Per’s summer solo tour is around the corner. We know that it’s going to be a special evening and Per plans to play songs from all his catalogue, when Per announced the tour, he said: “I thought of playing songs that I wrote that meant a lot to me. From Roxette, Gyllene Tider and solo.” And this means there is a very extensive catalogue to choose from. So we thought it may be fun to start a series of polls and tell Per which songs are special to us and we would love to hear during the tour.
The big question was, how to put the polls together? So after some thinking we decided the polls will look like this: solo albums, Gyllene Tider, demos & other, Roxette and last but not least the new album.
The World According to Gessle
Son of a Plumber
En händig man
Gyllene Tider (incl. Pers Garage)
Roxette (normal album songs only)
Demos and other songs (that are not included in the above)
The new album when we have it in our hands
Some of them will be huge polls but we will manage!
The target is to choose the songs you would like to hear live and we will present the results to Per hopefully soon enough for him to maybe include at least the top top favourite 🙂 (of course, we also wish that he plays at least 2,5 hours, why not 3, there is enough material for a one-day-concert…).
Looking forward to your input and of course the tour. And have lots of fun while voting for the songs and listening to the albums for the xxx-th time.
Thanks in advance for participating.
Here goes the first poll: Per Gessle – Released in 1983. Choose up to 3 songs from this album.
2016 was a sad year for music fans, many “big ones” left us, artists like David Bowie, Leonard Cohen or Prince that influenced Marie and Per in a way or another.
It hasn’t been a perfect year for the Rox-world either. Roxette officially started in 1986 with the release of Neverending Love and they were celebrating these 30 years together with an amazing tour that had started in 2014 and took them all around the globe – once again and for the second time since Marie’s came back on stage (with Roxette) in 2009. They were about to embark on the last leg of the tour and meet the audience in Europe once again when the bad news came: touring if over for Roxette. News that we all somehow expected one way or another, but it hurt when it eventually happened.
And I won’t deny it, I think I still haven’t gotten over it and finally understood that there is no more Roxette live anymore. There will be Per performing Roxette songs, as it was already in 2009, but it will simply not be the same. It’s nothing against Per, I loved the 2009 shows and I will surely love the upcoming tour. It’s just not the same without Marie. Roxette are two great friends making magic together and there is nothing that can replace that.
But not everything were bad news. And since I like to concentrate on the positive, here is a summary of what happened in 2016 (hope I didn’t forget any highlight) and what we can expect in 2017 (that we already know of):
Roxette visited South Africa early 2016 and gave five concerts there, including two sold out ones and new plectrums that you can find on the PLECtionary.
The RoXXXette on the road tour photo book was released in June. It even came with a special edition for Roxers, limited to 300 copies, numbered, signed by Per – all packed in a nice box. We are collecting pictures of all of them here, so if yours is still not featured, send it in!
Roxette released an amazing new album in June: Good Karma. Three singles have been released so far off this album. Roxette also recorded a very nice video for the first single “It Just Happens” and asked fans to participate to make the “Why Don’t You Bring Me Flowers” video, probably inspired by Jakub and Dawid who recorded a funny fan video for “Some Other Summer”.
Per launched a new record label, Space Station 12, together with Marie Dimberg.
We also interviewed Per a couple of times, regarding Good Karma and SS12.
Marie’s book was published in German with an additional chapter for this version where she tells she is fine and working on the issues with her leg. We wish her all the best!!
Following the announcement we gathered thank-you messages for Marie. Kirsten also organised a surprise for Marie’s birthday, with the participation of tons of fans it was possible to send her bunches of roses. Marie responded with this video on her Facebook page <3.
In the background many things have happened to the website, we have had some hiccups with the server but nothing that couldn’t be solved. I had to postpone the project to redesign/update the website due to an accident but … let’s see what 2017 will bring 🙂
2017 so far…
More or less out of the blue but somehow expected, Per announced a new album and tour for 2017. The album is planned for Spring, the tour will be (for now?) in Sweden and will start on July 6th in Helsingborg, check the tour dates here
A DVD-box containing Roxette live recordings will be released this year. In connection to this, fans got busy and creative already on January 2nd as you can see on this article.
Sounds exciting huh? As always, thanks for reading and participating! See you on the road latest in summer.
Marie Dimberg and Per Gessle launched the label Space Station 12 in February 2016. Since then, three artists have released their single at SS12. You may have seen Per posting about SS12 on Facebook quite frequently this year, so we thought of asking Marie D. and Per a bit more about the company.
Judith: When did you have the idea and how did it all start?
Per: The music industry is changing so much at the moment I felt like I, before I go to sleep, should take part of the new revolution. There’s a window at the moment for indie labels. And for indie way of thinking. I like that.
J: What was your motivation?
P: Same as with everything else in my musical life; to take part of music that I like and enjoy.
J: What do you want to achieve with SS12?
P: A great logo and a few gold records.
J: What are your tasks/responsibilities?
P: I’m the DJ, I am what I play!
Marie D: I run the daily operations with my team Lotta and Josef and we work together with our great license partners at BMG. We also have independent press- and radio people.
J: What is the story behind the label’s name?
P: The name comes from a Montrose-song, “Space Station #5” but I thought 12 was cooler since it’s my birthdate.
J: So far, 3 artists have released their latest singles at SS12. Their styles are rather different, who is involved in the A&R process and how does it work in your case?
P: We all are. But I have the last say. If I don’t like it, we won’t release it. But I’m pretty easy to convince.
MD: We all listen and try to convince Per if he doesn’t agree…! A good song, a great voice and an artistic expression are of course key ingredients. No matter what kind of “genre”
J: What are your main criteria when picking an artist up?
P: Personality. Intelligence. We don’t want artists who strive for fifteen minutes of fame.
J: Why did you choose these 3 to start with? How did you discover them?
P: Alex was number one. He’s the best songwriter I’ve heard in years. He wrote “Sinking Deep” for Fanny. That’s how Fanny came aboard. She turned out to be a great communicator with an interesting voice. Good Harvest stand for something a little bit more “classic” and organic. That’s very rare to find these days. They’re amazing.
J: Marie, you mentioned that Fanny’s single has almost reached 400.000 plays on Spotify, which is amazing for a new artist. How are you promoting the artists? What are the target audiences and countries?
MD: We start with Scandinavia as a home market but make the release available worldwide digitally. Together with the BMG team, the press- and radio people we try to get exposure wherever suitable for each individual artist.
J: The three artists are rather young and newcomers; are you focusing on this kind of artists or are you also looking to sign up established ones?
MD: We’ll see… our focus is great talent with great songs and I’m sure we’ll eventually embrace established acts as well.
J: Per, you co-wrote the lyrics of Alex Shield’s and for what I understood from an interview with him, the song was finalised and has been released as a single because of this.
P: Yes, I co-wrote the lyrics and the music to “New York City Ways” but that’s not the reason it was released as a single. Who writes the song doesn’t really matter. What matters is if it’s a good record. It has to communicate.
J: In what way have you been involved in the final results of (so far) the singles? Do you get to give input / feedback during the recording/composing process or final outcome?
P: Sometimes. I’m there if I’m needed.
MD: Per’s input is extremely important given his long and successful career both as a songwriter and an artist!!! In my mind, it’s a fantastic opportunity for young artists to have an artist/songwriter of Per’s magnitude as your “wingman”
J: Are more songs co-composed by you planned?
P: I’ve written quite a lot of songs together with Alex which are really cool. You’ll see.
J: What are SS12’s plans for the future and what is in the pipeline?
MD: We’re currently focusing on these three for the rest of 2016. There will be a new song by Good Harvest released in December penned by themselves; “Charly”. They will also perform at the Eurosonic in Amsterdam. Alex “New York City Ways” will be accompanied by a lyric video this week. Fanny is writing and recording and will make her first performance at Musikhjälpen in December.
If you want to know more about the three great artists go on reading.
Just in! Per is going on tour next summer! A new album is also on the way.
En vacker kväll. Sommarturné 2017 is the name of the tour. Tickets go on sale on Thursday November 24th. Here are the dates.
15/7 Karlskrona (festival)
23/7 Fredrikstad (festival)
Message from Per:
Så här skriver Per själv om turnén:
Det är dags att ta en musikalisk selfie!
Jag har skrivit låtar och varit artist i 37 år. Helt klart lyckligt lottad. Tre karriärer har det blivit. En med Roxette, en med Gyllene Tider och en alldeles solo. Alla tre är olika men ligger lika nära mitt hjärta och bär mitt personliga DNA och nu, till sommaren 2017, tänkte jag blanda om i min gryta och spela låtar jag skrivit som betytt extra mycket för mej. Både från Roxette, Gyllene Tider och från min soloresa. Det känns rätt. Och på tiden.
Det är tio år sedan jag gjorde ett svenskt album och en turné i Sverige på egen hand. Hoppas vi syns någonstans i den vackra sommaren.
It’s time to take a musical selfie!
I’ve been writing songs and has been an artist for 37 years. Clearly fortunate. It has been three different careers. One of Roxette, one with Gyllene Tider and solo. All three are different but as close to my heart and bear my personal DNA, and now, in summer 2017, I thought to make a mix and play songs I’ve written that have a special meaning for me. From Roxette, Gyllene Tider and from my solo trip. It feels right. And the right time.
It is ten years since I did a Swedish album and a tour in Sweden alone. Hope to see you somewhere in the beautiful summer.
A new album will be out in spring 2017. Per comments: “I recorded it in Nashville, I was there for a month and recorded it. It doesn’t mean that it will be a country album, but of course there will be influences from Nashvile in the arrangements and feeling. One can say it is the small cousin to Mazarin.”
As already announced back in May, Marie’s biography is about to be released in German in Germany, Austria and Switzerland by Edel Germany. The final release date has now been set to November 21st (the book can already be found in some stores in Germany though).
The biography “Listen to my heart: Meine Liebe zum Leben” has been translated by Ulrike Brauns and is 256 pages long. You can preview the first pages of the book (in German) here. A digital version is also available.
Fans can look forward to the biography as it was in Swedish plus a new chapter written in summer 2016 after Roxette decided to stop touring (Kirsten posted a translation of the chapter on our FB page) as well as new/different pictures that were not included in the Swedish version.
You can (pre)order the book on the following stores (many more available) or just walk down to the next book store and get it there on Monday.
Roxette just released a new single, “It Just Happens”, and we felt we had to write some words about the song. The release was very much anticipated by fans all over. To celebrate the release many fans decided to change their profile picture to a butterfly, sweet, isn’t it? Another surprise of the day: It Just Happens was #1 on iTunes Argentina today! All very exciting, it all just puts a big smile on your face.
And now let’s get to the single:
Judith: Some people say it happened with some Roxette songs in the past, that they had to listen to them a few times to really appreciate them and kinda fall in love with them. It happened to me this time around.
It wasn’t until I listened to the song totally focused, meaning with my high-quality ear phones, and concentrated on all the details and the lyrics that it went boom! It was the part with “It just happens / you don’t know what’s going on / if it’s new or if it’s been there since long / if it’s right or wrong / you fall in love” that gave me goose bumps and brought me back to some very special events in my life. For example, when I fell in love with my big love, or even back to the time when I listened to “The Look” for the first time in 1989. It just happens.
I hadn’t thought about the fact that sometimes it takes a few listenings to appreciate a song. I then started to think and realised it wasn’t the first time that I needed a few listenings to realise the depth and awesomeness of a song. I remembered it was the same with “Sleeping In My Car”. It was quite a different sound to Joyride or Tourism and I had to listen to it a few times till it captured me. Or “A Thing About You” to mention another example. And then I just realised this is one of the things that fascinates me about Roxette. Even though they stay true to their Roxette sound, there is always some new component in their music. And there is always the attention to perfection and those (what I call) playful sounds and details here and there that you only hear when you mindfully listen to the song a few times. And it is always the combination of music, lyrics, voices and those playful details that makes it magical.
Have you noticed that in choruses Per usually slightly changes the lyrics? (“Don’t underestimate, your heart is never late vs your heart can never wait) Or the way they pronounce/sing certain words? (the first “it just happens”, “just yesterday”) Or those little hidden sounds or clappings or drum beats that just happen once but that you know perfectly when they are in the song and are anticipating them? (one keyboard sound after the second “don’t undererstimate” in the chorus is not there in the first chorus, it sounds only again after “your heart can never wait”)…This is Roxette!! And Marie’s voice is amazing on this one!
Of course, the song reminds me of many other songs, and the more I listen to it, the more connections I find to other songs. That is the essence of Roxette. Typical Roxette with a touch of new.
A great appetiser for the upcoming album “Good Karma” on June 3rd!
Kirsten: Before I had heard the song for the first time, a friend already had sent me a message via WhatsApp telling me what she thinks about it – and I think it’s a bad way to be introduced to a song/film/album whatever by another one’s opinion. Especially when it isn’t the best.
I must add that I am really trying hard not to expect anything anymore Roxette-wise. The Travelling album has its gems, same goes for Charm School, but they aren’t my favourite Roxette albums. On the other hand I want Per and Marie of course to do and record what they want, what they feel up to – it’s what I am curious about. How do they sound, what do they want to tell me?
Another not so good thing was that I had read on The Daily Roxette that Per rated the song as a “power ballad” which was sung by Marie. So, when I listened to “It just happens” for the first time, I was of course disappointed twice, because his words had made expect me something – which I really tried to prevent hard. 1.) This isn’t a power ballad (to me), 2.) It is not sung by Marie. When I hear power ballad and “sung by Marie” I have songs like LTYH, IMHBL or SMT in my head – immediately. I can’t help it; it’s what I grew up with.
So, my first listening didn’t make me feel like 12 again. It was an “ok” song with “ok” lyrics. But nothing that blew my mind.
When I posted my opinion on my Facebook page, some other fans and I started to discuss the song very intensely (that’s what I love about this fandom, btw) and came to a funny conclusion. Somehow, “It just happens” sounded like a Coldplay song to us, “Paradise”, in this case. But since “Paradise” totally reminded me of “Wish I could fly” all I could write was: “Roxette sound like Coldplay who sound like Roxette” which basically means that Roxette sounds like Roxette. That’s the way it should be, right?
And the comparison to WICF isn’t the worst. But after three listenings, I thought that it sounds more like LTYH. So, when Marie starts to sing “It just happens… you fall in love” you could also easily sing “Listen to your heart… when he’s calling for you”.
Don’t get me wrong – I don’t mind artists stealing from themselves. Every singer/songwriter does it often. I don’t care. I just noticed it. And in the end I want them to sound like themselves, this only works when they stay true to themselves.
About the song: I love the sound, it is powerful, it is full, I love the instruments, the arrangements, it sounds very modern and updated. Thanks for finally turning away from the 60’s George Harrison sound. I loved it for the time being, but we really had enough of it!
What confused me from the very first time I heard it was the structure. I couldn’t get my head around it and I still don’t. It seems that the highlight of the song isn’t at the end, but in the first third. There is no build-up. Have I ever heard something like this before? I don’t know. The middle 8 isn’t the introduction to a great outro with even more instruments or another strong chorus. It actually gets quieter towards the end and this surprises me every time I hear it.
I like the lyrics and we all know why they are kept “easy”. I love both vocals, even though I had not expected Per to sing at all. I would have loved it even more if we had gotten a bit more from Marie in the verses (but that’s just me, because I think that both voices fit together like paper and glue, fire and wood.. you get the idea..).
I don’t know anything about the music business or the reception of a new song, but I always find that it’s hard to sell a song that doesn’t work from the first second at the first listening on. Something must set free in the listeners’ brain or soul.. if it doesn’t happen, they will never buy the song. I don’t know about “It just happens”. Maybe it’s a classical radio song that needs a lot of airplay to climb the charts. “She’s got nothing on (but the radio)” did it and this was a song I really only loved when I heard it live for the first time. Man, live this was a killer!
And I really would love to hear “It just happens” live, too. Just because Roxette are one of the best live bands at the moment. They simply rock and some of this rock couldn’t hurt their songs either.
So, long text… all in all I think it’s a good song with a catchy melody. For me, the last single that really flashed me was “Wish I could fly” and “It just happens” doesn’t change it. (But I didn’t expect that anyway. Just keep on singing together, Per and Marie!).
April 8th is a special date for Roxette, as on that day back in 1989 Roxette reached #1 on the Billboard with The Look, their first number 1 in USA and the song that meant their breakthrough.
Twenty-seven (yes, 27!) years later, Roxette has decided to release their new single “It Just Happens” on this date. This is the first single off “Good Karma”, Roxette’s 10th album that will be released on June 3rd. The album will also be released on vinyl!
In the press release sent out today, Per explains “we wanted to mix the classic Roxette sound with a modern and somehow unpredictable production to create an interesting sound where one can both recognise us and experience something new”. The song “was one of the first songs written for the album and quickly became one of the key songs” and was therefore chosen as the first single.
Promotion for the song has just started, do not miss the butterfly on all social media! This is going to be a great 30th anniversary year!
Expressen (rating 3/5, “the production has style and fantasy”) and Aftonbladet (rating 3/5, stating the song is “surprisingly good” and “who would have thought Roxette do have so strong and melancholic melodies in 2016?”) also already reviewed the single.
The track list of the album is as follows:
01. Why Don’tcha?
02. It Just Happens 03. Good Karma
04. This One
05. You Make It Sound So Simple
06. From a Distance
07. Some Other Summer
08. Why Don’t You Bring Me Flowers?
09. You Can’t Do This to Me Anymore
10. 20 bpm 11. April Clouds
Marie’s biography “Kärleken till livet” was released in Sweden in October 2015. There was huge interest for the book in Sweden, as the fans who travelled to Stockholm for the signing session in December could appreciate. Long queues to get to meet Marie and get the book signed by Marie herself and the co-author Helena von Zweigbergk.
We also know that many of you don’t speak Swedish and are longing to read Marie’s biography. The book should really be available in as many languages as possible and reach as many people as possible. For its strength, the story of a fight for life, for inspiration.
We heard some bits of information last year about the book being translated into other languages like English. Now we have been informed that a literary agent is working to sell translation rights in order to make Marie’s biography book available in other languages and your input regarding the language you would like to read the book in is very much appreciated!
Please answer this question until end of this week:
We will forward the results to the literary agent and Marie’s management by early next week.
This is a very personal blog post to thank David Bowie for the music and for the inspiration.
As you probably now, David Bowie passed away on January 10th. It was a sad day for music world and everybody was very shocked. As for me, I had been listening to “Blackstar“, his new album which had been released on January 8th, the whole weekend. I had been looking forward to it since the first single was out in November (and some teasers the year before). And finally on “release Friday” there it was. It felt fresh, new, jazzy, I loved the drums!, the voice, the lyrics were mysterious again but felt defying, intriguing, strong. Sad too. I found the videos to Blackstar and Lazarus very mysterious and at times disturbing and sad. But I just thought it was his way to shock and be artistic in his way.
Monday morning I woke up humming one of the tunes, Lazarus. And then I just read the post on Facebook about him passing away. I was like what? No, NO, he just released an album. Can’t be. Like many others, I checked Twitter, news, comments of fans, the majority not believing it and thought the FB account had been hacked, that it was a hoax and bad joke. Minutes later his son Duncan confirmed it on Twitter. And all the pieces from his album fell into place, suddenly.
And since then I have been in a strange state. Shocked, thoughtful, sad, in disbelief, kind of lost, grieving. And I have spent hours trying to find out why. Probably there is no clear answer, just some thoughts that I had to put down in writing in a way to say thank you. For the influence, music, inspiration, artistry, love for music, innovation, daring to be different…
I actually got into Bowie’s music “for real” back in 2012 when he released “Where are we now?” from the then upcoming album “The Next Day”. I don’t remember how I read/heard about the release of the album, somebody (Per?) must have posted it on FB, or maybe I just saw it on Spotify. I was fascinated by the single, what a strong song, what lyrics, the voice, how the instruments fit together. Magic. So I then started to listen to his other albums. Sure, I knew many of the songs, but most of it was new to me. It was then that a new world opened up for me.
Bowie had always been in my life in a way or another. On one hand, I remember he was on TV, the Freddy Mercury tribute, but I guess I didn’t understand him back then, maybe was too young or thought he was weird, because I really didn’t listen to his music besides the known singles. But at the same time, I felt fascination, respect because he dared to be like that.
On the other hand, he was present mainly because I got to hear about him through my (music) heroes (Marie, Eva D, Per) and other artists that have impacted/inspired me (Nirvana/Kurt Cobain, Melissa Etheridge, Europe, to mention some). My favourite artists mentioned him here and there, whenever they talked about their youth, their roots. They count him as a big influence when they grew up, when they started to make music. I remember comments from Per and Eva the most. I cannot repeat the exact words, but it felt like for both he seemed to be a (the?) reference person for daring to be how they were back in the 70ies, 80ies. Seemed to be the one who helped them accept to be different, themselves. Just how they have helped me. This is how I see it at least (see at the bottom for a collection of references/tributes to David Bowie by Per and other artists).
When you listen to his music you understand why, or at least you can try. If now his music sounds (still) daring and even innovative, imagine how it must have sounded back in the 70ies and 80ies. And what it must have been to hold albums like Space Oddity, Aladdin Sane or Hunky Dory in your hands, play them. Not to talk about his outfits and looks. Pure innovation and reinvention. And as his last album showed us, until the end. I would dare to say that he has experiemented with all styles of music one can think of and more. So with time I realised that David Bowie had inspired as many artists as The Beatles have. In general, if you listen to Bowie’s discography, one cannot help but find similar sounds, references, inspiration in the music done by other artists.
And I also realised some years ago that indirectly he is an important part of my life, too. And in this state of mind one starts to think… without Bowie, what would they have developed into? Would they be who they are now? Would they have done the music they have done? And would they have touched me so deeply with their music as they have?
His death was so sudden. He had released an album just a few days before. It turned out, only his closest ones knew about his fight against cancer, so for many people it was a shock. And when one thinks of it, for the public, for the fans, he left the same way he had been surprising and shocking with his music. And he was ahead of us, again. One last time. To quote his producer Tony Visconti:
He always did what he wanted to do. And he wanted to do it his way and he wanted to do it the best way. His death was no different from his life — a work of art. He made Blackstar for us, his parting gift. I knew for a year this was the way it would be. I wasn’t, however, prepared for it. He was an extraordinary man, full of love and life. He will always be with us. For now, it is appropriate to cry.
There are a few (must-read) articles talking about his last creations (the album Blackstar, two videos and the musical Lazarus). He lived for music through and through. And this is one of the things about music and artists that touches me the most.
Of course, my thoughts go to his family and friends. But also to my favourite artist. I wonder how they must be feeling. And I cannot avoid thinking of how I felt back in 2002 when Marie was diagnosed with cancer or Melissa Etheridge some years later – luckily they are still with us!! – Or when some very dear friend/family member has left. It’s just a void you cannot explain and – at least for me – regardless how much time passes by, it doesn’t go away, it just becomes bearable.
Thank you for the music and the inspiration and also the influence on my favourite artists.
David Bowie inspired…
Here is just a collection of references to David Bowie by some of my favourite bands / artists (that have and keep inspiring me) that have touched me through the years and this last week.
Patrícia has posted on RXB references to David Bowie by Per, who has also been posting videos and interviews these past days:
Of course, Gyllene Tider’s song “Åh Ziggy Stardust (var blev du av?) from 1980 – in fact I hear a bit of Bowie/Ziggy on the Gyllene Tider album.
Joey Tempest from Europe also mentioned some months ago in an interview that David Bowie’s “Space Oddity” inpired him to write “The Final Countdown”.
One of the performances that I remember very well from back in the 90ies was Nirvana‘s “The Man Who Sold The World”. I used to listen to Nirvana a lot back then and I loved the Unplugged from December 93, one of my favourite performances was their cover of Bowie’s song. Kurt’s death was probably the first of my idols leaving us, I remember that void very well, also because it was the time Crash! Boom! Bang! was released and helped me through it (and other issues) and kept my mind busy with other things.
Bruce Springsteen, Madonna and Melissa Etheridge (listen to her words before she plays!) have covered David Bowie songs this week:
Recently Efva Attling also launched earrings inspired by Bowie, the Ziggy earrings.
It has also been very touching to see fans gathering in various cities to celebrate him and pay tribute to him. Not to mention that my wall has been full of David Bowie articles, videos, pictures, for the past week. Belgian astronomers have registered a constellation dedicated to him (you can add your comments here). His album Blackstar has entered #1 in many charts across the globe, including Billboard and UK. Also many of his albums have entered at different # in various charts (for example, 19 of his albums entered the UK charts) too and have been partly the most streamed these days. Just shows the impact of this iconic musician/singer/songwriter/ARTist/actor etc.
2015 was once again a year full of releases, concerts, travelling, meetings, happy faces… everything a fan could wish for.
In January we got a sneak peek of the newly built and designed stage that would be premiered a few weeks later. February brought Roxette to New Zealand (finally!) and Australia. Back in February we heard that the new Roxette album would be out in autumn 2015. Well, we already know that the release of the album has been postponed a few times and it seems 2016 will be the year! When? Let’s hope we will get some news in a few weeks. In February, some more dates were announced for summer 2015 too.
In April we got to know who would make our waiting time before a concert shorter and fun: Eskobar! I was personally very happy that Eskobar were chosen as supporting act for Roxette’s European leg of the tour. I have liked this band since early 2000 and it was about time to see them live! It turned out to be a great decision. Roxette fans loved the 3 guys, we hear some have started a fanclub….
The tour in Europe kicked off on May 10th in Milan and took the band to 20 countries (including Faroe Islands!) with a total of 36 concerts between May and August (including a cancelled one in Mainz) plus 2 corporate concerts, one in September in Poland and one in November in Stockholm. The cover of Marie’s book was revealed and we published an interview with Pelle and Eskobar.
Also we found out that Roxette Diaries – a documentary of Roxette done by Jonas Åkerlund with old recordings from late 80ies and early 90ies – would be released soon. The premiere took place in Göteborg in August and later on, it was revealed that the documentary will be released on DVD in March 2016.
The (digital) new version of the super hit was released on 17th of July, right on time when Roxette was about to bring the tour to Sweden. The remake was recorded as part of Kappahl’s campaign and remixed by Addeboy vs Cliff. A video of the making of the song was also released. A 7″ vinyl was released later in August.
In August the tour ended in Drammen, Norway, with a very special concert with many fans from around the world. But we would not have time to get bored, since the dates for South Africa were announced. The PLECtionary was updated once again. As we mentioned before, Roxette Diaries movie was premiered on August 14th in Göteborg.
In September the promotion of Marie’s biography “Kärleken till livet” started. The co-author Helena von Zweigbergk, visited the Göteborg book fair to talk about the book and give some signing sessions. An interview with Marie and articles about Marie and the book could be found on the major Swedish newspapers/magazines around the time the book was released (October 10th). Roxette played in a corporate concert in Warsaw, which despite the difficulties to get a ticket, some fans managed to attend. Also “Some Other Summer” by Sebastien Drums was released. This song is actually composed by Per, and the single released by Sebastien Drums is even sung by Per (and a few backing vocals by Marie). According to Per, the “original version” of “Some Other Summer” will be included in Roxette’s upcoming album.
More 2016 tour dates were announced in November. To our surprise… for Europe! Everybody was expecting South/North America, and maybe a handfull of shows in Europe. But so far we already counted 11 concerts, and rumours have it that there are more to come! According to the information available so far, the first concert we know of will be on June 3rd in Switzerland. The last one on the list is on September 11th, in Moscow. Tickets for all the shows are already on sale, so hurry up! Roxette gave the last concert of the year at Tele2 Arena in Stockholm, a corporate concert for Tele2 (telecommunications operator) customers and other invited guests.
Marie gave a signing session in Stockholm on December 5th. On the same day, an interview with her and Helena was broadcast on TV4 Nyhetsmorgon. Many fans travelled to Stockholm for the chance to say hi to Marie and get the book signed personally by her.
As I am finishing writing this article one thing (Aretha Franklin’s performance yesterday at Kennedy Center Honors, if you are interested) brought me to another (Aretha’s influence on Marie, which made me think of I Never Loved a Man) and I ended up listening to Roxette’s MTV Unplugged from 1993. Yes, recorded almost 23 years ago!
If one would ask me what would make the 30th anniversary of Roxette in 2016 very special my answer would be, loud and clear: an (or more) unplugged show.
Of course, looking very much forward to Roxette’s tour in Europe, something that came very much unexpected. And one can only feel thankful. That is the world I would choose for all what is happening. I am thankful it IS happening and I can experience it. With a small break in between in 2013, we have been able to see Roxette live almost every year since 2009.
What will happen in 2016? Here is a schedule of what we know so far:
June (?) – September (?): Tour in Europe is planned
Roxette turns 30!
Somewhen in 2016: a new album should be out soon. Per mentioned some days ago on FB that it’s almost done! (and Christoffer is very busy mixing!)
A big thanks once again to all of you reading us, sharing our articles (thanks Per!), joining our discussions on FB, for the hints, sharing your experiences in articles on our website.. thanks for your support! And from me big thanks to the RXB team, it wouldn’t be possible without you! We’ve had some issues this year with the servers (especially because the site doesn’t stop growing) so I’ve been kinda busy trying to solve that and some other tech-stuff in the background, so I feel so lucky to count on such a great team, thank you Patrícia, Kirsten, Tomasz and Sascha for the articles, brainstorming, ideas, laughs, meetings, experiences etc etc.
An interview with Marie and Helena von Zweigbergk was broadcasted on TV4 Nyhetsmorgon today.
Marie and Helena were interviewed by Jesper Börjesson earlier this week. Both Jesper and MF FB page shared teaser pictures from the interview.
In the interview Marie and Helena explained about the process of writing the book, and that she hopes the book helps people who are going through a hard time / cancer. Because there is hope and it’s possible to make it. She also explains that she is thankful she survived and that deep inside she knew she would.
Marie also explains about her childhood and the funeral of her sister as one of the strongest memories from her childhood.
She also thanks her fans for the prayer chain and the list of names which reached her at one of the worst moments in her sickness. It is very important for her and she wanted it to be in the book as a way to thank her fans.