Per Gessle on Nordic Rox – March 2021

The March show of Nordic Rox on Sirius XM was recorded in the very white and freezing Stockholm. During the program, Per tells that every year when the snow falls for the first time in Sweden, people are so surprised. Sven adds Stockholm is the capital of short memory. They laugh. PG says it’s just a nightmare going outside, everyone is so confused.

The first song Per picked on the show was Oh Mama by Lili & Sussie. It was No. 1 in Sweden in 1987. For some reason Mr. G just adores this song. He is very much into the 80’s, just as a lot of people these days. The 80’s are coming back, he says. There is the 80’s inspiration e.g. in The Weeknd’s music. Oh Mama is typical 80’s with that typical drum sound. It was written by Tim Norell who played in and wrote for the band Secret Service. It was an instant hit. Before and after this song Rick Astley was No. 1 on the charts.

Hate To Say I Told You So by The Hives is next. Per thinks it’s such a great band. The first time he heard about them was this particular song which reminded him of the MC5. Per thinks it’s an amazing punk song, it’s got this punk energy in there. Sven agrees, he thinks it’s a bit of garage, a bit of punk. According to Per, Howlin’ Pelle is one of the most amazing performers in the world. Sven saw them at the Malmö Festival and when they came out for the encore, Howlin’ Pelle just embraced the whole audience and said: ”Malmö, you have received The Hives.” Per says he is a character.

Paint by Roxette is the third song the guys play. Mr. G says it has always been a favourite in certain markets. E.g. in Brazil, Paint was always a showstopper when they toured there. So Per is delighted that Sven picked this song.

Lonesome is also played by Pale Honey.

The guys played two songs involving Ola Håkansson. Per thinks he is one of the main characters in Swedish music scene ever. He started out in a band called Ola & The Janglers in the 60’s. Per loved them. Then when that band collapsed, Ola started working as a producer and started another band called Secret Service and had their breakthrough in 1979 with Oh Susie. In the 70’s, Secret Service was the 2nd biggest music export of Sweden after ABBA. Per loves this Secret Service style of pop music. Sven says it’s sort of timeless even though it’s produced in 1979. Per likes its soft production, the soft drums. He says when the 80’s came, everything became more edgy, more digital. Come And Stay With Me is a cover of a Jackie DeShannon song. Sven tells when the 60’s were over, a lot of pop stars had trouble surviving, but Ola went into a dance band and then came out with a new career. Now he is a big record label boss, he is the head of TEN Music Group. Probably their biggest artist is Zara Larsson, but they signed Icona Pop as well. He’s still got a great ear for pop music, Per thinks, even thuogh he is even older than Mr. G. Haha.

Show ’em Good by Cocktail Slippers from Norway is next. A bit of garage pop, Sven says. They were signed by “Little Steven” on Wicked Cool Records. Per thinks it’s a great song.

Woman & A Child by Mikael Rickfors from 1991 came next. Mikael was in a Swedish band, Bamboo in the 60’s. The Hollies came to Sweden and Bamboo were their support. Later when Allan Clarke left The Hollies, Mikael got the job. He was with The Hollies for a couple of years, but he has also done some amazing solo albums over the years.

Per thinks Agnes is a great singer. She had a big hit some years ago, Release Me. Now they included Fingers Crossed which is the most played song on Swedish radio right now. It sounds really cool according to Per.

Burning Down The House by Tom Jones & The Cardigans is next. Per thinks it’s an amazing track. It’s a Talking Heads song. It was released on Tom Jones’ Reload album in 1999 and he was in Malmö to record with The Cardigans at the Tambourine Studios. Sven heard people say that they went down together to a meat restaurant in Malmö, where lunch guests could have spotted Tom Jones having a steak. Per laughs at the fact that Sven emphasizes it was a meat restaurant, because it’s not like Tom Jones is generating an ”I’m a meat-eater” image. Sven laughs and says he just did that connection with that testosterone bomb. Per says then Sven would never say that Tom Jones and The Cardigans went to eat at a vegetarian restaurant. Sven says no, it doesn’t work. Haha.

The Park by Sambassadeur was played. Per never heard that one before. According to Sven it’s a great pop track and he thinks he got the tip from her daughter who liked them. They are not that new, but Sven says it’s a bit tricky to pick up new songs. They grew up with the 60’s, 70’s, 80’s stuff, 90’s as well, but it’s a bit trickier to keep up these days. Per agrees. Sven asks him how he keeps up and how he gets new music. Mr. G says he wishes he would spend more time doing that. In the early 70’s, when he grew up, basically every record that was released you knew about. Maybe you haven’t heard it, but you knew about it. Back then Per read the New Music Express and Melody Maker from England. Now he read somewhere that nowadays 30-35,000 songs are released a day on Spotify. It’s impossible to keep it up. Per gets tips from people he knows, but otherwise he feels a bit handicapped when it comes to this.

Mr. G says he and Sven tried to blend things up, playing old stuff and new stuff for the listening pleasure. Sven tells there is a new song that wasn’t easy to pick up, now that they complained earlier that it’s not easy to pick up new music. It’s Mono Mind. Per tells this coming song is exclusively played on Sirius. It’s called All Over Your Body. Per thinks it’s really cool and is written by him. Haha. Sven tells Mono Mind is one of Per’s multiple projects that’s been going on for seven years now. Per tells the debut album was released in 2019, so it’s not that long ago. He says, ”Time flies, Sven, but not that fast. I like you anyway!” Haha. AOYB is sung by Helena Josefsson and Per is doing backing vocals. He just likes this style of music, like so many other styles of music. He is very versatile when it comes to his musical taste. He thinks it sounds great on the radio, but it’s not a commercial release yet.

Again, Anita Lindblom’s Cigarettes is closing the program.

Still is from the Bag of Trix comment videos recorded by Anders Roos.

Thanks for the technical support to János Tóth!

Extended version of “Son of a Plumber” by Per Gessle

As Per informed a couple of days ago, he decided to release the complete SOAP project today, 26th February. The album now includes an extra disc besides the original 2 discs. It’s a digital release, an Extended Version next to the original SOAP double album on all streaming platforms. Listen HERE!

Son of a Plumber came out on 23rd November 2005 and the announcement contained this information:

Under his new artist name “Son of a Plumber”, Per Gessle will reveal his next move in November 2005; a double album packed with deeply personal and highly inventive music of a kind that explains why he for more than 25 years has been the uncrowned king of Swedish pop and an international superstar with more than 45 million album and 25 million singles sold. A rolling stone gathers no moss…

SOAP was a huge success already upon its release. It spent 28 weeks on the Swedish album charts and for the first two weeks it was No. 1. What else? It became a platinum album already on release day, selling 60,000 copies.

In 2005 Per said:

I do think it’s the most personal and also the most beautiful record I’ve been involved in, there are several tunes I think are my best ever… for what it’s worth…
It’s a very special record that needs some time to “get used to”. And that’s the whole idea, I wanted it to have a certain “temperature” and a unique vibe, not just 2 or 3 songs that you can singalong to while drinking lukewarm beer. Hallelujah!

The SOAP band consisted of Per Gessle, Helena Josefsson, Clarence Öfwerman, Christoffer Lundquist and Jens Jansson.

HERE you can watch the making of SOAP!

This is what Mr. G has to tell regarding the extended version release:

I always considered it [SOAP] to be a milestone in my work. Why? Well, several reasons.

First of all it was a warm-hearted homage to the music I always loved and grew up with (late 60’s-early 70’s stuff). I also managed to change my way of making records (with a lot of help from Christoffer + Clarence). It was the first (and only) album where I didn’t do any demos. I just had “sketches” with me to the Aerosol Grey Machine-studio and let the inspiration and creativity flow free. And then, of course, Helena helped us out with lots of mindblowing improvisation.

SO WHAT’S NEW? On Friday Feb 26 the complete SOAP project will be released on all streaming services including remixes, bonus-tracks, single b-sides + all the “sketches”. I like my drawers to be tidy hahaha (you know me…) so this feels good. Badabam from P.

Tracklist of Disc 3

1. A Girl Like You – 2:58
2. Keep The Radio On (This Is The Perfect Song) – 2:56
3. Shopping With Mother – 2:41
4. Plonk – 1:07
5. Hey Mr DJ (Won’t You Play Another Love Song) (Love-For-Sale Remix) – 3:55
6. I Never Quite Got Over The Fact That The Beatles Broke Up (Jimmy Monell Short Treatment) – 4:10
7. Shopping With Mother (Voz Vibrante Remix) – 3:54
8. Hey Mr DJ (Won’t You Play Another Love Song) (Jimmy Monell Treatment) – 3:43
9. I Never Quite Got Over The Fact That The Beatles Broke Up (Jimmy Monell Long Treatment) – 5:41
10. Shopping With Mother (Mother’s Dub by Voz Vibrante) – 3:54
11. Plumber In Progress #1 – 0:45
12. Plumber In Progress #2 – 0:45
13. Plumber In Progress #3 – 0:45
14. Plumber In Progress #4 – 0:45
15. Plumber In Progress #5 – 0:45
16. Plumber In Progress #6 – 0:45
17. Plumber In Progress #7 – 0:39
18. Plumber In Progress #8 – 0:44
19. Plumber In Progress #9 – 0:45
20. Plumber In Progress #10 – 0:45
21. Plumber In Progress #11 – 0:34
22. Plumber In Progress #12 – 0:31
23. Plumber In Progress #13 – 0:45
24. Plumber In Progress #14 – 0:40
25. Plumber In Progress #15 – 0:31

STIM interview with Roxette manager Marie Dimberg

As we informed you about it in October, Marie Dimberg was awarded the Swedish Government’s Honorary award for a lifetime achievement of Music Export. Now STIM (Swedish Performing Rights Society) did an interview with Marie, founder of Dimberg Jernberg Management, who besides Roxette, Per Gessle and Gyllene Tider represents several other great Swedish artists.

STIM’s first question to Marie was how she started working with music. Marie tells she has always been interested in music, but when she moved back to Sweden in 1982 after a period in Brighton (where the music scene flourished before), a lot started to happen with Swedish music. She went to a lot of concerts, hung out at the Ritz and bought records at Gamla stan’s record store. Music became a lifestyle and something she wanted to work with. She says her first job in the industry was as CEO secretary for Rolf Nygren at EMI. A year later, she was promoted to PR manager for Swedish and international artists and she started working with, among others, Per Gessle, Marie Fredriksson, Ulf Lundell, Jakob Hellman, Eldkvarn, Wilmer X. On the international side, she worked with artists like David Bowie, Tina Turner, Queen, Diana Ross and Paul McCartney and eventually Blur, Radiohead, Pet Shop Boys and many more.

STIM is curious why Marie moved to London 10 years later. Marie tells it was because of Roxette’s big breakthrough. She was assigned as Vice President International at EMI in London. She went to a lot of trainings and they sent her there to work on Parlophone and Capitol, which meant that she didn’t work with Roxette during that time. When Marie returned to EMI in Sweden, she became marketing director and had 22 people who reported to her, but this way she got further away from the artists.

When Marie came back to Sweden, she started her own management. She wanted to get closer to the music again and her experience from London made her dare. There were hardly any managements in Sweden during that period (1997). Roxette and Peter Jöback were the first ones she signed.

STIM asks Marie what she thinks has contributed to the fact that she has been working with both Roxette and Peter Jöback for so long. Marie thinks it’s because they have more or less grown up in the industry together. Her job has always been like a lifestyle for her that she prioritized. You either grow apart or you grow together, as in all relationships, Marie adds. Being an artist is the world’s loneliest job and therefore you need someone who stands there and applauds when things are going well and is there when things are going badly. In addition, you learn a lot from each other.

STIM is curious about what the biggest difference is between working in the music industry now vs. 20-30 years ago. Marie tells it’s easier to make music today because the technology has developed so much, but at the same time it’s harder to break through because so much music is made. There are greater opportunities for exposure today, but in the past it was easier to break through because the channels were fewer. At that time they toured to promote their record because they sold so many records, today it is the other way around. Today you release music so that you can tour.

STIM asks Marie what makes her a good manager. Ms. Dimberg says she is steady, extremely loyal and takes care of good communication. She thinks it’s important to be able to communicate with and to an artist. You have to be a team when you work together and have both long-term and short-term goals. There will always be steps along the way that you will like differently, but the artist’s vision should always be first. Marie Dimberg will never forget a moment when once Marie Fredriksson left the stage after a gig and Ms. Dimberg burst out in “How good it was! But…” and then Marie F. interrupted Marie D. and said: “You never say BUT immediately when someone leaves the stage.” Since then, Marie D. never gives criticism immediately after someone has performed, but then they have to talk through it later.

STIM asks if their is any magic formula for an artist break-through. Marie usually says that it’s the four T’s [in Swedish all words start with T /PP] – luck, timing, talent and teamwork. It’s very difficult to break through and have a hit, but it’s almost even harder to follow up and create more hits.

STIM is curious about what has been the most instructive period of Marie’s career so far. Ms. Dimberg says she was trained at EMI and the climate there was very good. It was made clear very early that they worked for the artists and not for themselves. Kjell Andersson (EMI) used to say that you must prove that you deserve to have an opinion. Marie thinks it’s a very good saying because many people just say things out without thinking them through.

If Marie had to do something differently in her career, she would have been paid more and insisted more in certain situations. The latter requires that you pursue a case and not fight for that matter: “be confident, not cocky”, that’s a big difference, Marie says.

Regarding future happenings at Dimberg Jernberg Management, Marie tells STIM that they make plans, but they are flexible due to the current situation. Ana Diaz is their latest signing, Molly Hammar just released a smash hit, “Douchebag”, Per Gessle is in the studio and recording in English right now, their Danish pop prince, Christopher comes with hit after hit, Peter Jöback turns 50 this year and they will celebrate it in every possible way. Loney Dear has just released “Trifles”, which Marie thinks is fantastic and his album will be out on 26th March.

Per Gessle on Nordic Rox – February 2021

The February show of Nordic Rox on Sirius XM is No. 494 in the program’s history. Wow!

Per tells there are songs in Swedish and in English on the list for this show, but he couldn’t find any Danish songs. He tells American people think if you are Swedish or Danish, you can understand each other’s language, but Mr. G has a problem understanding Danish, even if he is from the South of Sweden. He tells these are very different languages and understanding Danish is like trying to understand French. The guys laugh.

The first song, Blow My Cool is from one of Per’s favourite Swedish bands ever, The Soundtrack of Our Lives. He thinks they are amazing.

The guys also played Black Car by Miriam Bryant, Yours To Keep from Teddybears and Miss Mac Baren by Tages. Per tells he still has this Tages single and he got it as a Christmas present when he was maybe 7 or 8 years old. Sven adds some say Tages were the best dressed and most talented Swedish band in the ’60s. Per tells they were actually called the Swedish Beatles and they were produced by Anders Henriksson. All their singles sound amazing still.

The next song is Intermezzo No. 1 from ABBA. It’s an early instrumental track and it’s very special according to Sven. Per says Benny had a lot of strange spices in his lunch when he wrote this one. The guys are laughing. It’s on the ABBA album (1975) which was a lightweight record according to Per and he adds that Christoffer Lundquist loves this track and plays it regularly, which is sort of weird. Sven pictures Benny dressed up as a young Mozart when they recorded this one.

Young Folks by Peter Bjorn and John is also played from 2006. When it was released it didn’t make the charts in Sweden. It charted in England first and then it became a big song and spreaded like wildfire. Per thinks it still sounds great.

Sucker Punch from Sigrid (Norway) is played too. Per thinks this is her best song. I’m in the Band from The Hellacopters was on the show as well.

Then comes a song in Swedish from the band November. They were a Swedish equivalent to Cream, a British rock band formed by Jack Bruce, Eric Clapton and Ginger Baker. The guys play the first track from the first album of November, Mount Everest from En ny tid är här… (1970). Per’s brother had this album and Mr. G always loved it. It’s very bluesy and it sounds great. Sven adds guitarist Richard Rolf was very much inspired by Eric Clapton and the singer and bassist Christer Stålbrandt was also the songwriter in the band, Per tells. Even if you don’t understand the lyrics of Mount Everest, it sort of translates, Per thinks.

Edith Backlund’s Black Hole was played. Mr. G thinks it’s a lovely song. Sven adds it’s a great pop track and it has a beautiful melody.

Christof Jeppsson’s cover of Roxette’s I Call Your Name was played on the show as well. Per tells he is a guy from his hometown, Halmstad. He plays a lot of acoustic stuff and he is very talented, he’s got a great voice and is very focused. Mr. G thinks Christof did a great job on this song and Per is very pleased about that.

Milk and Toast and Honey by Roxette was played. Per says it’s a beautiful track, Marie is singing it so well. [The program was recorded probably i November last year. /PP] Sven says it’s almost a year since Marie passed away. He asks Per if he still thinks about Marie. Mr. G says of course he does. You do when you lose someone so close to you. So he thinks about Marie a lot. They had this wonderful relationship. And even if he doesn’t think about her, she pops up when he hears a Roxette song. Per tells he loves MATAH, for him it’s his favourite track off the album. Sven says it’s a nice sounding album, it has a warm sound.

Ride or Die by Sindy, Not Forever by Popsicle, a Swedish band from Piteå and Say Lou Lou’s Julian were played too. The mother of the sisters in Say Lou Lou played in a Swedish punk band, Pink Champagne and their father is from an Australian band, The Church.

My Favourite Game by The Cardigans is one of the last songs played on the show. They had a global breakthrough at the time, Sven says. Per remembers the amazing video to this song, directed by Jonas Åkerlund. Sven laughs and says he finds it interesting that they are sitting there on a radio show talking about watching videos.

Jo-Anna Says from Per’s Son of a Plumber album was on air too. Per tells it was released in 2005 and it was a liberation to use another name back then. They were spending many months in the studio. Per just decided that if he does the record under a different name, it will be his debut album. Sven adds it probably gave liberty to Per to do whatever he wanted. Per agrees and says he then thought let’s do a double album, because he always loved the idea that if you do a debut album it becomes a double album. He thinks that’s really cool. In 2005 you were still thinking in albums, he says. It doesn’t work like that anymore. However, Per in his mind will always do that. Mr. G thinks SOAP is one of his greatest recordings. Sven tells it’s really fun listening to. It was recorded during the iPod era and Per was transferring a lot of music to his iPod. Doing that he recognized so many songs that he forgot about. That was the inspiration for this album.

Until they „are back to make the airwaves glowing again”, the guys say goodbye and Per tells Sven he is proud to be on this show. Anita Lindblom’s Cigarettes is closing the program.

Still is from the Bag of Trix comment videos recorded by Anders Roos.

Thanks for the technical support to János Tóth!

Per Gessle to Dagens Nyheter about the power of music

According to a recent study, the songs we listened to as 14-year-olds make the biggest impact on us. Dagens Nyheter was curious about what seven Swedish artists listened to when they were 14. Per Gessle was one of those artists they asked.

Per tells Kajsa Haidl from Dagens Nyheter that he was 14 in 1973 and he listened to e.g. The Ballroom Blitz by The Sweet. He didn’t understand anything of the text, but loved the intro, the guitars and the handclaps.

Per says he was completely hooked on glam rock at the age of 14. He thinks it’s perfect teenage music. Mr. G had posters of David Bowie, T. Rex, Gary Glitter and Alice Cooper on the walls of his room at the time.

Dagens Nyheter asks Per if he agrees that we are most affected by and have the strongest memories of the music we listened to when we were around 14 years old. Mr. G replies that many people become interested in music seriously when adolescence begins. However, he started much earlier and pop music has been dominating his life since he was 6 or 7. He has the strongest memories of music from when he was younger than 14, such as The Beatles’ White Album, Woodstock, The Who, Hep Stars and Tages.

Kajsa asks Per what he thinks about the fact that he and his music had an impact on and created memories for young people who carry it through life. Per says it’s of course fantastic, but also difficult to absorb. Music has such an exceptional power that almost no other form of art has. Mr. G says he had the privilege of experiencing it with Roxette. They played all over the planet for people with completely different languages, religions, political views, skin colour and background, but everyone reacted exactly the same way to It Must Have Been Love, Listen To Your Heart or The Look. He doesn’t know how this universal power works.