Anders Nunstedt posted a pic of himself and Per Gessle on Instagram yesterday and wrote he did an interview with Mr. G. Despite the title (”Per Gessle about life with his love, Åsa”), the article is more about Per’s new album, En vacker natt and the recording process. The interview was done at BMG’s office in Stockholm.
As Anders writes, Per Gessle travelled to Nashville and came home with 2 pop albums colored by sentimental American country and Swedish romance. The first album, En vacker natt is out on Friday (28 April), then comes a summer tour, En vacker kväll and in September the 2nd album, En vacker dag is released. Per describes it enthusiastically as a gigantic comeback, spiced with an extensive signing tour in the next few weeks.
About the project Per says:
There’s no need to stop just because you get older. These songs have taken 58 years to mature.
Regarding songwriting Mr. G tells Anders he tries to write fast when he gets started. The songs have been recorded in a studio in Nashville, the country metropolis, where Per and his gang rocked together with American studio musicians. This musical meeting gave the Swedish material a different touch and Per, at least partly, a new sound. Mr. G thinks it was much fun, because he had never met those people before and he noticed that they thought it was very strange music they did. But Per thought there was a sound in this project that those Nashville musicians have never played before. And then he became a little proud.
As Anders expresses himself, En vacker natt is not about a jet-set life. It’s down to earth from start to finish. Gessle has collected children’s laughter, birdsong, ocean waves and the sound of a train station. He sings about tussilagos on the single, Småstadsprat, the Winnerbäck duet and about daisies in the opening track Min plats.
It’s my style when I’m writing texts. If I succeed, the lyrics mean something for the listener. To do that, I have to use symbols. If I write “ny tussilago vid den väg jag går, kommer varje vår” (new tussilago on the way I go, comes every spring), I say at the same time, “there will be new chances”, “next year comes a new journey”, “life goes on”. You can interpret this in so many different ways.
Anders asks Per if it often becomes sentimental. Per replies it does. Even if he always writes the same thing, he has tried to write from another angle now. For example, Några glas rosé is a pretty classic love text, but the angle is that he being older looks back on a young love. This way there is automatically a certain form of sentimentality. Mr. G says it’s a bit sad that time goes by. It might be scary and insanely strange, but you can also use it as an ingredient and an inspiration.
Anders asks Per if the lyrics of his love songs are about his wife, Åsa. Per is laughing and tells Mr. Nunstedt that if it’s love texts, Åsa thinks he wrote them about her, but if she doesn’t like the lyrics, she doesn’t take the song personal. Haha.
Anders says Per and Åsa have been married since almost 25 years and asks how they kept their love alive. Per says:
We’ve been together since 1984. It’s a long time. But Åsa and I have always belonged to each other in a certain way, ever since we first met. I can’t see my life without her at all.
We are very similar and very different. Åsa is a superstrong person, but at the same time she has chosen to be in a supporting role to me.
Per tells Åsa is from the travel industry and started working early with Roxette and their travels, and got a position in the whole organization. So it has never been the case that Per had been away for eight months and came home, but they basically shared everything. Mr. G says his wife has been amazing.
Thanks for the interview, Expressen! An album review by Anders Nunstedt (as usual) is probably out later this week. Let’s see how many Expressen bees Per’s new album gets!
There is a long and very nice interview with Åsa Gessle in Hallandsposten today, both in printed format and on their website. You will also find some cool pics of Fru Nordin in there. Interview is done by Christian Albinsson, pics by Anders Andersson.
Åsa talks mainly about Hotel Tylösand, her role in the hotel’s life, her designer career, her relationship to Per, as well as her love towards Halmstad, life around Roxette and her filming on tours.
The article mentions Åsa and Per acquired Hotel Tylösand relatively cheaply in 1995 together with businessman Björn Nordstrand. Åsa says they re-invest a lot into the hotel each year. She finds it fun that the hotel is constantly growing and renewed, because she always had a dream to run a hotel, although she thought that it would rather be a small boutique hotel in the countryside than a large conference center.
Regarding Per, Åsa says he is more interested in the art hanging on the hotel’s walls and what kind of wines are served at the restaurants, design ideas, appearance etc. are more Åsa’s thing.
In the Hallandsposten interview she mentions there are plans to create a sun terrace on the roof top of the spa building. Mrs. Gessle says many of her favorite hotels abroad have such a sun terrace with a bar. She is very proud of her babies, Leif’s Bar & Grill and Bettans Bar and says she feels herself at home there.
She talks about how she ended up in Halmstad 33 years ago, in 1982, when she moved to there to open a clothes shop with her then-boyfriend. Their relationship came to an end and she was introduced to Per by a common friend of theirs, Lars Nordin.
I already knew who Per was, but Gyllene Tider were not exactly my idols, so to speak. I had also lived a few years abroad and had not really kept track of Per’s career.
As Åsa tells Hallandsposten, love came approximately a month later, when Per sent her a letter written in tongue-in-cheek style, which truly characterizes Per. He wrote about her dog and if she could kindly leave the dog at home if he had a chance to invite Åsa for dinner. Since then they are a couple. By the way, Fru Nordin says Per still likes writing handwritten letters.
As written in the Hallandsposten article, Åsa planned everything around the Roxette trips. She and Per were travelling together since 1989, stayed at many hotels and in the beginning they could see less of the cities they stayed in, but nowadays it’s quieter and they have time to stop and collect impressions.
Besides organizing the travelling and gathering inspiration from different hotels, Åsa has always had a camera with herself. The Jonas Åkerlund film (Roxette Diaries) we already wrote about will soon be completed, however, it’s still not decided where to broadcast it.
Hallandsposten writes about Halmstad life being perfect for Åsa, she loves living there, while Stockholm suits Per more. He has more social life in the Swedish capital.
I also like to go out and dance to dance bands, last time about a week ago in Västerhagen. I still have sore muscles. Dancing to dance bands is not something I do with Per. 🙂
We’re going home to Halmstad to gather strength. I love to go to Prince Bertil’s path, which I do almost every day. It’s awesome that new things are happening there all the time and the landscape changes along the way. My favorite spot is Tylöbäck where there is a kind of magical atmosphere, although I think one should clean up a little of all the old trees…
Another favorite spot is the garden where Åsa and Per like just to sit and enjoy peace, and to have breakfast in the special breakfast corner.
It’s nice to have a little routine. Per always drinks filter coffee at certain times, like an old lady, ha ha.
In the interview Åsa talks about her designer career. It started in 2007 when there was a housing exhibition in Halmstad and Lars Nordin asked her if she would decorate one of the apartments. First she said no, because they were in the middle of a tour, but she now mentions the real reason was that she thought it was a little scary. She accepted the challenge in the end and she used By Rydéns lamps in that apartment, so she got in good contact with them. Now she is designing lamps for them. The theme is love and peace and the peace mark is a central element of the design. There are 1 or 2 lamps each season designed by Åsa, who has learned it step by step that it is important to believe in and challenge yourself.
For Åsa, it is obvious that love makes us better people, and her message is that we should be kinder to each other and be happy for each other’s success.
You might remember Per sharing pictures of himself at a Racing Day at Ring Knutstorp, Sweden last September (pic 1, pic 2). Mr G mentioned back then:
Racing yesterday at Ring Knutstorp. Well, I actually didn’t race. Just a few laps on the track. I’m a coward.
So, the car was driven by someone else on the track and we were also joking a lot about him wearing that helmet or not in the end. I bet many would have been happy to be there and check Per’s LALALA LaFerrari from the inside. It seems some were lucky enough to sit in it for a little time.
Besides providing the visitors with the possibility to see tons of posh cars, there was a charity race for Childhood Cancer Foundation and 300000 SEK was collected for them. On a side note, Hugh Grant was also present and he was racing.
6 months after the event, Autoropa, the organizer of the racing days shared a short VIDEO summary of what happened at Ring Knutstorp that September day. They talked to Per, so he also appears in the video. Check him at 0:36 and 4:40. As you can see, the mystery is solved. Mr G did wear that helmet, even if it was maybe only for some seconds or minutes. Per says in the video that Åsa (who was btw driving the LaFerrari to and from Ring Knutstorp) drives a little faster on the roads than Per. Who would have thought? 😉
Henry Diltz‘s name surely rings a bell. He is a legendary rock photographer and has taken many famous photos of e.g. Jimi Hendrix, Janis Joplin, Neil Young, Joni Mitchell, The Rolling Stones, Paul McCartney, etc. He even took photos for Roxette’s Tourism album and Per has some of his pics on display at Hotel Tylösand.
Now a documentary is in progress about Henry Diltz’s story and Per will also talk about him in it. As Janolof Fritze, director of the documentary informs:
A few days ago we got Per Gessle from Roxette in front of the camera. In the documentary “Rock Photographer Henry Diltz – famous among the famous” Per is talking about Henry as a good friend and a great photographer. Per Gessle is one of 30 iconic music artists featured in the 90 minutes documentary that we hope to release in the beginning of 2015.
There is already a trailer to the docu, in which you can see Mr G for 6 seconds! Click HERE or on the screenshot to watch it! Per appears at about 00:50. He says:
A good photographer like Henry, he knows what he is doing. I don’t, you know. I just take snapshots.
As Per informed on Roxette Official, there was a Tres Hombres Art exhibition opening for Terry O’Neill‘s photos on 7th October at Hotel Diplomat. It seems that after the event they went on to Uppsala to meet Henry, since he has an exhibition of his photos during the Uppsala Guitar Festival. There they showed how to shoot a proper selfie of 4. 😉
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
Åsa Gessle has created a collection of lamps called “In Love” with a clear message of peace. On the lamp can be found a sign stating “Make love, not war” with a small peace symbol. The designer has been inspired by the fact that this year is 50 years since peace symbol began its triumphal journey around the world.
Tonight at Drottnigsholm Palace the big pre-wedding dinner takes place for 200 closests friends and relatives. Per Gessle is one of the guest and came to the castle at 7.15 PM local time with his wife Åsa. For pictures visit Expressen, Aftonbladet, SvD, SVT, Italehi, iltasanomat.fi
Per Gessle’s wife, Åsa Gessle, will be on TV tomorrow. The show called “Förkväll” hosted on TV4 will provide a short film about her work as a designer. She designed a lamp called “in love” which you can see here.
The show airs at 5.00 pm (CET) until 6.30 pm (CET). How long the report will be and what we will get so see there is yet unknown.
According to Aftonbladet’s researches among Swedish celebrities’ marriages, most of them have signed marriage settlements. It refers also to Per Gessle and Åsa Nordin’s relationship. In their settlement it is written that in case of divorce, Mrs. Gessle would get half the value of the couple’s apartments, but the rights to Mr. Gessle’s songs would remain totally his.
Other Swedish couples that marriage settlements were analyzed are: Tommy & Ann-Charlotte Körberg, Magnus & Louise Uggla, Liza Marklund & Mikael Aspeborg, Christer & Birgitta Sjögren, Carl Bildt & Anna Maria Corazza, Henning Mankell & Eva Bergman, Björn & Pernilla Skifs, Eva Dahlgren & Efva Attling, Benny Andersson & Mona Nörklit, Stellan Skarsgård & Megan Everett.
Have you ever known that it was Clarence who counted 1-2-3-4 in “The look”? This and more in the exclusive footage from the recording studios in SVT’s “The look” documentary. It seems it was co-produced by Danish and Norwegian TV-stations, so it’s very probable it will be broadcasted in other Scandinavian countries.
In my opinion – the best Roxette documentary of 21st century.
Update: Fellow rox fan shirley is working on an English translation of the documentary, which should lead to a subtitled video. You can read her work in progress at R2R forums and maybe help her!