A 2-page Roxette article was published yesterday in the Sunday Mail – U on Sunday, Brisbane, Australia. It also contains interview parts with Per. He talks about Marie’s illness and recovery, how she gained her energy back, the Amsterdam show in 2009 where Marie joined him on stage during his solo tour and how she called him to do a new Roxette album after that.
Per about Marie’s illness and recovery:
I remember there was one particular moment when I felt this is the worst day of my life. We went to see some friends in the South of Sweden, and some kids came up – and this is when Marie had her treatment, she was all swollen up and had no hair – and they asked for my autograph and they didn’t recognise her. I could see how disappointed she was that nobody recognised her anymore – that was a horrendous moment for both of us. To be part of that and see that and see how she went through that and came back to being on stage and still singing the shit out of most people, it’s just amazing. So, I’m a big fan. She is an Amazon. She is so strong. We didn’t know if she could actually do the tour. On the contrary, it became rehab for her, so to speak, getting all this energy from the crowd.
Mr G also talks about the past, how they got to know each other with Marie, how the story of Roxette began and how they reached the international breakthrough. To the question what he sees when he looks back on his life he replies:
Basically, when I look back on my life, if you say years like 1985 or 1996, I always think about what album I was releasing, or touring, so I always think of my life as records.
In the article they mention Per’s successful career with Gyllene Tider and Marie’s solo records. They also talk about how to write hits. To the question what successful songs have in common Per replies:
It’s a good question. For a song to become a hit record, to attract loads of people, there must be something that is magnetic about it. On the other hand, there are so many hit songs out there that I don’t understand how they became hits.
If you want to read the complete article, you can click here. You can buy this single issue (20th July, 2014) for 0.89 EUR.
This morning there was a 2-hour-long program with Per Gessle on Swedish Radio P3. Listen to it HERE! He was today’s guest of Linnea Henriksson’s show, Hallå P3. The whole show is based on questions from listeners either via phone call, SMS or e-mail. Anyone could send questions to Per or call the show and ask him personally. How cool is that! The net time with Per without the music and news is more than an hour, so it is really worth a listen if you couldn’t catch it during the day. If you can’t really deal with Swedish language, here is a summary of what he was talking about.
Linnea asked him if it is possible for him to go out in town as a private person or there is always someone recognizing him. He said most of the time when someone recognizes him, he only gets positive energy.
People were asked on the streets to tell who they could see on the picture. They recognized Per, told what he is doing and many of those people even started singing his songs. Someone told she also thinks immediately about Marie anytime she sees Per. While listening to people’s comments, Per was constantly giggling. Lovely!
He was asked about some of his songs, Billy among them, about which he told it was inspired by happenings in his life. It’s a long song with long verses which is not too typical of him. Regarding songs like Tycker om när du tar på mej he told his lyrics about love are mainly about his dear wife. Yeah, we know it, but hearing it from him from time to time is still wonderful. Besides this he said he is a writer, so he also makes things up in his lyrics, of course. Funny that about Gå & fiska! now he said he probably wrote it in Malaysia when he was on holiday. I think we already heard a United States version of the story.
Regarding writing in Swedish and in English he told that over the years it became quite natural writing in English, too. One learns to think in English and it became better and better with time.
An old Roxette fan asked where the name Roxette comes from and Per told the story of choosing the title of Dr. Feelgood’s song, as well as the story of everyone thinking Roxette was Marie and he was her assistant.
Someone asked Per if he would do something totally different, a totally different musical project. He explained it’s not only Gyllene Tider and Roxette in his life, but he also did soundtrack for Small Apartments and now he is also involved in EDM, which is quite new to him. The listener said he was thinking about something for the older public maybe, like more acoustic stuff. Per said he is planning to do an acoustic album (and if I understood right, an acoustic tour, too).
Regarding taking part in Så mycket bättre (“So Much Better”; a Swedish reality TV show on TV4 where the basic premise is that each artist attempts to do their own version of another artist’s well-known song) he said it’s definitely not his cup of tea.
To the question how it feels playing in Halmstad he replied it’s always special. It’s nostalgic and romantic at the same time. His whole Mazarin album is about Halmstad, for example. Playing in Ullevi in 2004 was of course magical, but the whole 2004 Gyllene Tider tour was wonderful.
About an ordinary day of his he said he is working a lot, writes songs, spends a lot of time in the studio, he is handling Roxette’s Facebook page and he is doing some interviews. He is not the kind of person who is looking for tranquility.
Before the 2013 GT tour he did some acoustic versions of old GT songs (I guess some of them are demos we will get on The Per Gessle Archives in September) and one of them was played exclusively in the show. It’s Honung och guld from the album Puls. It starts at about 39:40 and ends at about 43:02. It’s an awesome version of this beautiful song. Be sure you are listening to Per’s killer voice and fab guitar playing!
He mentions Pugh Rogefeldt, John Holm, Ulf Lundell and even ABBA meant a lot to him from the early Swedish pop era.
He tells that he is an LP guy, he grew up with vinyls and loves physical releases, but nowadays music is spread all over iTunes and Spotify and of course, he is also listening to music via these possibilities. Still he thinks an album cover is very important. He told about the brainstorming for the Look Sharp! sleeve: superstars, journalists around, limousine, front page picture, fake ads, newspaper style.
He shares that he is incredibly unstructured when he has meetings, but one always has to follow his gut feeling not only when he has a meeting, but also when writing songs.
Mr G talks about his first jobs: distributing newspapers, weighing mushrooms (he was the only guy among appr. 300 girls) and playing as a troubadour in old people’s home and hospitals for eight months in Halland. He learned a lot from this latter one also about what is it like playing and singing in front of 5 people. När alla vännerna gått hem he wrote e.g. during those times. He also mentioned that once they brought a man out of coma. They played music in one of the hospitals and the man suddenly started moving.
To the question what he is interested in besides music he replied he never played golf in his life and never took a swim at Tylösand beach. When he was a child, they usually went to Frösakull’s beach. He said he is interested in music (yeah, besides music, he is interested in music, surprise, surprise), in art and he likes taking walks.
Per says MTV Europe meant a lot to them during the ’90s and also mentions all the videos cost millions those days.
To the question which songs changed his life he replied a lot of songs are changing your life, but for example, Refugee from Tom Petty and The Heartbreakers was one of the songs that changed GT’s and his own life, too. He also tells the story when he was a little child (1966-67) he played with his friends and they used cue sticks and mimed to songs of The Monkees, e.g. to I’m A Believer. The first time he saw David Bowie’s Life on Mars? video was also fantastic.
Linnea asked him which song he would choose to play on the radio and Per chose to play David Bowie’s Space Oddity for his son. He mentioned Gabriel is a computer nerd and once he surprised Per by sitting next to the piano, playing this song (if I understood it right).
To the question what is different for them when they play on the same tour, the same songs each time Per replied each night is different. They play 100% live and anything can happen. His ambition is to make each night as good as possible. He also explains there is nothing better than standing on stage in front of a huge crowd, playing live for them and hear them singing along your songs confirming they like what you are doing.
Regarding the upcoming Roxette tour he says their tours have always been based on their hits, but they also play some unexpected songs or new ones. Now he is writing Roxette songs again and they will start rehearsing in autumn.
Per: – Every crowd is great. Rox-fans are glowing with positive energy. How could you not love that?
Q: – Hello! Will Roxette be re-releasing any rare songs like “I Want You” in the near future?
Per: – Not IWY. It was made with other artists & belongs to another rec. company. But other fun stuff might pop up.
Q: – 24 years wondering what will be the perfume that he uses? Time flies.
Per: – Perfume is good for you. I change a bit. Bottega Veneta got some nice ones for guys like me.
Q: – U talked about re-release old roxette’s vhs and DVDs. It will happen? When?! Looks promising!
Per: – Hope so. Everything is kinda upside down at the moment with the EMI/Warner-merger. One of these years.
Q: – Can you please do that epic mashup of ‘crash boom bang’/’anyone’ again please?
Per: – Yea, that was cool. No promises though…
Q: – Are there songs that are tricky to do live? Have u ever tried 1 that u couldn’t make work live? If so, which?
Per: – Most early ones are tricky because they were made for the studio, not necessarily to be played live… You have to re-think some songs to make them work live w/ a band w/o using computers & other devices.
Q: – Can we expect high-tech lighting or any mind blowing, dramatic stage production changes in 2015?
Per: – Cirque de Soleil here we come!
Q: – When you tour do you find it hard to adjust to the different timezones?
Per: – No, it’s fine. As long as you get some sleep you’ll adjust pretty easy.
Q: – Per! Do you plan to tour for many more years? Will Roxette be neverending?
Per: – Yes, both Marie and myself love to tour and perform so I’m pretty sure we will continue.
Q: – Do you ever see photos uploaded to social media of yourself with fans and wish you could have a retake?
Per: – Every day!!!
Q: – So glad you are coming back to Oz! Can we expect some surprises like maybe some unreleased songs in your shows?
Per: – We start rehearsing in September so until then I don’t know. But we’ll try out some different stuff for sure.
Q: – Per, what out of all the Roxette albums is your favourite one?
Per: – LS! is cool because it just came down from the sky. It was created without fame, fortune & expectations.
Some more answers were added on 25th June:
Q: – Does it blow your mind that there are so many hard-core fans in distant lands (New Zee) after all these years?
Per: – Yes, never take it for granted.This biz eats acts for bfast=to have global fans after all these years is fab!
Q: – Tell me your favorite Roxette lyrics, the ones that mean the most. I need ideas for a tattoo!!!
Per: – I’m living in a box but I’m out when opportunity nox!
Q: – G’day from Oz Per! With all your frequent F.L.Y.I.N.G, have you ever thought of buying your own private Jet?
Per: – Hahaha. Good one. Of course. Per Air!
Q: – When you sit down to write, do you write both melody & lyrics or does one come first (usually)?
Per: – Both work for me. I usually start with music but sometimes a phrase or an idea for a title makes me tick.
Q: – What is the biggest advantage of playing live? Are there also disadvantages?
Per: – Live = very different from being in the studio. All songs are written for the studio so you have to make them work live, which can be tuff.
Q: – Per, what song took the longest to piece together (vocals, music etc)?
Per: – Most of In My Own Way was written in 84 but only finished in 2010. Very unusual=I’m fast when writing.
Q: – Per do you like the You don´t want love production? You think in the next Rox album will inc a song like this?
Per: – I really enjoy some EDM music. Definitely you’ll hear those influences in the future. But in our special way.
As you could hear it with your own ears in the Australian radio interview with Per, he started writing new songs for Roxette a couple of months ago and they will go to studio in August to record new material before they start rehearsing for the tour in September.
Now Per reveals in an interview with The New Zealand Herald that they are planning to do an EP with 4-5 songs. However, being the hit machine he is, there might be a new studio album coming! That’s what he says:
We’re talking about doing an EP, four or five songs. At the same time, knowing me, I write a lot and if everything goes well, it might as well be a full-scale album.
Fingers crossed for a full album!
Besides this, he tells what the secret behind one of pop’s most enduring relationships is:
It helps that we never had a romance. We’ve known each other all our lives and it’s like a brother-sister relationship. When Marie got ill in 2002, it was a nightmare for all of us. I’m so pleased that she’s still alive. To be able to do these tours again is just amazing.
We are all so pleased, too! Bring on the new album and the tour!
We met Christoffer Lundquist in Göteborg before Marie’s concert in this city. The last time we met Christoffer was June 2011 in Prague and a lot has happened since then, so we thought it was about time again to sit down and chat about all the Rox-related projects he has been involved in as well as his solo and Brainpool projects.
Judith: Thank you for your time! It’s been a long time, we met in 2011 last… You’ve been very busy since then!
Christoffer: Sure, a pleasure as always. And yes, lots of things going on.
Let’s start with Marie’s album. How did you get involved with it?
Micke and Marie started working on some of the songs a long time ago, some of them even 10 years ago. They asked during Roxette’s tour if I wanted to be part of recording the vocals because we did that with Roxette and we had lots of fun and it worked out very well. So that’s how it started, and then I got more and more involved. We recorded about half of the album in my studio, for the other half we used mainly what Marie and Micke had recorded themselves and built on those.
So how did you arrange the recordings? Did all the musicians come to your studio in Skåne?
Micke and Marie spent about 10 days in my studio the first time. Then they came to the studio a second time for five days. We also had Jens for a few days recording drums for some tracks. And then the rest we worked out together the three of us.
In an interview Micke told us that there are demos for most of the songs, but that we wouldn’t want to hear those, haha! Did they change a lot from demos to final?
Haha! Oscar is singing in some of them, actually. And I can’t really remember how much we changed. We built on some of the demos so the original kind of ended up on the album, but other songs were done from scratch in the studio, I don’t remember the demos to those. In that case we just heard the demo maybe once or twice and then we did the rest more or less on the fly. In some cases there were ideas on the demos that we wanted to keep, on other cases we started from scratch.
Marie and Micke worked with other song writers, were they involved in the recordings too?
Not really. They were not involved in the recording but more in the background and working with Marie on the lyrics. That was the most difficult part because lyrics are a huge part of Marie’s career and now that she doesn’t write many songs herself, she really needs lyrics that she can feel as if she had written them. That’s really tricky; it’s very personal, especially for Marie because she’s such an emotional singer. She cannot just sing something; she always sings texts that really mean something. So there were lots of attempts that didn’t work, we had new lyrics coming in all the time and every now and then we were like “Yes! This works!” It’s a tricky process because all of the song writers are very great writers; it’s hard to turn them down, someone writes a great text and you have to say “no sorry”, not because it’s not good enough, but because it doesn’t feel right for Marie, and you don’t want to hurt people… But Micke and Marie handled all that, it was their friends and colleagues, I was just standing by.
Did you use many new or interesting instruments this time, besides the sitar?
That was Micke’s or Marie’s idea, I cannot remember. They had that line on the demo “dididididi” (imitating the sound of the sitar at the beginning of the song) done with a cimbalo or something like that, but they wanted to find something more unique. It’s funny because that kind of guitar is used in a Swedish hit called “Jag vill ha en egen måne” by Ted Gärdestad. It was a huge 70ies hit and the artist is great, so it is also a bit of a hint to that song too. We used many of the other instruments as always, we just tried them out and used what we felt worked out. Micke played the church organ as well on “Jag undrar vad du tänker på”.
This album is very different to the other Marie albums, you can hear a lot of country and other styles that Marie hadn’t touched before. Did Marie and Micke already come with this in mind? How much of it is your influence?
Yes, that was not my influence, actually. The second track, “Det bästa som nånsin kan hända”, was almost finished when I heard it, for example. I hardly added anything to that one, one or two guitars maybe. That has the most country flavor I think. I just realised this when I listened to Marie’s previous albums to prepare for this tour that there are such different styles in the other albums, almost every album has its own style. And that is very much Marie, whatever the feeling at the moment is. So how do you like the album and the current style?
I think it’s great. Marie loves guitars… and you can hear that on the album. This album is one of her best. I had always wished she would do something like this.
Oh, great to hear. And yes, she loves electric guitars! We also had Staffan Astner on the album, he has this flashy style and Marie loves that. Whenever he goes crazy with the guitar she is like “Yes! Perfect!”
You could see that on Äntligen tour and on the current tour when she looks at you or Jokke and completely enjoys the solos!
Haha! It’s great to play that too.
So let’s move to another of the projects, mixing of Roxette live album/DVD/Blu-ray.
Yes, and it finally came out! Believe it or not, haha!
Stefan Andersson from GD asked Marie about the tour and Marie said it’s been better than she ever dared to hope for. The special memory she will take with herself from the tour is the audience’s immense response. To the question which her most beloved song is now she replied “Sista sommarens vals”. The reporter asked her if she would perform “Sparvöga” och “Ännu doftar kärlek” if the audience would be crying out for them. She said they don’t even have to cry out for these songs.
GD asked Marie about how it is working so closely with Micke. Miss Effe said:
“Wonderful! We’ve been working together for so long now, both in the studio and live. He’s an awesome musician and songwriter.”
Regarding her plans for summer she informed she’ll go on vacation and have a rest. Recovery after the tour.
To the question when we will see Roxette again she replied soon, she hopes. Also mentions that her favourite song from The Look era is Dangerous, because it’s so great to perform it live.
She also said that it’s an honor that they are among the first ones in The Swedish Music Hall of Fame.
Regarding Gävle, she remembered Roxette performed there in Folkets Park, in 1987 and it was great one for them.
Sylvia Kadri from VLT asked Marie about how tough the tour is and if there are any tricks to get into shape before the concerts. Marie said they play mostly during the weekends so she recovers herself during the week. Walking, sleeping and eating well. And she gets an enormous energy from the band and the audience.
To the question how cancer changed her life Marie replied she takes everything easy and tries to avoid any kind of stress. She is grateful that she lives and feels joy in so many things that she previously took for granted. She said as an artist she changed like it takes longer time to write music, but her voice has matured and gotten a different depth. To the question what she is doing to keep herself healthy she replied she takes it easy. Eating, sleeping and spending time with family and friends are very important.
The reporter asked her what is inspiring her nowadays. Marie said the nature. She loves sitting in her garden and listening to the birds this time of the year.
Regarding what music she is listening to she said Joni Mitchell remains important in her life and Jimi Hendrix is always with her. Rufus Wainright is a new inspiration for Marie.
She didn’t want to talk about her big dream projects, but the future is more about resting than hectic tour life. Now she is looking very much forward to summer.
Marie Fredriksson’s tour goes on tomorrow. Next stop is Borås. Xtra Borås did a short interview with Marie which you can read here and even download it in pdf. No real news in it, but it’s always nice to read any kind of interview with her.
She says she is very happy that she can do this tour. It feels great to be back. Last time it was in 1992 when she played in concert halls before this tour. She also says most people are used to her voice in Roxette, but it’s a different feeling when she is singing in Swedish. After her illness, her voice became deeper and she thinks there’s a stronger presence in it, which she enjoys. She’s always lived in music and it’s still such a big part of her.
Tomorrow’s concert is Marie’s first ever in Borås. But there is a link between Borås and Roxette. Dean Cushman, the exchange student we all know the story of was studying computer science at the University of Borås and found Roxette’s music there.
Xtra Borås asked Marie what’s left to achieve in her long and successful career. Marie said she hopes she can keep on doing what she loves the most so long as possible and she hopes that the audience is with her for a long time. Marie says she finds inspiration in everything: the silence, the garden, at the sea and in everyday life. Her favourite song off ”Nu!” is “Sista sommarens vals” now.
The last question to her was what she is Xtra happy about right now. She replied:
The spring sun! It’s so nice that winter comes to an end now.
We have had the chance to interview Marie Fredriksson via email during the short tour break and before the tour goes on this Friday in Borås.
RXB: It’s your first solo tour since 2000. How does it feel to be on the stage again singing your own songs? Marie: Fantastic! I have looked forward to it!
RXB: Regarding the setlist that you put together for this tour. Is there any song that you rehearsed that you now think you should have included in the setlist? Marie: No, I’m very happy with this setlist.
RXB: And, on the other hand, is there any song that you included in the setlist but you were not sure if it would work? Marie: It’s always exciting trying old songs with new musicians and I was just happy with the result after our rehearsals.
RXB: I think it is very brave (and rare) to start a concert with such a stripped down acoustic song – how come you chose to play this version of “Så stilla så långsamt” and to play it as first song? Marie: It was something that Micke suggested. I think it turned out very well.
RXB: How do you feel to the reaction of the audience to songs like “Så länge det lyser mittemot”, “Efter stormen” or “Mellan sommar och höst”, with the audience standing up and dancing along? Marie: Of course, it makes me incredibly happy – it’s a wonderful feeling to see this from the stage. I am overwhelmed by the response of the audience and I couldn’t imagine how positive they react to all the songs!
RXB: More than half of the shows are done now, only 7 left. How do you feel about the tour so far? Are you going to change anything for the upcoming “second leg” of the tour? Marie: It’s amazing how quickly time flies when you’re having fun.. I will do my best to really enjoy the rest of the tour but I don’t think we’ll change anything…
RXB: What is your favourite song on this tour? Marie: It’s hard to choose a favourite song, it changes a bit from concert to concert.
RXB: Everybody thinks the tour is amazing and that it should be available on DVD or at least CD. Any plans for that? Marie: No plans for a DVD, we’ll see about a live CD…
RXB: Many fans are travelling from all corners of the world to see you live, what do you think about that? Did you expect to see so many “familiar faces”? Marie: I am so grateful for the support from the international fans – it’s moving and overwhelming and to be honest – I didn’t expect such a huge turn-up. Thank you all!
RXB: Your husband Micke and nephew Jokke are playing with you in this tour. How does it feel to be able to share your passion for music with your family? Marie: Michael and I have been on tour before (1992 & 2000) and to add Jokke to the band was a great decision! It’s wonderful to create music with them.
RXB: You also look very proud when Jokke plays the solos… he said in an interview with us that he had waited his whole life to play with you. How is it from your point of view? Marie: I’ve seen him grow up to become a brilliant musician and of course he makes me incredibly proud!
RXB: Looking at the future, we heard about a possible jazz album and a biography. Could you tell us something about that already?
Marie: It’s something I’ve always wanted to do and will do when the timing is right. You’ll be the first to know…
TDR also got the chance to email-interview Marie, check it out here.
We met Jokke Pettersson, one of the two guitar players in Marie’s band during the current tour, in Växjö some hours before the show. As we’ve always tried with other band members and Rox&Co related musicians, we wanted to know more about Jokke and his career and his multiple bands. Enjoy!
Judith: Thank you for your time for this interview. We would like to get to know you a bit better, so to start with, could you tell us how you got into music?
Jokke: Sure! I started playing drums when I was 7 years old. My father borrowed an old drum kit from a friend and just asked me if I wanted to try. It was kind of easy for me to learn some easy grooves and I thought it was fun to play right away. I think it is very important with music, you have to think it’s fun from the beginning, if it feels too difficult you will just quit sooner or later.
So I tried that and I liked it but since I’ve always been kind of a song writer, I wanted to express melodies and that’s hard on a drum kit. I taught a friend to play drums instead and I borrowed an old electric guitar and an old amp from a friend. I only used borrowed stuff in the beginning haha! We started to practice in my bedroom the two of us, he just played drums and I learnt some riffs. It was much fun, one of the best moments ever. We did that for about three years, it was an amazing time.
So I got started with electric guitar when I was 10 or 11, but I wasn’t serious about it until I was about 13. Then I started to practice seriously on the guitar, took some lessons and started my first band.
What were your favourite bands and your inspiration when you started?
I was a hard-core metal fan back then. I still am but in a different way, I love all kinds of music today. Back then I was really into Nirvana, Green Day, Metallica, Pantera, all that crazy stuff. I really loved the volume, the energy and the guitars.
Later, I got into progressive rock, bands like Dream Theater. I really wanted to push myself and I really wanted to find harder music to learn. This kind of music is harder to play and it meant I had to practice a lot more to make it sound like something.
I checked some YouTube videos before the interview and listened to some tracks by Karavan. They feel more like rock-blues to me. How did you get into this style?
Yes, when I started at the Swedish high school I went to a music school and started to listen to other music like jazz and blues, R’n’B and all that. So I kept on working on that.
I mentioned Karavan before, but you are also member of a band called Kayser. The two bands sound very different… Can you tell us about them?
Kayser is a trash-metal band that plays groovy American influenced trash like some of the bands that I listened to when I grew up. We just released an album with Kayser. A few years ago we did a few tours with that band and we have released two albums before this one. That’s been kind of my baby for many years. We put it on ice for a few years and now we are back. It feels amazing!
Karavan is me and some friends having a band, we are also working very hard with it releasing albums and touring with different artists. I sing in that band but sometimes we bring over artists from the United States to play with us. We toured with Hunter Perrin, who was the guitar player for John Fogerty for many years, he also has his own music, so we toured Scandinavia with him two times. And last November (2013) we toured with Camaron Ochs, a country artist from Nashville, so we played some country. Hunter Perrin is more rock’n’roll. Karavan’s own music is a kind of blues rock, Rolling Stones influenced.
Are you the songwriter in both bands?
We all write the songs, in both bands. It’s just the classic band where everybody comes up with demos, ideas and composes or writes music and lyrics.
We are currently writing songs for a new album with Karavan. I am doing that in between this tour on the days off and then I am in the studio recording.
It sounds like a lot of music going on at the moment!
Yes indeed! Also because like I said Kayser just released our new album a few weeks ago. And the tour with Marie. It’s been a very busy month. It just feels great, I am very greatful for that.
I read reviews about Kayser’s latest album “Read your enemy” (on Spotify) and they are all very positive.
Yes, it’s been great to get this response. Of course, you sort of know that you’ve done something good, because you believe in yourself and what you’ve done, but we didn’t expect these reviews and feedback. We simply had no expectations, all these reviews are amazing. We feel like “Yes! We made it!”
Are you planning to tour with any of the bands?
We are planning a tour with Hunter in July in Scandinavia, perhaps some shows in Germany. We are also planning a tour with Camaron Ochs again around August. Two months of touring in Summer, and then maybe we are going to tour with Camaron in the United States, it’s not set yet, we are still working on it. And then we plan a tour with Kayser in September.
It looks like a busy schedule in the future too!
Yes, it’s going to be interesting! Three or four months of touring with 3 different bands. Very exciting! I am really looking forward to it!
When you talk about a tour with Kayser, do you mean in Scandinavia or also in Europe? I saw that you did some gigs in Germany some years ago...
Yes, with Kayser we will hopefully set up a tour in Europe. Our audience is mainly in Europe, specially countries like Germany and Belgium. On May 24th we are actually going to Athens for a show! Maybe US in the future but it’s a bigger project.
You are actually working in 3 projects (Kayser, Karavan, Marie’s tour) in parallel. How do you combine them and manage not to get confused?
That’s been a bit of my life for the past 10 years or so, lots of things going on with different bands. That’s keeping me busy, it feels just great.
I think if you have a good planning everything works out. Of course, it could come a time when everything just collides with each other, just thinking of it makes me stressed, but I will keep on doing this for as long as possible.
Of course, music-wise Karavan, Kayser or this tour are very different. I also realised that you use totally different guitars on this tour and with Kayser, for example. But what do you think is the biggest difference audience-wise?
There’s such a different emotional experience. There is a special energy when playing metal music live, fans are dedicated almost in a brutal way, and by that I mean also that fans are sometimes beating each other while we are rocking with our metal music. Metal fans are crazy, haha!
Marie’s fans are very humble, they listen to the music and just have a good time. That makes it a great experience to play in this tour. It’s great to see people loving her songs.
So let’s stay with Marie’s tour. How did Marie ask you to join the tour and what was your reaction?
Well, we talk sometimes on the phone. So she called me and asked “Do you wanna go on tour?” I was like “Oh yes! I’ve been waiting for this moment my whole life!” I love Marie’s solo stuff, I’ve been listening to these songs since I was a kid.
You mention that you’ve known Marie’s songs all your life, but how did you prepare for this tour?
They sent us a list of about 20-30 songs that Marie wanted to play or felt like playing, so I focused on those. The day before the first rehearsal a few more songs came in with the request to try those out too, so I just learnt to the songs.
Somewhere in my head I knew the songs because I’ve been listening to them my whole life, but it’s a different when you have to play them. I wrote down some notes and practiced a little bit every day just to be ready. Listened a lot!
What were your expectations for this tour?
I tried not to have any expectations because it’s more exciting if you don’t. I new it was going to be a great time.
I’ve known Marie my whole life, and I’ve known Micke for many years. I had met Christoffer and Pelle before and I knew they are amazing people. Marie trusts them very much as musicians and as people, so I knew it would be great. I had never met Surjo before but he turned out to be a great guy and a fantastic bassplayer!
It’s really been super great so far! I am really happy, it’s an amazing band, everybody is very nice and we are having a good time. And we sound very good together…
Yes you do! And you and Chris on guitars sound terrific.
Yes! We are very different guitar players, but when you mix that its really fantastic. It feels great.
Speaking about guitars. How many do you have?
I have about 10. As far as the economy allows it haha. I don’t buy guitars for fun though, only if I want to have a special sound then I buy a specific guitar, so I use all my guitars in my projects. I have some V-guitars that I use with Kayser, with Marie I use my Fender guitars because the sound works very well with Marie’s songs, and then I have two acoustic guitars. I have everything I need to be able to work with my bands, that’s the most important for me.
Coming back to the tour. We have seen the first three concerts and then the concert in Malmö yesterday and we were like “wow! What happened to the band?” It feels like you all found your place and interact a lot more. What can you tell about this?
Yes, absolutely. It’s funny because after most of the concerts we are like “this was probably the best gig” and then next evening “this was probably the best gig” haha! The first show was very special for everybody; we were all very focused and nervous in a different kind of way for the premiere show. And then show after show you start to move around a bit more, you feel more comfortable, that is something that happens naturally, it’s nothing you talk about, it just happens because we are playing a lot together. It feels very very good.
The tour started in Helsingborg, which is also your hometown. Did that one concert feel extra special?
Ah! That was a very nervous moment for me. Everybody was there, the whole family, our relatives from Denmark, people that I hadn’t met for many years, lots of friends. Plus it was the first show! Now I am a bit more relaxed but I still get a bit nervous before the show starts, I think this is important, that turns into adrenaline in the end.
Did Marie have any influence in your liking music and wanting to be a musician?
Absolutely. We talked a lot about music when I grew up. I saw Roxette live back in 91-92, we travelled to watch them play with my family, I was 6-7 years old. I saw them on TV, so she inspired me. I wanted to be like her so I worked as hard as I could to get here. She’s very much of an inspiration for me. And also as a person she is very special. Humble, generous, sweet, nice, she’s amazing!
And now touring together is just amazing. We have lots of fun together; it’s great in every way. It’s hard to express in a different way, it’s awesome!
You mentioned that you bring in artists from the United States to play with your band Karavan, and you are now touring with Marie. Are there any other bands or musicians you’d like to play with?
Tricky question! I’d really love to play with the Allman Brothers Band, John Fogerty, Pantera! Haha! I like so many bands so it’s hard to choose.
And last but not least, what are your plans for the next years?
Besides the tours that I mentioned I will just keep on working very hard with my bands. That’s the plan for the next years! Music 100%.
After thanking him for his time, Jokke rushes to have dinner the band and crew and then to deliver one of the best concerts of the tour so far!
About Gotland she says it’s a nice island and she is looking forward to deepening her relationship with it. She has never played there before. Marie says she has been longing for singing in Swedish again. The absolute best thing about performing live is meeting and get close to the audience.
To the question if it is different touring now to touring before her illness she replied today she takes it easy, one thing at a time and puts energy in the right thing at the right time. She is constantly trying to enjoy the ”present”.
Regarding Nu! she says she felt like “finally!!!!”, when it was finished. She is very proud of the whole album and the one and only song, Sista sommarens vals written by her. Right now her favourite song off the album is Kom vila hos mig, especially live.
In the setlist during the tour everyone will find their own favourite MF songs, there are new and old ones. Hela Gotland asked if there is any song she can’t leave out, since the audience demands hearing it. She said there are more songs like this, but especially Sparvöga. Regarding the arrangement she says she has an amazing band with her, so both the up-tempo songs and the ballads sound great.
Marie informs she will stay in Gotland only for 1 day, but plans to come back for a private stay during summer.
To the question if she has any hidden talents she replied:
The letter is about Radio Halland not playing Gyllene Tider often enough, just playing dance bands. He says they wrote quite a lot of letters like this. Radio Halland was special for them, since GT is from Halmstad and they thought the local radio should support local bands more. Per says he didn’t get a reply to that letter back then, he also forgot about it until 20 years later, when one day he entered the building of Radio Halland and saw it at the reception on the wall framed. He remembers they even sent postcards under fake names to have the chance to appear in Poporama (an old radio show).
Per says it was a tough time to make themselves heard, because just like now, the Swedish music industry was very Stockholm oriented. They had to use all the tools they could.
To the question when was the last time he wrote such a letter he laughed and said he stopped doing it now. By the way, some months after this letter had been written they got a contract from EMI Stockholm.
Per says he has always been doing what he loved, writing songs and playing them. He knew it from the very beginning that writing songs for others was not really his thing. He always wanted to play his songs himself.
To the question what was the biggest thing in his career when he is looking back he says it’s Roxette and the 4 Billboard No. 1’s. He says they were pioneers with their tours, touring in South America in the 90’s and also in China. If he thinks about Sweden only, Gyllene Tider is of course still enormous and performing in Ullevi was fantastic, but also their gig in Halmstad in 1995 was magical, then the Återtåget tour in 1996 and playing in Örjans vall in 2004.
As usual, Per says again it’s never clear which song will become a hit or what response you’ll get regarding a song. You have to find your own style and you have to be satisfied with your songs yourself, create them according to your own taste.
Regarding autographs Mr G says he didn’t even have an autograph back in the days, just look at the letter he wrote to Radio Halland, he hadn’t even signed it. Sometimes he did sign Marie’s autographs in the past, at the beginning. George Harrison also signed the others’ autographs in The Beatles he says.
Regarding what he still wants to do before he dies, Per says he wants to work and is looking forward to a new big and long Roxette adventure. Marie is on her solo tour now, but it’s a plan to do more Roxette. To the question if we can see him on stage with Marie during her tour he says he doesn’t think so.
Time flies when you’re having fun. I am so happy and grateful for everything I’ve been through and that I can still keep on doing what I love most of all.
To the question what she gets her energy and inspiration from she replied she’s at home as much as she can. She can’t wait for spring to come, listening to the birds. She doesn’t like winter.
She talks about how difficult it is – after her illness – for her to write lyrics to songs, she usually starts with the music. She is very proud of Sista sommarens vals, the one and only song she wrote for her new album, “Nu!”.
About Per Gessle she says he has been a great support for her over the years and when it was the hardest time of her life. He is a very dear friend to her and they have a very good sister-brother relationship. Marie is happy that Per wanted to write a song to her in Swedish. That song is Känn dig som hemma.
Ms Effe says she likes Kom vila hos mig very much on the new album. That was one of the first songs Micke wrote for the album.
She says to Helsingborgs Dagblad she wants to pull the audience in up-tempo songs and wants to convey proximity in ballads during the tour. She thinks each tour is something new, every audience is special. It means a lot to her to tour in Sweden again after so many years.
She wanted to start the tour in Helsingborg, as she feels like home there. It’s extra fun that now Jokke Pettersson, her nephew is in the band, too, next to of course, Mikael Bolyos. Pelle Alsing, Christoffer Lundquist, as well as Surjo Benigh are also in the band.
To the question what comes after the tour she replied she always tries to take one thing at a time and now all the focus and energy go for the tour.
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
From the title you might guess that the interview is about the plectrums. 😉
While we’ve been working on the PLECtionary, I did an interview with Sandra and she happily shared some more details about her passion, the guitar picks, as well as some further nice stories related to these precious little things. Enjoy!
Patrícia Peres: – First of all, huge thanx for your hard work with this PLECtionary. It’s awesome to have all plecs’ photos and knowledge at one place. How did it all start for you? Which is your first memory and which was your first plec?
Sandra Knospe: – You’re welcome. It was fun to do it. I love going through the plecs once in a while. It all started in Helsingborg 1996 at the second Gyllene Tider concert from the Återtåget tour. That was also the day when I got my first plec. I found it after the show, somewhere on the dirty ground. I saw Per throwing the plecs away during the gigs and I was just curious if I could find one. I knew chances were low. It was like searching a needle in a haystack together with all the other fans who knew that there might be something to find on the floor that’s worth to pick up. And it felt like a triumph when I finally succeeded, it was kinda thrilling. I was surpised to see that it was customized. I didn’t know that before. That made it even more interesting, of course. But back then I did not really start collecting in the way I do it today. I was just happy that I found it. The wish to make my collection as complete as possible came later in 2003 when I received an envelope from Per with 10 different plecs including real rare ones from 1989 and 1991. So I had a few different ones thanks to him and also from the Rox tour 2001 and Mazarin tour 2003 which I attended as well. I liked the design and little phrases on them and I wondered how many customized plecs by Per exist at all and wanted to find out how they looked like and from which tours they were. So I started some investigations. From then on the hobby turned into a passion.
PP: – So the first plec you got 17 years ago. Wow! How many picks do you have actually? How many of them are Per’s plecs and to whom are the others related?
SK: – Oj, need to count… Without the doubles it’s 114 different plecs (and 3 of them in different gauges). 71 from Per plus 2 from him which are not customized, 17 from MP, 4 from Christoffer plus 1 from him which is not customized, 4 from Micke N-S, 1 from Jakob Johnzén, 12 T&A studio plecs and 2 plecs of which the origin I don’t really know. One of these two could be a tech plec as well and the other one is dedicated to someone whose name is Tedde. No idea about it really, but on the other side it says ”WITH LUV FROM THE GESSLES”. So I guess it comes from Per at least. All together (including the doubles) it’s 224.
PP: – Who would have thought that there are so many plecs related anyhow to the Rox World. I know the whole collection is very close to your heart, as one day when a friend asked what you would take with you in a hurry if there would be fire in the house, you replied: ”The plecs, the plecs!” But which is the most precious item if you can choose only one? What is your story behind it?
SK: – Urmmm… I would rather get my ass burned before I would leave any of them behind in case of a fire. A fav plec? Hard to say, it even changes from time to time. Maybe the ”LOOK SHARP! / IT’S ONLY PLAYBACK” plec, because it’s probably the oldest one. Even if mine is not in top condition. I got it from a friend with the right connections. But then again, it could also be one of the plecs that have a more sentimental value to me, like the plecs Per sent me in 2003 that made me start collecting more purposeful. They are indeed very special to me. Tough question. So many goodies, really can’t decide. Sorry.
PP: – I can totally understand you. I can’t choose any favourite either, as all of them are beauties. Is there a pick you don’t like at all? Maybe because of the design or anything else.
SK: – I wouldn’t say there is a pick that I don’t like at all. I’m maybe not so much into the latest GT picks with the record and the cassette on one side and the GT emblem on the other. That might be because I am not a fan of pictures on plecs. I like it simple. A cool phrase is better than anything else. The ”WOODY / VEM FAN ÄR VERA?” pick for example is a great one. Great colour of plec and print and a cool note on it. Simply perfect.
We had the chance to interview Emil Jonsvik, the director of Marie’s latest video “Sista sommarens vals”, taken from her latest album “Nu!”. Emil told us about his career and the shooting of the video with Marie.
Judith: To start with, could you tell us about you? When and how did you get into filming and directing films?
Emil: I was born in Gothenburg, Hisingen 1978. I started producing my first films at the age of 12. This was for Swedish television (ZTV) and the film was “Gold”, which was a skateboard movie. When I look back on it I see that I already then wanted to create drama in film. I used scenes with actors walking through smoke in slow motion with strong cinematic music. After that I produced the Award winning break dance documentary “Shindig” and two other dance movies, “The Book” and “No One Knows Our Thoughts”. They were about winning over your inner fears. In 1998 I went to a film school, “Film I Väst” (Trollywood), and started working with blockbusters as “Santa is the father of all the children” and “A Witch in the Family” as a lighting designer and set lights along with being the cinematographer on location. I met the director Daniel Fridell which started a long cooperation, among others I became a cinematographer on his award winning TV series “A Class Apart” as well as the movies “Sökarna 2” and “Blood Brothers”. After that I directed the very popular television program (with over 1.5 million downloads on YouTube) “Late Night with Pierre” with little Al-Fadji for Swedish television (SVT). After that came my debut as a feature film director with “7X / Seven Bullets”. This movie was about seven kids that find a gun with seven bullets. This is a multiple award winning film including awards for “Best film” and “Best director”. Now I’m in the final cut with my new feature film “Krigarnas ö” (The Name of the Game) with the great actor Kim Bodnia known from TV series “The Bridge / Bron”. An exciting drama / thriller.
J: What do you like about being a director?
E: I love the creating process. To take a idea, put it down on paper and then manage to make these scenes come alive, that’s where my drive comes from. I get inspired by many different kinds of films in different ways. I love movies like “City of God” and “La haine” but I can also find inspiration in films like “The Last Samurai” and “The Driver”.
J: You started mentioning inspiration, but what do you want to tell with your videos? what do you think is your “trademark” and what makes you different from other directors ?
E: I get inspiration from people’s energy, music and films. In meetings with actors and artists, I often feel what they want to create together, it is important that I together with the team create the best energy on location for the shoot. Because of my broad experience with film production it’s easier for me to decide what to focus my energy on which makes my work very efficient.
This ultimately results in me laying my energy on the right stuff. I want to get the artist and the actors to have trust and feel secure with me in order to create magic together. That’s what makes every difference, and that’s my “trademark”.
J: Now about the video you did for Marie: how come you ended up doing the video? Did Marie or her management ask you?