Per Gessle wants to “keep Roxette’s legacy alive” – SpotOn News

SpotOn News did an interview with Per Gessle about PG Roxette. Here you can find the original text in German.

The first single is here! Per Gessle takes off with his new band, PG Roxette. After Marie Fredriksson’s death in 2019, it was not easy for him to decide on the new project, as he explains in an interview.

Per Gessle (63) is back with his new band, PG Roxette. After the tragic death of singer Marie Fredriksson (1958-2019), the cult duo, Roxette was also history, but Gessle is now reviving their legacy with his new project. The single “The Loneliest Girl In The World” is released on June 3rd. It is the first taster of the upcoming September album “Pop-Up Dynamo!”. In an interview with the news agency SpotOn News, Per Gessle reveals how difficult it was for him to decide on the new band. With PG Roxette he wants to “keep the legacy of Roxette alive”.

SpotOn News: Title of the first single is “The Loneliest Girl In The World”. What is the song about?

Per Gessle: Well, that’s really up to you to decide. I never explain my lyrics. That’s the magic of songs, the lyrics mean something different to everyone. I don’t want to destroy that. Sometimes I hear a song that feels like it’s written about me and only me, a song that goes straight to my heart. I keep hearing the same thing from people listening to songs I’ve written. It’s amazing. That’s the power of music. So you have to interpret all my songs yourself, including “The Loneliest Girl In The World”. Maybe it’s about you?

SON: What role does Marie Fredriksson’s legacy play in PG Roxette?

PG: Well she was half of Roxette so she will always be there in spirit and in my heart. She was one of my best and oldest friends. After Marie passed away, I had two options for Roxette. One was to close the door and stop, the other was to keep going. I decided to keep going. I wrote almost every song Roxette ever recorded and it would have felt strange to turn my back on more than 30 years of my life. My goal for the future is to write more music and lyrics, make new recordings, play live and keep the Roxette legacy alive.

SON: Are you still in touch with Marie Fredriksson’s family? Did they support your decision on PG Roxette?

PG: Yes, I know them very well and of course they support what I do. Why shouldn’t they?

SON: What can fans expect from the new album?

PG: I wanted to make an uptempo album based on the sound that’s in my blood and DNA. That’s the sound of the late 80’s and early 90’s. But I wanted to give it a modern twist. I didn’t mean to sound too retro or nostalgic, but you can definitely hear the classic Roxette elements in it. I have a specific writing style that shines through. It’s always like that, no matter how hard I try to develop it.

Musically, I used the “classic” Roxette musicians: Jonas Isacsson on lead guitar, Clarence Öfwerman on keyboards, Magnus Börjeson on bass and Christoffer Lundquist on guitar. They still sound great. I love working with these guys. I’m sure you can hear that. We had so much fun making Pop-Up Dynamo! The production was in the hands of Clarence (who has produced all the Roxette albums since 1986!), Magnus and myself.

SON: How difficult was it for you to decide to continue with PG Roxette after Marie Fredriksson’s death?

PG: It’s been a tough few years in the Roxette camp. Not only has Marie passed away, we’ve also lost our original drummer, Pelle Alsing. That came out of the blue. It was a difficult decision because it’s impossible to replace Marie. And that was never my intention. But I still wanted to play my Roxette songs and keep the legacy alive. Of course, if Marie were here, she would have been a big part of all of this. But that’s not the case. It’s really sad, but there’s nothing I can do about it. I have to carry the Roxette torch myself.

SON: With PG Roxette you have two singers, Helena Josefsson and Dea Norberg on board. What do you appreciate about the two and how is your cooperation with them?

PG: PG Roxette is not based on the voices of Dea and Helena. I also have other female singers on the new PG Roxette album. And I do most of the singing myself. You’ll find out.

Helena and Dea are both fantastic. Both as people and as musicians. If you compare their voices, they sound very different. They have completely different styles. I like that. When mixed together, they almost sound like a “third” person. It was the same with Agnetha and Frida in ABBA. When you combined their voices, the result was very different vs. how they sounded individually.

Helena and Dea have toured a lot with Roxette, so we’ve all known each other for a long time. I’ve been working with Helena for more than twenty years now. Time flies when you’re having fun. I’m glad to have her around.

SON: Roxette’s last concert was in 2016. How do you feel now ahead of a tour with PG Roxette?

PG: Excited. Curious. Happy. Blessed.

SON: How happy are you to be back on stage with Roxette songs, among other things?

PG: If it happens, I’ll be a happy man. I look forward to meeting all the fans around the world. Roxette has some of the best fans out there. So many of them come to Sweden and follow and support my Swedish band and solo projects year after year. I can’t thank them enough.

SON: The pandemic has paralyzed the music and events industry. How did you survive the long lockdowns in the corona pandemic?

PG: Of course it was a psychological nightmare. Everyone has suffered. Last summer, after a year of isolation, I finally started to think positively and decided to play some small acoustic shows at Hotel Tylösand on the Swedish west coast. The restrictions allowed us a maximum of 500 seated guests (with plenty of space in between) and I was supposed to do two one-hour evenings. Before I knew it I had made ten! And that 60 minutes turned into a two-hour show. It was incredible to be back on stage.

So I expanded the whole thing into an acoustic tour in theatres and concert halls. Then new Covid restrictions came along and we had to postpone them. Finally we started again and in May this year it was over after 31 shows.

And of course I’ve spent much of the last two years writing and recording the PG Roxette album. I think I wrote about twenty songs before I chose the eleven that are on the album. I’ve been lucky.

Per Gessle breathes new life into Roxette

Per Gessle gave a Zoom interview to TT News Agency in Sweden. You’ll find it in several Swedish newspapers now, e.g. in Borås Tidning.

After almost 30 years with Roxette, it’s time for a new chapter in the band’s history.

It actually results in two questions, says Per Gessle on a Zoom meeting. It’s possible to think about how and when or in what way and to find out if there is interest out there.

But if you go back to square one, the real question is: should I quit Roxette or should I continue?

For his part, he has come to the decision that feels right. With Marie Fredriksson’s blessing, Per Gessle continues to play Roxette’s songs and also releases new material.

The first single “The Loneliest Girl In The World” is released on Friday, 3rd June along with a new video. The song is the first taster from the upcoming album “Pop-Up Dynamo!”, which follows in September.

Big challenge

The idea was to write poppy uptempo songs, with an ’80s and ’90s feel, which turned out to be a big challenge.

It’s very difficult to write three chord songs at my age. When you have worked with music for several decades, you become too sophisticated in your writing. You know all the tricks and have found your style.

Per continues:

But when the chorus to “The Loneliest Girl In The World” was born, I felt “shit, this is a good chorus”. I was so happy when I wrote it.

Per Gessle emphasizes that the decision to start Roxette again was not something that “came about yesterday”.

I’ve tried to do it in a way that feels relevant. That’s why it felt important not to hire Belinda Carlisle or Annie Lennox or someone to replace Marie. It should be different, but still the same and that puzzle should be solved.

“30 years of my life”

TT: But why not just continue under the “Per Gessle” flag?

Because in the long run I want to tour and play my old Roxette songs. If I tour like Per Gessle, then I play my Per Gessle songs. It’s still almost 30 years of my life that I have given to Roxette and the songs are my little babies. This is a Roxette project, but to mark that it’s not the old Roxette, I have added PG.

And the craving for more Roxette seems to exist. Per Gessle points out that Roxette still means a lot to tons of people, which can be seen not least in the streaming statistics.

It would be stupid to turn your back on it. In my industry, you have to activate music all the time. You have to have people working towards Netflix and Hollywood. Look at Kate Bush who got a US No. 1 now with her song after “Stranger Things”. You have to be active and the one who can be most active when it comes to Roxette is me.

“The world’s biggest band”

TT: But why does it feel so important?

It’s my whole life. It started with Gyllene Tider and then Roxette. And Roxette was one of the world’s biggest bands for a couple of years. Everything I do today is based on Roxette’s success. Not continuing would feel like giving up and it would be such a defeat for me personally not to be able to complete my journey.

Hopefully, there will be a tour as well.

We are looking at getting a European tour together, but it’s tricky to find venues. I hope to know more about it soon.

PG Roxette – “The Loneliest Girl In The World” single is out!

The long-awaited first PG Roxette single is finally out! It contains two songs, The Loneliest Girl In The World and Sunflower.

Video – directed by Fredrik Etoall – recorded for TLGITW is set to premiere at 3 pm CET on 3rd June on Roxette’s YouTube channel. You’ll be able to watch it HERE. Don’t miss it!

The Loneliest Girl In The World is the first taste from the upcoming album Pop-Up Dynamo!, which follows this September. TLGITW feels like a natural next step for Per Gessle. With exuberant energy, the sweetest of melodies and their trademark don’t-bore-us-get-to-the-chorus addictiveness, it’s a song that would fit comfortably into any era of Roxette’s hefty back catalogue. Whether you consider it to be the poppiest rock around or pop with a little rock edge, it’s unmistakably Roxette.

Mr. G tells:

I had so much fun making these recordings. I really tried to go back to the writing style I had in the early days of Roxette and it was a blast. Some of the songs are the best I’ve ever done. And to work with all my Roxette-friends once again was amazing. We stick together like glue.

Read the complete press release related to the PG Roxette project HERE!

Per says about Sunflower:

I wrote the song “Sunflower” a long time ago but finished it just in time for the PG Roxette project. And no, it will NOT be included on the new album. Only on this single.

So, as you see your only chance to have the song on a physical release is to get the limited edition 7″ vinyl single. You can order it at Bengans or Ginza. For the digital version click Spotify, Deezer, Apple Music, YouTube (TLGITW, Sunflower) or other digital platforms!

Additional info from PG regarding Sunflower:

It was actually written in January 2002 (!) but I made a new demo in August 2020 which is the foundation of the recording that’s now being released. And, of course, the lyrics are new. The original version from 2002 only had the lyrics in the chorus.

The Loneliest Girl In The World

I once was the chosen lucky one
Born under the sun and the powers he’s got

I once was a weirdo on a bus
Thinking about us
About me, about you, he-hey

It feels like I’ve been climbing over mountains
Like I’ve been riding jumping diving
Just to find out where you might be hiding
The loneliest girl in the world, uh huh

I recall (call call) shadows being tall
Kissing by the wall oh I felt so secure

I recall wishing we could be
The breeze across the trees
Just for fun, being like one

It feels like I’ve been climbing over mountains
Like I’ve been riding jumping diving
Just to find out where you might be hiding
The loneliest girl in the world

It feels like I’ve been flying over treetops
Like I’ve been scanning all my teardrops
Just to find out where you might be full stop
The loneliest girl in the world

It feels like I’ve been climbing over mountains
Like I’ve been driving all the highways
Just to find out where on earth you might stay
The loneliest girl in the world

It feels like I’ve been rushing through the moonlight
Like I’ve been searching every website
Just to find out where you might be tonight
The loneliest girl in the world, oh yea

The loneliest girl in the world aaaaahh
Feels like I’ve been running jumping diving
Just to find out where you might be hiding
Why is there no song playing
For the loneliest girl in the world?

Words + Music by Per Gessle
© Jimmy Fun Music

Produced by Magnus Börjeson + Clarence Öfwerman + Per Gessle. Co-produced by Christoffer Lundquist.
Recorded at Farozon, Malmö + Aerosol Grey Machine, Vallarum + Tits & Ass, Halmstad
Engineers: Magnus Börjeson + Christoffer Lundquist + MP Persson
Mixed by Ronny Lahti at Denebi Studios, Stockholm
Played by Magnus Börjeson: Programming + synthesizers + bass guitar
Clarence Öfwerman: Programming + synthesizers
Christoffer Lundquist: Electric guitars + synthesizers
Per Gessle: Lead vocals
Helena Josefsson: Vocals

Sunflower

Been living on my own with just a fork and spoon
Keeping my mind tidy in my tidy room

All I
All I ever really wanted
All I ever really needed
Was a minute to find my space in the show oh oh
Then I suddenly got to know
I heard a voice singing high and low
And it sounded like a love song to me

I’m a sunflower rising to the sky
Sunflower
Yellow, big and bright
A sunflower growing very high
Would you like to touch me, baby?

I felt so out of place like a man stuck on the moon
But everything has changed this crazy afternoon

All I
All I ever really wanted
All I ever really needed
Was a minute to find my spot in the show oh oh
Then I suddenly got to know
I heard a voice singing to and fro
And it sounded like a love song to me

I’m a sunflower rising to the sky
Sunflower
Yellow, big and bright
A sunflower growing very high
Would you like to touch me, baby?
Would you like to touch me, baby?

Words + music: Per Gessle
© Jimmy Fun Music

Produced by Per Gessle
Recorded at Tits & Ass, Halmstad
Engineer: MP Persson
Mixed by MP Persson + Per Gessle at Tits & Ass, Halmstad
Played by Per Gessle: Guitars + bass + synthesizers + piano + dobro + lead vocals
MP Persson: Programming
Helena Josefsson: Lead vocals


Vinyl sleeve design by Pär Wickholm, Wickholm Formavd., Stockholm. Photo by Fredrik Etoall.

PG Roxette releases debut single

During their long history together, Roxette delivered a catalogue of unforgettable pop rock anthems such as It Must Have Been Love, Listen To Your Heart, Fading Like A Flower, The Look, Dressed For Success and Joyride. Climbing up the charts the world over, Marie Fredriksson and Per Gessle sold over 80 million albums and achieved five consecutive UK Top 5 albums. As much as they were a defining influence on the ’80s and ’90s pop scenes, their songs are still being discovered and admired today – as evidenced by 8.5 million monthly listeners at Spotify.

Sadly, Roxette came to an end in 2019 with the tragic passing of Marie. For years, Per was torn between what to do next: Marie is irreplaceable, but he also wanted to celebrate her life and her legacy with the fans that made their journey what it was. Eventually, he reunited the classic Roxette live band – Jonas Isacsson, Clarence Öfwerman, Magnus Börjeson and Christoffer Lundquist – and called upon long-term backing vocalists Helena Josefsson and Dea Norberg as the people most able to channel some of Marie’s immense talent and indomitable spirit.

This new era starts as PG Roxette shares his debut single The Loneliest Girl In The World along with its official video. The song is the first taste from the upcoming album Pop-Up Dynamo!, which follows this September.

The Loneliest Girl In The World feels like a natural next step for Per Gessle. With exuberant energy, the sweetest of melodies and their trademark don’t-bore-us-get-to-the-chorus addictiveness, it’s a song that would fit comfortably into any era of Roxette’s hefty back catalogue. Whether you consider it to be the poppiest rock around or pop with a little rock edge, it’s unmistakably Roxette.

Per says:

I had so much fun making these recordings. I really tried to go back to the writing style I had in the early days of Roxette and it was a blast. Some of the songs are the best I’ve ever done. And to work with all my Roxette-friends once again was amazing. We stick together like glue.

So that’s how PG Roxette came about. But why Per felt the need to return is best told in his own words. He explains:

Since the ’80s, my whole life has been spinning around Roxette and to this day it’s still what excites me the most. There are millions of people out there who still love the band so of course I want to keep our music alive. At first, I wasn’t sure which way to go but as time passed by it became clear that I want to continue this fantastic joyride. I want to keep the legacy of Roxette alive.

I’ve written almost every song Roxette has recorded over the years and they mean the world to me. When I started to write, my ambition was to try to create a sibling to ‘Look Sharp!’ and ‘Joyride’ – and that’s actually exactly how it sounds. I’ve wanted to create a modern production, but with the typical Roxette trademarks.

It’s impossible to replace Marie and that was never my intention. Our Roxette era was an unbelievable fantasy that we got to share together. I’m excited to be able to continue this journey, but in a different way. Needless to say that if Marie was still here, we’d be doing this together.

I feel this is the right decision. I’m so proud of this body of work and I love working with these people.

Tracklist of the single:

A   The Loneliest Girl In The World
B   Sunflower

The physical, limited edition 7″ vinyl single you can pre-order at Bengans, Ginza and other online shops. You can pre-save the digital version – and with this, enter a contest to win a digital meet & greet with Per Gessle – HERE.

Release date is 3rd June!

Per Gessle on Nordic Rox – May 2022

The May episode of Nordic Rox on Sirius XM was partly dedicated to the Swedish band November. Sven tells it’s going to be another special, retrospective, extravaganza pop show from the Nordic countries. Per adds they have an exciting setlist.

PG remembers November from the time he was a kid in the late 60’s, early 70’s. The guys plan to play three of their songs which Per is sure we haven’t heard before. Sven tells the band didn’t stay together that long. They are considered to be Sweden’s first hard rock band. They were inspired by Cream and Led Zeppelin. Mr. G tells November was a trio, guitar, bass and drums and the bass player, Christer Stålbrandt wrote most of the songs and he was also the lead singer. There is lots of blues in the background and they were all great musicians.

Before getting down to those three November songs, Sven and Per play Gimme! Gimme! Gimme! (A Man After Midnight) by ABBA.

The next track is by The Soundtrack of Our Lives, one of their classic rock ’n’ roll songs, Nevermore. Per thinks it’s a great track. He says the drummer was probably out having lunch, because there is no drums in this one. Sven adds that the guitarist took over the mix and they just finished it. PG says „and they released the record without the drummer knowing it”. Haha. Per says it has a very special sound to it and it’s a wonderful track by a wonderful band.

The third song on the show is (Do You Get) Excited? by Roxette. Sven asks Per if he got excited when he heard the song now. Per tells it’s from the Joyride album and he thinks it’s one of the greatest Roxette tracks. Marie is singing just so beautifully. Jonas Isacsson plays the lead guitars here and he is doing an amazing job. It was recorded in 1990 at the EMI studio in Stockholm and sounds really cool. It’s one of the best tracks on Joyride, if you ask Per. That’s his humble opinion. Sven asks if he can zoom back in time when he hears the song, being in the studio and if he remembers anything from the recording. Per’s simple answer is „no” and the guys are laughing. But he remembers writing the song. They wrote it together with Mats MP Persson and he was really proud of all these modulations. They did that to make the song different. It was written for Marie to sing. Per loves the title and the whole thing about it. It was a great track from day 1, he thinks. „Says a visibly proud Per Gessle”, Sven says. PG’s reaction is „I’m blushing here”. Haha.

The next one is What Would Joan Jett Do? by The Launderettes, the Norwegian wonders, as Per calls them. Mr. G loves the title of the song and so does Sven. Sven asks „what would she do?” Per answers „she would love that song for sure”. PG also loves that guitar riff, it’s just amazing, he thinks and it’s impossible to play. He tried, but he couldn’t. Sven tells some say that a really great track should be able to play on an acoustic guitar, but he doesn’t think that applies to garage rock. The guys are laughing.

Starting the November special, Sven informs that the band got their name after the month, because they had their first gig in November. Their first album was En ny tid är här… (A new time has come…), released in 1970. The band was formed in Vällingby, a Stockholm suburb. The drummer, Björn Inge and the bassist Christer Stålbrandt formed the band with a British guitarist, Snowy White from Thin Lizzy. Sven doesn’t know what Snowy White was doing in Sweden. He asks Per what he thinks, if Snowy was chasing girls. PG says „probably. Everyone was doing that. Even them.” Sven tells they have to take a little break and listen to Snowy let the guitar loose in Thin Lizzy. So they play a bit of his guitar playing. Sven asks Mr. G if he bought the November album when it came out. PG tells his brother bought the debut album and Per bought the second album. He thinks the debut album is their best. It’s got some really great tracks. What was interesting at the time is that they were singing in Swedish. That was the period of time when suddenly everyone started to sing in Swedish. It was basically forbidden for some reason in the 60’s. Everyone was singing in English. Sven tells people thought it sounded a bit jerky to sing in Swedish. But it made sense, according to Per and suddenly there were bands like November and it sounded totally natural. The sound of the band is very raw, Per thinks, the mix is raw, but it sounds really cool. The guys play one of the band’s major hits, Mount Everest, the album opener on the first record.

Sven asks Per if he could see November live, but then he realizes that it was impossible, because Per was too small back then. PG confirms he was too young, but since Sven is much older than Per, he must have seen them. Sven tells he saw them in his hometown, Växjö in a tech gymnasium. He was 14, he was barely let in and he can’t remember that much. More than that he was severely impressed by the band and being there, trying to chat with some girls with moderate success. Haha.

The next November song is En annan värld (Another world). Sven says there is some serious frenzy from the drummer, Björn Inge. Per thinks he is a great technical drummer and he tells there is a lot of Ginger Baker inspiration here.

Snowy White went back to England, being disappointed by not getting success with the Swedish girls or whatever, Sven jokes. He was replaced by Richard Rolf, an amazing, young guitarist. Per tells he played an SG guitar. He got a great sound, Mr. G always loved his guitar sound. Richard is still around, still plays. His guitar sound was very much part of the distinctive sounds of the band. Sven tells the band toured endlessly for three years, they made three albums and then they ran out of gas. Per reacts „who can blame them”.

The third and last song by November is En ny tid är här on the show.

It’s time for some more contemporary rock, Sven thinks, so they play a song from 1998. They are lauging. Malmö band Wilmer X comes with För dum för pop. Per says Wilmer X is a great band. They are a blues band with a pop side to it. Nisse Hellberg writes the songs, he is a great pop guy, PG thinks. He writes wonderful pop ditties, once in a while. Haha. För dum för pop is one of Per’s favourite songs. He thinks it’s a great title and translates it into English as „Too stupid for pop”. Sven says „we can both recognize ourselves in that title”. PG’s reaction is „absolutely” and they are laughing.

Titiyo comes next with Lovin’ Out Of Nothing from 2004, written by Niclas Frisk from Atomic Swing. Per thinks it still sounds really cool.

The guys stay in southern Sweden, because there is so much good music coming out of there. The Men is a band formed from other garage bands, e.g. The Sinners and The Girls. When they grew up, they decided to get together, do business together and call themselves The Men. They are modsters, Sven tells, very hardcore, inspired by the Britih mod scene 1964-1966. The vespa thing, the clothing. The song the guys play, Don’t is a duet between the singer, Sven Köhler and his daughter who is rather disbelieving.

The last song is Big Big World by Emilia. Per really likes this track. It was everywhere on Swedish radio back then and it’s still got this instant hook in there. Sven says it couldn’t be simpler. Per agrees and thinks it’s just amazing. Everytime he hears it, he wishes he wrote it. The guys are laughing and say goodbye.

As usual, Anita Lindblom’s Cigarettes is closing the show.

Still is from the Bag of Trix comment videos recorded by Anders Roos.

Thanks for your support, Sven!