Per Gessle’s new single, a duet with Amanda Ginsburg is out!

Per Gessle has released a new duet, Plåster from his upcoming album as the fourth single. The single contains two songs:

Side A
Plåster

Side B
Jupiter Calling (2024)

Listen to it on any streaming platform HERE and don’t forget to order the physical copy, a 7″ vinyl at Bengans! (B side HERE!)

The video to Plåster premieres at 9 am CET on 4th October.

Per says:

I have already released three singles from the album, duets with Molly Hammar, Lena Philipsson and Albin Lee Meldau. Now it’s time for another duet, this time together with one of my favorite Swedish singers, Amanda Ginsburg. I have admired Amanda for several years, both through her outstanding concerts and records, and was extremely happy when she agreed to sing on “Plåster”, a key song on my new album. Amanda has a wonderful voice to sink into and it fits the “Plåster” message perfectly.

Amanda says:

Being invited into Per’s music has been an enormous joy and honor all the way through! What a star! For me, “Plåster” is a reminder of the power of words and to dare to say both the small and the big kind words. We always need them, but perhaps now more than ever.

Per to RoxBlog:

Amanda’s certainly got an amazing voice. So happy she wanted to sing along.  “Plåster” is, for me, the standout track on the new album. It’s not very commercial nor radio friendly, but it’s a very special composition and I do love the way it turned out. Ola G played some fab guitars on this one. And I love the brass section.

“Jupiter Calling” is part of all the recordings I did with MP + Micke Syd way back in 1995. I’ve added new backing vocals and fixed one line in the lyrics. Otherwise it’s still how it was recorded with a new mix by MP. He surprises me sometimes with new mixes of old analogue stuff. “So many songs, so much time” is the MP way of living these days.

That one change in Jupiter Calling (2024) is “the batteries ran out” instead of “the batteries were down”.

 

Plåster

Om du hade suttit intill
Och jag kunde gjort vad jag vill
Så hade jag berättat för dig
Vad du betyder för mig
Jag vet att
Ord kan vara så små
Och göra skada ändå
Men mina är starka som stål
Och blir plåster på dina sår
Mjukt på dina sår

Om du hade suttit bredvid
Det hade knappt tagit någon tid
Innan vi skrattat i kör
Åt världen som bor utanför
Jag vet att
Ord kan skapa magi
Men också ställa till krig
Mina är harmlösa barn
Inga frågor som kräver svar
Du får allt du vill ha

Ord kan bygga magi
Mirakel fyrverkeri
Jag hoppas de går att förstå
Och blir plåster på dina sår
Mjukt på dina sår

De blir plåster
På dina sår
På dina sår

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad, February + March + April 2023 + Sweetspot, Harplinge, March 2023

Engineers: Mats Persson (T&A) + Staffan Karlsson (Sweetspot)
Mixed by Mats Persson + Per Gessle at T&A, Halmstad, May 2023

Per Gessle: acoustic guitar + piano + vocals
Amanda Ginsburg: vocals
Ola Gustafsson: electric guitar + slide guitar + mandolin + dobro
Magnus Helgesson: drums + percussion
Fredrik ”Gicken” Johansson: electric bass + lap steel + dobro
Helena Josefsson: backing vocals
Mats Persson: mandolin + synths + dobro
Per Thornberg: tenor saxophone + baritone saxophone

 

Jupiter Calling (2024)

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad, 3rd August 1995 + 31st July 2024

Engineer: Mats Persson
Mixed by Mats Persson at T&A, Halmstad, August 2024

Per Gessle: electric guitar + acoustic guitar + piano + synth + vocals
Micke Syd Andersson: drums
Mats Persson: electric guitar + electric bass

Photo by Fredrik Etoall

Jupiter Calling (2024) got its own digital sleeve so that this song doesn’t pop up on the duet partner’s page as well.

Per Gessle’s new single, a duet with Albin Lee Meldau is out!

Per Gessle has released a new duet, Nyper mig i armen from his upcoming album as the third single. The single contains three songs:

Side A
Nyper mig i armen

Side B
72 (MP Remix 2024)
Varje gång (T&A demo 1986)

Listen to it on any streaming platform HERE and don’t forget to order the physical copy (out on 20th August), 7″ vinyl at Bengans!

The video to Nyper mig i armen premieres at 9 am CEST on 16th August.

Per says:

“Nyper mig i armen” is one of nine duets that are included on my new album “Sällskapssjuk” which will be released in October. I’ve always been weak for duets. It’s always fascinating to observe how a song and the lyrics change both meaning and feeling when several people sing it.

Albin Lee Meldau has a particularly personal voice, so when I wrote “Nyper mig i armen” last Christmas, I immediately thought of him. There’s a sort of Swedish country troubadour character in there in Albin who could be right in the middle of my happy little song with violin intro and all! He didn’t disappoint me. He is a lovely person and now a good friend with magical vocal cords.

Albin Lee continues:

When I was asked to sing on Per’s song, I thought it was a joke at first and am very happy that it was a real question! I liked “Nyper mig i armen” immediately when I heard it. It’s a wonderfully sunny and country-smelling song. Per is a fantastic songwriter and artist, but above all he is a very nice person who I am very happy to have gotten to know.

 

Nyper mig i armen

Hon satt nöjd i sin stol
På en terrass där man bojkottar sol
Hon kunde lika gärna låtsats som det regnar

Och hur jag blev intressant
Har jag funderat på på min kant
Det måste finnas vassare val där hon hör hemma

Ett ögonkast och sen
Är jag van att dörren slås igen
Men nu är hon min, jag nyper mig i armen
Det pratas lite grann
Sen lämnar man varann
Nu är hon min, jag nyper mig i armen

Och ibland när hon ler
När hon inte vet att jag ser
Då svävar jag, det känns som jag kan flyga

Ett ögonkast och sen
Är jag van att dörren slås igen
Men nu är hon min, jag nyper mig i armen
Det pratas lite grann
Sen lämnar man varann
Nu är hon min, jag nyper mig i armen

Jag får nypa mig i armen

Words & music: Per Gessle (25th+27th December 2023, Halmstad)
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad, December 2023 + January + February 2024 + Sweetspot, Harplinge, December 2023

Engineers: Mats Persson (T&A) + Staffan Karlsson (Sweetspot)
Mixed at T&A, Halmstad by Mats Persson + Per Gessle

Per Gessle: acoustic guitar + organ + hand clap + vocals
Albin Lee Meldau: vocals
Ola Gustafsson: acoustic guitar + electric guitar
Magnus Helgesson: drums + percussion
Fredrik ”Gicken” Johansson: electric bass + lap steel + dobro
Helena Josefsson: backing vocals
Staffan Karlsson: harp
Mats Persson: mandolin
Adam Sass: trumpet + flugelhorn
Malin-My Wall: violin
Clarence Öfwerman: piano

 

72 (MP Remix 2024)

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad, July 2002

Engineer: Mats Persson
Remix by Mats Persson at T&A, Halmstad, March 2024

Per Gessle: keyboards + vocals
Mats Persson: electric guitar + keyboards + bass + programming
Jimmy Monell: programming

72 was released on Gyllene Tider’s Finn 5 fel! album in 2004.

 

Varje gång (T&A demo 1986)

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad, 4th December 1986

Engineer: Mats Persson
Mixed by Mats Persson + Per Gessle at T&A, Halmstad

Per Gessle: keyboards + vocals
Mats Persson: electric guitar + keyboards + bass + programming

Varje gång was released by Anna (Anna-Carin Borgström) in 1987 and by Wizex also in 1987.

Photo by Fredrik Etoall

72  and Varje gång get their own digital sleeve so that these songs don’t pop up on the duet partner’s page as well.

Per Gessle’s new single, a duet with Lena Philipsson is out!

Per Gessle has released the title song, Sällskapssjuk from his upcoming album as the second single. The single contains two songs:

Side A             Sällskapssjuk
Side B             Hjärta av glas

Sällskapssjuk is a duet with Lena Philipsson. Per and Lena’s paths already crossed in the mid ’80s when Per, among other things, wrote the lyrics to Lena’s breakthrough song Kärleken är evig. Now it’s time again.

Listen to the single on any streaming platform HERE and don’t forget to order the physical copy, 7″ vinyl that is released also on 3rd May at Bengans!

A video to Sällskapssjuk is also out!

Sällskapssjuk

Om du var här
Så skulle dagen vara spektakulär
Och hela natten ungefär
Likadan

Om du var här
Så skulle inget vara något besvär
Din speciella atmosfär
Tog över stan

Ring någon gång när du känner dig sällskapssjuk
Jag har inget viktigt för mig alls
Jag finns för dig
Ring till mig om du känner dig sällskapssjuk
Jag kan vara nära där du är
Jag väntar här

Din doft är klar
På din kudde som fint ligger kvar
En souvenir från de dagar
När allt var bra

Ring någon gång när du känner dig sällskapssjuk
Jag har inget viktigt för mig alls
Jag finns för dig
Ring till mig om du känner dig sällskapssjuk
Jag vill vara nära där du är
Jag längtar här

Ring någon gång när du känner dig sällskapssjuk
Jag har inget viktigt för mig alls
Jag finns för dig
Ring till mig om du känner dig sällskapssjuk
Jag kan vara nära där du är
Jag väntar här

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle + Andreas Broberger + Anton Ekström

Recorded at Tits & Ass, Halmstad December 2022 + January + April 2023 and Lost Boy Studios, Umeå January + February 2023

Engineers: Mats Persson (T&A) + Andreas Broberger + Anton Ekström (LBS)
Mixed at T&A, Halmstad by Mats Persson + Per Gessle April 2023

Per Gessle: acoustic guitar + keyboards + vocals
Lena Philipsson: vocals
Andreas Broberger: electric guitar + keyboards + programming
Anton Ekström: keyboards + programming
Ola Gustafsson: electric guitar
Fredrik ”Gicken” Johansson: electric bass + lap steel
Helena Josefsson: backing vocals

 

Hjärta av glas

Du,
Jag tog med mig allt jag sa
Jag lämnade nästan inget kvar
Jag tog ditt hjärta av glas
Jag har det här, du får det tillbaks

Och jag står kvar när taxin far
Och jag blundar med allt som jag har
När du långsamt ger dig av
När du långsamt ger dig av

Du,
Jag har trott på allt jag sa
Jag har trott på allt som var
Du har ett hjärta gjort av glas
Jag har det här, du får det tillbaks

Ingen början vill ta slut
Men ingenting här är som förut
Jag är ledsen det gick itu
Jag är ledsen att vi gick itu

Hjärta av glas
Hjärta av glas

Jag tog med mig allt jag sa
Jag lämnade nästan inget kvar
Du har ett hjärta gjort av glas
Hjärta gjort av glas

Words & music: Per Gessle
Published by Jimmy Fun Music

Produced by Per Gessle

Recorded at Tits & Ass, Halmstad November 2022 and Sweetspot, Harplinge December 2022 + February 2023

Engineers: Mats Persson (T&A) + Staffan Karlsson (Sweetspot)
Mixed at T&A, Halmstad by Mats Persson + Per Gessle March 2023

Per Gessle: acoustic guitar + electric guitar + Hammond organ + mellotron + organ + piano + pedal organ + Wurlitzer piano + vocals
Magnus Helgesson: drums + percussion
Fredrik ”Gicken” Johansson: electric bass + lap steel
Helena Josefsson: backing vocals
Mats Persson: electric guitar + 12-string electric guitar
Malin-My Wall: backing vocals

 

Photo by Fredrik Etoall

Hjärta av glas won’t be on the album. The reason this song gets its own digital sleeve is because otherwise it will pop up on the duet partner’s page as well.

Per Gessle on Lotta Bromé’s show at Mix Megapol

Per Gessle was a guest on Lotta Bromé’s show at Mix Megapol last Friday. John Lundvik and Daniel Paris were on the same program and them 4 talked about Per’s upcoming album, duets, the GT movie and the signs of spring among other fun things. You can listen to the show HERE.

When Lotta welcomes her guests and asks who wants to talk about their week, Daniel is shocked. He says it’s huge, because he has never heard his name in the same sentence as Per Gessle. The only time was when they said, „Daniel, please stop calling Per Gessle”. Haha. He had a stalker period where he called up celebrities. Lotta asks Per how it feels that they have brought a stalker here today when Per is on the show. PG says he is in shock. Haha.

Lotta asks Per how he feels and Mr. G replies he feels great, he loves Fridays. Lotta agrees that it’s perhaps the best day of the week, especially now that Per releases new music. She says they will listen to it in a moment.

Lotta turns to the other two guys and they talk about Semmelchips, because Daniel brought it to the studio. Per refuses to even taste it. He says it’s not for him. He smelled them and it was horrible. Lotta asks him how much of a gourmet he is. PG says he is a pretty basic type of person. So he likes pasta and ketchup and instant macaroni, Lotta says. Mr. G says maybe not so much ketchup, but pasta and instant macaroni, there are days when he eats such stuff. John is trying to sort out that Per Gessle is basic. They are laughing. John has three kids, so they eat a lot of pasta and meatballs.

Space travel pops up as a topic. Lotta is curious if Per is longing for travelling in space. PG smiles and says he isn’t, he stays in Halmstad. Haha.

While Daniel is still starstruck by Per, Lotta starts talking about Per’s upcoming album, a record with many duets. Mr. G says wanted to try something new. At his age, he tries to find a new angle in every project he does. He had a lot of songs that he thought would work well as duets, so that became the angle. Not all the songs became duets, but there will be seven or eight duets on this record. The album title is Sällskapssjuk. Lotta thinks it’s such a great title, she loves it. She says Cher released a Christmas album with duets last year, but she never met anyone who sang along. Lotta is curious how it was with Per’s duets. Mr. G says it was the opposite for him. He met everyone in Halmstad and they were together in the studio and had dinner then. He had a good time with everyone. Lotta wants to know how he chose who to work with. Per says the first thing, of course, was that he liked their voices. The second was that it would work reasonably well with keys and such, purely in terms of arrangement. Some songs he had to re-work a bit to make it work, but it has been very nice all the way. Lotta asks if Per could reveal any more duet partners. Per says he could if he wanted to, but he doesn’t want to. Haha. Lotta says she will ask that question again before Per leaves, so Mr. G should be prepared for what he will answer then, because he can’t say the same answer twice. PG says he can use another language.

Lotta asks John about duets. He says one of his big moments in life was when in 2010 he had to write a duet for the wedding of Princess Victoria and Prince Daniel. [The song is When You Tell The World You’re Mine. /PP] He is a real sucker for duets. Lotta asks him if he is on Per’s new album. John laughs and says he can’t say anything. Lotta says he can’t answer the same when she asks this question again. Haha. Lotta assumes Daniel is not Per’s upcoming album of duets. Daniel says he doesn’t kiss and tell or sing and tell on the radio. He likes the title of the album Sällskapssjuk. It’s with great humor, because it’s called Sällskapssjuk and then there are a lot of guest artists.

Lotta asks Daniel how sociable he is. Daniel says he can have very introverted periods where he just wants to be devoted to himself and then he has periods where he is really extroverted, his emotions burst out and he wants to hang out with people.

Lotta is wondering if anyone was surprised when Per called them and wanted to do a duet with them. PG says he didn’t ring, but sent an email and a text and stuff like that. Daniel laughs and says they probably thought they were AI-hacked and they could have asked Per to send them a picture of the daily paper to get proof it’s not AI.

Lotta says John has a bottle of his new wine with him, named after him, Pour Toi John Lundvik. She asks John to open it so everyone can taste it.

 

Lotta starts talking about Melodifestivalen with John. He was the winner a couple of years ago and he says he tries not to be that involved sometimes, but he automatically gets into it every Saturday. When he won, it was a door opener on many levels. Lotta turns to Per and says he was also involved, but not as an artist. He helped write the lyrics to Kärleken är evig. And Lasse Lindbom participated with Per’s song, För dina bruna ögons skull. Per laughs and says that became the last song that year. Lotta is wondering if Per ever feels like he wants to be there. Per’s answer is a clear no. It’s not really his cup of tea. In fact, he hasn’t seen any of the Melodifestivalen episodes in the last ten years. Lotta is surprised, but she says Per saw Madonna at least, as they were talking about concerts before. He was at the concert for twenty minutes or so, then he left. Lotta asks John if it happened to him too. John says he never left a concert, but he has friends who did exactly the same as Per. Lotta says she and Daniel stayed, but people left, because Madonna was really late. Daniel thinks that’s why people left. It was a working day the next day.

Lotta is getting back to Melodifestivalen and asks Per if he knows about Fröken Snusk. Per has no idea about her. Also doesn’t know about Gunilla Persson. John says he was in Fort Boyard, on the TV show “Fångarna på fortet” and they competed with Gunilla at the same time. She was nice to talk with. She was also nice to John the other day when he posted a cover of Whitney Houston on Instagram. Then she spread it further and John thought it was very nice. Gunilla Persson is Sweden’s kindest and most misunderstood person, Daniel thinks. This woman has a heart of gold, he thinks. Lotta says she has met another person who had been with Gunilla at the Fort and who had slightly different types of stories related to that. Daniel defends Gunilla and he thinks in Sweden, people are a little too hard on her.

Lotta plays Too Late For Love, song of John Lundvik that was the winner 5 years ago at Melodifestivalen. John says it’s still fun to hear it, however, when you have a hit, it’s a little love and hate. He is looking at Per. For example, he thinks of Lionel Richie when he sings Hello. It might not be fun for him to sing it every night, but he still loves it somehow. Lotta asks Per how he feels about this. He has a lot of hits. Lotta is wondering if there are any songs Per got tired of and never intend to perform again. Per says he thinks a bit like what John says, that you have to respect that it’s actually music that a lot of people like. When you stand on a stage and play Sommartider with Gyllene Tider, it might not be the most fun musically, but the communication create with this song is priceless. He thinks all artists feel the same way.

Now that John mentioned Lionel Richie, Lotta asks if he was in the movie that both John and Per recommended on Netflix. Yes, it’s a documentary about the recording of We Are The World in the happy ’80s. Lotta asks what is so special about this docu, because there are several who say don’t miss this. Per thinks it’s a very cool movie. It was a cool decade with very cool shoulder pads in the jackets and high hairstyles. John says you get an insight in that room, the reason why he sings today. It’s the absolute elite in that room and everyone went there after a party. Daniel thought this was a Julia Roberts movie. Haha. Lotta asks Daniel about Britney Spears. He says he has just read her book for the seventeenth time and he sees new shades all the time. Daniel asks Per what he thinks about Britney Spears. Per says he doesn’t think anything about Britney Spears. She was damn cool when she broke through. She had very good songs that Max Martin put together at the time. Daniel’s reaction is „did you all hear? Per Gessle approves of Britney.”

Lotta starts talking about Per’s upcoming movie about Gyllene Tider. Per says it’s not his movie. Haha. Lotta asks if PG is happy with the actor who plays him. Per is really happy with him. He is Valdemar Wahlbeck. He has the same ridiculous dialect that Per has, so that helps, Mr. G says. Lotta adds he is Peter Wahlbeck’s son. Per says he is super talented. Lotta goes on and says there is a Parnevik boy who will play Micke Syd on drums. Phoenix Parnevik. Lancelot Hedman Graaf plays Anders Herrlin, Sweden’s most handsome guy in 1981. Lotta asks when the movie will be finished. It’s still in cutting phase, so it will premiere at the cinema in July. Lotta is wondering how Per will feel when he sees it. Per doesn’t really know what he got himself into with this one. Haha. Lotta asks whether Per has approved the script or he has given free hand. It’s not a biography, PG explains, but it’s based on a true story with some artistic freedom taken. But it will be fun, Per thinks.

Now Lotta and the guys are talking about the signs of spring. For Daniel, the biggest sign of spring is that many of his old friends have started contacting him. Haha. John has broken down after this answer, so Lotta gets down to Per. Mr. G says it’s a little hard to top Daniel’s answer, but for him it’s that the Formula One season starts. He is crazy about Formula One and it starts in Bahrain next weekend. There are test days this weekend. It’s a fantastic thing according to Per. Lotta asks him if he is going there, to Bahrain. Per won’t go there, but he tries to go to at least one race a year. Lotta asks where he has planned to go this season. Per doesn’t really know, but he would love to go to Las Vegas. But it’s not until November. Lotta says that dude, the one who is supposed to be the best has switched teams, if she knows it right. Per asks if she means Lewis Hamilton. He will switch teams next year. It will be exciting.

John’s spring sign is left for last. John says he is now talking as a father, so the spring sign for him is when the gravel is swept away, because the kids are out skateboarding and riding bikes.

Here Lotta plays a new song, Misstag by Miss Li. She is curious if any of the three guys would put this song on their playlists. John would add it to his playlist, he thinks it’s cool and it would be great to hear it live. It would be sweaty. It’s almost like a rap. Daniel likes Miss Li a lot, he thinks she is very talented. Lotta says that the texts of all Miss Li songs work even when they are translated into English. It’s really special. Per agrees that it’s special, but it isn’t really his cup of tea. But he can hear the charm of this one. But it probably wouldn’t end up on his playlist. He has a lot more older songs on it. Daniel says he likes it, Per likes it too, although it’s not his kind of music. You can still like things. Not everything is for everyone. We have to respect that. But we love Per Gessle, Daniel says. They are laughing.

Lotta asks Per if Miss Li is one of his duet partners. Mr. G says, unfortunately, he can’t answer that. As Per said earlier that he would reply to Lotta’s question in another language, Lotta asks him in English, then Per says „sorry, I don’t understand”. Haha.

Lotta asks the guys what they are going to do today. Jan Lundvik, what are you going to do today? They are taking it easy. Lotta turns to Per and asks him in English if he is making some international phone calls. Per answers yes, of course. He says, jokes aside, he is going to take it easy this weekend. He will do Nyhetsmorgon on Sunday morning.

Lotta thanks everyone for coming and the guys say goodbye.

Pic from Janne Innanfors’s Instagram

Per Gessle’s single premiere on P4 Extra

P4 Extra premiered Per Gessle’s new single, Beredd last Thursday. Titti Schultz invited Per on the show. You can listen to it HERE, 43:24 into the program.

Titti welcomes Per and offers him some sweets. Some remaining candies from the Eurovision panel where they discussed the songs. Per points at a sweet and says it looks completely life-threatening. He loves sweets. Titti is curious if there are any of those in the bowl that Per is particularly fond of. Per says he actually likes all of them. He likes everything with chocolate. He also likes liquorice, black liquorice, salty liquorice and sweet liquorice. He points at one that he doesn’t like. Titti says it’s peach. Mr. G says it’s the kind of nonsense he doesn’t have. He says he has reached the age that he likes Bridge Blanding and stuff like that. Titti says it’s something you grow up to. Haha.

Titti says she has claimed today that Per has become a bit sociable (longing for company). Sällskapssjuk. At least that’s the title of the upcoming album, coming this fall. The first taste comes tomorrow. Titti says Per sings a duet with Molly Sandén, but Per corrects her that it’s Molly Hammar. Titti excuses herself and says it’s her who read it completely wrong. She laughs and says they will have to cut that out later.

Titti asks Per if he considers himself a sociable person. She is curious if it’s more fun to work with others than to work alone. Per thinks he is sociable, like anyone else. But he is quite much of a lone wolf as well. It is a rather solitary work that he has chosen, to write and compose and think about ideas. He is pretty much to himself. Titti says there are artists who gather in large groups and are working on creating songs together. She wants to know if that would have worked for Per. Mr. G says he has tried that, but he gets tired, because there is so much compromising and that doesn’t suit him. But of course, he also needs feedback. If we look at his entire career, he has been very dependent on collaborators. Producers, Marie Fredriksson, the entire Gyllene Tider band, not to mention all the people behind the scenes who have helped him. So he is not alone in that way. Titti asks if it is always Per Gessle who has the last word. Per asks back if she means on planet earth. Haha. Titti says, knowing Per, the world would look different if he had the last word. She referred to having the last word regarding Per’s music. PG’s reaction is „absolutely”. He has always been lucky and privileged to be in the position of being able to do so.

Titti wants to know how Molly Hammar and Per found each other, how this collaboration came about. Per says it came about because he thought of writing an album in Swedish. After a while he realized that it would be fun to do a lot of duets. And that’s why the record is called Sällskapssjuk. It contains seven or eight duets. He can’t really remember, but it doesn’t matter. Haha. And if he had this song, he thought he would love to work with Molly, because she is a fantastic singer. She has that little extra that makes you want to listen to her. He met Molly in a TV show a few years ago, then he got into contact with her and asked if she wanted to join. Per was so proud and happy that she said yes. Then Molly came to Halmstad and they spent a few hours in the studio. Then they had a good dinner in Tylösand and now Per is sitting here.

Titti says we have to wait a little longer for the album, but the first single is here. It’s called Beredd. Titti is curious if there are only newly written songs on the album or if Per has picked up any favourites from the past. Per says there is an old Gyllene Tider song that they did on their English record in 1984. He translated it into Swedish and he has recorded it in a completely different version, so you might not even recognize it. That sounds exciting, Titti says.

Titti asks Per if he could tell about some more duet partners that he has worked together with, but Per doesn’t reveal any other names. You’ll have to wait and see. Titti accepts that she shouldn’t be nagging Per.

Titti mentions that the last time they met, they were talking about the Gyllene Tider movie that was in the making back then. Now the premiere is getting closer, the film is out this summer. Titti is curious how much of it Per has seen. PG says he hasn’t seen much more than 5-6 scenes, which are much fun. He is really looking forward to this movie. He thinks he said that when they last met that the script is great fun and he really hopes that the film will be as fun as the script. Because then it is a home run and everyone will love it.

Titti and Per start talking about Joyride – The Musical, the Roxette musical, which has its world premiere at Malmö Opera this autumn. Titti is happy that it comes true, because earlier there were thoughts about a musical, but it has been scrapped before. Per says, many people have contacted them and wanted to do a Roxette musical, but it has always failed on the script, that the script has not felt good enough. It’s not that easy to make a script where you have to add this song catalogue in the right way. But now they have succeeded. The story is based on a book called Got You Back, written by Jane Fallon from England. It’s a very exciting project. Per says anything can happen, but he thinks it will be amazing. Titti guesses Per is pretty much involved in it. PG confirms. Last week he was down in Malmö for two days and attended the readings and met people and listened and discussed. So he is absolutely involved. After all, these are his songs. Titti says Per has to have the last word there too. They are laughing.

Titti thinks it will be lovely to hear the whole album of duets. Now they should listen to Per and Molly Hammar. It’s the premiere, because this song is not out yet. It is released tomorrow.

Before they play the song, Titti thanks Per for coming and says it was nice to see him. PG says it’s always fun. Titti offers Mr. G the remaining sweets. They are laughing.

Photo by Helen Ling, Swedish Radio

Thanx for the hint regarding the interview, Martina Letochová!