Roxette at Badrock – cinema premiere

As we could already read it in press releases, a film about Badrock (“Filmen om Badrock”), where Marie Fredriksson and Per Gessle performed as Roxette for the first time, will premiere in Swedish cinemas on 7th March. So far we didn’t know what exactly the film would contain, but this morning TV4 had an interview with Björn Skifs (he is behind the whole Badrock idea) and they showed some parts. AND… AND… AND… besides Badrock concert material from the ’80s in Borgholm and backstage moments where we can see Marie, Per, Roxette, we get to see Marie looking back at those times and hear her talking about her experiences. How absolutely fantastic is that!

In the TV4 cut you can hear Per on Öland Radio in 1987 saying he and Marie created a group called Roxette and they would first perform at Badrock. Then you see Marie talking, as natural as only she can be, in her stylish black leather jacket. She says, ”Like Lovers Do” at the beginning was a big song for Roxette and she was incredibly nervous to perform it. Everything was so new, but it was an awesome experience.

HERE you can watch a video where you can see Marie with your own eyes. Watch it mainly from 3:07. 😉

Let’s see if the film is out later on DVD as well or if it will be broadcast on TV. And if it contains much more than what we could see in this short video. Would be cool!

Still is from the TV4, Nyhetsmorgon video showing parts of “Filmen om Badrock”

 

Thank you, Carola Lindberg for watching the TV this morning and that you let us know about it!

Goodbye 2016, welcome 2017

2016 was a sad year for music fans, many “big ones” left us, artists like David Bowie, Leonard Cohen or Prince that influenced Marie and Per in a way or another.

It hasn’t been a perfect year for the Rox-world either. Roxette officially started in 1986 with the release of Neverending Love and they were celebrating these 30 years together with an amazing tour that had started in 2014 and took them all around the globe – once again and for the second time since Marie’s came back on stage (with Roxette) in 2009. They were about to embark on the last leg of the tour and meet the audience in Europe once again when the bad news came: touring if over for Roxette. News that we all somehow expected one way or another, but it hurt when it eventually happened.

And I won’t deny it, I think I still haven’t gotten over it and finally understood that there is no more Roxette live anymore. There will be Per performing Roxette songs, as it was already in 2009, but it will simply not be the same. It’s nothing against Per, I loved the 2009 shows and I will surely love the upcoming tour. It’s just not the same without Marie. Roxette are two great friends making magic together and there is nothing that can replace that.

But not everything were bad news. And since I like to concentrate on the positive, here is a summary of what happened in 2016 (hope I didn’t forget any highlight) and what we can expect in 2017 (that we already know of):

  • Roxette visited South Africa early 2016 and gave five concerts there, including two sold out ones and new plectrums that you can find on the PLECtionary.
  • The RoXXXette on the road tour photo book was released in June. It even came with a special edition for Roxers, limited to 300 copies, numbered, signed by Per – all packed in a nice box. We are collecting pictures of all of them here, so if yours is still not featured, send it in!
  • Roxette released an amazing new album in June: Good Karma. Three singles have been released so far off this album. Roxette also recorded a very nice video for the first single “It Just Happens” and asked fans to participate to make the “Why Don’t You Bring Me Flowers” video, probably inspired by Jakub and Dawid who recorded a funny fan video for “Some Other Summer”.
  • Per launched a new record label, Space Station 12, together with Marie Dimberg.
  • We also interviewed Per a couple of times, regarding Good Karma and SS12.
  • Marie’s book was published in German with an additional chapter for this version where she tells she is fine and working on the issues with her leg. We wish her all the best!!
  • Following the announcement we gathered thank-you messages for Marie. Kirsten also organised a surprise for Marie’s birthday, with the participation of tons of fans it was possible to send her bunches of roses. Marie responded with this video on her Facebook page <3.
  • In the background many things have happened to the website, we have had some hiccups with the server but nothing that couldn’t be solved. I had to postpone the project to redesign/update the website due to an accident but … let’s see what 2017 will bring 🙂

2017 so far…

  • More or less out of the blue but somehow expected, Per announced a new album and tour for 2017. The album is planned for Spring, the tour will be (for now?) in Sweden and will start on July 6th in Helsingborg, check the tour dates here
  • A DVD-box containing Roxette live recordings will be released this year. In connection to this, fans got busy and creative already on January 2nd as you can see on this article.

Sounds exciting huh? As always, thanks for reading and participating! See you on the road latest in summer.

 

 

 

 

 

WANTED – Complete Borgholm gig on DVD

The demand to see Roxette’s complete Borgholm gig(s), recorded on 25th-26th July 1989 is h.u.g.e. There is an evergreen discussion among Roxers since the ’90s and we just can’t conclude what might have happened to the recorded materials.

Collage of some WANTED pictures shared during the flashmob.

The discussion started again during the last days of December when Sandra Knospe came up with the idea to organize a flashmob to show how many of us want the complete Borgholm gig on DVD. The plan was to post one or more screenshots of the live scenes that are already available of the Borgholm shows. The idea was of course supported by tons of us Roxers. Sandra created a cool ”WANTED – Complete Borgholm gig on DVD” background pic on which anyone could insert their own preferred Borgholm live stills. Those who were more into completely ready stuff either reposted others’ pics or posted the well-known What Do We Want meme generated by Zoltán Dúl stating ”Who are we?” ”Roxers!” ”What do we want?” ”The full Borgholm-gig on DVD!” ”When do we want it?” ”For Christmas 2017!” Clear messages on both types of pictures.

We had been waiting impatiently for the time (2nd January) to come when we could all ”spam” Roxette’s Facebook page with our pics. If you check posts by others on the page, you’ll see that quite some Roxers joined the flashmob. We all love such happenings.

Later we got a little spam back from Mr. G. He shared some Memory Lane Monday pics on all the Facebook pages he is handling. At the same time, we could realize he saw the flashmob posts, but all he ”reacted” on them was sharing the old RXB article that collected those live materials which should be released one day, as well as posting the official video to Dangerous with the text ”Summertime at the Borgholm Castle. /P.” Oh. Yeah. THAT’s the summertime we would like to know more about. 😉

3 years ago Per posted on Roxette’s Facebook page that they were ”having discussions with EMI (Warner) about re-releasing all VHS/DVD Rox live + documentaries from the past. How about that? Maybe a huge box set? Rox channel on YouTube? Guess the hardest part is to find the stuff in the vaults….” A week later Mr. G was excited to post another update telling ”Hope to get most of the live VHS & DVD releases from the past out in the open (in top quality) for your insatiable eyes and ears to enjoy. It’s a little messy in the archives at the moment due to the huge EMI/Warner-merger but I’ve got new batteries in my flashlight! We’re on the case, promise.”

To help the team what to look for in the archives, Tomasz collected all possible live performances worth to release in an article.

It seems that the mess still couldn’t be sorted out completely, however, according to the rumor TDR shared there will be a DVD box including ”Sweden Live! (Norrköping 1988), Look Sharp Live (various 1989), Live-Ism (Sydney 1992), Crash!Boom!Live! (Johannesburg 1995) and Room Service (Stockholm 2001) from the Telenor webcast” without extras.

Last June when we interviewed Per, he still couldn’t tell us details about the DVD project. All he could share was his thought that ”the first things that should be made available are all those old live VHS-tapes and DVDs that’s not around anymore”.

Since most people nowadays don’t even have a machine to play VHS, it’s always nice to see old materials being released on DVD. Blu-ray is in this case out of the question, as those old tapes are probably not of real high quality for a BD release. But ”just” re-releasing old stuff is a bit sad. We are sure there is more to include.

Back to the original topic, Borgholm. What happened to the live recordings? Has there ever been a complete recording? Of both Borgholm shows and rehearsals maybe? Or was it just some footage we could already see in this or that video and on Look Sharp Live VHS? Nah… with such technology back then, shot by an American crew it’s impossible. There must have been a complete recording. Or if not complete, there is surely much more than what we could see so far. But where is that material hiding? Deep down in a cellar? Is it lost? Did the tapes get burnt? Or? Just for the record, we are happy with any raw cut material as well. It would look sharp as an extra in the DVD box. 😉 Haha.

Until we find out what happened (hope dies last…), you can still enjoy these videos and keep your fingers crossed: Listen To Your Heart, Dangerous, Paint, Dance Away, Cry, Silver Blue.

P.S.: Borgholm being such an important place in Roxette’s history, we are very happy about the fact that at least Per will play there this summer on his solo tour.

 

Metal tribute to Roxette

After the lullaby hits by Baby Roxers in 2016 there seems to be a Rox metal project in 2017.

GS Productions is a Russian independent music label. In November they announced an official metal tribute to Roxette and they called for participants. They say they have an official permission from Roxette and that all information about the compilation will be announced on Roxette’s website. There we can’t see anything yet, but GS Productions posted on their Russian social media site (vk.com) the final list of metal bands participating in the project and which of them covers which Roxette song. Joyride and Fading Like A Flower seem to be very popular, since these 2 songs appear twice, each covered by 2 different bands.

Tracklist:

  1. Metal Priest (Germany) – “Joyride”
  2. The Nameless Cult (Russia) – “Sleeping In My Car”
  3. DEOS (United Kingdom ) – “It Must Have Been Love”
  4. Dominia (Russia ) – “Wish I Could Fly”
  5. Seduced By Suicide (Brazil) – “How Do You Do!”
  6. Nightmare Council (USA) – ”Things Will Never Be The Same”
  7. The Great Crusades (USA) – “Fading Like A Flower”
  8. WOLFHEART (Brazil) – “The Sweet Hello, The Sad Goodbye”
  9. Strigampire (Canada) – “Dangerous”
  10. A Sorrowful Dream (Brazil) – “Spending My Time”
  11. Ole Alexander Myrholt Project (Norway) – “Stars”
  12. Catamenia (Finland) – “Joyride”
  13. Somnent (Italy-USA) – “Crash! Boom! Bang!”
  14. Depressive Mode (Turkey) – “Salvation”
  15. Anfel (Russia) – “Fading Like A Flower”
  16. Arrant Saudade (UK.Chile.France) – “Listen To Your Heart”
  17. Revelation (Belarus) – “So Far Away”

There is a teaser on YouTube that includes the titles of Roxette songs and the above mentioned metal bands next to the hits. However, in this video there are 2 additional bands and tracks vs. what GS Productions posted on their site. The additional 2 songs are Almost Unreal (From Autumn) and Milk and Toast and Honey (Paid Charons Fare).

The release date is set for 1st September 2017. The compilation’s cover design can be done by volunteers as GS Productions states and the best one will be chosen by Roxette. Hm. Let’s see what happens.

Well, it wouldn’t be the first time Roxette songs get metal arrangement. There was that Swedish Hitz Goes Metal project in 2011 where The Look, Listen To Your Heart, Joyride and Sleeping In My Car were covered and 2 years later on Vol. 2 (Japanese release only) there was Dressed For Success. Not sure how often any Roxer listened to these versions though.

 

CONTEST: Win a Roxette stamp booklet!

Santa thought it’s nice to surprise you all with a little retro contest. You surely remember that 25 years ago Roxette was honored by being featured on a Swedish stamp. The “Rock och Pop” theme stamp was released by the Swedish Post on 5th October 1991 in 3.6 million copies (source: a Swedish stamp site).

roxette_stamp_booklet_01
Photo shows the cover of the booklet

Per said at the time:

We’re not even dead. We thought it was a joke at first. I know ABBA was a stamp in 1982, but it’s not something that happens every day. It’s nice to have the entire Swedish nation licking your back.

Some months later he said:

That was a kick, of course. It was almost like being knighted, I guess. I have used them a lot. I used to send cassettes to my record company with them. They can’t refuse the music that way.

 

The stamp was also released in a special booklet featuring Roxette on the cover and including 6 stamps (2 Roxette, 2 Lena Philipsson, 2 Jerry Williams) and 3 postcards (1 Roxette, 1 Lena Philipsson, 1 Jerry Williams).

Now this booklet is what you can win! We have 3 of them to give away! In order to participate, answer the following questions correctly:

  1. What was the face value of the 1991 Roxette stamp? – 2.50 SEK (we also accepted 250)
  2. Which Roxette studio album was released in 1991? – Joyride
  3. Was there any Roxette tour in 1991? – Yes. Join the Joyride! World Tour 1991/92

Send an e-mail with your name, address (so we can send the booklet in case you win) and the correct answers to the questions to rxbcontests@gmail.com until 23:59 CET, 21st December 2016. The lucky winners will be announced a few days later. Good luck!

 

Contest terms and conditions:
– In order to participate, you have to send an e-mail to rxbcontests@gmail.com with name, address and correct answers to the
3 questions. We will consider all e-mails we receive until 23:59 CET on 21st December 2016.
3 winners will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice or more times will lead to your disqualification.
– Prize won’t be paid out in cash. Prize will be sent by registered
mail only once.
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer the e-mail confirming your address.
– RoxetteBlog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are the lucky winner, to send you the prize.

 

Update on 22nd December 2016: The 3 winners are: Lana Sachse, Yonita Marto and Travis Wilhelm. They were notified via e-mail.

Why Don’t You Bring Me Flowers – snippet #2

5054197420924_ROX_WHY_WT.indd We just received another snippet from the upcoming Roxette single Why Don’t You Bring Me Flowers – enjoy!

The single will be out this Friday November 4th.

You can listen to the other snippet on TDR.

Thanks to Warner Music Sweden and Dimberg Management

 

What Per Gessle played with this pick stays with this pick

For obvious reasons, during the past few months there weren’t as many plectrum updates as used to be, but then in July something popped up on a certain Instagram account. Per Gessle posted a picture of a guitar pick saying ”New guitar pick, flipside!”. We all started wondering what the text (What’s been played with this pick stays with this pick) and sealed-lips emoji on the plectrum could refer to and it didn’t last too long to find out it had surely been produced for private gigs.

We had to wait 2 months to see where the pick was used and it turned out it was the only occasion Per played it. It happened at a birthday party at A.b.b.e.y. R.o.a.d. S.t.u.d.i.o.s. Wow! It must have been an awesome feeling to play at such a historical & magical place.

What the pick (1; 2) says is not completely true though. Of course we don’t know the full setlist, but we know the band played The Look and more importantly, they also played Här kommer alla känslorna (på en och samma gång). Huh? Who would have thought that Per would EVER play THIS song at THAT place? Yep, it was a Swedish business man’s birthday party after all, but still! It’s just amazing!

Fortunately, Mr. G was generous enough to share the pick with the greatest plec collector among Roxers, Sandra Knospe and this way the PLECtionary could be updated. Woohoo! Check it out!

We asked Sandra how she feels about having this item in her collection:

I remember that Per mentioned in the interview about the guitar picks, that he considers it a mission to help me find Plectrum-Nirvana. And I also remember how shocked (in a positive way) I was when I read this back then. That alone was more than I ever could wish for. Of course I didn’t dare to believe that he actually would make it true. But he really did. More than just once. And I still can’t believe it. I am so happy and grateful that he helps me to keep the collection complete. And it also makes things so much easier. It sometimes is like pulling teeth if you try to swap a missing pick with somebody, esp. such rare ones that have not even been played at public events. So thank you again, Per, for being such a kind person and also for making the hunt much easier. I can’t find the right words to explain good enough how much I appreciate that. But I so do!!!

Huge thanks again for the updates, Sandra and much appreciation to Mr. G for making it possible!

PLECtionary_update_20161020
Photo by Sandra Knospe

 

Roxette announce 3rd single and video contest

Roxette have announced today that the 3rd single from their latest album, Good Karma will be ”Why Don’t You Bring Me Flowers?”. It was no real surprise, since Mr. G already talked about it in the interview we did with him some months ago:

5054197420924_ROX_WHY_WT.indd

Addeboy vs Cliff have just finished a fab uptempo version of ”Why Don’t You Bring Me Flowers?”. A song of mine done in Addeboy vs Cliff-style. It will hopefully be released later this year.

So the time has come. Better said, the time will come on 4th November, as the release date is set to that Friday according to Ginza.

But it’s not just a simple single release (on CD and in digital form). Marie and Per ask you to be creative and they give you a chance to appear in the official video to the song. All you have to do is record a 10-20 seconds video of yourself, friends or a situation to where you associate to the song and upload here. You don’t have much time to do that though. The deadline is next Friday, 21st October. For more details you should check out the terms and conditions. Make sure you use #WhyDontYouBringMeFlowers when you upload your video to any social media site.

The winner submissions will be part of the official video. It’s a nice idea. And hey, it means there will be an official video, not just a lyrics video. Does it also mean that besides the parts with the winner clips there will be Marie and Per in the video as well? Good question… Not much time left until we see what happens. Fingers crossed for some really creative clips and a fab end result! Good luck to all participating Roxers!

 

Spanish interview with Per Gessle about Roxette

Sebas E. Alonso did an interview with Per Gessle at the end of June for Spanish jenesaispop.com. Here you can read a summary of it in English.

Per and the reporter are talking about the updated sound on “Good Karma”, but keeping the DNA of Roxette. Mr. G says that for this album they have 2 more songs recorded and there are 3 others they didn’t record in the studio. He says if he doesn’t like a song, he leaves it and focuses on something else. To make a song takes a long time. If he makes a demo and he doesn’t like it, he leaves it completely. A song has to pass several processes before reaching the studio.

Per says all songs on the album are special. “From a Distance” was originally a ballad, atmospheric, without a groove. But they had many ballads, so they took Marie’s voice and gave it to Addeboy vs. Cliff. It became an uptempo song, they added a guitar and new voices. What’s on the album is the second version. It was the last song they recorded.

Mr. G says it’s cool that people still listen to their songs and every time he hears e.g. “It Must Have Been Love” at the airport or at the supermarket it feels great.

He talks about the band The 1975 from today’s music and that he likes their production, but he also still listens to ‘60s and ‘70s music. To the question if Roxette is a pop or a rock band Per replies they make pop music, but with guitars.

Regarding “Good Karma” Per says Marie thinks it’s their best album ever, but he thinks it’s rather just a good album. The best they could do now.

About “April Clouds” Mr. G says they had two ballads, “April Clouds” and “Why Don’t You Bring Me Flowers?” and they thought that one had to be the final song of the album. They decided on AC, which is organic, no synthesizers involved but real instruments. They don’t think of it as a farewell song, but many people interpret it so, and this is how things work. You do something and people interpret it as they want and this is how it should be.

The reporter asks about Marie and Per says he talked to her the day the interview was done (22nd June) and she was fine. Sometimes she can’t get up and has to sit, but other days she feels good and can even take a walk. Per says they haven’t talked about a future concert at all. It doesn’t look like there will be more concerts at all. But Marie sometimes surprises us and if she wants to do something, Per is there. But there are no plans at all.

Per talks about the fans, their support over the years and that it was a great rehab for Marie. He says even now when they decided not to do more tours they have their fans’ support.

Regarding how music changed nowadays, Mr. G says today the artist is like a brand, especially in the EDM world. David Guetta and Avicii are trademarks and are presented as brands, and they (Roxette) are not a brand. They want to be a band. Today in Sweden for example, Spotify is 90% of the market. No one is interested in the artists or producers anymore, however, he still buys physical albums besides listening to Spotify as well.

About the US Per says it was lost when their company was sold in 1992. They were planning the “Joyride” world tour, but the guys at the record label only wanted to work with people they knew and they didn’t know Roxette. Since then, things didn’t work. At the same time, to get the American market they had to spend 6 or 7 months there and when Marie became pregnant it changed everything. Since about 1993, when they started recording “Crash! Boom! Bang!” they didn’t do enough to keep themselves there on the market, they were not playing in the US. The last time they played in New York and Los Angeles was amazing, but it was not as massive. Per always says that they left America for the rest of the world. It required too much effort, they should have spent too much time there and Marie refused it.

Regarding “It Must Have Been Love” the reporter asks Per if he gets paid every time Pretty Woman is on TV. Per laughs and says he hopes so. He was asked if he thinks he could have won an Oscar with IMHBL for the best song and Per says he thinks so, but since there was an earlier version of the song, it couldn’t be nominated. And he laughs that it was him who told about the older version, so he should have just kept his mouth shut.

They talk about “Baladas en español” that it was the record company’s idea to record that album. Rafael Gil helped them to pronounce the words correctly and he says they got some critics. The reporter says there were no problems with the pronunciation, but the lyrics in Spanish were rather crappy. Per says he can say only “una cerveza, por favor” in Spanish.

Per closes the interview with the thoughts of being fortunate. If you look at the whole thing in perspective, it’s a miracle that Marie survived her illness. They did a tour of 200 concerts for 1.4 million people and it has been a blessing to work for 30 years in this. Marie doesn’t have cancer or anything, she is simply affected by the disease. Maybe they can make more music together in the future.

PG_spanish_interview

CONTEST: Win a copy of RoXXXette On The Road!

Anders Roos, photographer and publisher of Roxette’s XXX tour photo book, RoXXXette On The Road was kind enough to offer us a copy of the normal edition for a contest. So here is your great chance to get hold of it if you don’t have it on your book shelf yet.

In order to participate, answer the following questions correctly:

  1. RoXXXette On The RoadWho wrote the reflections in the book? – Per Gessle
  2. As you know, there are 2 editions of the book: a normal and a limited edition. How many numbered copies of the limited edition book were released? – 300
  3. From when until when can you visit Anders Roos’ RoXXXette On The Road photo exhibition at Hotel Tylösand? – From 1st July to 31st August
  4. How many Roxette prints are on display at the RoXXXette On The Road exhibition at Hotel Tylösand? – 15

Send an e-mail with your name, address (so we can send the book in case you win) and the correct answers to the questions to rxbcontests@gmail.com until 23:59 CET, 25th July 2016. The lucky winner will be announced a few days later. Good luck!

 

Contest terms and conditions:
– In order to participate, you have to send an e-mail to rxbcontests@gmail.com with name, address and correct answers to the
4 questions. We will consider all e-mails we receive until 23:59 CET on 25th July 2016.
1 winner will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice or more times will lead to your disqualification.
– Prize won’t be paid out in cash. Prize will be sent by registered
mail only once.
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer the e-mail confirming your address.
– RoxetteBlog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are the lucky winner, to send you the prize.

AR_exhibition_1  AR_exhibition_2  AR_exhibition_3  AR_exhibition_4  AR_exhibition_5  AR_exhibition_6

Roxette photos on display taken by Anders Roos, exhibition photos taken by Patrícia Peres.

 

Update on 26th July: Winner of the contest is Frédéric Bourgoin, Canada.

RoXXXette On The Road – the great collection of the Roxers Edition

As you all know, Roxette’s tour photo book, RoXXXette On The Road was published on 16th June in 2 versions. As a normal edition and as a Roxers limited edition. The limited edition is in a beautiful box and it exists in 300 numbered copies only. It contains 16 pages more than the normal edition and it includes a numbered print-out with the signature of Anders Roos, photographer and publisher of the book. The numbered print-outs exist in 12 different versions (not 15 as it was mentioned earlier), each of them numbered from 1 to 25. On top of all this, each and every single limited edition RoXXXette On The Road is signed by Per Gessle.

Some Roxers already started sharing pictures of their copies on Facebook and we see there are so many variations. Everyone is curious about what Per wrote in the books and which print-out ended up in which numbered copy’s box. For this reason, we thought it would be nice to collect them in a kind of an album on an easily available public platform and so we would create that on our website. It would be similar to the PLECtionary.

In case you want to see your limited edition book and print-out details in the collection, please do the following.

  1. Take a photo of the page(s) Per signed (and drew or wrote any funny text on) in your Roxers Edition book, as well as a picture of the print-out your box includes.
  2. Please make sure that all details are clearly visible, I mean the number of the book, the signature, the texts or drawings by PG, as well as the number of the print-out.
  3. Send us the photo(s) to this e-mail address: roxers.rxb@gmail.com
  4. In the e-mail please confirm that you own all rights related to the certain photo and state if you agree on sharing them on our website (roxetteblog.com). Please don’t send us others’ pics, only your own!
  5. Please write the number of your book (e.g. 1/300) and your print-out (e.g. 23/25) in the e-mail.
  6. Please also state whether you want your full name being shown on our website next to your photo or just your initials or if we should use the photo without stating your name in public or if you don’t agree on publishing the picture, but only the text and number of your copy.

None of the photos will be shared in hi res and of course, if you want, you can use your own watermark on them.

We are trying to collect all 300 copies this way, but of course, we are aware of the fact that it’s not sure at all that every owner reads this article or wants to share the details of their copies. So let’s see what happens.

You can send your photos anytime. There is no deadline, since some books are still on their way to their owners. It’s going to be a constantly updated thing until we don’t have it all. 😉 Anytime you get to know that a book changes its owner, do not hesitate to tell us about it, so we can update the details in the collection.

Here you can see a sample pic of what we expect from you as a photo. But you can be creative, the photos don’t need to look the same for each limited edition book, just take into consideration the above mentioned.

Roxers_Edition_No1_Patricia_Peres
Pic by Patrícia Peres

In case you have any questions, contact us at the e-mail address stated above.

Thanks to you all for your cooperation in advance and we hope you will enjoy the result later!

 

RoXXXette On The Road entered the charts

RoXXXette On The Road, Roxette’s extremely beautiful tour photo book photographed by Anders Roos was published on 16th June. The book that includes 41 reflections by Per Gessle has 2 editions, a normal and a limited edition version in 300 copies called The Roxers Edition. The latter one is presented in a very cool hard case and includes 16 additional pages vs. the normal edition, plus a print from the book signed by Anders Roos and the book itself is signed by Per in silver.

The book entered the charts and it’s not even a week ago since it’s out. The positions show high interest in both editions, even if The Roxers Edition is not listed at too many selling points. Let’s see the actual chart positions!

Bokus

On the daily sales charts we could already see that the limited edition book topped the list (actually, it’s now already out of stock), but now the weekly chart is also available and we can see the normal edition is in the Top5 as well. Woohoo!

RoXXXette On The Road – The Roxers Edition: No. 1 in Culture category
RoXXXette On The Road (normal edition): No. 5 in Culture category

Ginza

RoXXXette On The Road (normal edition): No. 2 among all books!!!

 

Congrats for reaching such nice positions on the charts! Keep it up!

RoXXXette On The Road entered the charts

 

Update on 27th June: both editions of the book kept their positions (No. 1 and No. 5) at Bokus, while at Ginza, the normal edition became No. 1.

Interview with Per Gessle about Good Karma, melodies, songwriting and other groovy things

zdf_pgThere were quite some shorter and longer Good Karma interviews with Per during the past few weeks and he even provided all of us, Roxers with a fantastic opportunity, a Facebook live Q&A some days ago, answering 84 questions in 1 hour. After all this, we still had thousands of questions, so we put them together and shot all of them at him.

Even if Mr. G is always very busy with all of his parallel projects, he found the time to answer all our Qs. It’s really m.u.c.h. a.p.p.r.e.c.i.a.t.e.d. and we love all his detailed replies! And also the less detailed ones. Haha. Enjoy!

 

RXB: – First of all, thank you very much in advance for taking your time and answering our questions. Much appreciated! We know you are always very curious about the reception of your releases. Seeing the reaction of fans, your new album, ”Good Karma” is loved. How does it feel?
PG: – It feels fab. Since our fans are extremely varied and therefore very hard to please we didn’t expect anything like this. People, including the media, seem surprised by the direction we’ve taken and we find that interesting. You never know what people might think.
”Good Karma” has been created with a natural flow, we knew right from the beginning what we were looking for. However it’s been quite a difficult album to make. Not only couldn’t Marie join us in the studio except for her vocal takes and the technical challenges we went through took a lot of time and energy, especially from Christoffer. You need a low pulse and lots of patience to make an album like G.K.

RXB: – ”Good Karma” is the shortest Roxette album with its 38 minutes. Quality over quantity, but do you consider an album having a certain length when you start recording?
PG: – No. We record songs we like and use the ones we like the most. In the ”Good Karma”-case there are a few leftovers but we didn’t think they matched the quality of the other tracks so we left them out. Personally I think forty minutes is perfect for an album. You know you’ve succeeded if your natural instinct is to play it again.

RXB: – Your album titles are always short and simple. After the 10th studio album was released, which of your records do you think has the best title, taking into consideration the whole concept around that certain album?
PG: – I think they’re all pretty good. No, I don’t. I don’t really like ”Pearls Of Passion”. I don’t like titles with an ”OF” in the middle. It sounds pretentious. My original song was called ”Pearls AND Passion” but it was misspelled by EMI on an early draft and we kept it like that for some reason. And I changed the title and the lyrics of my song. True story. Have I told that one before?
”Look Sharp!” is a very cool title. ”Crash! Boom! Bang!” as well. And ”Charm School” and ”Joyride”. And ”Have A Nice Day”. And ”Room Service”. Hey, we’re brilliant at titles!

RXB: – You smiled in the Sat1 interview that the album leaked and so you could read on Facebook which songs people liked already before the official release date. Does it piss you off when such things happen?
PG: – No, it was expected. It’s almost impossible to keep things secret these days. There’s always someone who spills the beans. It goes hand in hand with our open-minded and ultra connected universe.

RXB: – Regarding radio, the last time a Roxette lead single went on air worldwide was ”She’s Got Nothing On (But The Radio)” in 2011. Unfortunately, in many countries ”It Just Happens” is still not played. Why do you think radios don’t pick it up even if there are news in the media about it?
PG: – Radio doesn’t work like it used to. In the old days you had music people who were in charge over playlists etc. Today most stations around the world play music selected by algorithms based on social media etc. It’s pretty tough to crack that system especially if you’re a ”vintage” band like us. It’s the same problem for most artists of our generation (and older). That’s one of the reasons most songs in the Top 40 chart sound pretty much the same and are targeted towards a very young audience who are on the internet all the time.

RXB: – You mentioned in several interviews that ”Good Karma” songs were not meant to be performed live. The previous two albums’ lead singles had you on lead vocals, which was obvious from promotional point of view as Marie wouldn’t have been able to handle new lyrics. How was ”It Just Happens” chosen now? Three singles in a row with you on lead vocals make us wonder.
PG: – No strategy. Warner wanted a ”classic” powerful Roxette-song as the lead single and off we went with ”IJH”. It’s a quite sophisticated song, coming from us. Maybe not the most obvious choice for a first single but I understand how they were thinking. Personally I consider ”IJH” to be a ”Marie-song”. Her vocals are the driving force behind it, not mine.

RXB: – ”Some Other Summer” might have a bigger potential. Do you expect it or any another song to be a bigger hit worldwide and that radios realize these tracks are worth to be on air?
PG: – No, I don’t expect anything. ”SOS” is a great pop song in my book, so are ”Good Karma” and ”Why Dontcha?” and a few others. But that doesn’t mean that I expect it to become a worldwide hit. It doesn’t work like that anymore. New balls, dear you.

RXB: – Talking about it, you gave ”Some Other Summer” to Sebastien Drums long before your original version was out. What was the idea behind someone else releasing your song before you do?
PG: – We had a mutual friend in the German music biz who asked us if we had a Rox-song Sebastien could use. And we had just finished ”SOS” so he got that one. I like the idea of doing unexpected things. Sometimes strange and wonderful things happen that way. But I never really understood Seb’s official version. There are a couple of other SOS-remixes he did that I prefer. But that’s me.

RXB: – The video to ”It Just Happens” turned out to be wonderful. We loved seeing you both enjoyed the shooting and Marie still loves acting. How was it working together with a new team?
PG: – It was cool. They all did a great job. We spent a day in an old building in the centre of Stockholm trying out the take away sushi and fooling around in front of the cameras. The rest of the shooting didn’t involve us at all but we certainly liked the result. It’s a beautiful little story that director Tobias Nordquist captured very well visually.

RXB: – We got used to the fact that MTV is mostly not about music and videos anymore and the clips are rather watched on YouTube, Vimeo, etc. What do you think is the purpose of a video clip nowadays?
PG: – I think most things you do promowise are made to remind the media and your fans that you’re still alive! If you release new music and don’t do anything, no interviews, no videos or no TV-appearances it’s really hard to cut through that enormous amount of information that surrounds us all. A video might pop up at an airport, department store or getting shared on smartphones. It’s all part of that big puzzle called the entertainment industry.

RXB: – We got very excited when in an earlier interview you mentioned you wrote some songs together with MP now for the first time since long. ”You Can’t Do This to Me Anymore” is now on the album and it’s certainly very different to what we are used to when you 2 put your talents together. Are there any other songs from this set of latest MP cooperations that might see the light of day?
PG: – I don’t know. We’ve written more songs together over the last couple of years but there are no plans of using them for the moment. Time will tell what’s gonna happen to them. MP sometimes got some wonderful and weird musical ideas and I try to glue them together with my humble ambitions. It’s fun. He’s very special. He still drives a very fast Suzuki-bike.

RXB: – You wrote 3 songs together with Addeboy vs. Cliff and they are co-producers on 3 other songs. How did it feel to work with others? You were never really into bringing new people in.
PG: – Well, I’ve changed. I had bumped into AvsC through other projects so I knew their style and what they were capable of. I basically asked them to send me some musical ideas, like sounds and grooves, bass lines and chord progressions, to see if I could make something out of it. And I could. I kept a lot of stuff they made, edited a few things out, added some new parts and wrote melody lines and lyrics. However, none of the songs we wrote together were specifically made for Roxette. They were just collaborations trying things out.
AvsC and me never worked together in the studio. It was all done via the internet. I loved the final result but actually never expected Marie to like it since it was pretty far out. Not quite ”classic” Roxette if you know what I mean. But she really loved some of the songs and so did Chris and Clarence. Off we went and put them on a rocket to Planet Roxette!
The ”Good Karma” track was co-written with AvsC but Chris wanted us to produce it ourselves so he could play some serious power chords in the intro. His guilty pleasure, I guess…. And Clarence added that ”Fading Like A Flower”-inspired keyboard intro. Very nice. Very catchy. Cheers.

RXB: – What’s the difference in the cooperation with Addeboy vs. Cliff between ”The Look” remake in 2015 when they got the basics and had to do something with it and when it was vice versa for ”Good Karma” songs and you asked them to give you baselines?
PG: – Well, the main difference is of course that the songs we wrote together started with them, not me. ”The Look” is my song which they ”interpreted” their own way. We did the same thing with ”You Can’t Do This To Me Anymore”, which was written by MP and me, but the backing track was created by AvsC. And they’ve just finished a fab uptempo version of ”Why Don’t You Bring Me Flowers?”. Same thing. A song of mine done in Addeboy vs Cliff-style. It will hopefully be released later this year.

RXB: – The world is changing. You record parts in one studio, others in another and you don’t even have to meet physically to put things together. Isn’t it strange for you to record this way? Don’t you miss the ”personal meeting” touch in each phase?
PG: – It depends on what kind of recording it is. The more technical it gets the less you need lots of people around. It’s always, more or less, only one person who’s doing the job anyway. In Roxette’s case it’s Chris since he’s in charge of the computer and the digital funfair. My (and Clarence’s) job is to guide him through the audio jungle with our taste and our musical suggestions.
Chris has become an amazing tech wizard. Without him and his vast palette of sounds the Good Karma project wouldn’t have sounded as interesting. And he’s become a brilliant mixing engineer as well. He mixes a song, sends me his vision, I change or suggest a few things and might add or take away something, he sends me back an updated version. And we go on and on like that for a few days and nights. When we’re done we send it to Marie and Clarence for their approval. That’s how the Good Karma-album was mixed.
When you make a record like ”Travelling” or anything with Gyllene Tider it’s a different ballgame. Then it’s all about instant communication and ”playing” together. I like both ways. I would love to make a new Mazarin-style album one day but I also know that if I want a really hardcore updated production sound it can’t really be done in that ”organic” way. You have to do everything on the computer. It’s no big deal. I’m glad I enjoy both ways. And have the opportunity to choose.

RXB: – Besides the standard vinyl, there is a limited edition, beautiful, orange coloured LP as well. How many copies of the limited edition vinyls are released?
PG: – I wish I knew but I don’t. A couple of thousand is my guess. It might be less. Or more.

RXB: – There is a poster to this edition and it’s the album cover. Wouldn’t it have been a better idea to include a poster on which you and Marie appear instead of the butterfly?
PG: – No, if we thought so we would have done it. We like the butterfly.

RXB: – On the vinyl there is a ghost track after ”April Clouds”. We tried to figure out what it is. Any hints?
PG: – No. Another internal joke.

RXB: – It’s the first time you and Marie don’t appear in any form on the front cover of a studio album. Why?
PG: – We wanted this project to have a symbol that we could use on lots of things. The album sleeve, the tiny stamp-sized pic used on iTunes and Spotify and Amazon etc. On merchandise and upcoming singles. The butterfly-image is beautiful and stands out and can be used in so many varieties. And it fits the music and the title.

RXB: – Now we understand the butterfly artwork, its X shape and the evolution it symbolizes. What is still not clear is the guitar and microphone appearing at a certain body part of poor butterflies. What’s that intended to be?
PG: – It’s up to you to decide.

RXB: – Then there is no instrument on the ”Some Other Summer” cover. Is that a coincidence or maybe you rethought it after reading some comments?
PG: – No. I haven’t even noticed that. Thanks.

RXB: – Warner seem to be enthusiastic about doing promo for Roxette and we are very happy to see all their efforts. How do you see your cooperation with them vs. EMI?
PG: – It’s a totally different market today so it’s really impossible to compare. Warner worldwide is very committed to Roxette and the Good Karma-project. We’re very happy.

RXB: – You say that you would never be able to write e.g. ”Fading Like A Flower” today, simply because you moved on as a songwriter. At the same time, each song on ”Good Karma” has your stamp on them. All the lyrics are Gessleish as usual and the songs have the classic Roxette sound. So it seems your songwriting basics stay the same, but something is changing. How do you see it?
PG: – Yes, it’s like that. I change a lot but I still stay the same. It’s good and bad. I have my trademarks and style which make my songs sound like me. It’s hard to close that door and I’m not sure I want to. The older I get the more I treasure my personality and my way of thinking. My creative challenge is to find new ways to express myself via new sounds and techniques and collaborators and partners. That’s what I’m trying to do.

RXB: – What was the most challenging in improving your own sound for ”Good Karma” and update your style of writing?
PG: – I don’t know. The idea behind the album, to make a quite complex production that’s not intended to be played live, was there from the beginning. I started to write songs with that in mind. And, like I’ve mentioned earlier, working with new collaborators became part of that task.

RXB: – Which song do you think has the best title on ”Good Karma”? Which song do you think someone who doesn’t listen too much to Roxette would definitely listen to by seeing its title?
PG: –”You Make It Sound So Simple” is my favourite title. It makes me curious.

RXB: – There are 2 ”Why don’t you…?” titles on the album. Even if they are different, with one being rather slangy, isn’t it strange to include 2 similar titles on the same album?
PG: – No.

RXB: – You say you are very satisfied with ”Why Dontcha?”, because even if it seems to be so simple, it’s very hard to write such a song. How do you know that a good song was written? Can you feel it from the very beginning once it was written that everyone in the gang will like it?
PG: – Yes, I feel it as go along writing it. If it doesn’t interest me enough I don’t finish it. I throw it on the fire. But that someone else will like it is a different matter. I never know.
I might finish my song, make a simple demo out of it. Then maybe I re-write it and make another demo before I play it to anyone. Every song has gone a long way before it’s presented to the people I work with.

RXB: – Are you impressed by any song on ”Good Karma” to the same extent as any of your biggest hits throughout the years?
PG: – All of them. This album was made at a certain point in our lives and we’ve done the best we could under the circumstances. I’m not the one to compare our new stuff to the old stuff. Every song and recording has its own history and destiny.

RXB: – Knowing the album was planned to be released earlier than this year, have the lyrics of ”This One” ever contained 2015? (”Oh gimme a coin and I will kick off a dream / In 2016”)
PG: – Yes. There are versions with ”2015” somewhere.

RXB: – The music of ”April Clouds” and ”Wish You The Best” is different and you also mentioned that ”Why Don’t You Bring Me Flowers?” was originally an uptempo song. How does the melody to the same song change in your head?
PG: – I don’t know. I just follow what feels right. If you have a lyric like ”April Clouds”, which mostly were written a long time ago and you make new music to it, the end result will be quite different due to the fact that you’re a different person twenty years later. You interpret the words and the meaning and the vibe differently because you’re older and time has gone by.
Making ballads out of uptempo songs are quite easy. As long as the lyrics are interesting and the melodies are strong you can basically do whatever you want with a song.

RXB: – We know it’s very early since ”Good Karma” is out, but is there anything you would change on the album now?
PG: – I would love to have another go mixing ”You Can’t Do This To Me Anymore”. It’s OK but I know it can be even stronger.

RXB: – Roxette’s live career is (most likely) over for now. There are so many concerts that are lying in the vaults and waiting for a proper release. You mentioned a potential box with all these. Can you please tell us a bit more about what concerts it would include? We hope for Norrköping 88, Borgholm 89, Zurich and Sydney 91, Unplugged 93, Johannesburg 95 and Stockholm 2001 – having them in a bit better quality wouldn’t harm!
PG: – No, I can’t because I don’t know. But you’re right, the first things that should be made available are all those old live VHS-tapes and DVDs that’s not around anymore. The ones you mentioned.

RXB: – Roxette Diaries stopped in ’95. But there is 21 years more of Roxette stories to tell. Any plan to mix ”Soooo-Christoffer” clips and HAND / Room Service footage into one motion picture any time soon?
PG: – No, not for the moment. But I’m sure things will pop up down the road.

RXB: – Because of the tour cancellation, reporters of course asked you about Marie’s health and then many times overdramatized the situation with stupid headlines. It felt like history repeated itself, but you handled it quite well. How is it going with those interviews when you expect they would rather ask about the new album? Can you change the direction of the interview and skip answering questions not related to the album?
PG: – Yes I can if I want to. But most reporters are interested in Marie’s health and our future plans together. I can understand that. It’s not a problem for me. I know how media works.

RXB: – Was the tour photo book originally planned to be published this June already before the tour cancellation? Or if no cancellation, would you have waited until after the tour ending in September?
PG: – The plan was always to have it ready for the summer of 2016.

RXB: – Anders told there were several tens of thousands of photos and he had a hard time choosing only a certain amount to send you to choose from them. How did it work for you?
PG: – I went through hundreds of pics and put a little red dot in front of those I found interesting. I think Marie did the same.

RXB: – Will there be any tour book signing sessions?
PG: – No signing sessions, no.

RXB: – Roxette is celebrating the 30th anniversary this year. We got a new album, we’ll get the tour book. Any vinyl releases of previous studio albums by chance?
PG: – No plans but we might put together something for Record Store Day next year. 31 years is worth celebrating too!

RXB: – You wrote books, you did radio programs, you appeared countless times on TV. Do you fancy some new technological tricks besides Facebook and Twitter? As a part of your artistic exposure in e.g. YouTube videos?
PG: – Sometimes I do. I like new things.

RXB: – Besides music, your wine world is another part the fans are curious about. Are there any plans for some new items in The Per Gessle Selection in the near future?
PG: – Well, the new ”Kurt & Lisa” vintage will be out later this year. The new vintage of ”The Improver”-champagne from Pierre Peters will come early 2017. We’re talking about making a nice Pinot Grigio and also a new red wine from South Africa. Time will tell.

RXB: – Is there any question you would ask from your hardcore fan base now, either related to the new album or anything else?
PG: – Not really. You guys seem to cover most of my universe!

RXB: – Thank you very much for your time and good luck with all the new releases and your future projects!
PG: – Thanks very much. More to come, I promise!

 

/Patrícia, Tomasz, Kirsten, Judith, Sascha

RoXXXette On The Road – review

We knew it since the beginning of 2015 that a tour photo book project was going on in the RoXXX World and in May this year we got even more eXXXcited, when it turned out the release date is as soon as June. 16th June 2016.

SPOILER ALERT!

The book is already out and what an amazing photo book it is! A real celebration of our beloved band’s 30th anniversary! The book already looks wonderful on the outside. The size, the cover picture showing Marie and Per performing in front of a beautiful crowd on the steps at the Sydney Opera House in February 2015, the design of how the title is written with the 3 Xs with stars inside them and the name of the authors how it appears and tells you what the book is all about. It’s about a tremendous amount of fantastic photos taken by a most talented photographer, Anders Roos and it’s about the reflections of a most talented songwriter, Per Gessle and they 2 together show you how it really is to be on the road, to be on the 30th anniversary tour, the XXX tour of a most awesome band, Roxette.

RoXXXette On The RoadYou open the book and the first wow on the inside comes by seeing a series of bird view shots of the stage from the very beginning of building it up through the concert till the very end of tearing it down after the show. It’s just fabulous!

After the impressum and Anders’ nice words you see the list of people, teams and companies involved in the touring life of Roxette and then the contents show you which concerts were photographed and the titles of Per’s reflections. Then you bump into Mr. G’s preface, written in May 2016 to make it clear that the reflections were written before they gave up touring. When you read Per’s words ”they [the reflections] were created when Roxette was still a touring band”, you can’t help feeling the same way you felt on 18th April when you got to know they had to stop touring. Tears in the eyes and you hear in PG’s words how hard it is also for him. But we all respect Marie’s decision of course and she has full support of all in the band and among the fans as well. No question about it.

Knowing Per’s sense of humour you can be sure that there won’t be too many tears on further pages of the book, but with his #1 reflection he still won’t let your tears dry up. You’ll experience it when you hold the book in your hands and read it.

The book continues with the list of gigs on the XXX tour. All shows from the tour start in October 2014 in Russia until the last Roxette show ever, 8th February 2016, Cape Town, South Africa. Suddenly, the cancelled show in Mainz, Germany is not on the list anymore, no matter how many T-shirts were produced, haha, but the corporate gig in September 2015, Warsaw, Poland is there. Strange to include it.

The first photos are from the band’s rehearsal in January 2015, before the New Zealand – Australia tour leg started and the last shots are from July 2015, Sweden, from the last Swedish show in Rättvik. It’s no exaggeration that you really get an all access pass with this book. You see places you have never seen before and become part of moments you would have never dreamed about being part of. Anders got access literally to everywhere. To the backstage, dressing rooms, gyms, buses, airports, hotels, ceilings, front rows, pool sides, stages, e.v.e.r.y.w.h.e.r.e.! Being the fantastic photographer he is, he managed to capture the essence of Roxette very well with his camera. Anders has great eyes to see the band how we, Roxers see them. His shots show Marie and Per and the whole gang how they are. The photos truly reflect the down-to-earth band we love. All pictures show you the groovy mood related to the shows, but also the tiredness of travelling and waiting in between. The pictures are so dynamic that you would love to sing-along to Marie’s, Dea’s and Christoffer’s get together backstage and you would start dancing seeing the band on stage, playing 100% live, or you would even join the crew in building up the stage before the concerts. It’s absolutely awesome!

Besides all the above mentioned, you have some more tiny details in the photos, like Marie does have socks and even Pelle runs around barefoot. Haha. You see pics from different camera angles, close-ups and distance shots, tons of photos of Marie and Per (yeah, you get some bad hair day pics, too 😉 ), the band, the crew, the fans, venues, stages, studios, hotels and other strange places. Laundry, anyone? You flick through the book and over one page you start laughing, over another one you start aaaahing and then comes the aaaawing. Incredible!

What about the reflections? Per wrote 41 of them and each and every one of them is just adorable. You read a lot about him over the years and heard him talking about his thoughts in uncountable interviews. You would think he can’t tell anything new. Oh, yes he can! There are still some hidden thoughts and some of them are being shared in this beautiful book. As I mentioned before, he makes you ”cry” at the very beginning of the book, but then his sense of humour really shows up, as we got used to it. I won’t quote more from him, because I do think you should get the book and read all his reflections yourself to get to know more about his childhood and teenage years, how he step by step became who he is now, his paving the way to Planet Pop, his make-up, guitar and plectrum fetish, as well as what he wants to be in his next life. Haha. You will even get to know what Per’s biggest regret is. I tell you, this guy is hilarious! Besides all this, of course you get to know more about Roxette’s touring life, how the band works and worked before, Marie’s virtues at the studio and live and no, you can’t have any longer texts from Per without lyrics references. We like that!

How Per talks about Marie, the band, BoJo, the crew and the fans is always so heart-warming. I actually burst out laughing at his Roxette band bucket list and how he describes BoJo’s tasks. You’ll find some great words about everyone and you feel how much he appreciates the people around him. Let me quote him about the fans:

We’re used to having ”The Roxers” close to the stage all the time. I guess we’re spoiled by our adorable fans. … Roxette has got some of the most active, kind and generous fans imaginable. So many people all around the world have followed us through thick and thin over the years and it’s impossible to exaggerate the value of their love and support. What would we do without you? Let’s take a bow.

You must love him!

The book’s 41st reflection is a conclusion. Per makes it sound so simple. To get to know what he makes sound so simple, you have to get the book for yourself. But not only because of that. It’s really a must have book in a Roxer’s collection. You will all love each and every photo in it and all the reflections as well. If you attended any of the concerts Anders took photos at, you will probably find yourself in the book. Either in the crowd in front of Marie and Per or on a separate picture. The book makes you feel we are indeed a big Rox family. Marie, Per, their families, the band, the crew and we, Roxers. And we all love being part of this family, don’t we?

In case you want to have the standard book, get your copy at one of these sites: Ginza, Adlibris, Bokus, Amazon. There might be more selling points in the future. If you are interested in the limited edition book (300 copies), wait for some more info about where to get it. So far Bokus listed it.

ROTR_1  ROTR_2

All pics by Anders Roos.

 

Roxers’ favourite Good Karma tracks

You might remember Per’s Sunday reflection post. He asked which your favourite song is on Roxette’s brand new album, Good Karma.

SUNDAY REFLECTION. Howdy folks. So, the mighty Good Karma’s been out a week by now. Great reception. Thanks. One thing: what’s your favourite song? Just one, pls. Otherwise I’ll get confused! Cheers, P.

It was really hard for all of us to pick only one track, because all songs on the album are dear to most of us and our favourites are changing day by day or even hour by hour. Checking the comments under the post, some are having an album with exclusive extra tracks, like Joyride, The Look, Vulnerable and So Far Away, haha. Sticking to the real Good Karma songs, the title track seems to be the absolute winner. How about a third single soon? 😉

gk_roxers_faves