Per was Jenny Alversjö’s guest on Nyhetsmorgon, TV4 this morning. Molly Hammar joined them via Zoom. Watch the interview HERE!
Jenny informs that Per is back with a new single, Beredd. On Friday we got a taste of what’s to come this autumn, because PG will release a new album, Sällskapssjuk. On Beredd we don’t only hear Per’s beautiful voice, but also Molly Hammar’s, Jenny adds.
Here they play a short part of the video to Beredd.
Jenny welcomes Per and asks how it feels to release this song. Mr. G says it feels great. There are only very positive reactions and it’s wonderful to have Molly in this. Per is very happy. Jenny understands that and she says now he works in Swedish again. PG says he has also done some Gyllene Tider in between, but it’s been seven years since he made his Nashville records that were in Swedish.
Jenny says Per is always active. Now this is the first taste from the album Sällskapssjuk, which will be out this fall. Jenny is curious if there is any special reason why the first single is released now. Mr. G says it’s mostly because he wanted to release different duets before the album is out and this way he needed some leadtime. The next single comes in May.
Jenny wants to know more about the background. Why Molly? Because that’s pretty much the only thing they can talk about now, since Per is so secretive about the other collaborations.
PG tells Jenny that he wrote a lot of songs and felt it would be fun to have a different angle this time, to do duets and work with different male and female singers that he likes very much. So he called around and found a bunch of singers that he likes. It’s been an incredibly fun project.
Jenny asks if it was difficult to find these partners. Per says it was easier than he thought. PG says you want to work with people you like, but who have something to add. When you write a song and another personality comes in, things happen with the song both lyrically and musically, so it’s important to find the right one. He thinks it has turned out very nice in this case.
Jenny says it sounds like no one refused to collaborate. Per confirms that and says smiling that it’s unbelievable.
Jenny asks how Per has chosen Molly. Mr. G says Molly is a favourite. She is an absolutely magical singer. She has this magnet, when you hear her voice, you can’t stop listening to her. Jenny says Per mentioned Molly could sing a phone book. PG says she is the classic one who could do that. She is a bit like Adele, she has that kind of voice. You can’t help, but listen to it. So Per is glad she wanted to join him.
That’s a nice compliment according to Jenny. Here they call Molly via Zoom. She is in London. They greet each other and Molly thanks Per for the compliments. Per asks Molly how she is. She feels great, and asks if she doesn’t look fresh. PG says she does look fresh despite that it’s Sunday morning.
Jenny says Molly looks splendid and asks her about how it feels to hear what Per has just told about her. Molly says it’s huge. When Per called her, it was a very big deal for her. Because Per is a legend and a fantastic musician. When they got to meet and then hung out in the studio, then she started liking him as much as a person too. Molly thinks it’s fun that you can be a legend and be incredibly nice at the same time. So she is very happy.
Jenny asks Molly what she thought when she heard the song for the first time. Molly says she loved it right away. She thinks that it’s a classic fine, cross-generational pop song, because it’s a theme that everyone can relate to.
Jenny is curious about how they did the recordings, if they were in Stockholm or in Halmstad.
Per says they met in Stockholm and tested some keys and such. Then Molly came down to Halmstad. The whole album was recorded in Halmstad, by the way, with lots of local musicians. So Molly came down to Halmstad and they had a good day in the studio and a very nice dinner in the evening in Tylösand. Molly confirms it was super nice.
Jenny asks Molly how important she thinks it is to hang around when creating together. Molly thinks it’s important to have a lot of fun together when making music. Otherwise it just gets weird and she doesn’t think this magic could happen then. You have to have fun and laugh together.
Jenny says they would have loved to see Molly in the Nyhetsmorgon studio, but she is in London. She is curious what Molly is doing there. Molly is running around writing songs and she has a great time. Jenny says she should come to the studio when she gets home. Molly says it would be her pleasure.
Jenny says it’s great that they could have her on the show this way. She knows Molly has a lot to do, so they will let her go now and wish her to have a nice time. Molly thanks for that and says goodbye to both Jenny and Per.
Jenny says Per has been in the business for a very long time, but she wants to know if Per has learned anything from this collaboration. PG says it’s hard to say that you learn something, but as he said before, songs grow and change when you work with other people. And as everyone knows, he has worked a lot with duets in Roxette. He wrote so many songs for Marie that changed and raised the quality of the songs simply because of her voice and her personality. And it’s the same here. All these people he has worked with have changed his songs. It’s not like he sat down with seven or eight people and wrote new music together. It’s his songs and his lyrics that they come in and sing to. So there is a big difference here.
Jenny thinks that many people, including her, will forever associate Per with Marie, of course, even if he does duets with other artists. She asks Per what it was like working with others. Per says it’s always exciting. Before you go into the studio and you have a song, it might not feel right. The keys might not fit or there might be too much modulation for it to work. When he chose certain singers, he listened to what kind of voice they have and in theory he tried, this person fits this song, that person fits that song. And some have not worked at all. Then he already knows in advance that it won’t work. Jenny asks if there were a lot of singers on Per’s list to revise, if he had to revise Molly. Per says no, it was simple with Molly.
Jenny can imagine that when Per and Marie worked together, they must have known each other inside and out, so Per rarely got to revise things there. Per says no, but he was listening to the Roxette catalogue and sometimes he heard some strange key changes to lower and higher, so that they can both sing. You can do such technical tricks. The songs Marie sings herself, they are in her register what she enjoyed the most.
Jenny can imagine that there might be an extra reminder of Marie when Per has collaborations and someone else is at the microphone. Per says not really. It’s been so long since Marie and Per have worked together. It was a lovely era in his life that he preserves. But he doesn’t think too much about it now. But the loss is still there, definitely.
Jenny says she knows that Marie wrote some of the music on the new album. Per says it’s actually a song that is not a duet, but he sings it himself. Marie and he wrote it together in the ’80s. Per wrote the lyrics and Marie and Per wrote the music. So it is also a bit special. It was written long before Roxette, when Marie and Per hung out in his attic apartment in Halmstad in the early ’80s and watched Dallas and Dynasty and stuff like that in the evenings. Jenny finds it lovely and she can see Marie and Per in front of her like that.
Jenny wants to know how Per finds such a song. If it was on paper or they recorded it on cassette. Per says it was on cassette and there have been a few demos on it over the years. It has been a little too good to throw away, but it has never found its rightful place.
Jenny asks Per if he has an overview of everything they have worked on. Per says he doesn’t. A few things have appeared in recent years that he has forgotten about, but they are somewhere on cassettes and strange minidiscs. There has been a lot of technology over the years. It’s such a long time.
Jenny asks if the song that Marie co-wrote is also a duet. Per says it’s not a duet, he sings it himself.
The album will be released this fall. Jenny asks Per about the title, Sällskapssjuk. PG says he wrote a song called Sällskapssjuk and he thought it’s a good title when you have a lot of duets. He also thought it was a nice expression, a nice word.
Jenny says Per mentioned before that he worked on the album in Halmstad, he recorded it there. So some of the songs are probably very organically recorded. Per confirms it. He has worked a lot with local musicians to try to find a new angle, a new sound on the record. Everything is a bit homegrown. It’s hard to explain music, but it’s very organic. There is a lot of lap steel and there is a lot of violin. It’s good.
Jenny wants to know how Per finds inspiration again and again. Mr. G says he doesn’t really look for inspiration, but it pops up from time to time. He is not the kind of person who goes and sits down to play the piano and guitar and writes every day. He usually says that he writes as little as possible. Because when he has something on his mind, he becomes very focused and it goes quite quickly. So Jenny says this means Per doesn’t really like sitting and writing like that. Per says he doesn’t like it at all. He has to do it only sometimes. It’s something that has to come out in some way.
Jenny asks how it is to record in Sweden and elsewhere. There must be a big difference between Sweden and the rest of the world. Per has experienced both. PG says there really isn’t that much of a difference. It’s a completely different thing to work in the studio and to be on stage, of course. This communication that you work with when you have an audience in front of you, it’s fantastic. Many people always ask if it’s fun to play Sommartider or The Look, which you have played a thousand times. When you have an audience in front of you that gives so much back, it’s clear that you love to play your hits. That’s why you work, so to say. Jenny says it must be amazing to see those songs live on through different generations too. What a gift!
The album is coming this autumn, there will be more duets. The next single comes out in May. Jenny asks who will be Per’s partner in that, but Mr. G doesn’t reveal. Jenny asks for a hint. Per says it’s a fantastic male or female singer. Haha.
Jenny thanks Per for coming and hopes to see him again in spring. Per says it’s always fun to be here.
Stills are from Nyhetsmorgon.
Tracklist
