song. She means so much to so many people and that’s why I like to talk about her. She deserves it, she was a wonderful person. She will always remain a legend and inspire many young people.
I have a lot of contact with her family. I know her husband Mikael very well. We keep in touch and see each other regularly.

You have been a successful musician on stage for several decades. Are you taking it easy now?

PG: I like to be busy. I still write songs, I write all the time. My wife says I work all the time. In Sweden I regularly publish music – including songs in Swedish. But I’m still working on English songs. I’m in the studio several days a week and if it weren’t for the pandemic I would definitely go on tour.

Could you imagine going on tour alone under the name Roxette, if it’s possible to tour again after the pandemic?

PG: I would never revive Roxette with a new female singer. But of course I like to play the songs at gigs, which is why I want to work with female singers in the future. That would of course not be Roxette, but after all I wrote the songs and thirty years of my life consisted of Roxette.

Per Gessle’s Roxette – Cologne, Germany – 23rd October 2018 – #10

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Can’t believe that we already reached the halftime of the tour. The 10th gig meant the last gig in Germany. At least on this tour. There was no day-off between Warsaw and Berlin and then no break between Berlin and Cologne, so concerts for 3 days in a row. I was wondering how tiring it might be, but when we talked to Chris at the airport and asked him about how it feels doing 3 shows in a row he said that actually, the vibe and mood don’t really get low during the whole tour. The only difficulty is when the hotel rooms are not ready by the time they arrive and they can’t take a short rest before they go on to the venue.

The organizers at the venue in Cologne were not too well-prepared for the entrance. They opened the doors at 7 pm, but put the signs (which entrance accepts which tickets) on the doors only 1 hour earlier. So those who had been waiting there for quite a long time and were standing at the wrong door, they had to rearrange themselves. The inlet wasn’t too smooth, but in the end, fans found a good spot in the front, close to the stage.

Support act Lee MacDougall started his session at 8 pm. This was the last time when Lee was the support act. I will definitely miss him during the rest of the tour. He is touring Germany and Austria early next year, so if you saw him live now, go and see him again. If you didn’t see him live, check out his songs online and maybe it will convince you to go. Great music! Best of luck to him!

Mr. G and his band hit the stage right after 9 pm and sticked to the already known setlist.

Setlist:

1. The Look
2. Milk And Toast And Honey
3. Crash! Boom! Bang!
4. Dressed For Success
5. She’s Got Nothing On (But The Radio)
6. Spending My Time
7. I’m Glad You Called
8. Small Town Talk
9. I Have A Party In My Head
10. It Must Have Been Love
11. Opportunity Nox
12. The Big L.
13. Fading Like A Flower
14. Doesn’t Make Sense
Band presentation
15. How Do You Do! (in a medley with No. 16)
16. Dangerous

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

Loved that The Look started with Per counting in German again, ”eins, zwei, drei, vier!”. He could do this little change in each country, counting in the language used there. It’s fun! Let’s see if he tries it in Russia, for example. 😉 The opening song was already quite energetic, so you couldn’t tell this gang is now doing their 3rd show in a row.

After the first song Per told the audience that the last time he performed in Cologne was in the summer of 2015. At least Christoffer told him it was in summer. Then off he went to take a deep dive into the big bucket of Roxette songs and they played MATAH. Then came a little Capri talk and it was CBB’s turn. Helena has some problems with her soar throat now, it’s too cold in Germany, but the way she was singing, you couldn’t tell she had any issues. Wonderful!

The speed up section of DFS and SGNO was a blast! After the hat fell off Christoffer’s head, Per went and picked it up to put it back on Chris’s head while he was playing in the front with Ola. The drum solo ending presented by Andreas was fantastic again!

Before SMT Per told the story of his good day in 1990. He woke up in the morning, had nothing to do, then his wife, then girlfriend left a note on his piano saying ”Hello, you fool, I love you”. Per asked ”isn’t that cute?”. He said he just had to write a song and it became Joyride. Then he was very pleased with himself, had lunch with Swedish meatballs, took a break then watched 3 Ingmar Bergman movies, then stood up, went to his piano and wrote the next song. Helena got a huge applause after performing it in Cologne too.

After IGYC Per talked about Nashville that he went to record there with local musicians and a few friends, no names. Chris said in the mic ”I was there.” Per reacted: ”We had a good time anyway.” Haha. Then they performed STT’s beautiful PG-CL live duet version!

Then the experts of Swedish hillbilly music played IHAPIMH and before the song started, Per told the audience ”please pay attention to flute ladies!”. The flute ladies were fabulous, as usual and the audience loved the song. Per thanked the crowd in German.

This time Mr. G said he presented the band with 76 songs (it’s btw getting more and more from show to show! 72-74-76… 😉 ) he wanted them to learn. Magnus said ”And we learned 120. Some Stones songs, some Beatles songs… You’ll hear them later at the show after the show. But you have to have T-shirts from the stand as well.” PG: ”Not my idea.” Magnus: ”It was mine!” PG: ”Blablabla.” Haha. We all laughed at Per’s blablabla reaction. Then came one sentence by him from which we could hear he IS tired. His tongue didn’t want to cooperate, so the words came out were a little strange, but adorable. The essence of his thoughts was of course not being sure about playing IMHBL or not, because it’s Magnus’s fave song besides 99 Luftballons by Nena and Wind of Change by Scorpions. Magnus said 99 Luftballons is his No. 1. So he got one more blablabla from Per. Haha.

Then came OppNox and TBL and since Åsa joined the gang on tour again, she came and filmed these songs, also the crowd partying. When this section ended, the audience shouted and were clapping loud, it was awesome. PG showed thumbs up and started to talk about the ’90s. He asked Magnus how his parents were. Magnus said they were very fine people and actually they ARE very fine people since they are still alive and they were living in the ’90s as well. Everyone laughed. Per started counting on his hands how old they might be. FLAF was the next song and Helena did great on it, so the crowd cheered her.

Then came a crowd favourite, DMS. No blood this time, but you could see on Jakob’s face when he handed the guitar over to Christoffer that he was prepared for everything. Haha.

The band presentation was much fun again, all musicians got huge applauses and at the end Per said he is surrounded by talent. Then came HDYD and while Mr. G was preparing for it he said ”let’s see if you know this one… let’s see if I know it…”. Haha. Then came the intro and the whole crowd started singing. This time it was even more aaawesome, because Per let us sing much further than usual, until here we are cracking jokes…  He made fun of us instructing the crowd, then looking at his (non-existing) watch. He laughed and liked the whole thing a lot, the band too. Party, party also during Dangerous!

       

During the break before the encore the crowd was shouting ”Roxette, Roxette, Roxette”. This was the first place where it happened. So far it was rather ”Gessle, Gessle, Gessle” or we want more or anything else.

The band came back on stage to perform QOR (which is kinda cool according to Per) and Joyride. Helena was perfect on QOR, the audience loved her. Joyride was much fun with tons of balloons thrown by members of the crowd.

During the break before the 2nd encore, people weren’t silent and it paid back, the gang came to play 2 more songs. Before that, Per said it’s been a wonderful evening and asked the audience if this is like an ordinary Tuesday evening in Cologne. Before LTYH, which of course sounded beautiful again, he said he wrote it in the ’80s for a friend. He said ”I had friends then”. Haha. Before TSHTSG Per asked the audience the usual question ”one more for the road?”. The audience shouted yeees and then he turned to the band members and asked what they think. They all agreed. The ending was fab in Cologne. I think the crowd sang along TSHTSG the most loudly here. No clue if it has anything to do with Thomas Anders’s release of the hit in the ’90s.

Anders Roos took pictures during the whole show and probably also recorded it. There was a fun moment when Åsa was singing along and started filming Anders who was also singing along. Let’s see if we get to see the result of it.

The lights were again a bit late every now and then and some stayed in the dark while they should have been illuminated. Probably, it’s local technicians at each place, which is strange in a way, because even if they get the script of the show, it’s not too easy to follow the gig with the lights if you don’t know exactly what’s happening and when. Even seconds count.

Per’s thoughts after the show:

COLOGNE: Five shows in six days! How about that! We managed thanks to you beautiful people at the E-Werk in Cologne. One word sums it up: WOW! Super crowd + band in top shape (even new dress on Malin-My! – lovely!) so nuthin’ could go wrong. Thanx so much for showing up and having a ball. And thank you Cologne for hosting the last show in Germany for a while. But we’ll be back. Trust me!!!! Cheers from P&Co.

All pics in the article are taken by Patrícia Peres.

 

Per Gessle’s Roxette – Berlin, Germany – 22nd October 2018 – #9

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The show in Berlin happened in Admiralspalast. It was a seated gig again and oh what a gig it was! So it really seems to be guaranteed that a seated concert can’t go wrong on this tour. I mean when it’s planned to be seated from the beginning.

The support act was Lee MacDougall as on every other German date. He was great in Berlin too and we had much fun listening to his stories and music. After he finished his unplugged song and stepped back, he tumbled over Per’s mic stand and said ”Sorry, Per!”. Haha.

Anders Roos was there and set all his cameras around the venue. The real deal started a bit after 21:00, with no setlist changes.

Setlist:

1. The Look
2. Milk And Toast And Honey
3. Crash! Boom! Bang!
4. Dressed For Success
5. She’s Got Nothing On (But The Radio)
6. Spending My Time
7. I’m Glad You Called
8. Small Town Talk
9. I Have A Party In My Head
10. It Must Have Been Love
11. Opportunity Nox
12. The Big L.
13. Fading Like A Flower
14. Doesn’t Make Sense
Band presentation
15. How Do You Do! (in a medley with No. 16)
16. Dangerous

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

The show hasn’t even started when everyone was already on their feet, so we could rock to The Look which started with Per counting ”Eins, zwei, drei, vier!” Helena was on a high too and she even hi fived fans in the front row. Woohoo! Mr. G said it’s always a pleasure to be in Berlin and he played there with Roxette in 2015. Of course, many from the audience were there 3 years ago. Magnus too. PG said he would do a deep dive into the bucket of Roxette songs. He also said he sneaked in some of his solo songs, as we know him. He asked to sing along if we know the lyrics, to help them out, they love that.

When Per said thank you after MATAH, someone shouted from the crowd ”you’re welcome”. He laughed. Then he let us know that the most expensive pizzas you can find in the world are still in Capri, where Roxette went to record CBB.

Before DFS Per asked if we were ready for them speeding it up a bit. Yeah! Party party party that got even wilder during SGNO. Andreas’s drum solo ending was so cool in Berlin too. After the song Per said ”it felt good!” Oh yes, it did! Ah, as per the drums… Now it seems you can buy a drum head at the merch shop, customized to the actual city. There is a design related to the city, there is the Per Gessle’s Roxette logo and the name of the city on it. What else? It is signed by all band members and Per himself. From what I know, it was sold in London first, but there seems to be only 1 drum head like this per each city. Let us know if you know someone who got hold of the drum head in any other town. 😉

Before SMT Per talked about his good day in 1990 when he woke up in the morning, had nothing to do, but found a note on his piano saying ”Hello, you fool, I love you”. It was written by his wife, then girlfriend and he thought it was kind of cute, it just had to be a song. So he wrote Joyride and then he was exhausted, ate Swedish meatballs, watched 3-4 Ingmar Bergman movies just to get in the mood to write another song. Spending My Time. Helena singing it, she got a huge applause from the audience.

STT was loved by the audience. Chris got his well-deserved extra applause on it.

Then came Swedish hillbilly IHAPIMH and the party never ended until the show was over.

Per mentioned he started with 74 songs for the tour and asked the band to learn those songs. Magnus said and they did. Every verse, every chorus, every intro, every outro. It’s hard work. There was only one song Per wasn’t sure about playing, but it turned out to be Magnus’s all time fave song besides Kraftwerk’s The Model and the collective works of Karlheinz Stockhausen. IMHBL was the top. Per said Magnus is weird. The sing-along was the strongest on this song last night.

Then came the OppNox-TBL partytime. Nothing can beat it! Per and all the band members were like Duracell bunnies during both songs! Love Ola’s rocking solo in OppNox and also there is a tiny little detail I adore, an Ola-Magnus move in TBL after ”lonely at night”. So cool! After these 2 songs Per said ”that felt good too” and ”danke schön” and was cheered by the crowd.

The usual ’90s discussion was next between Per and Magnus. Magnus joked he had a flat in Prenzlauer Berg (part of Berlin) and spent all his life at the Panorama Bar, it was years and years of party. Then Per saved him, he got a phone call to come back to Sweden and play with Roxette and he said yes. Per said ”one saved soul”. Then Mr. G mentioned the next song went up to No. 2 in the US, didn’t make it to the top, but it’s a nice one from Joyride. FLAF was it, of course and Helena did great. What I love very much in this version of Fading Like A Flower is how Malin-My is plucking the violin. I don’t know if this is the right expression though. It’s when she’s not using the fiddlestick, but her fingers. Sounds wonderful!

DMS was the song of Duracell bunnies too. A real highlight on each gig. When we met Chris at the airport (flying from Warsaw to Berlin), we of course had to ask him how his hand was doing. He said it’s OK. In Brussels his hand was bleeding because of the fact that some part of the guitar fell off and under it there was a metal part which hurt his hand, since he didn’t pay attention when that part of the guitar flew away. Then in Warsaw he had no clue what hurt his hand why it started bleeding. He had quite deep wounds on both fingers that were bleeding during the concerts. He said the plaster isn’t really good for him, because then he can’t really hold the guitar pick. What’s your guess? Was his hand bleeding in Berlin? Haha, a real rock star!

After Per did the band presentation, he said ”that’s it and everything else is on computers”.

HDYD was also party on top. Its intro worked completely fine in Berlin too.

Before the first encore, the crowd didn’t stay quiet. We wanted more! And we got more! First QOR, then Joyride in which I love the intro part where Chris and Per are approaching each other and playing around.

No silence during the 2nd break either, the audience wanted the gang back on stage and oh they came back. Per thanked for it and said ”so many songs, so little time”. They performed LTYH that was awesome and the audience made their voices heard. Then as usual, TSHTSG closed the event and left us with the earworm again.

The only problem I had was with the lights. I don’t know what happened, but most of the time not the right happening and people were illuminated on stage. Sometimes Per’s face was half in shadow half in light, horizontally… Things like that. Sometimes it stayed even dark on stage. Strange. I hope the light technicians will do their job right next time, because those who were on the balcony last night also said that there were parts which they didn’t see clearly, because of being too dark.

Per’s comment after the concert:

BERLIN: Oh yea, back in Germany. Wonderful crowd in a beautiful venue. Thanx so much for all the singalongs + balloons + good vibes. We had a blast. Always special to play Berlin. Hope to be back soon with more music for you Berliners!!! Lots of love from P&Co.

All pics in the article are taken by Patrícia Peres.

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Per Gessle’s Roxette – Hamburg, Germany – 11th October 2018 – #3

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Hamburg, Germany, the best show so far on tour! And that was a seated gig! If all seated gigs are like this, I’m very much into them. Once the tour was announced and we could see there were several seated concerts, we thought OK, the setlist would probably be too slow, full of ballads, so the seats might be because of that. Then we saw the setlist at the first show and realized there is a great flow in the mix of ballads and uptempo or midtempo songs. So when we reached the first seated concert in the schedule, we got curious how it would work out. Should we stand up? Should we stay seated? What is the rule at the venue? Are we allowed to stand up anyway? If we stand up, when should we? First world problems, I know…

The show in Hamburg was held at a concert hall, a beautiful building. The soundcheck started at appr. 5 pm again and those who met Per in town before he left for the soundcheck got lucky, because Mr. G was in a very nice mood, stopping to sign stuff and fans could also take pictures with him.

Since it was a seated gig and we had our fixed spots, no one was really queueing in front of the venue. Once we arrived we could take it easy, enter the building, check out the merchandise, grab some drinks, chat with other fans. That’s a big advantage of seated events.

This time the support act was again Lee MacDougall. Great guy, really. He was much fun on stage in Hamburg too and he even changed 2 songs in his short setlist. Well, this is how people can get to know his music. He mentioned that in Leipzig he said he is the biggest Roxette fan in the UK, but after the show a guy from the UK, called Huw stepped to him and said that actually HE is the biggest fan in the UK, so Lee corrected himself in Hamburg and said that since Huw is here, he can only tell he is the biggest fan in England.

Already during the support act it was a bit strange to be sitting. I was sitting in the front row and the stage was a bit too high for looking up there without having problems with your neck after. So the thought of standing up got stronger and stronger each second. Haha. Another thing that made me think we should stand up was that hey… the setlist starts with The Look, c’mon! How could you stay seated during The Look?! I mean even the royal family showed it long ago that it just doesn’t work. 😉

Even if Per said after Leipzig that they ”got a few more things to check out in Hamburg” regarding the setlist, there was only a slight change. Listen To Your Heart got moved to the 2nd encore, but otherwise the running order stayed the same. 20 songs. After talking to some of the band members later, it seems to stay like this, since 22 songs both Per and them all found too long. Oh well… ask a fan anytime, we wouldn’t have enough of a 30-song-long setlist either. Let’s hope that at least it stays 20 until the end of the tour and it doesn’t get even less, as it happened during last year’s tour.

Setlist:

1. The Look
2. Milk And Toast And Honey
3. Crash! Boom! Bang!
4. Dressed For Success
5. She’s Got Nothing On (But The Radio)
6. Spending My Time
7. I’m Glad You Called
8. Small Town Talk
9. I Have A Party In My Head
10. It Must Have Been Love
11. Opportunity Nox
12. The Big L.
13. Fading Like A Flower
14. Doesn’t Make Sense
Band presentation
15. How Do You Do! (in a medley with No. 16)
16. Dangerous

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

So, back to the first world problems of standing up, when the gang hit the stage a bit after 9 pm and started playing The Look, appr. 5 seconds passed and the whole concert hall was standing. Woohoo! That defined the mood of the crowd and I think it guaranteed the success of the complete show. Also, it probably gave even more energy to the band. 150% energy on and off stage, I can tell. And the level dropped to 120% during the ballads. Haha. Most of the crowd stayed standing during the whole gig, but also those who ”sat down” were sitting on the upper edge of their seats and only during the ballads and talks in between the songs. Once an uptempo song came, everyone got on their feet again. Great vibes! It was fantastic being part of that crowd!

After The Look, Per talked to the audience while drinking his ginger tea and said he didn’t play in Hamburg since 2015 and asked who was there. Tons of people shouted in the crowds they were there. Nice.

He moved on digging in that deep box of Roxette songs and they played 2 ballads, Milk And Toast And Honey and Crash! Boom! Bang!. Both of them sounded great and the audience liked them a lot. After the ballads, Per tried to throw his acoustic pick to the crowd, but it got probably stuck to his hand so it landed on stage very close to himself. It happens. We were laughing and while Micke N-S brought Per his guitar he plays during speed-up song Dressed For Success, he was kidding him showing how he throws a plectrum. DFS was loved, as well as She’s Got Nothing On! Constant party mood in the crowd and madness on stage! Even 1 drumstick of Andreas flew to the edge of the stage at the end of the song. Per said he is getting too old for this. Someone in the crowd shouted we too. Haha. Per heard it and said you too are definitely getting old.

In the talking before Spending My Time Per mentioned he wrote 2 songs in one afternoon. The first one was Joyride, then he had some tea and biscuits and then he wrote the next one. The crowd sounded very happy to hear SMT and Helena got applauded loudly.

2 more ballads came, I’m Glad You Called and Small Town Talk with Chris in the 2nd verse again. Pure magic!

Showing how fab the crowd was, when the band started the intro to I Have A Party In My Head, the audience started singing Opus’s ”Live Is Life”, not just the Na Na Nana Na part, but the complete chorus. Per laughed and pointed at the audience while looking at the band, then talked into the mic saying this sounds great by the way, however, this coming song is from the Son of A Plumber album. He was glad that the crowd recognized that one.

It Must Have Been Love was next, Magnus’s favourite track (including The Beatles, The Eagles, Fleetwood Mac, Frank Zappa and even Milli Vanilli). Per said he tried to avoid to play it, but Magnus said he has to play it, he kills Mr. G otherwise. Per said he knows and it’s scary. Good they played it. The audience burst out into a loud sing-along.

Then came the party section again, with Opportunity Nox and The Big L. and these 2 songs rocked big time in Hamburg too. Per said ”getting ready for the weekend, right”. The ”bringing me down to my knees” part of TBL was funny, because since we had a bigger space in the front between the stage and the front row without fence or anything else, we could really get down to our knees. Almost. Haha. This time I was on the left side of the stage and loved how Ola and Malin-My came to the front to rock their instruments during TBL.

Before Fading Like A Flower, Per and Magnus talked about the ’90s again. Magnus said he doesn’t just remember the ’90s, he IS the ’90s. Wherever the ’90s went, he was there before. Haha. How Helena sang the song in Hamburg sounded a bit different vs. the first 2 gigs. I would say her version got more powerful from getting the energy from the wonderful vibe of the gig. Fantastic!

Doesn’t Make Sense was a blast again. I love the whole song. Beautiful lyrics, great PG vocals, how he sings ”nose” is still killing me and the ending where Chris and Andreas go crazy is one of the greatest parts of each show.

In the band presentation Per mentioned he is extremely lucky to have this band with him. Magnus he found in a flea market, he said. Haha.

How Do You Do! and Dangerous were very much welcomed by the audience to have some more party. HDYD had the teaser intro this time and the crowd started singing the song before Per started it. No one could believe the gang went off stage after these 2 songs. The audience didn’t stop clapping and shouting, waiting for them to come back on stage.

Then the band members appeared one after another and Per came back as well to play Queen Of Rain and Joyride in the first encore. Since the audience was whistling, Andreas tried to whistle using his hands too, but wearing gloves, it just couldn’t happen. It was funny though. I love how Per and Chris interact during the intro to Joyride. After these two songs the gang went off stage again, but the audience went crazy to have them back. And so they came to sing 2 more tracks in the 2nd encore.

This time Listen To Your Heart was moved to the 2nd encore, but the closing song remained The Sweet Hello, The Sad Goodbye. Helena was very happy to receive the love of the crowd after LTYH. Loud applause she got. And TSHTSG, well… keeps on playing in my head… again and again. Tütütütürütü. Awesome version!

Per closed the show with saying ”hope to see you again very soon”. Let’s see what happens, but with such a band and such an audience anything can happen! 😉

Sven Lindström was there in the crowd too. He liked the show and said he will probably see another one Sweden.

Åsa wasn’t there at the gig. It would have been great if someone filmed this concert for a DVD actually. Hard to top, but there are more gigs to come, so let’s see!

Per’s post after the show:

Hamburg tonite. Oh yeah! Thanx everyone for showing up and singing along. Wonderful feedback on every song, love that! Extra special thanks for the Party In My Head-intro (yaknowwhatImean…theunmentionablesong….). Have to come back to Hamburg again and again, it’s addictive!!!!! I’ve had two great days here, checking out Anton C’s fab exhibition and just enjoying myself in the sunshine. Brussels tomorrow. Rise and shine everyone! Lots of love from P.

All pics in the article are taken by Patrícia Peres.

More photos & TV reports:

NDR: 1, 2