According to Dagens Nyheter Per Gessle was watching Depeche Mode’s concert at Globen, Stockholm (January 31st) from the mixboard place together with Anton Corbijn. The well-known photographer was also called as the “third member of Roxette”. Did someone forget about Clarence?
Here’s what the Man said about this gig on his Twitter and Facebook:
Just back from Depeche@theGlobe. Much better than expected since I don’t know that many songs. FANTASTIC set design! And a beautiful crowd!! And Dave Gahan is great mix between Freddie Mercury and Mick Jagger…
Re. Depeche Mode: And of course, Anton Corbijn did the stage production!
It was Kirsten who discovered that Per Gessle, before making his official account on Facebook, had another profile called “Leggy Mountbatten”. According to Thomas Evensson Leggy was the name he used checking into hotels during the Joyride tour.
This account will be closed shortly, as the Man informed himself.
Have you ever known that it was Clarence who counted 1-2-3-4 in “The look”? This and more in the exclusive footage from the recording studios in SVT’s “The look” documentary. It seems it was co-produced by Danish and Norwegian TV-stations, so it’s very probable it will be broadcasted in other Scandinavian countries.
In my opinion – the best Roxette documentary of 21st century.
Update: Fellow rox fan shirley is working on an English translation of the documentary, which should lead to a subtitled video. You can read her work in progress at R2R forums and maybe help her!
Very interesting collection of photos taken during 2009 as well as these from the past mixed with the lastest interview with Roxette on American internet radio-station Sirius XM. Worth watching and listening!
If you would like to download the interview and songs, please read comment section here.
Filmed by Kirsten in Cologne on April 27th 2009 during “Party crasher tour” with audio coming from “Gessle Over Europe” CD put together by Conny and it’s almost synchronal. There was another clip of this kind made by me few weeks ago C’mon / Are you an old hippie, sir?.
ROXETTE REUNION PERFORMANCES TO AIR ON SIRIUS XM’S NORDIC ROX SHOW
Listeners to hear highlights from “Night of The Proms” tour and an in-depth interview with Roxette’s Per Gessle and Marie Fredriksson
WHAT: Roxette, the Swedish duo consisting of Per Gessle and Marie Fredriksson, returned to the stage for the first time since their 2001 “Room Service” tour and headlined the “Night of the Proms” tour in Europe, the popular show featuring a full symphony orchestra and blending a classical and pop/rock theme. Nordic Rox, SIRIUS XM’s exclusive Scandinavian music show, will play songs recorded along the tour, including the number one hits “Joyride” and “The Look.”
During this special edition of Nordic Rox, SIRIUS XM listeners will also hear an in-depth interview with Per Gessle and Marie Fredriksson, the founding members of Roxette. The duo will share stories about the tour and discuss their upcoming project and new material.
WHERE: The Spectrum, SIRIUS channel 18 and XM channel 45.
WHEN: The special episode of Nordic Rox with Roxette will air on Sunday, January 10 at 8:00 pm ET, and will be rebroadcast on Wednesday, January 13 at 11:00 pm ET.
MORE: Each week, The Spectrum’s Nordic Rox turns the spotlight on the quality and depth of Scandinavian music, expanding upon the success of both established and up-and-coming artists. The specialty program has become the destination of music fans in the U.S. to hear exciting new music emanating from Scandinavia.
I have not listened to the X-mas interview with Per Gessle from P4 Halland yet, but from this what I read it seems the Man promised that there are going to be more tours from Roxette in the nearest future. 25th celebration in 2011 is not the bad idea, what do you think? 🙂
More at P4 Halland. A short translation will come up a little bit later, when I will be at home.
Edit: There is a possibility to listen to the whole interview here (about 5-6 minutes into this broadcast).
Marie Fredriksson and Per Gessle found their places on the list of 100 biggest Swedish celebrities of 2009 published by a tabloid newspaper Expressen. Per Gessle is at #33 (the last year he was #22) and Marie Fredriksson debutes at #84.
Kirsten and Judith met Clarence Öfwerman before the show in Munich on Saturday. In the following interview you will find information about the Night of the Proms, Clarence’s musical roots and family and much more..
Kirsten: So we heard the Olympia Halle is not standing anymore since yesterday.
C: Hm. Maybe not haha! It was fantastic.
J: Even better than Frankfurt?
C: Maybe the same, but the crowd was a bit wilder yesterday. Second and third in Frankfurt were excellent too. The first wasn’t that good. Stuttgart was the best so far, and the 2nd in Munich.
K: We are going to top it today. The balloons are ready to be used.
C: Balloons! We saw some of them yesterday as well, it’s great you are doing this.
J: It’s actually just 1 week left of NOTP, how do you feel about that?
C: Yeah, Dortmund next Sunday is the last one. It’s kind of sad, we’d like to go on forever.
K: Christoffer mentioned last week it’s quite long time away from your families.
C: Yes, that’s true, but at least we had the family come down to us a couple of times in between, so I think it’s ok. All in all it’s great, when you get into it it’s wonderful to be on tour.
J: What are you going to do through Christmas?
C: I will be home with my family and Santa Clause..
K/J: ..and Kalle Anka..
C: Yeah! Do you know that? Haha! Well yeah, it’s typical Swedish. Specially if you have kids.
K: How did you start making music, playing instruments? Your family is quite musical, too?
C: My father did kind of the same things that I do, he played piano, jazz, and got into producing Swedish artists and later from all around the world. He always said to me “don’t become a musician, it’s very difficult to make a living on it”, he thought I should study economy, because he actually wanted to do that but never succeeded. He once produced an album with Toots Thielemans and he came down to Rotterdam and they hung out one night together, which was great!
But I started to play in bands when I was a teenager anyway. I started playing guitar, then I met a guy who was a lot better than me playing guitar, so I switched to piano. I think that was around 73, 74. You weren’t even born then I think!
Then I started to play with different people in Sweden, as a session musician in the studio, later I started to produce some albums. Then I met Per in 86, and from then on it’s been Roxette all the way.
J: How did you meet Per?
C: I met him once a couple of years earlier, when I played with Ulf Lundell on his tour. We were in Halmstad and Ulf gave a birthday party after the show, the Gyllene Tider guys joined us, and then we were introduced. Anders and Göran and I became friends.
The idea to produce Per’s third solo came actually from Kjell Andersson at EMI. He told Per “Why not try Clarence”, because I did some productions before for EMI, like 2 or 3 albums, so I was the new guy around.
I actually didn’t like his previous solo albums, I hadn’t listened to them very much. I liked the early Gyllene Tider, and Marie. Marie was involved in the first song, “Neverending Love”, so we did that one just to try and see what happens. It was actually Pelle who told me to go for it and take this production job, because I wasn’t much into this Per Gessle type of music.
J: And you brought Jonas and Tommy along.
C: Yes, I had known them for a long time, so I always wanted to have them as a band in the album. So I told Per, I wanted Pelle, Jonas and Tommy. Per himself wanted Tommy as well, but he preferred other guys on drums and guitar. So we reached a compromise, and we kept Tommy to record “Neverending love”, which was a success. Then for the album Jonas and Pelle joined, as well as Alar Suurna as engineer.
J: Were you also oin tour with Rock Runt Riket?
C: Yes, in 87, with Ratata and Eva Dahlgren. Each of us, Jonas, Pelle and myself played with two bands each. I played with Roxette and Ratata. Pelle with Roxette and Eva Dahlgren. Jonas with Ratata and Eva Dahlgren. Jonas couldn’t play with three bands, and since Roxette was the newest band for him, he went for the other two bands.
J: What can you tell us about this tour?
C: Each artist played a bit longer than one hour. We also had a support act, Orup, who became successful after that. Then Eva Dahlgren, Ratata and Roxette played. It was about ten minutes break between the acts, so after Ratata I had to go and change my clothes and make me ready for Roxette. It was kind of strange.
J: The pictures from that time are also kind of…
C: Strange? Yeah, that’s true. 80ies. Specially Per and Marie looked strange. Eva looked very different to now.
K: It’s interesting you’ve all been in the same band for such a long time.
C: Yes, it’s very unusual. But it’s very good as well not to have new people coming and going. Christoffer joined in 96, so it’s also a very long time. The band changed a lot when he joined, to the better, of course. He is an amazing guy, he can play anything.
Per Gessle gave another interesting interview in Swedish for Lotta Brome from P4 Extra the last week. In this short talk he releaved that the new Roxette album should be released before Christmas 2010 and that Roxette is in the middle of recording at the moment. He also admitted that Marie is extremly motivated and sings ‘bloody fantastic’. They also decided for simplicy and pureness while recordings and a lot of duets.
After I have seen 14 shows of this hilarious Night of the Proms tour it’s time to write a review about the last eight weeks, starting with my first show on October 23rd in Antwerp, Belgium. It is not only colder outside but also warmer inside of me. I am feeling exhausted, empty and happy at the same time. I don’t feel like writing at all, but with writing everything down I can share my experiences with all of you. Not only the performances changed during these last weeks – especially Roxette’s – but also my point of view has changed a lot. I got a lot more relaxed, especially during the last shows and seeing so many shows helped me to really get the Night of the Proms feeling itself. If I had to choose which show was the best I would certainly pick the second Frankfurt show, not only because of the balloons. But altogether if someone asked me to choose from the Belgium/Dutch or German shows I’d always pick Belgium/Netherlands, maybe I’d even pick Antwerpen. The Belgian shows were extremely good and the audience was much more into it than the German audience which seems to be a bit too old to have a party.. ! So if you want to see a Night of the Proms show next year or whenever, go to Antwerpen. You will love it. My review starts with the five Belgian/Dutch shows I have seen (and drove more than 2500 km):
Antwerpen, October 23rd, 2009
210 km to Düsseldorf, another 230 km to Antwerpen = 440 km
We arrived early since we wanted to have some time for shopping. Well – the city isn’t what you call beautiful so it wasn’t worth it at all. At the Sportpaleis we meet some fans who are already waiting for the doors to open. I remember a Brazil guy, Ivan and some Russians. Well – if you know who you are leave a comment here so I can add your names. Unfortunately all we got were seating tickets, faaaar away from the stage. Unfortunately not far away enough to not notice Marie’s problems during Wish I could fly. Sharon den Adel rocked the house before Roxette and I really liked the Belgian audience. On this first show Marie and Per appear on stage together – out of the blue, practically speaking. While Per just has to make one step Marie has to find her way to the microphone. Seeing this my first thought is: “Hmm, why did she agree to do it like this?” She can barely see something and has problems to walk over. It’s obvious. Wish I could fly starts and I am really nervous. Marie sings “Halfway through the night” three times in a row and I feel totally sorry for her. Nothing I can do from that far off. All I can do is hope that she doesn’t care and she really sings the rest of the song quite ok. My friend and I are worried about her in the break but she proves us wrong. She totally rocks her socks off during the second set. She’s great on The Look and Joyride and she sings so good on It must have been love and Listen to your heart. Yet – I feel like I need to support her. Unfortunately we have to go back to Düsseldorf in the night and arrive late (or early) at 3 am. We could have been there earliert but we waited for Roxette at the backstage entrance and I was really happy that Per decided to come to us after the show. We were not many, maybe around 10. He told us that Marie has a sore throat and doesn’t feel well. He signs stuff, everyone gets a photo and we chat a bit. When he left (with the words: “We’re here tomorrow. Same songs, different lyrics”, I won’t ever forget it, haha) everybody was happy. We didn’t even notice that Marie passed by while we were talking with Per. So, arriving in Düsseldorf I decided to go back to Antwerp the next day. Not to let me entertain. No, just to support Marie. I didn’t even have a ticket and I just drove 230 km without knowing if I could get in in the end. Fortunately I could..
Antwerpen, October 24th, 2009
230 km from Düsseldorf to Antwerpen, 230 km back to Düsseldorf, another 210 km back home = 670 km
I was lucky! Evgeny already had tickets for Antwerp but couldn’t go because of his Visa problems. His friend Emil sold me Evgeny’s ticket. If I didn’t say thank you until now: Thank you! So I didn’t have to worry about a ticket. My friend couldn’t join me so I was alone this time – just to meet some friends in Antwerpen. I arrived early (14.00) and only a few people were there. Since I had a standing ticket for this night I knew everything would be more exciting than the night before. And since there was a huge catwalk in Belgium and The Netherlands we even had to decide whether to stand on the left or the right. Usually the left side was always Marie’s and the right side Per’s. Soon a lot of people stood on the left of the entrance so we decided to try it on the right. Good choice – we made it to the front row and could stand next to each other and in the end it turned out that there’s no left or right anymore. Both standing quite in the middle of the stage everybody could see Per AND Marie, left or right – it didn’t matter (except one wanted to catch Per’s guitar picks). My decision to come back was the right to make. Again – on Wish I could fly both appeared together and Marie had to make another 10 steps to the mic, this not working at all. Again – she had problems with the text but everyone around including me screamed and sang with her, helped her through this song and we showed our support with all we had. During the ballads I kind of had the feeling that she was looking for help in the audience. She looked at us all the time, it was like she was trying to read the text from our lips. Well, we did our best. Even worse – her voice was just not there. We felt so sorry for her. She must have been totally ill that night but we could see she was fighting like hell and we loved her even more for this. Still – I couldn’t stop worrying and I couldn’t enjoy the Roxette performance at all. This was the worst of all 14 shows I have seen. I fellt sorry for Marie and hoped the several thousand people in the Sportpaleis weren’t too disappointed, especially since I knew she can do much better and she proved it only some weeks later. Unfortunately the most videos on YouTube you find when you search Roxette and Night of the Proms are from this night. Bad luck… or Murphy’s law. Whatever you want to call it.
Arnhem, November 13th, 2009
600 km in total
This show didn’t turn up in my personal “schedule” until three days before the concert. Well – we decided to just go there to “have a look” and to give some presents to the band and Per – one of these being the Roxopoly game. Well – unfortunately I checked ebay right in time and found tickets for that night. Too cheap to not buy it (15 Euro) and we decided to join the show. But more important were our presents and we had no idea how to hand them over since we didn’t find a particular backstage entrance. I had luck again: my seat was next to the stage entrance for the artists and after the show was over I waited for the band and asked if they could come out to get some presents. They could – and it was damn relaxed that night. We were only around 5 fans, we had all the time in the world to talk and when I showed my Roxopoly to Christoffer he helped us to make Per come out so that I could give it to him directly. Well – the rest you see on the video on YouTube.
The show itself was much better than three weeks earlier. Marie’s voice was back, she looked a lot more confident on stage and she even improvised during The Look, bringing the Hey Jude “Na na na na” up for the first time. We loved it. The sound wasn’t very good, maybe because they divided the venue in two parts and the voices just vanished in the “empty” part of the venue. Who knows..! Hard to rate this show, wasn’t the best, wasn’t the worst. The audience was so-so, too. So in the end it was worth the trip because of our presents and just because of that road trip feeling – we love to drive hundreds of kilometres not knowing what will happen when we arrive. But the three of us were happy – both going and coming back home: saturday morning around 4 am.