New exclusive photo book – RoXXXette On The Road

Roxette’s tour photo book we’ve been looking very much forward to is now already listed at Bokus and Adlibris. It will surely be available at other distributors as well, hopefully worldwide. So eXXXciting! Release date is 16th June.

RoXXXette On The RoadThe title is RoXXXette On The Road. According to Bokus and Adlibris, the book consists of 320 pages and it’s in English. It’s full of wonderful pics taken by master photographer Anders Roos on Roxette’s XXX tour and it also includes 41 reflections by our very own Per Gessle. The cover shows a photo of Marie and Per performing in front of a beautiful crowd on the steps at the Sydney Opera House in February 2015.

This is what Per said about the tour book project back then:

XXX ROXETTE WORLD TOUR BOOK info:

Yep, the plan is to have Anders Roos onboard in the studio, in green rooms, backstage, on stage, on trains, planes and in fast lanes just to document the real vibe around the Dynamic Duo and our fab entourage. Which we consider you to be part of!!!

Anders, as you might know, took the pix in the Gyllene Tider-book 2013. He’s a very nice guy, don’t be shy if you’ll spot him with his camera in the alleyways next to your seat! He might take your picture!

This is what the description of the book says, found on Bokus and Adlibris [translated from Swedish by PP]:

New exclusive photo book

”RoXXXette On The Road”

In the spring of 1986 a small hobby band was formed by two friends who had talked long enough about doing something together alongside their ordinary careers in Sweden.

30 years later, we follow the same band’s anniversary tour in the book “RoXXXette On The Road”, where Roxette’s songwriter engine Per Gessle adds his own reflections, flashbacks and anecdotes while photographer Anders Roos’s snapshots capture a global and apparently indestructible Swedish music phenomenon on tour.

The result is a unique opportunity to follow the group in the front row during their 30th anniversary celebration along with tens of thousands of fans night after night, both in Europe and on the other side of the globe.

The contrast to how it once started could hardly be greater. When Marie Fredriksson and Per Gessle recorded their debut single “Neverending Love” under the name Roxette, they had certainly set their sights on trying to reach out internationally, but in practice, they knew that the chances were slim.

Roxette started at a time when Swedish pop music rarely managed to get outside Scandinavia, with Abba as the biggest exception to the rule. At best, they might reach out to the Scandinavian countries and Germany, but hardly to trendsetting pop countries as England and the United States.

Music without borders

But Roxette became at least as big exception to the rule. With their global breakthrough in 1989, with their unprecedented success, the group registered themselves both in Swedish and international music history, while also paving the way for what in the ‘90s was called “the Swedish music miracle”.

But despite all the talented artists and songwriters who have come from Sweden since then, no one has managed to repeat Roxette’s success, especially considering that the band both on stage and records have managed to touch several generations all over the world with their music. It is simply because Roxette’s greatest songs – and here we are talking about more than 30 hits – know no borders.

Or as Per Gessle writes in the book:

“Roxette has always been a live band. I feel quite safe and psyched in the studio, but Marie is definitely born to be on stage. During our first recordings, I was always surprised when she agreed to do a second or third recording of the song. She preferred to put in all at once, as if she was on stage. Her vocals to “Dressed For Success” were basically recorded directly during one utterly brilliant recording. Like “Soul Deep”. And “Cry.” The list goes on and on.”

Join the trip

With nearly 300 images on as many pages “RoXXXette on the road” takes the reader on a tour to Australia, where Roxette among other places performed with the mighty Sydney Opera House as their background.

We get backstage passes that take us all the way from inside the airplane, into the dressing rooms during the preparations before the concerts and to the very front of the edge of the stage where the musicians are pumping out songs like “The Look”, “Listen To Your Heart”, “It Must Have Been Love” and “Joyride” in front of an ecstatic crowd.

Good Karma

Furthermore, we get unique insights from the recordings of Roxette’s tenth studio album, “Good Karma” in the isolated studio, “Aerosol Grey Machine” in Österlen, Skåne.

In short, “RoXXXette on the road” is the backstage pass you always wanted to have, either you belong to the global gang of dedicated “roxers” who follow the group around the world or just curious about how daily life might look for a band that 30 years ago decided to see how far they could get. Part of the answer is here.

 



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Marie’s biography to be released in German

41vXDGg27yL._SY400_You may remember the poll that we set up earlier this year to ask you to which languages Marie’s biography should be translated into.

Great news! Now we found out that the biography will be released in German on November 14th, 2016 by Edel Germany with the title ‘Listen to my heart.: Meine Liebe zum Leben’ (My love for life).

The book can already be pre-ordered on Amazon and any other German online book store. 

Let’s hope it will be available in other languages soon!



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Per Gessle’s Top9 guitar riffs in rock history

The last podcast in this Top9 series is about Per’s favourite guitar riffs. Per and Sven say that a good riff is often in the intro of a song, but it can also come back inside the song. Per collected 70-80 hits with great riffs and then narrowed down his list to 9. Listen to the podcast or download it from HERE!

Mr. G’s Top9 guitar riffs:

9. Black Sabbath – Paranoid
8. The Rolling Stones – The Last Time
7. Led Zeppelin – Kashmir
6. The Who – I Can’t Explain
5. AC/DC – Back In Black
4. Sex Pistols – God Save The Queen
3. The Kinks – You Really Got Me
2. David Bowie – Rebel Rebel
1. Norman Greenbaum – Spirit In The Sky

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PG screenshot is from the ZDF interview

Black Sabbath’s Paranoid has a fantastic guitar riff. Per thinks the song itself is a little too pop for being a Black Sabbath track. The Rolling Stones is a gigantic riff band, Keith Richards is called The Human Riff. The Last Time has a very catchy riff which goes on in a loop in the verses. The hook was played by Brian Jones, not by Keith and so it’s assumed to be composed by Brian. When the guys start talking about Led Zeppelin it turns out that Sven had a weak moment in the ’80s and got a ZoSo tattoo, which symbolizes Jimmy Page. Jimmy is also a fantastic, tricky guitarist.

Pete Townshend from The Who is another riff king, having a great archive of incomparable guitar riffs. Pete has a completely unique style. After I Can’t Explain got played, Sven asks Per which he thinks the coolest guitar riff is written by Mr. G himself. Per says it’s Sleeping In My Car. PG tells the story of how he wrote the song. When they recorded the album Crash! Boom! Bang!, the record company missed a very strong song to have a lead single. So Per went home and wrote SIMC. He says he thought about Paul McCartney’s album, Ram which includes the song The Back Seat Of My Car. He found it catchy and included it in the lyrics of SIMC. Mr. G played the demo for the song at EMI with Anders Herrlin and Clarence Öfwerman and they liked the song from the beginning and thought it had a real power pop title.

AC/DC make damn good pop music. Per remembers he saw them live as the support act to Black Sabbath at Olympen in Lund, 1977. AC/DC were an unknown band back then, but they actually became much better than Black Sabbath. Their song Back In Black has an awesome guitar riff. Sex Pistols with God Save The Queen is at No. 4 on Per’s list. It has a deadly guitar riff, awesome lyrics and it’s a fab pop song. Per says he missed Sex Pistols playing live in Halmstad 1977. Mr. G already talked about this memory in a previous podcast episode, why he and MP didn’t go in and see the show. They thought it was a bit too dangerous there. Sven and Per talk about Mr. G’s Sex Pistols single collection and that there was a most expensive single in England ”Pretty Vacant” which was worth 13,000 GBP. But that’s not the copy Per has in his library.

No. 3 is You Really Got Me by The Kinks. It has a legendary guitar riff, a very sexy groove. The first guitar riff Per heard from The Kinks was however another one, in Till The End Of The Day. The funny thing about YRGM is that it was written by Ray Davies on piano, but he then thought it would work better on guitar. It’s a super cool production.

Here comes David Bowie at No. 2 with Rebel Rebel. It’s a wonderful song and has a fantastic, intelligent guitar riff. The hit sounds a bit outside of the album, Diamond Dogs. Per loves DD. There were no lyrics to the album and there was no Google at those times. Per finds it important to have the lyrics to be able to follow the text. He bought a kind of sheet music where he could follow the chords and got the lyrics as well. The songs on the album have very sophisticated texts. Rebel Rebel feels like it’s the end of Bowie’s glam period and it’s David himself who played the guitar in it. Per says it was an incredible shock when Bowie died, but his music lives on. He is Per’s biggest hero, he was a fantastic artist and he changed PG’s life.

Mr. G’s No. 1 guitar riff is in a one hit wonder song, Norman Greenbaum’s Spirit In The Sky. Per thinks it’s the coolest riff one has ever written. The song is a tribute to Jesus or something like that. The guitar sound and the whole production are fantastic. The producer of the song is Erik Jacobsen, who also produced e.g. Tim Hardin, The Lovin’ Spoonful and even Chris Isaak’s Wicked Game.

 

Is it really the last podcast in this series? Can’t be! This should go on and on for the rest of our lives! The good thing in the podcast is that you can listen to it again and again anytime. In case you want to listen to all episodes again, check our article including the link to each of the 10 parts. Enjoy!

Thanx Per and Sven for your enthusiasm and sharing it with us and thanx to Swedish Radio for the opportunity! Keep up the good thing!

 



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Per Gessle’s Top9 songs sung by John Lennon

The penultimate part of Swedish Radio’s Per Gessle podcast is about Per’s favourite Beatles songs sung by John Lennon. PG thinks this is probably one of the best lists he has ever put together. Mr. G says he is a big Paul McCartney fan, but he always loved John Lennon’s voice. He thinks Lennon had a completely different composing style vs. McCartney’s and it’s a little closer to Per. Paul is a little too advanced for Mr. G. Per thinks why John and Paul could work so well together, writing songs is exactly their very different style. Sven says he is a Lennon freak and he loves actually everything The Beatles did. Listen to the podcast or download it from HERE!

Mr. G’s Top9 Beatles songs sung by John Lennon:

9. A Hard Day’s Night
8. I Feel Fine
7. I Am the Walrus
6. You’ve Got To Hide Your Love Away
5. Cry Baby Cry
4. I Should Have Known Better
3. And Your Bird Can Sing
2. Come Together
1. Rain

PG_HdIJHctl

Still is from the ”How did It Just Happens come to life” video

A Hard Day’s Night has the world’s coolest intro chord and it’s fantastic pop music. Gyllene Tider did a cover of this song on their early tour. Per couldn’t remember why, but they just couldn’t resist. Micke Syd was Paul and Per was John with a questionable result. Per thinks I Feel Fine’s intro sounds fantastic and he played it again and again to enjoy that ”nnnnnnwahhhhh”. Sven says it’s definitely an attention grabber pop intro, the riff is very original. I Am the Walrus is a fantastic song according to Mr. G. He always loved its nonsense lyrics, the amazing melody and John’s wonderful voice.

You’ve Got To Hide Your Love Away is an incredibly attractive, John Lennon style song. Lennon’s acoustic guitar and his voice drive the whole song. It has no strange intro, it’s a super simple one. Per and Sven say there are many Beatles books around, but most of them are full of speculations. Cry Baby Cry is one of Sven’s absolute favourite hits. Per thinks it’s a terribly awesome song, one of John’s finest moments. Mr. G says The White Album is probably his favourite Beatles album. He was 9 when it was released and he played it a lot of times. I Should Have Known Better is a magnificent pop loop. John had the best voice during that period. Sven says in one of the books ISHKB was mentioned as a throw away track, even Lennon thought so and Per says he as a songwriter would love to have such a throw away song. PG says he can respect that and he also read that some of the Lennon songs he thinks are the best, John thought were throw away tracks. Per talks about his childhood when A Hard Day’s Night, the movie was on TV. There wasn’t too much pop on TV when he grew up and it was always sensational when any pop stuff appeared on the telly.

No. 3 on the list is And Your Bird Can Sing from the album, Revolver. The whole album is guitar-based and Mr. G loves it. Per tells Gyllene Tider recorded a Swedish version of AYBCS [Och jorden den är rund (And Earth is round)] on the EP which was included with their album Moderna Tider, 1981.

The second best Beatles song sung by Lennon is Come Together. It’s the first song on Abbey Road. Other Beatles albums sound very much ’60s, but Abbey Road is so modern that it still sounds awesome today. According to Per, Come Together has a sexy hypnotic groove. It has John’s fantastic voice, Paul’s cool bass play and Ringo’s drum beat.

Mr. G’s No. 1 Beatles song sung by John Lennon is Rain. It was the B-side of the Paperback Writer single in 1966. Per says 1966 is the best year when it comes to pop music. Rain is a bit hypnotic song, a very advanced one including backwards vocals.

Only 1 more podcast to go and this fab series of awesome chat between 2 pop nerds about great music is over. Tune in next Thursday for the last show!

 



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Vote for Roxette and Roxers!

Nomination period started for this year’s Rockbjörnen (music prize awarded by Aftonbladet annually). Last year Aftonbladet introduced a drop down menu for those who find it hard to nominate a band / artist / etc. by themselves and if you check it, you can see they still have Roxette on the list for the bands and Roxette fans on the list for the fans of the year. So, please, fill in at least the live band of the year and fans of the year boxes at the voting link. You can surely fill in other boxes, too, e.g. Swedish song of the year: ”It Just Happens – Roxette” or when the album is out, you can pick another song as well. 😉

Vote HERE each day until 10th July!

If you can’t speak Swedish, we help you which boxes to fill in and how you can proceed with your voting:

  • Årets livegrupp = Live band of the year: Roxette
  • Årets bästa fans = Fans of the year: Roxette fans
  • Årets svenska låt = Swedish song of the year: It Just Happens – Roxette (or any other new song after the album is released)

After filling it in, click on ”Nästa” (= ”Next”) and fill in your name (first name & surname), e-mail address, mobile number, year of birth (födelseår) and whether you are female (kvinna) or male (man) or other (annat), then reply to the control question (e.g. 2 + 2 = 4). If you want to receive info and offers from Aftonbladet, leave the tick in. ”Tillbaka” means ”Back”, ”Rösta” means ”Vote”. It’s simple as that.

 

Pic by Patrícia Peres; Göteborg 24/07/2015

 

For a little Rockbjörnen history check out our article from 3 years ago.

 



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Per Gessle’s corporate gig in Stockholm

Last night (12th May) Per did a corporate show for the same company (DLF) as Gyllene Tider played for in April 2014. The venue was the same, Berns in Stockholm. The company held its annual meeting and Per appeared on stage together with Pelle, Clarence, Christoffer, Magnus and Helena. Among other songs they performed Dangerous, Dressed For Success, The Look and Tycker om när du tar på mej.

Funny solution to hide the XXX or ROX on Per’s shirt. What happened to the PER shirt? 😉

Videos

Dressed For Success
Dangerous
Tycker om när du tar på mej: 1; 2

Instapics and vids

1, 2, 3, 4, 5, 6, 7,

PG_Berns

Pic by Maria Magnusson

 



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Per Gessle’s Top9 producers

The 8th episode of Swedish Radio’s Per Gessle podcast is about producers. Per says they are very important in pop history. Actually, nowadays producers are sometimes more important than the artists themselves. Mr. G tells he works very well together with his producers, Clarence Öfwerman and Christoffer Lundquist. Listen to the podcast or download it from HERE!

Mr. G’s Top9 producers:

9. Frankie Goes To Hollywood – Relax
8. Tom Petty and the Heartbreakers – Here Comes My Girl
7. The Ronettes – Be My Baby
6. The Cars – Drive
5. Lesley Gore – It’s My Party
4. The Spencer Davies Group – Gimme Some Lovin’
3. David Bowie – Sound and Vision
2. The Knack – My Sharona
1. The Beatles – Something

Per chose Frankie Goes To Hollywood’s Relax, produced by Trevor Horn as No. 9 on his list. The song has a sound Per had never heard before and he thinks it’s a great club music, a classic pop song. Here Comes My Girl was produced by Jimmy Iovine. Jimmy has a unique sound and he even worked together with John Lennon. Be My Baby by The Ronettes was produced by Phil Spector. Sven says he’s a legend. Mr. G is not the world’s greatest Phil Spector fan, but what he likes about him is how he produced all the girl groups’ songs. Phil Spector is the producer behind John Lennon’s Imagine as well.

Drive by The Cars was produced by Robert John “Mutt” Lange. He is also one of the greatest producers and hit makers. Quincy Jones is the producer of Lesley Gore’s It’s My Party. Per says he is a phenomenal musician and producer. PG doesn’t know much about Quincy, but he knows he was the producer of the classic Michael Jackson records. When the album Thriller came out, it sounded magical and it still sounds so. The Spencer Davies Group’s Gimme Some Lovin’ was produced by Jimmy Miller who also produced some Rolling Stones albums. Per thinks Jimmy made the songs attractive.

No. 3 on the list is David Bowie with Sound and Vision. Bowie’s producer was Tony Visconti and their cooperation was magnificent. Per and Sven have a long chat about both David’s and Tony’s greatness. No. 2 is The Knack’s My Sharona, produced by Mike Chapman who is a hit maker, mostly known for producing Blondie and The Knack. No. 1 is The Beatles with Something, produced by the greatest of all, Sir George Martin.

This part was the most nerdish so far, linking tremendous amount of songs and albums to each and every producer who were mentioned. It’s really so enjoyable to listen to these two pop nerds, Per G and Sven L. Too bad now only 2 podcast parts are left. Tune in next Thursday!

PG_producers

 



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What happened to the “It just happens” video?

It’s been 36 days since the release of the first single off “Good Karma” – “It just happens”. We got an official lyrics video which has around 260.000 views by now (the video which went live for Germany has 30.000 views so far). This lyrics video has been published and posted on Facebook shortly after the song was out. But we know for sure that there was a video shooting for a “proper” video – proper meaning it includes Per and Marie.

What we know so far is that a video has been shot between March 21st and March 28th – Per confirmed this in an interview on P4 Halland a week before the shooting. We also assume that back then the promo shots for the album must have taken place.

We know that on April 1st (certainly it wasn’t meant as April fools) they were still busy “preparing the new video”.

Shot_2

 

Two weeks later, on April 16th, Per reminded us of the video and wrote this:

Shot_1

Another two weeks later, on April 29th, The Daily Roxette asked on Twitter about the video and Per replied it will be out SOON. Sure, we know enough about Per’s understanding of the way “soon”, but another two tweeks later we are still waiting and there are some questions coming up:

1.) I Does it make sense to release a video for a single that basically flopped more than five weeks later (in case it was out TODAY which probably won’t happen) or even more?

2.) Why didn’t they release it only some days after the single – many artists do these, but I haven’t heard about one who waits more than a MONTH with it, especially not when the single isn’t a mega seller.

3.) What happened? Technical issues, human failure, Marie’s news made it impossible to release it or simply a promo strategy gone wrong?

Having discussed this topic on some Facebook walls and in Facebook groups some ideas came up to save the video from the trash can:

1.) Use the footage for the second single. Just cut what you filmed into something new and ignore the different lyrics.

2.) Release the video together with the album on June 3rd.

3.) Release the single again with the proper video and put some money into promoting the song and getting it to the radio stations.

Any other suggestions how to release the video after months of the single release without looking a bit bad?



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Per Gessle’s Top9 new wave songs from England

After some awesome ’60s, ’70s and ’80s music, the 7th part of Swedish Radio’s podcast à la Per Gessle and Sven Lindström is about new wave songs. Sven starts the show with presenting Per as an old punk, but Per corrects him he has never been a punk, rather a new waver. He says in the late ’70s anyone could start a band even if they were not so talented at singing or playing the guitar and that fit him perfectly. Starting a band gave people a lot of self confidence. Per started a band with Mats MP Persson. The band’s name was Grape Rock and Gyllene Tider was born from that group. Listen to the podcast or download it from HERE!

Mr. G’s Top9 English new wave hits:

9. The Adverts – Gary Gilmore’s Eyes
8. Elvis Costello – Alison
7. The Pretenders – Stop Your Sobbing
6. The Damned – New Rose
5. The Stranglers – Peaches
4. Sex Pistols – Anarchy In The U.K.
3. Wreckless Eric – Whole Wide World
2. Nick Lowe – American Squirm
1. Buzzcocks – Ever Fallen In Love

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The still is from Spotify España’s promo video.

Before getting down to the list, Per and Sven talk about how Per and Co. went to England to buy a used Gibson Les Pauls guitar for Mr. G and a Fender bass for Gyllene Tider’s then bassist Janne Carlsson. They didn’t have money to pay the taxes, so the instruments were actually smuggled in to Sweden, but at the customs the officers seized the guitars. Per wrote a letter telling the whole story and then they got their instruments back after paying a fine. PG had to pay 2000 crowns which was an extremely lot of money back then. It was the sum he earned during whole summer for weighing mushrooms.

Per doesn’t know much about The Adverts. He had their single, Gary Gilmore’s Eyes and liked the bizarre story in the lyrics. Mr. G thinks it’s a fantastic pop song. Talking a bit about Gyllene Tider again, Per says it was quite clear from the beginning that he would sing in the band, because playing the bongo drums is not really his thing.

Elvis Costello is a lovely guy according to Per, everyone likes him. He was an intellectual new wave guy, writing fine lyrics. Per stopped listening to him after Costello’s Oliver’s Army single. Then it became too smart for Mr. G.

Per wasn’t a superfan of The Pretenders, but he thinks Stop Your Sobbing is a good song (the original was written for The Kinks). Before the song starts playing, PG makes Sven hum the tune of another The Pretenders song which Per thought he had missed completely, but then he realized he didn’t miss it, just didn’t like it.

The Damned’s New Rose is an awesome song and the band had a few other good songs. Per bought their debut LP in London. Here they talk about record labels. During the new wave in England Stiff Records guaranteed quality stuff and Parlophone or Atlantic Records were also associated with quality music.

Mr. G doesn’t know too many details about The Stranglers, but he says Peaches is a song that has the sound of those punk times. Funny how Per pronounces the band’s name and then jokes with the song title pronounciation as well.

Anarchy In The U.K. by Sex Pistols is a Top10 song in any category, Per thinks. It’s a specially written song to all 17-18-year-olds in the West. Sex Pistols played in Halmstad and Per went to their show with MP, but it was so chaotic they went home.

No. 3 on the list is Wreckless Eric who has eminent songs with great lyrics and he has a wonderful voice.

No. 2 is Nick Lowe who was a key person in England’s music business in the late ’70s. He produced Elvis Costello and he was a master mind at Stiff Records. He writes fantastic songs and he is one of the artists Per listens the most to. Nick Lowe still makes damn good records.

PG’s No. 1 English new wave song is Ever Fallen In Love by Buzzcocks. This song was No. 4 on Per’s list of Top9 ’70s hits. There he mentioned this is the best song of the British new wave era and here you go, Mr. G lists it at No. 1 on his new wave Top9. Many fast Gyllene Tider songs were inspired by the Buzzcocks.

3 more podcast episodes to go! Tune in next Thursday to hear the lads talk about the 9 best producers in rock history!

 



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Per Gessle’s Top9 songs from the ’80s

The 6th part of Per’s Swedish Radio podcast became available this morning. It’s about the lovely ’80s. Listen to the podcast or download it from HERE!

Per’s Top9 ’80s hits:

9. Gary Numan – Cars
8. Madness – Our House
7. INXS – Need You Tonight
6. Stevie Nicks – Stop Draggin’ My Heart Around
5. Billy Idol – Dancing With Myself
4. The Romantics – Talking In Your Sleep
3. XTC – Senses Working Overtime
2. Tom Petty – Free Fallin’
1. David Bowie – Modern Love

Mr. G mentions he listened a lot to Gary Numan’s Cars. The synth revolution happened in the ’80s and it affected and inspired many other musicians, not only Per. Cars combines the new sound of those times with a real good pop melody. Sven comes up with Gyllene Tider, saying it was the time when GT modernized themselves. Per agrees. In the ’80s there was a lot of make-up, big hair and funny clothes in general.

PG_80s

Still is from Warner Music Sweden‘s PG short video

Our House from Madness is incredibly awesome music, Per says. It feels new and fresh. INXS from Australia had groovy songs. Per chose Need You Tonight, because he thinks it sounded like nothing else. Sexy and funky. Mr. G tells that they (Roxette) were recording in Capri, Italy in 1993 and INXS was recording there before them. (Don’t miss out on Per snapping his fingers at about 16:52.)

At No. 6 you can find a real cracker (smällkaramell), Stevie Nicks with Stop Draggin’ My Heart Around. It’s an outstanding song and here she sings with Tom Petty, who originally wrote the song together with Mike Campbell as a Tom Petty and the Heartbreakers song. Sven and Per talk about 1981-82 when Mr. G and Marie were sitting in the studio, planning their conquering the world. Per says they started writing songs together, e.g. Ingen kan som du; Innan du går, kom tillbaka. Sven mentions the latter became a Roxette song later, at least the title of it (Come Back Before You Leave). Then Per laughs that he steals from himself.

Billy Idol is very much the ’80s for Per, he likes Billy’s ’80s singles. The Romantics is a Detroit band and their song Talking In Your Sleep is a well-produced hit with lovely guitar sounds. Per says they (Roxette) were headliners at some German or Czech festival and the singer, Wally Palmar from The Romantics was performing before them with Ringo Starr & His All Star Band. [It was at Bospop Festival in the Netherlands, 2011. 😉 /PP]

When XTC’s song, Senses Working Overtime came out, Per thought that was the best song he had ever heard. It has an odd composition. You can find Tom Petty at No.2 on PG’s Top9 list. Free Fallin’ is an awesome song. Tom Petty has a blues side as well, which Per never really liked, it’s not his cup of tea. Mr. G mentions Tom Petty is the king of the ’80s for him and David Bowie is the king of the ’70s. At No. 1 you can hear David Bowie’s Modern Love. Per says he is a die hard Bowie fan and he thinks David is a terribly good singer and the whole Let’s Dance album is fantastic.

Now only 4 parts left. Tune in next Thursday as well!

 



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Roxette – Good Karma

Roxette released their long-awaited first single off the 10th studio album on 8th April. It Just Happens is one of the 11 songs on the album and as Per says, it’s one of his favourite tracks on Good Karma. It was written in May 2014 and it was one of the first songs they recorded for the album. They chose it as a first single, because it’s great to have a little bit of Marie, a little bit of Per, a little bit of you and a little bit of everyone in it. Marie and Per promotes their new single together in THIS video.

The album is out on 3rd June in 3 formats: digital, CD and LP. You can have a look at the items on Bengans, Ginza, CDON, Amazon, etc. and you can pre-order it on iTunes as well. Being a worldwide release, you will probably find at least the CD in a record shop / petrol station near you. A limited edition coloured vinyl popped up only at Bengans so far. We don’t know much about how many copies are planned to be released from it and if it has any other limited edition feature (e.g. a bonus track) besides being coloured. Well, Per mentioned some time ago that they had 20 songs for the album and recorded 14 properly. Now there are 11 tracks on the album, so what’s with those 3 other properly recorded songs? They might turn up as bonus tracks somewhere and we hope to hear the demos, too.

In a recent interview Per says good karma is a positive thing and sums up Roxette’s special history. They had all the success, then came all the disaster when Marie got ill in 2002, then they did their 2009 comeback against all odds. He states:

We want to make a positive statement with this album. There is a certain positiveness around the whole album.

The 10th album will be the shortest Roxette record with its 38 minutes, but each and every song has an exciting title and I think It Just Happens was a great teaser track for the whole thing. Marie says:

I look forward to the release of our album ”Good Karma” in June – for me it’s our best album ever!

 Good Karma tracklist (incl. length)

  1. Why Dontcha? 2:45
  2. It Just Happens 3:46
  3. Good Karma 3:19
  4. This One 3:11
  5. You Make It Sound So Simple 3:42
  6. From A Distance 3:30
  7. Some Other Summer 3:08
  8. Why Don’t You Bring Me Flowers? 3:32
  9. You Can’t Do This To Me Anymore 3:50
  10. 20 bpm 3:48
  11. April Clouds 3:29

Warner Music did a great job with the promotion of the single, now let’s hope they keep up the good thing and promote the album at least as enthusiastically. What else? Oh yes. Let’s hope the radios start playing It Just Happens worldwide at last.

It’s a torture to wait until 3rd June! Until then, some interviews will surely see the light of day, as Per posted about some phoners he did today. Looking very much forward to hear / read them all!

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Thanx for the back cover with corrected aspect ratio, Roxette Cafe!

 



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Per Gessle’s Top9 songs from the ’70s

The fifth part of Per’s Swedish Radio podcast starts with Mr. G opening a bottle of water and Per says ”En flaska vatten” (”A Bottle of Water”) would be a great song title. Sven jokes it sounds like a late Gyllene Tider song. Badabam! Listen to the podcast or download it from HERE!

 

Per’s Top9 ’70s hits:

9. T. Rex – Metal Guru (1972)
8. The Allman Brothers Band – Midnight Rider (1970)
7. Joni Mitchell – River (1971)
6. Lobo – Me And You And A Dog Named Bo (1971)
5. Fleetwood Mac – Go Your Own Way (1976)
4. Buzzcocks – Ever Fallen In Love (1978)
3. Blondie – Hanging On The Telephone (1978)
2. Mott the Hoople – All The Young Dudes (1972)
1. Tom Petty and the Heartbreakers – Refugee (1979)

 

Per says the ’70s was a fantastic decade for music with so many genres and it was a decade that formed him a lot musically. He grew up on Tio i topp and on early ’70s music, then he himself started playing music in the middle of the ’70s and they started Gyllene Tider in 1977. Mr. G says everything started in the ’60s in the pop world, but in the ’70s even more things happened, including glam rock.

T. Rex is a fantastic band with a unique sound and a fab singer-songwriter-guitarist (Marc Bolan), according to Per. The Allman Brothers Band’s Midnight Rider is an incredibly catchy, awesome song, thinks Mr. G. Joni Mitchell is an obvious part of this Top9. Per listened to her and The Beatles the most during his life. Joni Mitchell’s singer-songwriter period from the ’60s until the mid ’70s was absolutely fantastic. Then she became a bit too jazzy and fusion for Per. She is the type of artist who other artists look up at and everyone loves her. Per mentions that during those times he started writing lyrics. He couldn’t play any instruments, but he had the melody in his head.

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Still is from the Warner Mexico video

For Sven, Lobo is a surprising choice by Per after Joni Mitchell. Mr. G says they had some songs that were damn good. They weren’t a one-hit wonder band, but a three-hit wonder band. Here Per googles Lobo and he realizes that lobo means wolf in Spanish. Then Sven mentions Los Lobos and Per says aaaah. (You learn something new each day.)

Fleetwood Mac’s studio album Rumours is a pop masterpiece according to Per. He chose a song off that album. Besides talking beautifully about the band, Mr. G also mentions all guys of his generation were in love with Stevie Nicks. From Buzzcocks Per chose a song that had a great effect on them in Gyllene Tider. He thinks Ever Fallen In Love is the best song of the British new wave era.

No. 3 is Blondie with Hanging On The Telephone. The song is a rocket, a magnificent hit according to Per. The album, Parallel Lines is a jukebox of hits, says Sven. Per says David Bowie meant incredibly lot to him and he chose a song written by Bowie as No. 2 on his Top9 list. It’s Mott the Hoople’s All The Young Dudes, which Per thinks is a terribly good song. Don’t miss out on Per’s reaction at the end of the song. 😉 He mentions sometimes it’s almost as much fun talking about music as listening to it. No. 1 on the list is Refugee by Tom Petty and the Heartbreakers. Mr. G says when they started Gyllene Tider, they wanted to sound exactly like them. The band is extremely competent and Tom Petty is a fantastic singer and songwriter. Winning!

At the end of the podcast Sven says he hopes we liked the show, but if not, we can write to Per Gessle. Per says no, write to Sven instead. I guess we won’t write to anyone, but wait for next Thursday to hear the next part, right?

 



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Thank you!

roxette_in_drammen_02Roxette just announced that the upcoming summer tour has been cancelled.

Roxetteblog wants to send Marie Fredriksson a huge THANK YOU for all the great shows and many great tour memories.

If you feel up to joining us: We created a page where you can leave your messages for Marie.

The first ones will be delivered to Marie next week.

/ Roxette Blog Team (Kirsten, Patrícia, Sascha, Tomasz and Judith)



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Per Gessle’s Top9 songs from the ’60s

The fourth part of Per’s Swedish Radio podcast is about the ’60s, Per’s happy childhood. Mr. G and Sven among other things talk about their favourite tunes from the decade and how Per started collecting records by buying his first The Kinks LP from his brother who needed money for cigarette. Listen to the podcast or download it from HERE!

Per’s Top9 ’60s hits:

9. The Kinks – Days (1968)
8. The Monkees – Steppin’ Stone (1966)
7. Alma Cogan – Tennessee Waltz (1964)
6.  Small Faces – All Or Nothing (1966)
5. Bee Gees – To Love Somebody (1967)
4. Paul Revere & The Raiders – Kicks (1966)
3. Nancy Sinatra and Lee Hazelwood – Summer Wine (1967)
2. The Trashmen – Surfin’ Bird (1963)
1. The Beatles – Dizzy Miss Lizzy (1965)

Per loves The Kinks, they are a fantastic band, they did incomparable music. The Monkees did the best version of Steppin’ Stone. First time Mr. G heard the song, he got hooked. Tennessee Waltz is a country song and Alma Cogan did a great version of it, she has a fantastic voice, Per thinks. Here you can hear Mr. G using Google to find out some info about the song. All Or Nothing by Small Faces still sounds good today and the guitars in it are special, just like its whole sound. The Bee Gees did fantastic pop music, they have a great catalogue and among other songs of theirs, Per loves To Love Somebody. Mr. G’s copy of the single has Per Gessle written on the backside, because he lent his friends his vinyls, so it was good to state who they belonged to. Paul Revere & The Raiders is another fantastic band with great guitar riffs. Summer Wine is at the 3rd place on the list. It’s a real masterpiece, Per thinks. Nancy and Lee have awesome voices. The Trashmen’s Surfin’ Bird is No. 2. This song is one of the party songs on Mr. G’s mixed tape we love to dance to while waiting for a Roxette show to begin. The video to it on YouTube is irresistible, Mr. G says. The Beatles is the greatest band of the ’60s, so it’s obvious they are at No. 1 on Per’s Top9 list. Dizzy Miss Lizzy is an inspiring song, a masterpiece, one of the best songs of the ’60s.

 

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Still is from the Thank you! video posted on Roxette’s Facebook page.

One week left until the next podcast part is out.

 



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It just happens – a review

Roxette just released a new siIt Just Happensngle, “It Just Happens”, and we felt we had to write some words about the song. The release was very much anticipated by fans all over. To celebrate the release many fans decided to change their profile picture to a butterfly, sweet, isn’t it? Another surprise of the day: It Just Happens was #1 on iTunes Argentina today! All very exciting, it all just puts a big smile on your face.

And now let’s get to the single:

Judith: Some people say it happened with some Roxette songs in the past, that they had to listen to them a few times to really appreciate them and kinda fall in love with them. It happened to me this time around.

It wasn’t until I listened to the song totally focused, meaning with my high-quality ear phones, and concentrated on all the details and the lyrics that it went boom! It was the part with “It just happens / you don’t know what’s going on / if it’s new or if it’s been there since long / if it’s right or wrong / you fall in love” that gave me goose bumps and brought me back to some very special events in my life. For example, when I fell in love with my big love, or even back to the time when I listened to “The Look” for the first time in 1989. It just happens.

I hadn’t thought about the fact that sometimes it takes a few listenings to appreciate a song. I then started to think and realised it wasn’t the first time that I needed a few listenings to realise the depth and awesomeness of a song. I remembered it was the same with “Sleeping In My Car”. It was quite a different sound to Joyride or Tourism and I had to listen to it a few times till it captured me. Or “A Thing About You” to mention another example. And then I just realised this is one of the things that fascinates me about Roxette. Even though they stay true to their Roxette sound, there is always some new component in their music. And there is always the attention to perfection and those (what I call) playful sounds and details here and there that you only hear when you mindfully listen to the song a few times. And it is always the combination of music, lyrics, voices and those playful details that makes it magical.

Have you noticed that in choruses Per usually slightly changes the lyrics? (“Don’t underestimate, your heart is never late vs your heart can never wait) Or the way they pronounce/sing certain words? (the first “it just happens”, “just yesterday”) Or those little hidden sounds or clappings or drum beats that just happen once but that you know perfectly when they are in the song and are anticipating them? (one keyboard sound after the second “don’t undererstimate” in the chorus is not there in the first chorus, it sounds only again after “your heart can never wait”)…This is Roxette!! And Marie’s voice is amazing on this one!

Of course, the song reminds me of many other songs, and the more I listen to it, the more connections I find to other songs. That is the essence of Roxette. Typical Roxette with a touch of new.

A great appetiser for the upcoming album “Good Karma” on June 3rd!

Kirsten: Before I had heard the song for the first time, a friend already had sent me a message via WhatsApp telling me what she thinks about it – and I think it’s a bad way to be introduced to a song/film/album whatever by another one’s opinion. Especially when it isn’t the best.

I must add that I am really trying hard not to expect anything anymore Roxette-wise. The Travelling album has its gems, same goes for Charm School, but they aren’t my favourite Roxette albums. On the other hand I want Per and Marie of course to do and record what they want, what they feel up to – it’s what I am curious about. How do they sound, what do they want to tell me?

Another not so good thing was that I had read on The Daily Roxette that Per rated the song as a “power ballad” which was sung by Marie. So, when I listened to “It just happens” for the first time, I was of course disappointed twice, because his words had made expect me something – which I really tried to prevent hard. 1.) This isn’t a power ballad (to me), 2.) It is not sung by Marie. When I hear power ballad and “sung by Marie” I have songs like LTYH, IMHBL or SMT in my head – immediately. I can’t help it; it’s what I grew up with.

So, my first listening didn’t make me feel like 12 again. It was an “ok” song with “ok” lyrics. But nothing that blew my mind.

When I posted my opinion on my Facebook page, some other fans and I started to discuss the song very intensely (that’s what I love about this fandom, btw) and came to a funny conclusion. Somehow, “It just happens” sounded like a Coldplay song to us, “Paradise”, in this case. But since “Paradise” totally reminded me of “Wish I could fly” all I could write was: “Roxette sound like Coldplay who sound like Roxette” which basically means that Roxette sounds like Roxette. That’s the way it should be, right?

And the comparison to WICF isn’t the worst. But after three listenings, I thought that it sounds more like LTYH. So, when Marie starts to sing “It just happens… you fall in love” you could also easily sing “Listen to your heart… when he’s calling for you”.

Don’t get me wrong – I don’t mind artists stealing from themselves. Every singer/songwriter does it often. I don’t care. I just noticed it. And in the end I want them to sound like themselves, this only works when they stay true to themselves.

About the song: I love the sound, it is powerful, it is full, I love the instruments, the arrangements, it sounds very modern and updated. Thanks for finally turning away from the 60’s George Harrison sound. I loved it for the time being, but we really had enough of it!

What confused me from the very first time I heard it was the structure. I couldn’t get my head around it and I still don’t. It seems that the highlight of the song isn’t at the end, but in the first third. There is no build-up. Have I ever heard something like this before? I don’t know. The middle 8 isn’t the introduction to a great outro with even more instruments or another strong chorus. It actually gets quieter towards the end and this surprises me every time I hear it.

I like the lyrics and we all know why they are kept “easy”. I love both vocals, even though I had not expected Per to sing at all. I would have loved it even more if we had gotten a bit more from Marie in the verses (but that’s just me, because I think that both voices fit together like paper and glue, fire and wood.. you get the idea..).

I don’t know anything about the music business or the reception of a new song, but I always find that it’s hard to sell a song that doesn’t work from the first second at the first listening on. Something must set free in the listeners’ brain or soul.. if it doesn’t happen, they will never buy the song. I don’t know about “It just happens”. Maybe it’s a classical radio song that needs a lot of airplay to climb the charts. “She’s got nothing on (but the radio)” did it and this was a song I really only loved when I heard it live for the first time. Man, live this was a killer!

And I really would love to hear “It just happens” live, too. Just because Roxette are one of the best live bands at the moment. They simply rock and some of this rock couldn’t hurt their songs either.

So, long text… all in all I think it’s a good song with a catchy melody. For me, the last single that really flashed me was “Wish I could fly” and “It just happens” doesn’t change it. (But I didn’t expect that anyway. Just keep on singing together, Per and Marie!).



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