2 exhibitions had their openings at Hotel Tylösand on Friday, 1st July. Legendary British photographer, Mick Rock had the vernissage of his ”THE RISE OF DAVID BOWIE and more” exhibition on the 2nd floor, while Anders Roos opened his ”RoXXXette On The Road” exhibition in the hall on the ground floor.
It would have been probably better from the RoXXXette On The Road exhibition’s point of view if that one had started 1 hour earlier and then everyone could have gone to see the main exhibition after seeing Anders Roos’ 15 fab Roxette photos. Both exhibitions started at 7 pm and Mick Rock’s was an invitation only event. Many people came to meet him and have some words with him about his wonderful David Bowie, Iggy Pop, Lou Reed, Debbie Harry etc. photos. He also signed his David Bowie book during the vernissage and was happy to pose for pictures with his fans.
Among the guests known to us there was Mikael Bolyos, Magnus Börjeson, Sven Lindström, Göran Fritzon and last, but definitely not least, Per Gessle. When Per arrived, he immediately got some questions from Expressen’s Kvällensposten (see their article and photos from the event HERE) and we also had the chance to talk to him shortly. He was in a very good mood, being excited about meeting Mick Rock. We talked about the RoXXXette On The Road book, mainly about the Roxers limited edition version and he said he asked the organizers to keep the low numbers for Hotel Tylösand, because he knows that we, Roxers pop up here often and would get it at the hotel. He said it took ages for the silver tint to dry when he signed those 300 limited edition copies, but it was fun to sign them. Good it wasn’t raining then, however, he has a glass roof on the terrace, so the books would have survived anyway. Per was kindly posing for a picture for RoxetteBlog and made me laugh how he smiled. Why to say ”cheese” when you can say ”Paul McCartney”? I’m glad I didn’t shoot at ”-cart-” Haha! Then off he went to enjoy the vernissage. The whole event lasted for about 2 hours and it seems that it’s not only Per who had fun with Mick Rock, but vice versa. See picture HERE.
At the RoXXXette On The Road exhibition you can see 15 C-prints from the book in 50×70 and 70×100 cm sizes. They are on display at Hotel Tylösand, in front of the Spa. You can even buy the numbered prints. There are 25 numbered copies of each 50×70 cm print and 10 numbered copies of each 70×100 cm print. The 50×70 cm print costs 6000 SEK, while the 70×100 cm print costs 10500 SEK. Prices include the frame (1000 SEK) and Swedish VAT (appr. 1000 SEK), so if you order from abroad, the prices might be different / lower. If you are interested in more details or you have any questions, contact Tres Hombres Art at email@example.com.
As Anders Roos told Lokaltidningen, Halmstad (read the article and see some pictures HERE) it was extremely exciting to be on tour with Roxette. He said the band was very helpful and they also wanted the result to be as good as possible. Anders tried to choose different images to get a good balance of pictures with both Per Gessle and Marie Fredriksson, as well as the band members. Anders, who considers RoXXXette On The Road as a dream project also told Lokaltidningen that nowadays, when everyone goes to the concerts with their cameras and mobiles, it’s not the live photos that are the most interesting, but rather the backstage shots.
The exhibitions are free to visit until 31st August, so if you are near Hotel Tylösand, make sure you don’t miss them!
There is a long and very nice interview with Åsa Gessle in Hallandsposten today, both in printed format and on their website. You will also find some cool pics of Fru Nordin in there. Interview is done by Christian Albinsson, pics by Anders Andersson.
Åsa talks mainly about Hotel Tylösand, her role in the hotel’s life, her designer career, her relationship to Per, as well as her love towards Halmstad, life around Roxette and her filming on tours.
The article mentions Åsa and Per acquired Hotel Tylösand relatively cheaply in 1995 together with businessman Björn Nordstrand. Åsa says they re-invest a lot into the hotel each year. She finds it fun that the hotel is constantly growing and renewed, because she always had a dream to run a hotel, although she thought that it would rather be a small boutique hotel in the countryside than a large conference center.
Regarding Per, Åsa says he is more interested in the art hanging on the hotel’s walls and what kind of wines are served at the restaurants, design ideas, appearance etc. are more Åsa’s thing.
In the Hallandsposten interview she mentions there are plans to create a sun terrace on the roof top of the spa building. Mrs. Gessle says many of her favorite hotels abroad have such a sun terrace with a bar. She is very proud of her babies, Leif’s Bar & Grill and Bettans Bar and says she feels herself at home there.
She talks about how she ended up in Halmstad 33 years ago, in 1982, when she moved to there to open a clothes shop with her then-boyfriend. Their relationship came to an end and she was introduced to Per by a common friend of theirs, Lars Nordin.
I already knew who Per was, but Gyllene Tider were not exactly my idols, so to speak. I had also lived a few years abroad and had not really kept track of Per’s career.
As Åsa tells Hallandsposten, love came approximately a month later, when Per sent her a letter written in tongue-in-cheek style, which truly characterizes Per. He wrote about her dog and if she could kindly leave the dog at home if he had a chance to invite Åsa for dinner. Since then they are a couple. By the way, Fru Nordin says Per still likes writing handwritten letters.
As written in the Hallandsposten article, Åsa planned everything around the Roxette trips. She and Per were travelling together since 1989, stayed at many hotels and in the beginning they could see less of the cities they stayed in, but nowadays it’s quieter and they have time to stop and collect impressions.
Besides organizing the travelling and gathering inspiration from different hotels, Åsa has always had a camera with herself. The Jonas Åkerlund film (Roxette Diaries) we already wrote about will soon be completed, however, it’s still not decided where to broadcast it.
Hallandsposten writes about Halmstad life being perfect for Åsa, she loves living there, while Stockholm suits Per more. He has more social life in the Swedish capital.
I also like to go out and dance to dance bands, last time about a week ago in Västerhagen. I still have sore muscles. Dancing to dance bands is not something I do with Per. 🙂
We’re going home to Halmstad to gather strength. I love to go to Prince Bertil’s path, which I do almost every day. It’s awesome that new things are happening there all the time and the landscape changes along the way. My favorite spot is Tylöbäck where there is a kind of magical atmosphere, although I think one should clean up a little of all the old trees…
Another favorite spot is the garden where Åsa and Per like just to sit and enjoy peace, and to have breakfast in the special breakfast corner.
It’s nice to have a little routine. Per always drinks filter coffee at certain times, like an old lady, ha ha.
In the interview Åsa talks about her designer career. It started in 2007 when there was a housing exhibition in Halmstad and Lars Nordin asked her if she would decorate one of the apartments. First she said no, because they were in the middle of a tour, but she now mentions the real reason was that she thought it was a little scary. She accepted the challenge in the end and she used By Rydéns lamps in that apartment, so she got in good contact with them. Now she is designing lamps for them. The theme is love and peace and the peace mark is a central element of the design. There are 1 or 2 lamps each season designed by Åsa, who has learned it step by step that it is important to believe in and challenge yourself.
For Åsa, it is obvious that love makes us better people, and her message is that we should be kinder to each other and be happy for each other’s success.
Any plans for March? Particulary, March 13 and 14? No? Then you could go and book a “Gessle inspired weekend” at Per’s Hotel Tylösand in Halmstad. Everybody who books a “Spa & Entertainment package” will get a special treat with a wine tasting of exclusive Gessle wines as well as do a tour around the hotel’s unique pop history landmarks – as is stated on the homepage of the hotel.
This is the complete program as listed on the site:
WINE TASTING – Friday and Saturday 17.30 PM
The Per Gessle Selection is the brand for the series of wines that the Swedish super star and wine aficionado Per Gessle has launched with the help of some of the world’s most prominent wine makers. In this series there are champagne as well as red, white and non-alcoholic wines, and we will be served a selection of these during the tasting session.
THE POP TOUR – Friday and Saturday
On both Friday and Saturday there will also be a guided tour of selected pop history items on display at the hotel, led by music writer and Per Gessle biographer Sven Lindström, who guides us around Leif’s Lounge with its exhibition of unique Roxette and Gyllene Tider material from Gessle’s long music career.
Sven Lindström has written the authorised biography ”Att vara Per Gessle” as well as chronicling Roxette’s career and sensational comeback. Together with Per, he also hosts the weekly show Nordic Rox, presenting the best music from the Northern countries on Sirius XM satellite radio.
Availability is limited, so book now for a weekend in March with a little bit more of everything.
One article is about Sommartider rosé, the unbeatable picnic wine. About rosé wines Per says they fit as soon as it is a bit warm outside. He himself drinks it throughout the year, even in winter if he finds himself in a warmer climate abroad. According to Per, rosé goes well with almost anything, but it must be drunk cold – always!
Another article is about Sommartider white wine which goes well with seafood. In the third article you get the recipe of Leif’s Bar & Grill’s Kingcrab pizza.
The fourth article is about how The Per Gessle Selection project started when they wanted to serve their own house wines at Hotel Tylösand and Kurt & Lisa and Furet became the first 2 items in the selection.
From the fifth article you get to know more about Per’s relation to wines. When he turned 30, he got a box of Malartic-Lagraviere 1982 wine as a present. He says it changed his view on wines forever. In his twenties other drinks mattered. He didn’t drink too much wine at those times and it was mostly a few glasses of Le Cardinal or Blue Nun to his Pizza Hawaii. Today his name is well-known and respected in the wine industry. He really likes Bordeaux and Burgundy wines, as well as Italian wines from both Barolo and Tuscany.
The passion for good wine he shares with his wife, Åsa. Travelling around the world, they have many memorable culinary experiences together, but the biggest they had at a dinner at home. They had invited some friends to celebrate the Millennium and Per had managed to get hold of two half bottles of Chateau d’Yqem from 1900. They served it before midnight and he says it was a memory for life.
According to Per, a wine cellar is not really necessary. The main thing is that the temperature is fairly constant and that the bottle is not exposed to strong sunlight. All in all, wines are not as complicated as many people think. It is actually about one thing: to find and follow your taste; he says.
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
Sandra Knospe was one of the lucky fans who got an invitation to the book release party. To the party being held on 10th December in Leif’s Lounge at Hotel Tylösand. She travelled there with 3 of her friends and they enjoyed the journey, the meetings, the talks and the party to the full. Here’s her complete story about the event, how she experienced it.
The “Alla tiders Gyllene Tider” book release party or a not so usual short trip to Halmstad…
It’s a week ago already, but I needed this time to realize that it hasn’t been just a dream what I experienced last Tuesday, that it really happened. Again… Who would have thought back in 1997, when I witnessed the first book release party in my life at Hotel Tylösand, also for a GT biography, also written by Jan-Owe Wikström, that 16 years later I would be there again, at the same place, for yet another GT book release party, for another great GT book, a road biography, written by exactly the same person, Jan-Owe Wikström, with outstanding pictures from Anders Roos, that really deliver the live feelings from the past GT tour and bring back soooo many fantastic and intense moments of the tour. I can tell, I was there on all 19 shows. Going through the book brings me back the memories and make them become alive again immediately and I can’t wait to find some time to finally read the whole book.
But back to where I started… When I got the invitation I knew that I wouldn’t say no. Even though it seemed to be impossible to realize. I knew I had to work a day after the date of the party, I knew I couldn’t take my precious GT car for the trip since it’s missing a proper set of winter tires and I knew that probably nobody of my friends could join me, because it all came so suddenly and seemed to be impossible to manage in just a week. And as if that wasn’t hard enough to solve, I smashed my thumb in the car door just a few days before the trip should be. But everyone who knows me also knows that this wouldn’t hold me back from going. And suddenly everything turned out just perfect. My parents offered me their little Ford Fiesta to be able to go, my thumb was at least not broken just hurting (something I can easily ignore when it comes to such events), and even 3 of my friends made it possible to join me on this adventure. Life is great sometimes, isn’t it?
Today 750 lucky fans attended Gyllene Tider’s concert at Hotel Tylösand. The ”secret” gig was confirmed on 11th June and the concert menus at Leifs Terrace were announced at the same time. All the menus were sold out in an hour. The menu was:
Skaldjurscocktail med jordärtskocka och sparris (Seafood cocktail with Jerusalem artichoke and asparagus)
Grillade entrecote med örtaioli samt potatis och grönsakssandwich (Grilled entrecote with herb aioli, potato and vegetable sandwich)
Normal concert tickets went on sale at 17:00 CET on 17th June. They were not sold out that day, but the interest in them was big all around the world, so it was possible even for foreign fans to buy tix.
There were fans who started queueing at about midnight! Hotel manager and staff were very nice, fans got some sweets and coffee while waiting.
Per Gessle & Co. arrived to Hotel Tylösand at about 16:00. Soundcheck started at 17:00 and lasted for less than an hour.
BoJo made it happen: the doors opened at 18:30 for those very few fans who had been waiting there all day and of course, they all made it to the international front row in cosy Leifs Lounge. Entering the venue was very calm: no running, no fuss about it, just walking in patiently.
Seeing those many pics and videos online and reading those fans’ posts on FB who attended the gig, the Fab Five was in top shape tonight and they sounded awesome. Anders Nunstedt from Expressen was in the crowd, too. He had a great (not fantastic, but great, which is still fantastic from him 😉 ) time, as he gave 4 out of 5 for the gig in his review. He probably enjoyed ”Det hjärta som brinner” and ”(Kom så ska vi) Leva livet” the most, as he shared short videos of these songs on Instagram. 🙂 Check our Facebook site for the links.
As Per informed Expressen, GT was digging deep into their archives for this gig and also performed some songs they won’t play later on tour. The setlist consisted of 17 songs including 2 encores. Let’s see which of these they will leave out. ”Arabiska nätter” – which, according to Hallandsposten they haven’t played live since April, 1980 – we probably won’t hear live again. Such a pity, but hey, huge thanx to Mandy Sedgwick, you can watch it online here. 😉
1. Arabiska nätter
2. (Dansar inte lika bra som) Sjömän
3. Det blir aldrig som man tänkt sej
4. Juni, juli, augusti
5. Det hjärta som brinner
6. Allt jag lärt mej om livet (har jag lärt mej av Vera)
7. En sten vid en sjö i en skog
8. Ljudet av ett annat hjärta
9. Gå & fiska!
10. (Hon vill ha) Puls
11. Ska vi älska, så ska vi älska till Buddy Holly
12. (Kom så ska vi) Leva livet
13. Flickorna på TV2
14. Vill ha ett svar!
15. När vi två blir en
17. Tylö Sun
The standard setlist Per’s setlist and some hot plecs
Today was busy with announcing dates of two live shows of Gyllene Tider before the tour premiere.
1. Allsång på Skansen
SVT announced all the artists and dates of this year’s Allsång på Skansen. Gyllene Tider is in the premiere show, so the guys perform there on 25th June. SVT will broadcast it live. This is not a complete gig, the whole show is 1-hour-long and four artists / bands are in the 1st show. If you are in Stockholm that day, you can buy your tickets at the entrance of Skansen. There is no separate concert ticket, you just pay the entrance fee (150 SEK) to Skansen. Pre-booking tickets or seats is not possible. Skansen’s main entrance opens at 10 am. Event starts at 19:30 and SVT starts broadcasting it from 20:00. Rehearsals are from 17:00.
Click here for an earlier article of ours with past Allsång performances of Gyllene Tider and Per Gessle.
2. Hotel Tylösand concert
Per revealed on Gyllene Tider’s Facebook site after midnight that there might be a Hotel Tylösand gig before the tour premiere. Today it was confirmed by Hotel Tylösand, so this nice tradition lives on. The club concert is on 26th June, 1 day after Allsång. Location: Leifs Lounge. It will be an indoor gig and you can also book a table at Leifs Terrace, concert menu including the concert ticket costs 650 SEK / person. The concert ticket itself costs 300 SEK / person. Doors open at 7 pm, concert is at 9 pm. Age limit: 20. The concert menu you can already book, but the concert tickets go on sale at 5 pm CET on 17th June. You can buy them only at the entrance of Leifs Lounge, max. 6 tickets / person. No online sale.
Update from Hotel Tylösand at 8:30 pm, 11th June: concert menu is sold out, no more place at Leifs Terrace.
Over 167,000 travel agents in over 160 countries vote in this unique competition. As HallandPosten.se informs, Hotel Tylösand received a golden prize during the World Travels Awards gala in Algarve, Portugal in the middle of October. Hotel Tylösand is a winner in “Sweden’s leading spa resort 2012” category. The award is considered as one of the finest treasures a travel product can get.
To win a gold in this big race is to win recognition, says Elisabeth Haglund, CEO of Hotel Tylösand in a statement.
Would you like to work for us? We are now strengthening our company with a number of posts in marketing, sales and IT. For more information on all jobs we are currently offering, visit: www.tylosand.se/lediga-job
Hotel Tylösand, owned by Per Gessle and Björn Nordstrand, was going through major renovation and reconstruction in the previous months. On the Hotel’s Facebook page several photos from the newly opened “The Look” suite were posted. Yep, this room has definitely got the look!
We need your help. Each and every concert will have such a topic. If you find something connected with this particular gig, post it in the comment section. Thanks for your help and cooperation!
1. Dressed for success (Look sharp!)
2. Sleeping in my car (Crash! Boom! Bang!)
3. Opportunity nox (The Pop Hits)
4. The big L. (Joyride)
5. Wish I could fly (Have a nice day)
6. She doesn’t live here (Don’t bore us…)
7. 7twenty7 (Have a nice day)
8. Perfect day (Joyride)
9. Things will never be the same (Joyride)
10. It must have been love (Pretty woman)
11. Stupid (Marie left the stage on this song)
12. Do you wanna be my baby (Marie left the stage on this song)
13. Silver blue (Per said they sing this one because it was #1 in the song requests/ fans wanted to hear, yep, it was your choice, dear RoxetteBlog.com readers) (Tourism)
14. Fading like a flower (Joyride)
15. How do you do! (Tourism)
16. Dangerous (Look sharp!)
17. Joyride (Joyride)
18. Listen to your heart (Look sharp!)
19. The look (Look sharp!)
20. (I’m not your) Steppin’ stone
21. Church of your heart (Joyride)
As www.roxette.se informs, Roxette decided to share their dress rehearsal with 600 fans:
Like in 2003 (Per Gessle), 2004 (Gyllene Tider) and 2007 (Per Gessle again) there will be a secret concert, like a dress rehearsal if you will, in Halmstad August 4! Roxette will play Leif’s Lounge at Hotel Tylösand on Wednesday night. 600 tickets will be released on Wednesday morning, in order to stop ticket scalpers, and will cost 295 SEK. Tickets may be bought in the reception of Hotel Tylösand starting at 11.00 AM.
The concert starts at 10 PM.
Even now Per Gessle and Björn Nordstrand, owners of Tylösand Hotel, cannot complain about theirs profits – Hallandposten informs.
According to Dagens Industri the hotel’s last year’s turnover was over 162 million SEK, while net profit landed on 41 million. Because of the recession and fewer bookings, comparing to 2007 profits decreased by 10 from 51 million SEK.