Per Gessle thinks “Joyride – The Musical” is awesome

TT News Agency has published an article in which they talk to Joyride – The Musical director Guy Unsworth.

There have been many suggestions of a musical based on Roxette’s music. Per Gessle has turned down previous offers, because the scripts weren’t good enough, including one that focused on cancer during a period when Marie Fredriksson was ill.

When Unsworth came in as director, it was about one thing: keeping the Roxette spirit.

It was one of the first conversations I had with Per, if you want to capture Roxette in a feeling, what kind of feeling would it have been? For Per, it’s a lot about having fun at concerts. At the same time, they have made songs that evoke incredibly strong emotions.

The result is a musical based on both parts.

Unsworth continues:

We wanted the audience to smile, but at the same time we also wanted to manage the fact that Roxette is associated with some of the biggest “break-up ballads” of all time. The atmosphere is “feel-good” from the early ’90s when they had their heyday.

The script is based on best-selling author Jane Fallon’s novel Got You Back from 2008 – a triangle story full of drama.

The dangerous thing about musicals is that many people come just to listen to the music. That’s why we wanted a story that outweighs the music.

Another challenge has been to attract both devoted Roxette fans and musical enthusiasts. Unsworth explains:

We want to reach out to everyone regardless of whether they like Roxette or not, but we will offer a little extra to all fans. We’ve woven in some of the lesser known songs. So if you are really a fan, there are a few surprises in both costumes and melodies. It’s also a little tribute to Marie.

With two days left until the premiere at Malmö Opera, Unsworth believes they will succeed in conveying the Roxette spirit. The tickets are almost sold out until December and Gessle himself has expressed that he is satisfied.

He has been an important part of the process. He has been very present, but also trusted us very much. He probably realized that musicals were not his area of interest and instead turned to others. I was fascinated by the idea of creating something that he would appreciate. He has said that he thinks it will be an awesome musical.

Check out Aftonbladet for the original Swedish text.

Per Gessle and the creators about “Joyride – The Musical” on Swedish Radio P1 Kultur

Swedish Radio P1 Kultur did a reportage about Joyride – The Musical before its world premiere on 6th September. Besides the main characters, the director and the costume designer, they also talked to Per. Listen to it HERE!

The program starts with the introduction of Roxette, a Swedish duo that took the world by storm in the late ’80s. They formed their band in 1986, but the first time Marie Fredriksson and Per Gessle sang together on a record was five years earlier. Here they play Ingenting av vad du behöver, a Gyllene Tider song from 1981. Five years later they formed Roxette and became one of Sweden’s biggest pop exports.

Now their music has been revived in Joyride – The Musical at Malmö Opera, which has its world premiere on 6th September.

The program brings you behind the scenes, so you can take part in the preparations for the premiere. Before that, Jenny Teleman talks about good old MTV, her memories of those times and then Roxette’s history and heydays.

The script of the musical is based on English author Jane Fallon’s novel Got You Back, published in 2008. It’s a triangle drama that touches on topics such as infidelity and double life. So a lot of emotions are involved, which Roxette’s music fits perfectly. There are a few days left until the world premiere and you will get to accompany reporter Johanna Olofsson to take part in the preparations for Joyride – The Musical.

In one of the halls at Malmö Opera, rehearsals for Joyride – The Musical are in full swing. Jessica Marberger and Alexander Lycke, who play two of the main characters, are on stage and three child actors as well. The musical is not about Roxette itself, which Per Gessle is happy about.

Per says:

There has never been any discussion about writing a story about Roxette in particular. It’s not a documentary thing about Roxette. I think it’s more fun if it has an independent story and you use the music as the spice of this story.

The script is based on the novel Got You Back written by British author Jane Fallon. It has been reworked into a musical script by Klas Abrahamsson and then adjusted by director Guy Unsworth who wants to find a world where the music leads the drama.

Guy says:

This is my kind of adaptation of the piece, turning it into something that feels like it is a part of the music and related to the music. I wanted to find a world where the music would really lead the drama.

The story revolves around Stephanie who lives in London with Joe and their teenage daughter Stella. One day, Stephanie finds a note in Joe’s pocket that makes her suspect that he is cheating.

Jessica Marberger, who plays Stephanie, says:

I don’t want to reveal too much, but by accident, she discovers that her husband is in another relationship and everything she thought was very good was apparently not very good. So her world is turned a little upside down and then the whole story takes off.

When Stephanie contacts the note’s sender, Katie, it turns out that she is also in a relationship with Joe, who has been living a double life. The women then decide to join forces and take revenge on Joe played by Alexander Lycke.

Alexander says:

It’s basically infidelity, but I think it can hit quite a lot of people on how you feel in such a situation, also how you act, like these two women do. Roxette’s songs fit perfectly a story like this with broken heartache and such stuff. So it will be fun.

Guy says:

I think what’s amazing about Roxette’s music is particularly Per’s lyrics of a glimpse into the abstract world, or the non real world. The world of people’s minds. The music is expressing what people don’t say in real life. That’s really nice to have the dialogue representing the real world and then this music opening up that real world and exploring something more abstract and more magical inside.

Director Guy Unsworth believes that Per’s lyrics with their abstract qualities stand in good contrast to the dialogue in the musical that represents real life.

When Per Gessle is asked which songs will be included in the musical, the answer is:

It’s not that hard to guess, perhaps, but the big songs that are the sharpest in the musical world are of course our big ballads, Spending My Time, Listen To Your Heart, It Must Have Been Love,  Queen Of Rain, Fading Like A Flower. There are as many as you like. I write very melodic music and there are big gestures at times. It should fit in the musical world very well.

The music has been reworked by Per Gessle’s extended arms in Roxette, Clarence Öfwerman and Christoffer Lundquist in collaboration with Joakim Hallin, who is the conductor of the orchestra.

Per says:

I haven’t had any direct wishes or opinions about how it should be other than that I think it should be very much Roxette. I think the worst that can happen is that it sounds like a Roxette cover band playing this. You want it to sound like the soul of Roxette is present in some way. It sounds fuzzy, but I’m a little fuzzy sometimes.

To the question what the hardest part of the process has been so far, Per replies:

For me it’s getting used to the fact that you leave things to other people who decide. I’m quite used to doing what I want. When working with Malmö Opera and directors and orchestras, there are a lot of people involved. It’s a different way of working than I’m normally used to.

The program brings you to Malmö Opera’s costume studio. Costume designer Torbjörn Bergström says:

This is where all the costumes are made and now we are inside the actual tailoring. Here are all the tailors sitting, working feverishly on the Joyride costumes now.

300 costumes will be used in the show and half of them will be made from scratch with designs by Torbjörn Bergström.

Torbjörn continues:

Roxette for me is very colorful. Therefore, I immediately felt that it is important that there are a lot of colors in the performance. It’s 1994, but you can say that everything between 1989 and 1994 is part of this performance.

It was also in the ’90s when Roxette had its heydays, after they broke through in the US in 1989 with The Look. Today they have sold more than 80 million albums with a string of chart-topping hits.

In the costume studio, the work continues and the tailors ask Torbjörn for help in making a decision. This is how they work. It’s part of the job, Torbjörn says.

You have to make a lot of decisions all the time. Much of what you decide, you cannot change on stage, because once something is cut, it’s cut. And as a costume designer, you also design masks and wigs. If there is one thing that’s very definitive, it’s cutting a wig. It doesn’t grow back. Haha.

At the moment, ten costume designers and four tailors are working on costumes for the Joyride musical. Johanna talks to one of them, who test sews a T-shirt for one of the actors. She says it’s common to test sew things, especially when you are a little uncertain about the fabric and its characteristics. Test sewing makes you feel safe. She thinks it’s super fun working on the Joyride costumes, because they are very varied. All are individual costumes.

Torbjörn says:

It is very grateful that the set is in a world of fashion. That’s a very, very big advantage of this show. It would be difficult to bring in so much color and shape in other contexts. This way there is no limit to how much fashion and high fashion you can get into the show.

During the course of the musical, Stephanie’s character goes from working as a stylist to working as a designer, so the sewing room is filled with her half-finished costumes. Costume designer Torbjörn Bergström is standing at a workbench, flipping through his many sketches of models in colorful, pattern-softening creations.

Here you can see all the intricate patterns and then accessories on top of that. It must not be messy. It is very important. When I make a sketch, that’s why I often copy it down so that it’s quite small and I can see how it looks from a distance. You must remember that it is a very large theatre with many seats and many sit very far away. It is important that even those who sit very far away can take part in everything.

The reporter mentions that Roxette will go on tour and Per brings Lena Philipsson as the singer. Marie Fredriksson passed away in 2019, but Per thinks she would have liked that Roxette’s music now becomes a musical.

I think she would have thought it was amazing. She was much more interested in musicals than I really was from the beginning. So I think she would have thought this was really cool. I’ve never been a huge musical fan myself. It’s a new chapter in the book of my life and it’s exciting to step into it.

The first request to make Roxette into a musical came back in 2016.

There were different versions by several people. They have written scripts and they have even showcased it to me and performed eight songs with dancers and an orchestra in London. I have turned it down, because I didn’t like the script. So Malmö Opera was not the first one on it, but it became Malmö Opera, because it is a fantastic organization and it has a very fine and large orchestra. I was there at one of the previous orchestra rehearsals and it’s really cool to sit in the middle and hear a big orchestra play your music. It will be a completely different trip than two guitars and drums and bass that I’m used to in the rehearsal room.

To the question how important it is to him that Roxette’s music becomes a musical, Per replies:

It’s a big thing and it’s exciting. It feels great and I have a good feeling about it in every way. I hope this musical will be a success, so that it can go on around the planet, just like Roxette did once upon a time.

“Joyride” by Roxette in animated award-winning documentary “Flee”

I remember I read it maybe a year ago or so that a documentary about a refugee who had to leave Afghanistan behind contains Roxette’s Joyride. Months have passed and it turned out that this animated documentary, Flee is a real award-winning film. It tells the extraordinary true story of a man, Amin Nawabi, on the verge of marrying his husband which compels him to reveal his hidden past for the first time. Director is Jonas Poher Rasmussen (Denmark) who has been close friends with Amin for appr. 20 years.

The documentary has already won several awards at bigger and smaller film festivals (e.g. Sundance Film Festival, Toronto International Film Festival, European Film Awards etc.; check Wikipedia for details) and is nominated as Best Picture – Animated at the Golden Globes and the Danish Oscar committee has selected it to represent the country as its contender for the 2022 Academy Awards in the best international feature category.

Now, during the Budapest International Documentary Film Festival I had the chance to watch Flee. It’s a very emotional and moving film. I don’t want to write a review of it, I think everyone in the 21st century should watch it and think about what’s happening around the world these days and how one’s life can change in a minute. The story starts in the 80’s and look what’s happening in Afghanistan still today… While I was watching the docu and heard A-ha’s Take On Me, then Roxette’s Joyride and Ace of Base’s Wheel of Fortune, music from my childhood and early teenage years, music from Amin’s childhood and early teenage years, I just couldn’t help comparing Amin’s life to mine. And it made the experience even more heartbreaking. What „problems” I had back then and what PROBLEMS Amin had. Shocking…

Joyride is on for appr. 1 minute in the movie. Amin starts to play it on his walkman while – together with another guy – he is being driven in a van by people smugglers to get from Russia via Turkey to Denmark. The song seems to be expressing his desires.

Fingers crossed the docu wins all awards it’s nominated for! HERE you can watch the official trailer.

Update on 8th February 2022: Flee is on the shortlist for the Oscars in 3 categories: Best Animated Feature, Best Documentary Feature, Best International Feature Film. Good luck!

Per Gessle – Joyride 30 interview in Aftonbladet

Per Magnusson from Aftonbladet did an interview with Per Gessle via Zoom. Mr. G joined the meeting from his Stockholm office.

PG tells Per Magnusson that pop music is an escape. It was the same thing when Mr. G was little. He loved the pop world, because there was everything that didn’t exist in his real world. When you were a teenager; girls, drugs, eccentric people.

When I think of the Joyride era, we were like Zlatan, doing bicycle kicks all the time. At least it felt like that. At the same time, we were shocked and grateful to have broken through. That a band from Sweden would do it was not on the map. With “Look Sharp!” and “It Must Have Been Love” we had had five huge hits before “Joyride” came. But I was just motivated by the success, I just poured myself into it.

In the interview Per tells Aftonbladet that during those times, long before iPhones, he used to call home and record song ideas on the answering machine. Sometimes he woke up his wife, Åsa in the middle of the night. He als tells that Joyride and Spending My Time were written the same day.

I lived and breathed Roxette 24 hours a day. “Joyride” began with the note that my then girlfriend, now wife put on my piano: “Hello, you fool, I love you”. It’s a great pop chorus, I thought. I had just read an interview with Paul McCartney who described songwriting with John Lennon as “a long joyride”. That combination: “Hello, you fool, I love you / C’mon join the joyride” felt like a great pop campaign.

Aftonbladet shares that when Roxette reached their fourth US number one in May 1991, Per with entourage was eating dinner at the La Coupole restaurant in Paris when the phone rang.

It was magical. But then you already knew what it was like. When you are in the flow, it’s just another success. Many years later I was at Östermalmshallen and bought vegetables when they called and said that we had become number one with “Charm School” in Germany. In fact, that kind of success is appreciated even more today.

Aftonbladet informs that Joyride topped the charts in seven European countries and was certified multi-platinum in several territories. The tour that followed reached with its 100 concerts four continents and 1.7 million people.

It’s the South America tour that stands out, for several reasons. There were bad economic times there. Guns N ’Roses, Madonna and Michael Jackson had cancelled their tours. They said: “you can do your tour, but you won’t make any money”. From our side it was: “we are from Halmstad and get to play in South America. Then you can make money elsewhere”. It was thought that we would play for about 6,000 people. But a few weeks before we got there, everything exploded. We were moved to football stadiums. 50,000 in Buenos Aires. 65,000 in São Paulo. 45,000 in Santiago. Incomparable.

Aftonbladet tells that at the end of 1991 American EMI was acquired by the newly started record company SBK. 123 employees were fired overnight, in favour of about a hundred new ones – most of them completely unrelated to Roxette. The band received little support from their new record company. Singles didn’t climb as high, a video was completely scrapped.

It was super bad timing. Suddenly we were sailing against the wind. It just completely capsized. It never really turned out right after that. It was an absolute setback. A disappointment, above all. We hadn’t toured the US with “Look Sharp!”, so it was the first time we were there. It would be a big victory for the whole Roxette package. But that didn’t happen.”

To Aftonbladet’s question regarding how Per sees it today he replies:

We should have had a different strategy in the US. But we had like no one to talk to, there was no one else in Sweden who went through the same thing at that level. On the other hand, we had been on the Billboard chart for three and a half years without falling off, so there was probably a saturation within the band, “it will surely work even if we remain on this miserable record company”.”

At the same time, in other parts of the world it was a huge success. Joyride is still one of the best-selling albums ever in Argentina, Austria and Germany. The album has sold over 11 million copies. Per is three decades later proud of the album, which draws its aesthetics and energy from both The Beatles’ Magical Mystery Tour and South American carnivals.

You said something about it being colorful and full of confidence? That’s exactly what it is! It’s bursting with positivism. We had no time pressure, no budget. From time to time I think it’s a great craft. A wonderful record from a wonderful era in pop music.

Marie is of course a big part of everything. Per agrees:

Yes of course. It’s very sad that she’s not here. And it’s the same with Pelle Alsing, who was also very important in that era. But it was a fantastic journey we had anyway, so you have to think positively. We had a devilishly long career together. I’m super grateful for everything we’ve been through. And I’m very proud to have worked with Marie and what she did with my songs.

To Aftonbladet’s question how Mr. G looks back on this carousel today, whether it is with undivided joy, or there is a sadness that something similar will probably never happen again Per replies:

It’s exactly as you say: it happens once in a lifetime – if you’re lucky. Most people will never experience anything like this. I think you can compare it to winning the World Cup in Formula 1. It’s a success that still gives confidence today. And you have to have a certain self-confidence to work with creative things, to stand on your own two feet. It’s quite hard to be so extravagant all the time. Now I’m going on tour again, I disclose myself every night and anything can happen. So of course you need self-confidence.

Per Gessle about…

… the idea behind Joyride: “The idea was that you could pick any song as a single. The ambition was to make a super-commercial record in the same spirit that we had success with – and that we were very good at.

… Roxette’s manifestation: “Roxette was a hybrid of my pop geek mixed with Clarence (Öfwerman’s) magical productions and Marie, who was a fantastic singer from a completely different school. I tried to match their geniuses in my way.”

… more memories from South America: “In Córdoba, Argentina, there were fans from the airport to the hotel. It was like a marathon with a riot fence, flowers and Marie and Per signs. I know Marie tried to go out in a wig at some point, but it didn’t work out so well. It became a street race.

… Bryan Adams (Everything I Do) I Do It For You (which was often the only obstacle from first places around the world): “I’ve always hated that song. And it was probably in our way, right? But I like Bryan Adams. He is a nice guy and a good photographer as well. And he sings damn good, always did.

… the legacy of Roxette: “I see it on streaming, the interest in Roxette is increasing all the time. People do covers and new generations come. The big songs seem to become evergreens. You have to pinch your arm.”

Roxette – Joyride 30th anniversary release

The Joyride 30th anniversary box with the whole story, demos and previously unreleased material will be released on 26th November.

Already tomorrow, 8th October, the single Small Talk will be released with two previously unreleased versions of Small Talk and Hotblooded.

This year marks 30 years since Roxette released her third album Joyride, which followed up the band’s record global breakthrough with the album Look Sharp! in 1989.

Roxette had in record time turned into a global hit phenomenon thanks to the three US hits The Look, Listen To Your Heart, It Must Have Been Love and other big hits such as Dressed For Success and Dangerous.

Joyride was the album that was supposed to cement the unlikely successes of Marie Fredriksson and Per Gessle. Which indeed it did. The album not only became Roxette’s bestseller, the title track zoomed all the way up to the top of the US charts on 1st May 1991 – giving Roxette their fourth US No.1. Thus, the group set a record that no Scandinavian group or artist has managed to surpass.

Massive box with unique material

The Joyride anniversary is celebrated with a vinyl box consisting of 4 LPs and a 3-CD box, which in addition to the original edition contains lots of unreleased or hard-to-get material that paints a larger picture of a piece of Swedish music history: demos, alternative versions and leftovers.

In addition, a richly illustrated 32-page booklet is included, which in text and with unique images from Roxette’s archive tells the story of how a classic Swedish pop album came to be.

Twelve previously unreleased songs

Twelve of the songs are previously unreleased, including the first recording of Hotblooded, which for a while was intended as the album’s opening song before Joyride pushed it to second place. Interestingly enough, there are also two Gyllene Tider songs here, which in January 1990 were candidates to end up on the upcoming Roxette record.

Per Gessle remembers:

It’s about “Run Run Run” and “Another Place, Another Time”, which Gyllene released on our English album “The Heartland Café” in 1984. And when I was looking for material for the new album in the autumn of 1989, I got hooked on these two. We made new and more “Roxified” demo versions of them – and especially, “Run Run Run” I think could have been a very strong one.

However, the recordings were shelved – in the Rox HQ there was a small but strong taboo against Roxette and Gyllene Tider being mixed together, so therefore they have been collecting dust in the archive. Until now.

Candy for all Roxette fans

Other 1990 demos that can now be heard for the first time are Small Talk, Church Of Your Heart, Physical Fascination, Things Will Never Be The Same, I Remember You and especially the upcoming single B-side The Sweet Hello, The Sad Goodbye – one of the strongest songs that never managed to take a place on the album, later a big favourite among many Roxette fans and recorded by several other artists, including American singer Laura Branigan.

Sweet Thing is also one of many candidates which never managed to elbow its way onto the Joyride album, but which now sees the light of day for the first time.

In addition to the LP box with four vinyl albums, the original album is also released for the first time with a gatefold cover and pressed in marbled or black vinyl.

Joyride 30th Anniversary Edition tracklists

4LP box

LP #1 

A
1 Joyride
2 Hotblooded
3 Fading Like A Flower (Every Time You Leave)
4 Knockin’ On Every Door
5 Spending My Time
6 Watercolours In The Rain

B
1 The Big L.
2 (Do You Get) Excited?
3 Small Talk
4 Physical Fascination
5 Things Will Never Be The Same
6 Perfect Day

LP #2 

A
1 Soul Deep
2 I Remember You
3 Church Of Your Heart
4 The Sweet Hello, The Sad Goodbye
5 Fading Like A Flower (US single version, Humberto Gatica mix)*

B
1 Joyride (US single version, Brian Malouf mix)
2 Soul Deep (Tom Lord-Alge mix)
3 Church Of Your Heart (US adult contemporary mix)*
4 Hotblooded (Live Sydney Dec 1991)
5 Fading Like A Flower (Every Time You Leave) (Live Sydney Dec 1991)

LP #3 

A
1 Joyride (T&A Demo – May 23, 1990)
2 Hotblooded (T&A Demo – Jan 23, 1990)*
3 Fading Like A Flower (T&A Demo – Aug 31, 1990)
4 Knockin’ On Every Door (T&A Demo – Aug 15, 1989)
5 Spending My Time (T&A Demo – May 24, 1990)
6 I Remember You (T&A Demo – Apr 1, 1990)
7 Watercolours In The Rain (T&A Demo – Jan 24, 1990)

B
1 The Big L. (T&A Demo – Apr 1, 1990)
2 (Do You Get) Excited? (T&A Demo – Aug 19, 1989)
3 Small Talk (T&A Demo – aug 30, 1990)*
4 Church Of Your Heart (T&A Demo – Jan 8, 1990) *
5 Physical Fascination (T&A Demo – Jan 3, 1990)*
6 Things Will Never Be The Same (T&A Demo – Jun 17, 1989)
7 Perfect Day (T&A Demo – Aug 23, 1990)

LP #4 

A
1 Sweet Thing (T&A Demo – Oct 28, 1990)*
2 Seduce Me (T&A Demo – Aug 22, 1990)
3 Run Run Run (T&A Demo – Jan 10, 1990)*
4 Things Will Never Be The Same (T&A Demo – Sep 17, 1989)*
5 Love Spins (T&A Demo – Jan 3, 1990)
6 Come Back (Before You Leave) (T&A Demo – Apr 8, 1990)
7 The Sweet Hello, The Sad Goodbye (T&A Demo – Mar 16, 1990)*

B
1 Hotblooded (T&A Demo – Dec 13, 1990)
2 Things Will Never Be The Same (T&A Demo – Dec 13, 1990)
3 Another Place, Another Time (T&A Demo – Jan 11, 1990)*
4 I Remember You (T&A Demo – Mar 15, 1990)*
5 Queen Of Rain (T&A Demo – Jan 2, 1990
6 The Big L. (T&A Demo – Mar 29, 1990)
7 Joyrider (T&A Demo – May 22, 1990)

*Previously unreleased

CD and Digtial tracklists

CD1

  1. Joyride
  2. Hotblooded
  3. Fading Like A Flower (Every Time You Leave)
  4. Knockin’ On Every Door
  5. Spending My Time
  6. I Remember You
  7. Watercolours In The Rain
  8. The Big L.
  9. Soul Deep
  10. (Do You Get) Excited?
  11. Church Of Your Heart
  12. Small Talk
  13. Physical Fascination
  14. Things Will Never Be The Same
  15. Perfect Day
  16. The Sweet Hello, The Sad Goodbye
  17. Joyride (US Single version, Brian Malouf mix)
  18. Fading Like A Flower (US Single version, Humberto Gatica mix)*
  19. Soul Deep (Tom Lord-Alge mix)
  20. Church Of Your Heart (US adult contemporary mix)*

CD2

  1. Joyride (T&A Demo – May 23, 1990)
  2. Hotblooded (T&A Demo – Jan 23, 1990)*
  3. Fading Like A Flower (T&A Demo – Aug 31, 1990)
  4. Knockin’ On Every Door (T&A Demo – Aug 15, 1989)
  5. Spending My Time (T&A Demo – May 24, 1990)
  6. I Remember You (T&A Demo – Apr 1, 1990)
  7. Watercolours In The Rain (T&A Demo – Jan 24, 1990)
  8. The Big L. (T&A Demo – Apr 1, 1990)
  9. (Do You Get) Excited? (T&A Demo – Aug 19, 1989)
  10. Small Talk (T&A Demo – Aug 30, 1990)*
  11. Church Of Your Heart (T&A Demo – Jan 8, 1990) *
  12. Physical Fascination (T&A Demo – Jan 3, 1990)*
  13. Things Will Never Be The Same (T&A Demo – Jun 17, 1989)
  14. Perfect Day (T&A Demo – Aug 23, 1990)

CD3

  1. Sweet Thing (T&A Demo – Oct 28, 1990)*
  2. Seduce Me (T&A Demo – Aug 22, 1990)
  3. Run Run Run (T&A Demo – Jan 10, 1990)*
  4. Things Will Never Be The Same (T&A Demo – Sep 17, 1989)*
  5. Love Spins (T&A Demo – Jan 3, 1990)
  6. Come Back (Before You Leave) (T&A Demo – Apr 8, 1990)
  7. The Sweet Hello, The Sad Goodbye (T&A Demo – Mar 16, 1990)*
  8. Hotblooded (T&A Demo – Dec 13, 1990)
  9. Things Will Never Be The Same (T&A Demo – Dec 13, 1990)
  10. Another Place, Another Time (T&A Demo – Jan 11, 1990)*
  11. I Remember You (T&A Demo – Mar 15, 1990)*
  12. Queen Of Rain (T&A Demo – Jan 2, 1990
  13. The Big L. (T&A Demo – Mar 29, 1990)
  14. Joyrider (T&A Demo – May 22, 1990)
  15. Hotblooded (Live Sydney Dec 1991)
  16. Fading Like A Flower (Every Time You Leave) (Live Sydney Dec 1991)

*Previously unreleased

Listening links to the Small Talk single (released on 8th October): Spotify, Apple Music, YouTube (1; 2), Deezer.

Per says:

The “Small Talk”-demo was made by MP and me at the old Tits&Ass Studio on August 30, 1990. It was written two days earlier. “Hotblooded” was recorded by Marie, MP and me the day after Marie and I wrote it in my tiny penthouse apartment in Halmstad in January 1990.

You can already pre-order all the Joyride 30th anniversary goodies that will be released on 26th November (black vinyl, marbled vinyl, 4LP box, 3CD set) on Bengans, Ginza and other well-known places, as well as in your local record stores / online record shops.

Click for the PRESS RELEASE in Swedish.

Promo video can be found HERE!