Roxette on MTV Unplugged – 30th anniversary

MTV’s acclaimed music series, MTV Unplugged premiered in 1989 and it showcased top artists in the industry performing acoustic versions of their songs. Roxette was the first non-native English speaker band invited. It was a fantastic opportunity for Roxette to show their qualities as a live band to a large audience worldwide. They recorded their show live at Cirkus in Stockholm, Sweden on 9th January 1993 and it was broadcast during MTV’s Roxette Weekend on 20th and 21st February, then on Swedish TV a week later.

Per says in the Att vara Per Gessle book:

It was good for our self-confidence to do the songs acoustically. The sound on the studio versions was based almost exclusively on production technology, but it was still quite easy to strip the songs down and play them in a natural way. And that probably affected the way we approached the new record [Crash! Boom! Bang!]. We wanted to tone down some of the technical stuff and find a more organic sound.

The gang

Lead vocals: Marie Fredriksson
Acoustic guitar & lead vocals: Per Gessle
Drums, percussion & Samsonite suitcase: Pelle Alsing
Backing vocals, accordion & mandolin: Vicki Benckert
Acoustic bass: Anders Herrlin
Acoustic guitar: Jonas Isacsson
Piano & pump organ: Clarence Öfwerman
Backing vocals, percussion & glockenspiel: Staffan Öfwerman

3 songs from the set – Joyride, The Look and Dangerous – were released on Roxette’s Rarities album in 1995, but for the rest we had to wait until their 20th anniversary in 2006 when they released the entire performance on a DVD in The RoxBox / Roxette 86–06 box set.

The 53-minute-long concert – 12 tracks + 3 short interview parts – on the DVD was what anyone could watch on MTV. The 8 bonus tracks weren’t on TV, they saw the light of day only on the 2006 release.

Setlist (they played the songs in this order originally)

  1. Dangerous
  2. Hotblooded
  3. Spending My Time
  4. The Heart Shaped Sea
  5. Fingertips
  6. Cry
  7. I Never Loved A Man (The Way I Love You) (Aretha Franklin cover)
  8. Heart Of Gold (Neil Young cover)
  9. Surrender
  10. It Must Have Been Love
  11. So You Want To Be A Rock ‘N’ Roll Star (The Byrds cover)
  12. Watercolours In The Rain
  13. Fading Like A Flower (Every Time You Leave)
  14. Here Comes The Weekend
  15. The Look
  16. Perfect Day

ENCORE

  1. Listen To Your Heart
  2. Church Of Your Heart
  3. Joyride
  4. Queen Of Rain

There would have been a second encore with Things Will Never Be The Same, The Big L. and So Far Away, but unfortunately, it never happened.

DVD setlist on the RoxBox

  1. The Look
  2. Queen Of Rain
  3. Hotblooded
  4. Interview
  5. I Never Loved A Man (The Way I Love You) (Aretha Franklin cover)
  6. It Must Have Been Love
  7. Fingertips
  8. Interview
  9. Heart Of Gold (Neil Young cover)
  10. Church Of Your Heart
  11. Listen To Your Heart
  12. Interview
  13. Here Comes The Weekend
  14. Joyride
  15. So You Wanna Be A Rock ‘N’ Roll Star (The Byrds cover)

BONUS TRACKS

  1. Dangerous
  2. Spending My Time
  3. The Heart Shaped Sea
  4. Cry
  5. Watercolours In The Rain
  6. Surrender
  7. Fading Like A Flower (Every Time You Leave)
  8. Perfect Day

Now, 30 years later, it would just be amazing to have this gem on streaming services. Both as audio and video. Maybe one day?

Stills are from the DVD.

Photo from the press conference shows Brian Diamond, MTV Europe Executive Producer and Monica Eek, Head of Entertainment at Swedish TV next to Marie and Per.

Per Gessle on “Halv tre med Lotta Bromé” on Mix Megapol

Per Gessle was Lotta Bromé’s guest on radio Mix Megapol on 26th October. You can listen to the interview HERE.

Before Per was on air, the radio played The Look by Roxette and När vi två blir en by Gyllene Tider.

Lotta welcomes Per on the show and he thanks for that. Lotta asks Per how he is doing. Mr. G replies he is actually very well. Lotta asks why and Per laughs, because it’s a weekday. Lotta is curious if PG has any fun things to do now that he is in Stockholm. Mr. G thinks there are only fun things around him and a lot is happening right now. Gyllene Tider ticket sales and tour and a new album and everything possible.

Lotta asks Per how he is functioning. Whether he is always in a hurry or he is one of those who have ADHD or if it’s just that he is a very creative being. Per thinks he is a combination of all that. He usually says that he probably has all the letter combinations except I and Q. [They are laughing.]

Lotta is curious if Per was good at school. He was quite uninterested in school. He liked art and drawing and English and Swedish. Lotta finds it strange that Per hasn’t mentioned music. PG says he wasn’t that interested, music teaching was quite boring in his time. He doesn’t know how it goes nowadays, but back then there were a lot of theory things.

So the question is, when he found music in his life. It came very early thanks to his 7-year-older brother who had a massive record collection. Already as a 6-7-8-year-old, he was completely engaged in the pop universe. Lotta asks if Per’s brother had a good taste. He had very broad and good taste that Per thinks he has carried with him. It was everything from Hepstars to Led Zeppelin. So Lotta thinks it was PG’s brother who laid the foundation for Per’s chords. Per agrees. It’s his brother’s record collection that he dug into until he got his own back then.

Lotta wants to know how many records Per has in his collection. Mr. G has gotten rid of a lot since then, but he has maybe a couple of thousand LPs left. A lot of singles too. He split the collection and keeps the vinyls in Halmstad, while the CDs are in Stockholm. He has a record player in both places. He is also using Spotify, but he likes to buy vinyls for the sake of the cover. He loves record covers and the smell of vinyl records. Holding the record and listening to it is magical. Lotta says her 16-year-old daughter started collecting vinyls, using amplifiers and speakers and stuff. Per can identify with that. You think about all the music you grew up with. Aladdin Sane by David Bowie or Sticky Fingers by the Stones or Sgt. Pepper. Without the cover it’s just empty. Album covers are like the face of the music.

Lotta says Per asked her not to invite him for too early on the radio show, because he is old. Now it’s afternoon and she asks Per if he has already woken up. PG has woken up.

They get down to Gyllene Tider and Per tells it was hysterical back in the days. It was crazy in 1980-81. He lived with his mother, his father had passed away by then and his siblings, 7 and 14 years older had already moved out. Lotta is curious what Per’s mother thought of the people standing outside their door the whole time. Mr. G says she took it pretty well, until people started stealing the laundry that was hung on the dash and the number plate of the car. Then she thought it was time for Per to get his own apartment. So he found one. He had a very close relationship with his mother. She was very supportive [Per says the word „supportive” in English], as it’s called in Halland. It was Per’s father who thought you should get a real job instead of fooling around with 3 chords. He had a real job, he was a plumber.

Per’s family members passed away in 3 years and it was tough of course, it always is, everyone knows that when you lose your relatives. But that happened when Per was quite mature himself and as a man you can handle it in a different way than when you are small. It was harder when his father passed away when he was only 19. It was difficult in a way, but there isn’t much to do. You go through that and you learn to live with it. The older you get, the more human people disappear around you, so you learn to deal with it in a way, even if it’s difficult.

Lotta remembers that Per once said that when relatives disappear, you get different values. She is curious what values he thought of. Per can’t remember he said that, but he thinks that when you lose friends and relatives, you become thoughtful. You think through what you are doing. This pandemic was a shock to the system that lasted for years. Per thinks people changed a lot, how they travel and stuff like that. Also one of the reasons for a Gyllene Tider comeback is because they have realized that, perhaps, you should value things and value things in a different way. Value relationships, for example.

Lotta plays Tittar på dig när du dansar and asks Per to tell something about it. He hasn’t heard it in a long time, but he recorded it in Nashville. Using flute and mandolin. Lotta asks if those were real instruments. Absolutely yes, Per replies, ”oh my god, it’s Nashville!”. Lotta says there are other projects when Per is not using real instruments, but rather technical stuff. She thinks of Mono Mind. Per likes switching between his projects, jumping between different things. You do an acoustic tour, then you want to do something electrical next month. Then Gyllene Tider. GT is very organic. It’s played hardcore.

Lotta asks when the tour starts. It starts on 7th July in Halmstad next summer. To the question how many gigs there will be Per replies you never know with this little band. Right now there are probably 15, 16, 17, 18 booked. Two extras were added today. Lotta asks Per how many times they said it’s over. Mr. G says they didn’t really say that more than once, in 2019. And that’s what they meant back then. The decision was initiated by Micke Syd, who thought they should stop when they were at their peak and alive, but as Per said before, the pandemic came and he started thinking again. He started writing songs that had that clear Gyllene Tider feel to them and presented them to the band. All of a sudden everyone wanted to be back on the train. On tour they will of course play the old goodies, but he hopes they will play something new as well, because the new record feels fantastic. Although you won’t be able to listen to it until next spring. Lotta asks Per if he comes back on the show when the date for the album release is decided. They kind of agree on meeting at 3 pm on Maundy Thursday.

Lotta is curious about this new project, PG Roxette. Per tells that a new album is coming out on Friday. It’s called Pop-Up Dynamo! and it’s actually a continuation of Roxette. After a lot of tossing and turning, he decided to go on with that train as well. It wasn’t an obvious decision, but time passed and he felt that he wanted to. Continuing that journey mostly comes from the fact that he would like to continue playing the Roxette songs live. He wrote almost all of these songs and he doesn’t want to put the lid on. He also has to say that he is not trying and has never tried to replace Marie in any way. There are these two fantastic girls who were backing vocalists on Roxette tours for many years. It’s Dea Norberg and Helena Josefsson who came forward when they were needed.

Lotta has just looked at the dates and realized that Marie passed away shortly after Per’s family members passed away, so it must have been quite tough years. Of course it was tough, Per says and then their fantastic drummer Pelle Alsing also passed away not long after. So it was tough.

Lotta says that Marie wrote it in her biography that the last tour they went on was the best rehabilitation. Per says Marie was absolutely fantastic, because she never gave up. He remembers when in the spring of 2016 Marie wanted to meet him in her home and said she couldn’t continue. They had a big summer tour booked and had sold several hundred thousand tickets in Europe. She said she couldn’t do it anymore, but she actually toured from 2009 to 2016. They did several hundreds of concerts together. She did that because she was so strong and she wanted to do that. She was just amazing. Lotta notices that it’s still hard for Per to talk about it. Mr. G says it’s tough indeed. She was a special person.

Lotta tells that Marie’s family has decided to put a part of her wardrobe on auction and the money will go to Stockholm’s City Mission in full. Lotta thinks she would have liked that. Per absolutely agrees.

From the new album Lotta plays Watch Me Come Undone. It has this wonderful ’80s style, Per says. This whole album is a cousin to the ’80s and ’90s records that they did with Roxette. Look Sharp! and Joyride.

Lotta is curious if PG Roxette will tour next autumn. Per thinks it’s not a bad idea. Nothing planned yet, but it’s in his plans to go out and play Roxette songs. Lotta says he should release this one in Spanish as well as they did before. Per hopes he doesn’t have to do that. Lotta says she heard Per was so lazy or didn’t want to sing in Spanish that he gave all the songs to Marie to sing. Per explains it was a ballad record and so he chose the ballads that Marie sang and he escaped.

Lotta wants to know how many ballads there are on the new Gyllene Tider album. Per thinks and says there are no ballads on the album at all. It’s full speed from A to Z, just like how it should be.

Lotta asks how much music Per has in his head and how it can be enough for this many projects all the time. Mr. G doesn’t really know the answer. He is writing all the time, so it gets more and more and as long as it’s fun, he won’t stop. He says that if you are motivated and having fun, it’s music, it’s not a job. He is not the kind of person who gets up every day and sits down at the piano or writes a song. He just writes when he feels like it. Per usually says that he writes as little as possible.

Lotta and PG agree again on meeting at Easter. They wish merry Xmas to each other and happy new year. And with this, the show ends.

Stills are from PG Roxette’s The idea behind the album video.

Per Gessle on Nyhetsmorgon interviewed by Jenny Strömstedt

Saturday morning Per was invited to Nyhetsmorgon, TV4’s morning show and Jenny Strömstedt interviewed him. You can watch it HERE on TV4 Play if you are in Sweden or HERE on TV4’s website if you live anywhere else or you have troubles with VPN.

Jenny introduces Per as one of Sweden’s most beloved artists. She says one of Sweden’s most beloved bands went on a farewell tour 3 years ago, but this week the happy news came about Gyllene Tider’s comeback. Here comes a little footage from previous tours and when the camera shows the studio again, Per is already sitting on the couch enjoying GT’s music that plays in the footage.

Jenny welcomes Per on the show and Mr. G thanks for that. Jenny holds up the Pop-Up Dynamo! vinyl and says Per also releases a new album under PG Roxette. She asks PG when he sleeps at all. Per replies he sleeps as rarely and as little as possible and admits he is busy with many things at once. There is always something going on.

Jenny says Per was on Nyhetsmorgon together with Micke Syd approximately 3 years ago and they talked about their farewell tour that was coming and now they reunite again. Never say never, Jenny adds. Per explains that it was really meant to be a farewell tour, but he thinks the pandemic changed everything. It brought him a lot of new thoughts. The whole new GT thing came after he bought a guitar. He bought the guitar and wrote two amazing songs that screamed for Gyllene Tider. The 5 guys met more often lately because of the upcoming GT movie and Per just asked them if they should record some new songs. Everyone thought it was a cool idea. This lead them to record a new album which is called Hux flux and a summer tour with the same name next year. The album is already finished. Jenny finds it exciting. She asks Per how he felt that those two new songs were Gyllene songs. PG says it’s a special kind of style, a sort of power pop style that sounds like only Gyllene Tider sounds. It’s very cool. Jenny is curious about what happens when the guys gather in the same room. Per smiles and says that not much happens when they just gather in a room, but a lot is happening when they play together. It’s just awesome. It’s cool to be in a band. He wishes all young people would try it, to play the same song at the same time and have a role in a little band. It’s actually a magical feeling.

Jenny says she thinks the band reunited so many times because the audience that has been following them over the years needs GT. When she saw Gyllene Tider’s last gig, which wasn’t the last one in the end, she looked around and everyone in the crowd was moved. She feels that the audience and the band strengthen each other’s life, they made this journey together. She asks Per what role he thinks a band like Gyllene Tider has in this generation. One big role is certainly what Jenny mentions, Per thinks. Mr. G says that the fantastic thing in his job, writing music and songs is that they really communicate with people, when they are getting married or meet or cry, etc. Songs mean a lot to people. That’s the power of music. So of course it’s amazing and it’s almost impossible to quit if you once started. It’s impossible to imagine that he would stop writing music or be on stage.

Jenny asks Per if he gets any kind of feedback now when he is on stage with Gyllene Tider and plays the old songs again. Per says, not really. He sings texts he wrote when he was 23, so he realizes that time has passed and he probably wouldn’t express himself the same way today. He tells he was on an unplugged tour earlier this year and played a lot of old songs in acoustic arrangment. He realized it’s very different when you are 63 and sing a song you wrote 45 years ago, because the song suddenly means something else. Even if it’s the same lyrics, it gets a different angle. For example, Ljudet av ett annat hjärta or När vi två blir en, these are songs he wrote when he was 20 or so. When he sings them now, he tells the story in a different way vs. when he wrote the song. Jenny repeats the title När vi två blir en while thinking about the next question and Per starts singing „… känna din kropp emot min…”, then he asks Jenny if she knows the song. They are laughing. Per explains the expressions in the lyrics are young, the declaration of love is young, those are young thoughts and young vibes. He thinks it’s important to find something you can stick to all the time while time goes by.

Jenny says Per goes on with Roxette under the name PG Roxette and releases a new album next Friday. Jenny heard there is a fan forum where a tough discussion went on if it’s right or wrong that Per continues without Marie. Per thinks it’s a relevant question. He tells that Marie quit Roxette in 2016 and it wasn’t obvious to Per to continue, but time passed by and he felt that he wanted to keep Roxette’s legacy alive. There are so many people all around the world who love Roxette’s music and he now tried to make a record that is kind of a sibling to Look Sharp! and Joyride. Mr. G says he didn’t try to replace Marie. He works together with the classic Roxette band and let the two girls – who were on tour with them during the „modern times”, if one can say so –, to come forward when they are needed.

With GT there were two most intense years, with Roxette eight. Per tells Roxette started in 1986 and ended in 2016, so it was altogether 30 years. It’s not more than half of his life, but almost. So all his adult life he lived with Roxette. Gyllene Tider ended actually in the mid ’80s and it became project-based. So it’s Roxette Per worked with the most. Jenny is curious what has shaped Per the most. PG says the success and the opportunity he got through Roxette in life has shaped his whole life and the whole life of his family. It became his destiny in a way.

Jenny asks Per if he sometimes can look back and reflect on all the huge success he had. If he allows himself to do that. Per says he doesn’t do that, he doesn’t like to sit and look back that way. Of course, sometimes when he talks about it, he reflects on it, but he doesn’t sit at home and looks at the golden records, for example. It’s the future that counts. It’s that he is a songwriter first of all. He started writing songs when he was a teenager.

Jenny asks Per where he gets the driving force from and that he can’t help it. Mr. G says he wanted to enter the pop world when he was a kid – 6-8 years old –, because the pop world was much more exciting for him than the real world. He thinks it’s still a bit like that. He likes to live through his songs. It’s tragic but true.

Jenny closes the interview with mentioning the GT tour next summer and she asks Per about the upcoming GT album. PG tells it will be released next spring, PG Roxette album is out next Friday and tickets for the GT tour go on sale on Tuesday.

Jenny thanks Per for coming on the show and wishes good luck with everything. Per says it’s always a pleasure and sends his greetings to Niklas [Niklas Strömstedt, Jenny’s husband].

Stills are from the morning show.

Thanks for the technical support to János Tóth!

Per Gessle on Carina Bergfeldt’s talk show on SVT

Per was a guest on Carina Bergfeldt’s talk show on SVT on 21st October. Actresses Lena Olin and Tora Hallström were the first two guests on the program, then Mr. G was the fourth, right after opera singer and actress Marianne Mörck.

You can watch the episode online HERE all around the world! Per’s part starts 27m 37s in.

Carina introduces PG as a music icon and before he enters, there is footage from his career shown, starting with him singing Flickorna på TV2 cut from Parkliv! 1981. Fun fact is that Parkliv! was directed by Tora’s father and Lena’s husband, famous director Lasse Hallström. Then comes a shortcut to an old TV report where the reporter tells Per „your lyrics are very much about sex” and Mr. G’s reaction is „well… are they?” Then comes a little Roxette and part of the news from 1989 that they became No.1 in the US. Per says „one of our dreams was to become No.1 in the US. That we have achieved.” From Sweden only ABBA and Björn Skifs succeeded with that before Roxette. Then comes a snippet from PG Roxette’s The Loneliest Girl In The World video.

Carina welcomes Per and the audience is very happy to have him on the show. Earlier on the program they talked about riders, lists of requirements. Carina is curious if Per can beat bathtub and Thai food. Mr. G says he is bad at riders. He doesn’t have any riders anymore, but rather anti-riders, what shouldn’t be in the dressing room. There shouldn’t be candy, because he would eat it up. He has no requirements at all, really. In the past, he tested the organizers a bit, if they could obtain expensive wines, but only one of them could do that, in Switzerland. Mr. G is still good friends with him. [Everyone laughs.] Carina says that considering them being world stars with Roxette, they could have asked such things as Madonna, e.g. repainting the dressing room. PG says they didn’t ask for such unnecessary things. „We came from small towns”, he says. Marianne pats Per on the shoulder and says „good boy”. [Everyone laughs.] Carina asks if Gyllene Tider had any list of requirements. Per’s reply is a no.

Carina informs that Gyllene Tider goes on tour again and asks Per how many times they will retreat. Mr. G tells 2019 was the last time, but then came this terrible pandemic and he had some second thoughts. It felt natural to go on with this band. He missed them. Per started writing songs and felt they sounded like GT songs. It’s a fantastic, lovely band. „I’m so happy that we are still alive and kicking. It’s wonderful.”

Carina says GT is a „democratic band” and is curious what it means. „It means that everyone agrees that I decide.” [Everyone laughs.] Carina says „so you are the president” and Per says „exactly”. Per says they have been working together for so long and they try to make decisions together. No one can be replaced and everyone has to have their say.

Carina asks if Per is as democratic at home as in the band. PG first thinks and then suddenly says of course he is. Haha. „When does your wife get annoyed with you?”, Carina asks Mr. G. Per says „often, I think”. He is quite busy and obsessed with his work. He works a lot. He is in his own little bubble and Åsa says he is giving birth all the time. He carries on his songs and projects and he is his work in a way. It has always been so.

Carina asks Per if he is fond of order and tidiness. Mr. G says he is, it’s good. Marianne asks Per if he is virgin. Per replies no and asks back if she is. Marianne explains she meant Virgo in astrology. Per laughs and says he understood that [everyone laughs] and says he is a Capricorn. Marianne thanks for the answer and explains it’s a sign of Virgos that they are cleaning and cleaning and deal with theatre an music. Marianne is a Virgo. Tora is Gemini, a typical Gemini according to her mom. Marianne asks for changing topic. Carina asks Per how we should imagine order in his home. PG explains he has always liked order and tidiness around him. Vinyls are in alphabetical order, photo books are here, music books are there, magazines are over there, in order. Yellow shirts are here, white shirts are there. Carina asks if Per is cleaning all the time. „Absolutely”, he replies. He always checks if there is a ring left by the glass on the table and he cleans it. Marianne asks Per if he has her number. Per says he got it earlier. [Everyone laughs.] Marianne also explains what order means to her. While she says she can find Christmas greetings from 1997 under her dining table, because she never sets the table (because she doesn’t have guests) and she eats in bed or in the bathtub, Per is not impressed. Haha. Marianne shares the info that on the other side, she prepares the tax declaration in advance and she makes notes of taxi bills with date, how long the way was and to where she went and why she was using a taxi. Here Per nods approvingly. Marianne says she shouldn’t share this info, but she has a collection of almost 40,000 Kinder egg figures and she will sort them out when she gets old. She thinks it’s fun. [Everyone laughs.]

Carina asks Per about what he is collecting. Mr. G says he is not a collector, but over the years there has been a lot of stuff and he has a collection of everything from records to guitars. He is getting old, he says. Carina is curious how many guitars Per has. He replies „way too many”. He doesn’t know, maybe a hundred. Carina says a little bird told her that he has exactly 125. „Was it my wife?”, Per asks. Carina tells she knows they are sorted in a very well organized way with photo and text. Per confirms. He says you have to keep track of your stuff. [Everyone laughs.] Guitars mean a lot to him. Some of them mean more than the others. He has written a lot of songs on them. Each guitar has its own personality and sounds in a special way. He has his favourites of course, which he plays every day, but others he doesn’t even know they exist.

Carina says she has understood that Per knows his life through his records, so she has prepared a test with some single sleeves. She wants to know what year it was released and what guitar was played on it. Per is happy to do the test. First is Joyride. It was released in 1991, recorded in 1990. It wasn’t Per playing the guitar, it was Jonas Isacsson and he played a red Arvidson guitar. Carina asks how life was in 1991. Per tells they had their first big world tour in 1991-1992. Those were crazy times, an 18-month long tour, 2 million people came to see them. Years 1988-1995 for Roxette were absolutely amazing. They travelled around the world several times and it was awesome to be part of the success.

The next sleeve shown is Neverending Love. It’s 1986, the first Roxette single. It’s not him playing the guitar, it was MP from Gyllene Tider and it was certainly a Stratocaster. Per explains he doesn’t play that much on the albums. [Everyone laughs.] Carina is curious about the story behind Neverending Love. Mr. G tells he was asked to write a song for Pernilla Wahlgren who had just been signed by a new record label and he wrote a song called Svarta glas. The record label refused to use it, which then felt tough, but Per translated it into English and that became Roxette’s first hit. Everyone is impressed and cheers Per. Mr. G thanks for that.

Carina asks the others if they have a special favourite Roxette or GT song. Lena points at Per and says they are approximately the same age. She says one of her favourites is „Jag vill känna din kropp emot min” [När vi två blir en]. It hits right in one’s romance and heart. Lena tells when she and Per once met in New York, Lena told Per she loved Här kommer alla känslorna (på en och samma gång). It also hit her right in the heart and it really touched her. There are many other songs, but these two are her favourites. Marianne asks Per if it was him who wrote a song that he wants to sleep with the girls on TV2. [Per’s facial expression is priceless here. Haha.] Carina corrects Marianne: „turn on” the girls on TV2. Marianne says she said it in an older way. [Everyone laughs.] Per also laughs and confirms it was him. „What were you thinking when you wrote that?”, Marianne asks. „It was kind of nice”, Per replies. „Maybe you meant to turn the TV on?”, Marianne asks. „Yes, that was the case.”, Per replies. „Is that a post rationalization?”, Marianne asks. Per replies: „Absolutely not. It’s your fantasy that carries you away.” [Everyone laughs.] „Is that right? You’re getting a little shy, I see.”, Marianne says. [PG’s facial expression is priceless here too. Everyone laughs.] Per says „it’s tough”.

Carina continues with Per’s new album under PG Roxette. Per goes on with Roxette without Marie. Carina asks Per what Marie would have thought about the album. Per thinks she would have liked it, because it’s kind of a cousin to Look Sharp! and Joyride. The style and the sound are very much the late ’80s, early ’90s. Marie really loved that kind of music. Carina asks how it was to make this record without Marie. „At first I didn’t want to do it, but then time passed by and I felt I wanted to go on with Roxette. But it doesn’t work to replace Marie, so I tried to find another form. I used my own voice, but also worked together with the two girls who were in Roxette’s band during the past 8 years when we were on tour. They have taken a step forward and sung when needed. I haven’t thought much more than trying to make a good Roxette record.”

Carina tells Good Karma was the last album Per recorded with Marie before she passed away in 2019. Carina is curious about how the recording session was. Per explains it was complicated. Marie was in a quite bad condition, but at the same time it was awesome that she was an Amazon in the way that she wanted to work all the time. They didn’t stop touring until 2016 and the album was recorded in 2015. It was an amazing session, but it wasn’t easy. Carina asks Per how he and Marie talked about life back then. Mr. G says when they talked about life, they rather talked about the past, the fantastic journey they did together. All their adult life they have dedicated to Roxette. They went through so many things together. They always felt like siblings, the same way as them 5 are like brothers in Gyllene Tider. When you go through so many things together, it’s like that. It’s an amazing feeling to be able to have that relationship in good or bad. Carina asks what Marie has thaught Per. Per says it’s a tough question. Marie gave him self confidence. She always made sure that what Per does gets a little bit better than it is.

A new tour is in sight, a new album is coming, as well as a Gyllene Tider movie and a Roxette musical. A lot is happening. Carina thanks Per for coming on the show.

Mr. G stays sitting on Carina’s sofa with all other 3 guests until the end of the program, so you can see him during the talk with the fifth guest, soccer player Pawel Cibicki and also watch him enjoying music while Hannes feat. Waterbaby play one song live.

Stills are from the TV show.

PG Roxette’s second single is out!

PG Roxette released his debut single, The Loneliest Girl In The World on 3rd June. The song was the first taste from the upcoming album, Pop-Up Dynamo!, which will come out on 28th October. Before we get to hear the debut album, Per decided to surprise us with a second single. Walking On Air is released today, 23rd September and just like the first single, it also contains another song that won’t be included on Pop-Up Dynamo! The vinyl single has two B-sides: Necessary and a remix of Walking On Air made by Bridge & Mountain.

You can order the 7” vinyl at Bengans, Ginza and some more Scandinavian online shops. The single is also available on all streaming services. Actually, on streaming it became a mini EP, because now all PG Roxette releases will appear under three “brands”: PG Roxette, Roxette and Per Gessle, to make sure anyone can find them easily. Listen to the EP on Spotify, Deezer, Apple Music or YouTube!

Regarding the vinyl single availability Per says:

It’s up to the local Warner office to order it. If they don’t, you won’t find it in that particular country.

To the question if it was the original plan to release two singles before Pop-Up Dynamo! comes out PG replies:

Well, this album has been postponed a few times for various reasons; Covid – legal things – internal Warner reasons. It was finalized already in April 2021.

This spring we made a plan where Loneliest Girl” became the first single. Then the album-release got delayed again because we couldn’t get any slot time making the vinyls. So we decided to go with a second single before the album comes out. There will be a lyric video popping up soon, too!

The lyric video is set to premiere at 12 pm CEST on 23rd September. Don’t miss it! You’ll be able to watch it HERE! The video was made by Ebba Gustafsson Ågren, based on filmed material and photos by Fredrik Etoall and Per Gessle.

Per tells about WOA:

“Walking On Air” was the very first song written for “Pop-Up Dynamo!” I got a request to write something for the “Top Gun: Maverick”-movie in the fall of 2019. So I wrote “WOA”.

It was actually written for a particular scene in the film where someone was going to dance on a beach (hence the lyrics “oh I’m sure you love to dance on the beach”). However, the movie people involved didn’t use the song. Maybe they didn’t like it as much as I did? Or maybe they took away the scene? I don’t know. I haven’t seen Top Gun yet.

So I kept it to myself and started writing more stuff in the same ’80s-’90s style that reminded me of “Look Sharp!” + “Joyride”. That’s how the whole new PG Roxette album came about.

It’s Helena and Dea combined that sing the lead vocals in the choruses. Helena is the driving force but Dea is overdubbing her and also sings harmony vocals. And they share the “wailing duties”. They have such different styles which I love to work with.

This is the sound, combined with my own voice, that shines through the whole new album. Together they create almost a “third persona”, it’s hard to say who’s who. A little bit like Agnetha + Frida in ABBA.

Btw, there is a version with Helena singing the verses. That’s how I wrote originally for the Top Gun-movie.

Mr. G shares some details about Necessary too:

“Necessary” was one of the songs I wrote for “Pop-Up Dynamo!” It’s one of only three recordings I did with Christoffer producing this time. And only one made the album! You’ll notice!

One of them was actually a different version of “Sunflower” that I didn’t like… I preferred my own version that’s on TLGITW single.

The rest of the album was produced by Magnus Börjeson + Clarence Öfwerman + myself. Christoffer came in late in this production to do some overdubs. Jonas joined us a couple of days as well. It’s basically the same people that did the Metallica-song who are involved.

Besides other Gessleish phrases, there is one that pops out in Necessary. Here is what Per has to tell about it:

Glad you like the “pop just like a bubble”-phrase. “Pop Like A Bubble” was actually the working title of the album!!!

There’s no doubt the new PG Roxette single Walking On Air is keeping the Roxette sound alive. The classic and familiar Roxette ingredients of a smart production with great hooks and a “don’t bore us, get to the chorus”-attitude shine through the entire song.

Per says:

There are millions of people out there who still love Roxette so of course I want to keep our music relevant. At first, I wasn’t sure which way to go but as time passed by it became clear that I want to continue this fantastic joyride. I want to keep the legacy of Roxette alive.

Tracklist (7” vinyl)

Side A

Walking On Air

Side B

Necessary
Walking On Air (Bridge & Mountain Remix)

 

Walking On Air

If you could stick around
No need to bother with the other side of town
Set the mood make it bright
I wanna go and be your Saturday night
Oh oh oh – it couldn’t get better
Yea yea yea – listen to what I say

Hey hey, my eyes just stop and stare
I got it good you got me walking on air
Every time you’re coming around
I wish you were here to stay
Hey hey, my eyes can’t look away
I got it good you got me walking on air
Every time you’re getting so near

Would you mind stick around
No need to bother with the glass on the ground
Summertime within reach
Oh I’m sure you love to dance on the beach
Oh oh oh – it couldn’t be better
Yea yea yea – listen to what I say

Hey hey, my eyes just stop and stare
I got it good you got me walking on air
Every time you’re coming around
I wish you were here to stay
Hey hey, my eyes can’t look away
I got it good you got me walking on air
Every time you’re getting so near
I’m walking on air

WORDS + MUSIC BY PER GESSLE

Necessary

When I walk
I tend to move sideways
When I talk
I only get halfway
Well, you pop just like a bubble
And I only want to keep good company

Oh oh oh oh
I’ve been up all night where I used to be
Oh oh oh oh
Hey I can’t believe my own memory
Oh oh oh oh tell me baby
What are you doing to me?
Is it really necessary?

When I call
It sounds like I’m praying
When I fall
All songs keep on playing yea

Oh oh oh oh
I’ve been up all night where I used to be
Oh oh oh oh
Hey I can’t believe my own history
Oh oh oh oh tell me baby
What are you doing to me?
Guess it’s really necessary

WORDS + MUSIC BY PER GESSLE