Per Gessle’s single premiere on P4 Extra

P4 Extra premiered Per Gessle’s new single, Beredd last Thursday. Titti Schultz invited Per on the show. You can listen to it HERE, 43:24 into the program.

Titti welcomes Per and offers him some sweets. Some remaining candies from the Eurovision panel where they discussed the songs. Per points at a sweet and says it looks completely life-threatening. He loves sweets. Titti is curious if there are any of those in the bowl that Per is particularly fond of. Per says he actually likes all of them. He likes everything with chocolate. He also likes liquorice, black liquorice, salty liquorice and sweet liquorice. He points at one that he doesn’t like. Titti says it’s peach. Mr. G says it’s the kind of nonsense he doesn’t have. He says he has reached the age that he likes Bridge Blanding and stuff like that. Titti says it’s something you grow up to. Haha.

Titti says she has claimed today that Per has become a bit sociable (longing for company). Sällskapssjuk. At least that’s the title of the upcoming album, coming this fall. The first taste comes tomorrow. Titti says Per sings a duet with Molly Sandén, but Per corrects her that it’s Molly Hammar. Titti excuses herself and says it’s her who read it completely wrong. She laughs and says they will have to cut that out later.

Titti asks Per if he considers himself a sociable person. She is curious if it’s more fun to work with others than to work alone. Per thinks he is sociable, like anyone else. But he is quite much of a lone wolf as well. It is a rather solitary work that he has chosen, to write and compose and think about ideas. He is pretty much to himself. Titti says there are artists who gather in large groups and are working on creating songs together. She wants to know if that would have worked for Per. Mr. G says he has tried that, but he gets tired, because there is so much compromising and that doesn’t suit him. But of course, he also needs feedback. If we look at his entire career, he has been very dependent on collaborators. Producers, Marie Fredriksson, the entire Gyllene Tider band, not to mention all the people behind the scenes who have helped him. So he is not alone in that way. Titti asks if it is always Per Gessle who has the last word. Per asks back if she means on planet earth. Haha. Titti says, knowing Per, the world would look different if he had the last word. She referred to having the last word regarding Per’s music. PG’s reaction is „absolutely”. He has always been lucky and privileged to be in the position of being able to do so.

Titti wants to know how Molly Hammar and Per found each other, how this collaboration came about. Per says it came about because he thought of writing an album in Swedish. After a while he realized that it would be fun to do a lot of duets. And that’s why the record is called Sällskapssjuk. It contains seven or eight duets. He can’t really remember, but it doesn’t matter. Haha. And if he had this song, he thought he would love to work with Molly, because she is a fantastic singer. She has that little extra that makes you want to listen to her. He met Molly in a TV show a few years ago, then he got into contact with her and asked if she wanted to join. Per was so proud and happy that she said yes. Then Molly came to Halmstad and they spent a few hours in the studio. Then they had a good dinner in Tylösand and now Per is sitting here.

Titti says we have to wait a little longer for the album, but the first single is here. It’s called Beredd. Titti is curious if there are only newly written songs on the album or if Per has picked up any favourites from the past. Per says there is an old Gyllene Tider song that they did on their English record in 1984. He translated it into Swedish and he has recorded it in a completely different version, so you might not even recognize it. That sounds exciting, Titti says.

Titti asks Per if he could tell about some more duet partners that he has worked together with, but Per doesn’t reveal any other names. You’ll have to wait and see. Titti accepts that she shouldn’t be nagging Per.

Titti mentions that the last time they met, they were talking about the Gyllene Tider movie that was in the making back then. Now the premiere is getting closer, the film is out this summer. Titti is curious how much of it Per has seen. PG says he hasn’t seen much more than 5-6 scenes, which are much fun. He is really looking forward to this movie. He thinks he said that when they last met that the script is great fun and he really hopes that the film will be as fun as the script. Because then it is a home run and everyone will love it.

Titti and Per start talking about Joyride – The Musical, the Roxette musical, which has its world premiere at Malmö Opera this autumn. Titti is happy that it comes true, because earlier there were thoughts about a musical, but it has been scrapped before. Per says, many people have contacted them and wanted to do a Roxette musical, but it has always failed on the script, that the script has not felt good enough. It’s not that easy to make a script where you have to add this song catalogue in the right way. But now they have succeeded. The story is based on a book called Got You Back, written by Jane Fallon from England. It’s a very exciting project. Per says anything can happen, but he thinks it will be amazing. Titti guesses Per is pretty much involved in it. PG confirms. Last week he was down in Malmö for two days and attended the readings and met people and listened and discussed. So he is absolutely involved. After all, these are his songs. Titti says Per has to have the last word there too. They are laughing.

Titti thinks it will be lovely to hear the whole album of duets. Now they should listen to Per and Molly Hammar. It’s the premiere, because this song is not out yet. It is released tomorrow.

Before they play the song, Titti thanks Per for coming and says it was nice to see him. PG says it’s always fun. Titti offers Mr. G the remaining sweets. They are laughing.

Photo by Helen Ling, Swedish Radio

Thanx for the hint regarding the interview, Martina Letochová!