Grunden Media Podcast interview with Per Gessle

Carl-Magnus Eriksson and Jakob Olsson from Grunden Media Podcast interviewed Per Gessle the other day. You can listen to the podcast in Swedish HERE.

The guys ask Per to introduce himself to the listeners. He says he is a guy from Halmstad and is making music since he was a teen, so he has been making music for over 40 years now with Gyllene Tider, Roxette and as a solo artist.

To the question how his working week looks like he replies it’s a bit different now. There are no concerts, so he is writing a lot and there is a studio where he is trying out different ideas. He explains he usually tours in blocks, so when he is on tour, then he is free for a half year or a year maybe until there is a next tour and then he is writing a lot.

Carl-Magnus and Jakob ask Per about his latest single, Mamma / Pappa. Per says he was dealing with another project, he was writing in English, but then suddenly he realized that it’s Mother’s Day soon, so maybe he should write a song about a mom. It started a bit with his own mom, but it’s also about someone else. Most of his songs are starting with his own feelings, then his imagination soars and it becomes something different in the end. Anyway, he finished the song and recorded it with Helena Josefsson. He thought it became a good song and he also thought he would write one about a dad to have a balance. He thinks it became even better. Others also thought they were damn good songs, so he released them in 2 weeks digitally, then also on vinyl.

The guys ask Per if his parents were role models to him when he was young, in the heydays of Gyllene Tider. Mr. G says his father died in 1978 before Gyllene Tider broke through. His mother always supported and encouraged him. She was the one who bought Per’s first guitar. He tells they had a piano at home and both his sister and brother played the piano. His mom passed away in 2013.

Talking about his first guitar, the guys mention that they know it from Niklas Strömstedt’s Gessle enligt Gessle documentary that it was a Bjärton nylon-string guitar. Per confirms it and says it was nice and very expensive. There was another guitar at home, but it was hard to tune it properly and press down the strings. So he thinks his mom thought she should buy something which can be played properly. He still has that guitar in Halmstad and also plays it once in a while. It still sounds fantastic. Per tells he has guitars on display at Hotel Tylösand, but he also has some at home in Halmstad and in Stockholm. There are guitars in a warehouse too and those are used when he is on tour. His guitar technician takes care of them. He doesn’t like to sell guitars, he rather keeps them and buys new ones too.

They guys ask Per if he misses playing with Gyllene Tider. Per says last year they recorded an album in France and went on a big tour. It was nice. He likes playing with Gyllene Tider and anyway he likes playing in a band. In a gang that plays the same song at the same time. Haha. They guys say Anders Herrlin and Micke Syd are among the best musicians in Swedish pop history. Per says Micke is a super-duper drummer and Anders is a fantastic bassist, but when they play together, 1+1 makes 3 or even 4. They are super tight. Anders was there in the heydays of Roxette and also toured with them in the ’90s. He played the bass in a different style vs. when he plays with Micke.

Per says one of the rewards of his job – both writing and playing music – is that you touch so many people. Many say that they feel like the song is about them, they recognize themsleves in a lyric maybe. Mr. G thinks it’s fantastic. He remembers when he got his first fan mail in the ’70s, in 1976 or 1977. There was a radio program called Bandet går where you could send in recordings and Per sent in a song, Ser du alla människor, which was 6 minutes long. It was quite horrible he thinks, but they played it on the radio. Then he got a mail from a girl who thought the song was fantastic, she recognized herself in the text. Per was totally shocked that something he did himself could touch another person so much. After all these years, one could easily say and think that you can take it for granted, but it’s not like that. He thinks he stilll has that fan mail. He lived at his mom back then and he has boxes with a lot of stuff from those times.

Carl-Magnus says he was born in 1975. He asks Per what he was doing before 1975. Per says in his childhood he spent a lot of time on his own. His family moved several times, so probably that was a reason for that. Already at an early age he was intrested in pop music. He was collecting records and listened to all chart shows on the radio. He learned English via English music magazines he bought, e.g. Melody Maker, Record Mirror. He was handing out newspapers at the weekends and was selling Christmas magazines, he earned his money with that to be able to buy the records. He tried to buy a single each week. The guys ask him which was his first record. Per says his first LP was a The Kinks album, The Kink Kontroversy. He bought it from his brother who needed money for cigarette.

The guys ask how the idea of Flickorna på TV2 came to him. Mr. G says he wrote the song together with Mats Persson. He can’t really remember. There was TV2 and there were those nice girls. He wrote it for GT’s first LP on which all the lyrics are a bit odd, e.g. (Dansar inte lika bra som) Sjömän, Fån telefon, Ska vi älska, så ska vi älska till Buddy Holly. Flickorna på TV2 was a song they changed the whole composition to in the studio, so they got a kind of groove in the song that wasn’t there in the beginning. There are rehearsal studio demos of it before they found the real sound to it. The guys ask about this part of the intro: “Master 17223, take 8”. Per says it’s from a recording that went wrong. They were at EMI Studios in Stockholm where they were also working with English stuff, so this snippet was from another record. They found it cool and kept it.

About Hotel Tylösand Per says he had no experience in the hotel business, except for living in hotels, but he thought it would be stupid not to buy it since it was so close to his hometown. It’s very unique with its nice beach. They bought it in 1995, rebuilt it, but it’s not him who is managing the hotel. It’s 100 years old this year and there is a nice video about it on YouTube.

To the question what he thinks when he sees old videos of himself he replies it’s fun. His generation got to be part of a wonderful era in pop music. ‘60s, ‘70s, ‘80s, ‘90s, ‘00s was a golden era before everything became digitalized. The music industry became so big it also became a big business. It wasn’t like that when Per started. Back then, young people established record companies and dealt with exciting music, e.g. Stiff Records, Atlantic Records. When he thinks about the old video of himself in Måndagsbörsen in the ’80s, it was fun to be there.

The guys ask what he would be if not a musician. Per says he doesn’t really know. He ended up being a musician already at the age of 19-20. At high school he was at an architect office. He always liked architecture, so that could have been fun. Now he is just doodling in his notebooks when working in the studio. He is bad at constructing things.

The guys ask Per about The Beatles. He says The Beatles created everything they are doing now in different ways. Everything they did was new, how they were writing songs, producing and playing them, how they looked, their album covers. He never saw them perform live. They toured Sweden in the beginning of the ‘60s. But he saw Paul McCartney live of course.

About Ramones Per says the awesome thing about them is their lovely hybrid of punk and surf music. There is The Beach Boys style surf music that they played much faster in a way. It’s very simple pop music with a fantastic attitude and Per loves the whole Ramones concept including how they looked with the same hairdo and outfit. He also loves that era in pop music, the ‘70s. Before punk and new wave happened, everything felt so important in pop music and professional, then with the punk there was a revolution and anyone could start a band or play the bass or the guitar or sing. When they started with GT, they learned everything on the way. Progressive music in the ‘70s and ‘80s, Yes, Emerson, Lake & Palmer and Genesis had long songs, they were advanced and professional. The Ramones represented the opposite which Per liked a lot.

To the question how it was singing in Måndagsbörsen in 1981 Per replies he can barely remember, but it was fun. He remembers that Dag Vag had a hit song then, Pop opp i topp and they performed it together with Gyllene Tider. Thore Skogman joined them too. He then invited GT to his home somewhere near the Norwegian border and they had lunch there. Per says he was a very nice person.

The guys are talking about how it was working together with Nisse Hellberg. Mr. G says it was fun, he is a highly talented, great guy. It was an exciting cooperation. They did a soundtrack to Mats Olsson’s book, De ensamma pojkarna. They pretended to be a ‘60s band, The Lonely Boys.

Carl-Magnus and Jakob ask who Mr. G would work together with. He says it’s fun to work with other voices, because he often feels limited with his own voice. That’s how Roxette started. Marie could sing his songs much better than Per himself. He also works a lot with Helena Josefsson. If he can dream away, it would be cool to work together with Sia or Pink for example.

The guys ask if he misses Marie Fredriksson. Of course he misses her, she was one of his best friends for so many years. It’s terrible that she is not there anymore. It’s hard to accept and understand it. He thinks of her almost every day.

The guys are talking about the song Per released in February, Around The Corner and Carl-Magnus and Jakob are curious how it was to sing those lyrics. Per says when he wrote it, it wasn’t about Marie, however, when he finished it, he understood that it was in a way about Marie and about the feeling that you have to move on. He recorded a simple demo of it that felt so strong that he thought they should work on it a bit more. Helena came to the studio and was singing and then Per sent what they had done to Clarence and he added his keyboards to it. Then the song was produced and he released it. Per says he finished writing the song before he went to the studio. He is working quite fast so it took maybe an afternoon to write it. He always tries to catch the same temperature in the music and the text. When he writes the text, he likes it when it’s lying around for maybe a day or two before he gets back to it. Then he corrects it or changes things in it. When he is writing, things are just flowing out. When he is working on a song for too long, it means it’s not good.

Carl-Magnus and Jakob ask what Per’s favourite Marie Fredriksson song is. There are many, he says. She didn’t write so many songs, but they are very good ones. From her Swedish songs Per likes Den ständiga resan the most. It’s a fantastic song. From the Roxette songs she wrote, Watercolours In The Rain is fantastic. Per wrote the text to it, but Marie wrote the music.

Mr. G says it would be fun to make more soundtrack music. Making music to Small Apartments, a Jonas Åkerlund movie some years ago was an exciting project. It’s instrumental music, which is totally different to making songs with lyrics. Here the guys are talking about Uno Svenningsson and his son who makes ambient music. Per says he grew up in an era where real instruments were played, while today’s generation is different. But ambient music can also fit movies.

Regarding which song he is the most proud of, Mr. G says when he hears a song on the radio or in the department store, he thinks “shit, it’s a good song. Oh shit, it’s a Roxette song”. He thinks The Look became damn good, something you never heard before. Tycker om när du tar på mej has a very nice text. He likes the whole Mazarin album a lot, because that was the first time he worked together with Christoffer Lundquist in his studio and also the first time he worked with Helena Josefsson. The album became different vs. what he was doing before. He likes all the songs on it.

To the question which hairdo he thinks was his best over the times he replied he hopes the best is yet to come. Haha.

The guys ask Per what he is listening to on Spotify right now. He checks it while he is sitting in front of his computer. He is listening to songs people recommended to him, so now it’s old jazz, e.g. Art Pepper and old Van Morrison albums. He also likes The Chainsmokers as modern music, but he is listening to everything possible. He makes playlists. The more new music he listens to the more he feels eager to listen to old music. He usually finds something in new music he likes, but he thinks it was made more for him several years ago. If he is listening to Blinding Lights from The Weeknd for example, he thinks it sounds cool, but it also sounds like the ’80s, so he is eager to listen to some ’80s music after hearing it.

Regarding F1 and racing Per says he likes watching the race. Occasionally he is out on a racing track to drive and for that you need a standard driving license. He explains there is a bunch of technicians who tell you how to drive and what to do there. Every year he travels to see at least one F1 race live. It’s much fun. The guys tell they saw Per has many Ferraris. Per confirms and says it’s like with the guitars and laughs. He adds he likes the design of them. He doesn’t know the maximum speed of his cars, he never drives too fast.

To the question if he has ever thought about making a movie from his songs like Elton John or Queen did, he replied he thinks something like that is coming in the future. Maybe some kind of musical. It feels like a natural development of the hit catalogue he has. It would be fun and exciting, but it has to be good. It’s easier said than done. He thinks Bohemian Rhapsody is super good.

Carl-Magnus and Jakob ask what’s next. Per tells he plans to record more songs in autumn, so he is writing during summer. There is no tour booked. Of course he wants to tour, but he doesn’t know how and in what context.

The guys ask Per about Spännande ostar. It was Marie, Lasse Lindbom, Mats Persson and Per in 1983 or 1984 and they played acoustic songs.

Carl-Magnus and Jakob shoot some quick questions at the end of the interview.

  1. Vinyl or Spotify? Vinyl, because it smells good.
  2. Tour or studio? He loves both, so he can’t choose.
  3. Gyllene Tider or Sommartider? Gyllene Tider.
  4. Yellow Submarine or Come Together? Come Together.
  5. Min tjej och jag or Låt denna trumslagarpojke sjunga!? Min tjej och jag.
  6. Ferrari or black McLaren Senna? Ferrari.
  7. He can’t reply to the question what he would ask from Helena Josefsson, but tells he is to meet her next day.
Pic by Fredrik Etoall

Per Gessle interview on P4 Extra on Mother’s Day

Titti Schultz did an interview with Per Gessle today on P4 Extra on Swedish Radio. It starts at 1:42:42. After Titti welcomes Per, he says it’s an adorable weekend and the weather is fantastic on the Best Coast (West Coast). He is in Halmstad during corona time, because he lives there. He laughs. He has been home since Easter. Titti asks Per if he is thinking about corona or if everything is as usual. Mr. G says his life hasn’t changed a lot, because he most of the time works alone or only with a very few people. So it’s rather business as usual for him, but he has been very productive during this period. He wrote a lot of English songs and in between, Mamma and Pappa poppud up on a sunny Tuesday morning. He was dealing with a totally different type of music and then suddenly an idea came to his mind that shit, it’s mother’s day soon, so why not writing a song about a mom. It went quite easily and then he thought he should write a song about a dad, too. It was much harder. He laughs. He booked the studio, he worked there for 2 afternoons and then came Helena Josefsson to sing and then it was ready. It happened only in 2 weeks and it never went this fast before.

Titti says she knows Per’s mom is not among us anymore and asked Per if he celebrates her mom on a day like this. He said it doesn’t happen like this directly. Now there is another mom in his family, his wife, so it became rather her day. Per says when you are young, you don’t care too much about Mother’s Day, but by getting older, you think more about how it is to be parents and that kids are growing up. He thinks it’s a nice day. Tradition in their family is to give flowers and cake.

Titti asks Per if he thinks Mother’s Day has more meaning now for other families during corona time. Per thinks it could be. He thinks it’s a very special period we are going through now. It’s something we haven’t experienced before. When there is uncertainty, family and friends are more in focus and you realize that you can’t take any basic things for granted.

Per says he read that there were a lot of weddings cancelled. During this time people either still get married after the social distancing period or they get divorced. Titti says there can be a baby boom too.

Titti gets back to the songs and asks Per about the English songs he has been writing when Mamma and Pappa popped up. Mr. G tells he has Mono Mind, an electronic pop music project, but he was also writing guitar-based classic pop music. He doesn’t know yet what the future brings, but he wants to continue touring and play and make himself heard in a way. What he is writing now is based on the music he grew up with, the 60’s and 70’s (as usual) mixed with modern music. He can’t say anything about when this music will be out, but maybe next Mother’s Day. He laughs.

Titti asks if Per wants to say anything before she pushes the play button for Mamma. Per says just sit calmly and listen to the lovely lyrics and

Mom is the best!

A cover of Roxette’s ”Listen To Your Heart” on the US charts

Mainstream Rock is Billboard magazine’s music chart that ranks the most played songs on mainstream rock radio stations in the US. Listen To Your Heart has now entered the charts at No. 40 in the interpretation of an American hard rock band, Through Fire. The band was founded in 2015 and released their 2nd album, All Animals – on which their Listen To Your Heart cover can be found – on 19th July 2019. It’s not the first time the band appears on the charts. Their debut single Stronger reached number 29 and 3 other songs were also charting. Their highest peak position was 13 with their 2016 single, Breathe. Listen To Your Heart was released as a single and an official video to it was published on 9th December 2019, before anyone knew what happened in the Roxette World that day. The single features an acoustic version too.

Listen To Your Heart was written by Per Gessle and Mats MP Persson on 3-4 May 1988 and was released as the second single from Roxette’s second studio album, Look Sharp! in September the same year. This is what Per told about it earlier:

I co-wrote this with MP Persson in May of 1988 and it immediately felt very special. The lyrics came from an all night conversation I’d had with a friend who was going through a heartbreaking divorce. In the studio with Roxette it sounded awesome, with Marie taking the lead role and Clarence creating that beautiful piano intro.

Our ambition was to make it sound really ”American”. I guess we succeeded…

It has become our most popular song all over the world and was our second No. 1 in the US.

Roxette reached their 2nd No. 1 on the Billboard Hot 100 with the song on 4th November 1989.

A Belgian dance group, DHT did a trance cover of LTYH and it became a hit in the US and in some other countries. This way in 2005 Listen To Your Heart returned to the top 10 on the Billboard (reaching No. 8) as DHT’s remake.

American radios played Listen To Your Heart more than 5 million times. In 1998 Roxette received an award from BMI for this song being played over 2 million times on American radio. Phil Graham of BMI said it was very unusual for a song to get over the 2 million mark in such a short space of time. In October 2006, helped by DHT’s cover, Roxette were awarded again by BMI for the song’s 3 millionth broadcast on American radio. Per and MP got the Million-Air Award for 4 million plays in 2008 and for 5 million plays in 2014.

Let’s see how high the cover of Through Fire climbs. And hey, looking forward to the 6 million plays ceremony anytime!

28/03/2020 – No. 39
04/04/2020 – No. 35
11/04/2020 – No. 33
18/04/2020 – No. 36
25/04/2020 – No. 33
02/05/2020 – No. 35
09/05/2020 – No. 36
16/05/2020 – No. 36
23/05/2020 – No. 35
30/05/2020 – No. 32
06/06/2020 – No. 32
13/06/2020 – No. 33
20/06/2020 – No. 33
27/06/2020 – No. 34
04/07/2020 – No. 37

Radio interview with Per Gessle about Marie Fredriksson – ”I’ve always thought she is a sister to me, it has always been so.”

Studio Ett on Swedish radio did an interview with Per Gessle after last night’s ”En kväll för Marie Fredriksson” event at Stora Teatern in Göteborg. You can judge by Per’s voice and reactions that he is still very much under the effect of what happened. Both last night and on 9th December.

It was the first time last night that he stood on stage without Marie since she has passed away. Per says it was quite long ago when he played together with Marie, in 2016. Yesterday the whole event was a really strong experience. It was fantastic being part of it, but at the same time it was tough. He says Marie was a fantastic person and he remembered the ’80s and ’90s when Roxette had their heydays. One forgets it over the years when so many things are happening. Their whole journey is unbelievable. They met at the end of the ’70s. Per was busy with Gyllene Tider, Marie had her solo career, but they shared this dream of succeeding abroad and they did and had this fantastic journey together.

The program leader says not everyone understands how big they are in e.g. Australia or South America. She asks what kind of reactions he got from there during the past month. Per says the response was tough, but fantastic. It shows how much Marie meant and still means to the people all around the world. The program leader says there was someone from Brazil in the audience last night. Per says he knows it, but there were many other hardcore fans too. There is a gang that follows everything they are doing. They live their lives via them in a way and he finds it fantastic.

The program leader asks Per how he looks back at the times when they broke through in the US. Per says it was an awesome time, the music industry and radio were totally different. They come from the pop world that has its roots in the ’60s and ’70s. They had the capacity and luck to follow up their first hit song, The Look with several others. Besides Marie singing so fantastically, she was also a fab performer on stage. When they started touring around the world, she was so good and they had a good band too, so they could also deliver on stage. A lot of artists can make records, but can’t go and perform live. It was a huge strength of Marie.

Studio Ett then asks about Per and Marie’s friendship. Per says they had a long journey together and over the years their friendship went through changes of course. They were friends from the beginning, they shared a dream, wrote songs together, played the guitar and the piano, they were singing, they shared the rehearsal studio while playing in separate bands, Per in GT, Marie in Strul. Then they went on tours and it became an intense, but rather professional friendship year in, year out with Roxette, so when they came home from a tour, maybe the first one whom he called wasn’t Marie. But they have always been very close to each other. He has always thought Marie is a sister to him, it has always been so.

Per says after last night’s event it’s very tough today. Everyone was very moved. It felt like a farewell yesterday. It was fantastic to do this, but it was tough for all of them on stage. He thinks it will be an awesome TV program. The band was a hybrid of Roxette’s bands and Marie’s solo band, consisting of fab musicians.

The program leader asks how much of Gun-Marie from Östra Ljungby was still in Marie as a successful world star. Per says there was still very much of Gun-Marie in her. She was very private. They did all this journey because they love pop music and singing and playing and writing. So why they were on TV, for example, was not because they wanted to be there, but it all came with their success. To the question how much is left in Per of Per Håkan who once worked at Bingo-Livs Mr. G replied while laughing that it’s hard to say, but he is a big part of him still. At least he thinks so.

To the question how he will go on with his songs he wrote for Roxette Per replies he doesn’t know yet, it’s a good question. During all his adult life he was writing songs for Roxette, so he wants to go on with them in a way, but he doesn’t know how.

It’s hard for Mr. G to tell what Marie would have said about last night’s event. Per thinks it was very touching, but he doesn’t know what Marie would have thought. Still the whole thing seems to be unreal.

To the question which of Marie’s songs are his favourites Per replies there are so many. One of Marie’s absolute finest lyrics is Den ständiga resan. It’s a very strong text and a very nice song. Over the years Per wrote tons of songs, while Marie was writing much less, but when she wrote something it was incredibly good. She has a fantastic song catalogue.

Gyllene Tider – GT40 Live – New Year’s Eve on Swedish radio P4

On New Year’s Eve, Swedish radio P4 broadcast Gyllene Tider’s Ullevi concert recorded on 3rd August 2019 on the guys’ 40th anniversary tour. A pre-recorded studio talk with Per and Anders, as well as Sven Lindström was also on air.

In the beginning of the program Sven tells it was Per and MP who started a band first, Grape Rock. Per says they realized it quite early that they needed more people for a band. Then came Micke Syd and Janne Carlsson and that was the first setup of Gyllene Tider. Later Janne was changed, Anders and Göran joined them and they were complete.

Sven asks the guys what made them so special. Anders says it was a magical chemical mix. Per says 40 years is a long time, it wasn’t the same in their heydays, but when they later reunited, they became better and better every time, in 1996, 2004, 2013. That chemistry became more and more special and more and more magical. Now everyone thinks their 2019 tour was the best both musically and also in terms of how much fun it was.

Sven introduces the Ullevi show and says the stadium was cooking and it was a really special gig.

The guys don’t talk in between each song, so one can enjoy the live music as if we are there at the concert. In Ullevi, at the best show on tour.

After Puls they are talking again. Sven says it’s probably a dream for everyone who starts a band that they one day perform in Ullevi in front of 60,000 people. Per confirms it’s magical to play there and Anders also thinks it’s powerful and since Ullevi is not a usual stadium, the construction makes you feel that it’s even more full than it actually is. The first time Anders was at a concert in Ullevi it was David Bowie (1983). Per saw The Rolling Stones there first (1982). For GT it was the third time they played the stadium. The first show they did there was in 2004. Anders remembers that it was a pure energy shock. Almost 60,000 people were standing in front of them and all their love and energy was floating towards them on stage without any filter. He says it puts one into tears. Per says he is not as sensitive as Anders, he doesn’t really experience it being different to be playing at Ullevi or at Brottet in Halmstad in front of 11,000 people. One is focusing the same way and you work the same way, but at the same time, everything is bigger. It’s always magical to play at Ullevi though.

Before Flickorna på TV2 is playing, the guys are shortly talking about Gyllene Tider’s record contract Kjell Andersson (EMI) offered them in 1979. Per explains they had only 6 gigs before they became No. 1. with Flickorna på TV2. After their breakthrough it was still difficult to organize concerts, not knowing how good it would work out and it was a tough job for tour leaders too to find out what is right and what is wrong when it came to organizing. It was a learning by doing case. Flickorna på TV2 became a hit anyway and GT became Sweden’s hottest band. The guys say they were so young and it was strange that suddenly girls started screaming and they were stalking them in their gardens.

Before Kung av sand the boys are back again. Sven says there are 2 songs that defined GT in the ’90s, Kung av sand and Det är över nu. Per says Kung av sand became their big ballad, like Listen To Your Heart is for Roxette. Earlier they didn’t have such a big one. They of course had När alla vännerna gått hem and Honung och guld, but those were smaller. Kung av sand is majestic and it was fantastic to play it live again. The song’s energy spreads out to the crowd and it comes back from the audience. It’s wonderful.

Before the 1st encore, Sven, Anders and Per are talking about Tylö sun, which is the Swedish version of The Rivieras’ California Sun (1964). First the guys recorded it for a compilation album. It became a real summer hit for them, they Gyllene Tiderized it. Göran’s Farfisa fits it so well. Anders says he thinks there is a nice organ sound in the original as well, but Per can’t remember it. Sven says they check it after the program. (There is organ in The Rivieras’ version too.)

Per says the beginning of the ’80s was a very special period for them. They were 20-21, Göran was 18 and they got a huge attention. Sven says what happened with Gyllene Tider didn’t happen in 10-15 years in Sweden. Per says in 1980-81 they didn’t really realize what a big thing it was. It was the same with Roxette, they just didn’t realize it. Only now when they are looking back at the numbers and films they can get it.

The guys are getting back to the live show and after that, the concert plays till the end without a break. När alla vännerna gått hem is the last song. Sven, Anders and Per say goodbye.

There is only one hit they skipped in the broadcast: (Dansar inte lika bra som) Sjömän. If there weren’t news at 8 pm, they would have probably played that one too.


1. Skicka ett vykort, älskling
2. Juni, juli, augusti
3. Det hjärta som brinner
4. (Hon vill ha) Puls
5. Flickorna på TV2
6. Vandrar i ett sommarregn
7. (Dansar inte lika bra som) Sjömän
8. Det kändes inte som maj
9. Flickan i en Cole Porter-sång
10. Tuffa tider


11. Låt denna trumslagarpojke sjunga!
12. Kung av sand
13. En sten vid en sjö i en skog
14. Ljudet av ett annat hjärta
15. Ska vi älska, så ska vi älska till Buddy Holly
16. (Kom så ska vi) Leva livet
17. Tylö Sun

Encore 1

18. Billy
19. Det är över nu
20. Gå & fiska!

Encore 2

21. När vi två blir en
22. Sommartider
23. När alla vännerna gått hem