For obvious reasons, during the past few months there weren’t as many plectrum updates as used to be, but then in July something popped up on a certain Instagram account. Per Gessle posted a picture of a guitar pick saying ”New guitar pick, flipside!”. We all started wondering what the text (What’s been played with this pick stays with this pick) and sealed-lips emoji on the plectrum could refer to and it didn’t last too long to find out it had surely been produced for private gigs.
We had to wait 2 months to see where the pick was used and it turned out it was the only occasion Per played it. It happened at a birthday party at A.b.b.e.y. R.o.a.d. S.t.u.d.i.o.s. Wow! It must have been an awesome feeling to play at such a historical & magical place.
What the pick (1; 2) says is not completely true though. Of course we don’t know the full setlist, but we know the band played The Look and more importantly, they also played Här kommer alla känslorna (på en och samma gång). Huh? Who would have thought that Per would EVER play THIS song at THAT place? Yep, it was a Swedish business man’s birthday party after all, but still! It’s just amazing!
Fortunately, Mr. G was generous enough to share the pick with the greatest plec collector among Roxers, Sandra Knospe and this way the PLECtionary could be updated. Woohoo! Check it out!
We asked Sandra how she feels about having this item in her collection:
I remember that Per mentioned in the interview about the guitar picks, that he considers it a mission to help me find Plectrum-Nirvana. And I also remember how shocked (in a positive way) I was when I read this back then. That alone was more than I ever could wish for. Of course I didn’t dare to believe that he actually would make it true. But he really did. More than just once. And I still can’t believe it. I am so happy and grateful that he helps me to keep the collection complete. And it also makes things so much easier. It sometimes is like pulling teeth if you try to swap a missing pick with somebody, esp. such rare ones that have not even been played at public events. So thank you again, Per, for being such a kind person and also for making the hunt much easier. I can’t find the right words to explain good enough how much I appreciate that. But I so do!!!
Huge thanks again for the updates, Sandra and much appreciation to Mr. G for making it possible!
The last time the PLECtionary got updated was in August 2015, right before the last show of the European tour leg. Now one tour leg later, an update is due again. We hoped for new picks for the South African shows, but we couldn’t be sure there would be any new plectrums until Per posted the photo of the guitar pick they designed especially for South Africa (Roxette FB, Per IG, Roxette IG).
It wasn’t clear at first sight whether it was only one pick and Mr. G showed the 2 sides of it or it was 2 different picks, but soon it turned out they got back to the roots, making it more limited, so it’s only one pick with the South African flag on one side and GESSLE ON THE ROXXX on the other side. Looking good! Haute couture, as the master says.
Sandra was there in South Africa and she could now take photo of it to include the plec (No. 107) in the PLECtionary. More than that, thanks to her we can also add Per’s guitar technician’s, Micke N-S’s new pick (No. 108) and in the meantime Sandra could obtain one of the Night of the Proms plectrums (No. 26) she had been looking for since a long time, so it’s now in the PLECtionary as well.
Besides these 3 new additions, you will find a separate section for the misprinted picks. The misprinted ones mean something went wrong during the production and e.g. the design or the text is missing on one side. With this update you see 2 misprinted plecs, No. 77 and No. 96.
The last time we updated the PLECtionary was 5 months ago. The XXX tour’s European leg did deserve some new Per Gessle guitar picks, so it’s time for another update. Mr. G posted on Roxette’s Facebook page on 28th March that they had just ordered new plecs for the then upcoming tour leg. The picks were ready in time and he posted a photo of the new beauties some days before the first European gig in Milan.
Aaaah at last! My new guitar picks!!! Enjoy and grab one flying like a rocket at the shows, folks!!! /P.
Reading the word rocket I thought immediately of a real gem on The Per Gessle Archives and this went on and on in my head ”Picks are everywhere / catch a rocket in the air / be ready when they’re there / like a rocket in the air!” Oh well… Grabbing a flying plec is really not that easy, but not impossible at all. There are many lucky Roxers who will surely pop til they drop having a Gessle pick in their collection and there are many who still can’t believe they obtained a pick touched by the hand of Per.
I thought it was convenient to say a big THANK YOU to:
DUNLOP CUSTOM PICKS
for those custom made picks I do my best to spread around the globe with mixed results. Hey, you’re pretty good at catchin’!! To my defense, those red acoustic guitar picks are so thin, they won’t fly…..
Sandra Knospe is of course both handy and lucky, so the PLECtionary gets its update. Sandra found the time in between heavy touring and her also busy non-Rox-World-related life and now before the last show this year in Europe she took the photos and shared the trivia she knows about the plectrums. Check out the PLECtionary and look for the guitar picks No. 100-105! It also includes a new print of the latest Professor Lundquist pick. At No. 157 you’ll find another new item, a Mister Magnus pick. You know, he’s the viking member of the band whose fave Rox album is Baladas en español. Vikings don’t need customized plectrums. Haha.
Huge thanx again for the updates, Sandra! Your collection looks more and more eXXXquisite!
So, one more gig is left for this year and you have the chance to confirm that Per is right when he says we are pretty good at catchin’. Once you catch a pick you have to take care of it though. The print on them is a little bit dangerous. Good luck, you all!
The last time the PLECtionary got updated was eXXXactly 3 months ago today. Let’s celebrate it with adding some more picks to it!
Since the 2014 picks weren’t really used (check in the PLECtionary, why), it was evident Per needed new plectrums for the New Zealand – Australia leg of the tour. He shared a photo of his new guitar picks one day before the Auckland show. We could all agree on these were fitting NZ-Oz quite much and that they are hilarious with the funny texts on them.
Sandra Knospe decided to see the band live in Australia in February and during the concerts she attended she could collect all the latest Per Gessle plecs, as well as one Christoffer pick and one Micke N-S plectrum. After getting back home, she found the time to take the pics of all the beauties and tell the trivia she knows about them, so 8 plectrums are added this time to her already stunning collection. Check out the PLECtionary and look for the guitar picks No. 92-99!
There are plenty of the picks produced for NZ-Oz, so maybe there are enough left for at least the European leg of the tour. The designs are fitting Australia more, but of course we’re happy to catch them in Europe, too. 😉 (Update on 28th March: Per says there will be new picks for Europe.) 7 weeks left until the tour goes on! Woohoo!
Huge thanx for the updates, Sandra! We’re eXXXtremely happy that your collection is growing and growing!
When we first got to see the 2014 editions of Per’s guitar picks on the producer’s Instagram account (pic 1, pic 2), we got very excited. They all look so hot ’n’ cool! Then the tour started and besides being extremely happy about seeing our most beloved band live again, we expected to see the new picks live, too. During the Russian leg of the tour fans were posting pictures of plectrums they could catch at the concerts and we could see that besides some new ones, most of the picks they could obtain were from 2012. We could think the amount produced of the new plecs was so few vs. Per’s pick-throwing habits that he ran out of those 2014 picks very fast. But it wasn’t the case.
A nice collection. But where are the pix from 2014????? /P.
Haha… Yeah… We’d been also wondering, because we saw a lot of 2014 picks appearing e.g. on Tradera, already before the tour started and we were quite sad about the fact that they ended up in traders’ hands, while we couldn’t see too many of them on Per’s mic stand on tour and he played even less of them.
The producer shared the info after we asked them and they saw the PLECtionary that the picks are quite exclusive, not too many of them were produced. That was also confirmed by Mr G and Micke N-S. 100 pieces were made of each 2014 picks, except for the Rox-Jet plec, of which 400 exist. Per already mentioned it in the guitar pick interview that they should slow down a bit and produce less picks for a tour. Now it seems they sticked to that idea of keeping the picks more exclusive.
There was another thing Per mentioned in the plectrum interview and this is how the actual update of the PLECtionary is possible. When talking about Sandra’s collection, he said:
She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
And how awesome the way is how he is helping her! He sent the missing 2014 guitar picks to Sandra in a mail not much after he posted about the PLECtionary. Wow! I mean W.O.W.!
Santa Per or Gessle Claus, call him as you wish, he is the most fantastic and most fan-friendly artist in the whole wide world! And he really knows how to make the fans the happiest people in the universe. I can only confirm it.
I don’t even have to mention how Sandra was jumping of joy when she saw Per’s mail in her mailbox. She also wants to thank Mr G for the awesome gift, so here is a message from Sandra to Per:
A truly unexpected and special Xmas present!! What a treat!! Not only that I finally can add a set of these beauties to my collection, but also I’ve got lots of Xmas presents for my Rox-friends now. A big thanks to the generous and kind donator! Hallelujah! You rock, Per!
He ROX, indeed! And Sandra, too! Thanx a million for all your efforts and work with the updates again! We’re extremely happy for you and glad to see your collection is growing.
Since Per sent more picks to Sandra and let her share them with her Rox-friends, she also thought about giving a chance to a wider group of Roxers to get these rare picks. Huge thanx for offering them for a contest, Sandra!
Besides adding the 2014 picks (No. 86-91), the PLECtionary has also been updated with some info regarding quantities produced of picks where it is known and since the latest update, the misspelled, rare Woddy plec (No. 10) could also be added to Sandra’s collection.
Read the trivia from Sandra at the new picks to get to know why Per doesn’t really use those plectrums on tour! What will we see on the mic stand in 2015? Will there be a new production with the same designs or will there be some completely new layouts? Are there still so many 2012 picks left that Per will use them until he runs out of them? The answers are not known at this point. Let’s see what happens next year!
CONTEST!!! Here is your great chance to get hold of a ROX-JET / PER AIR HAIR – CAPTAIN GESSLE guitar pick (No. 91)!In order to participate, answer the following questions (correct answers are added next to the Qs on 3rd January):
How many Rox world related guitar picks are there altogether in the PLECtionary at the moment? – 150 (143+7)
How many different 2014 guitar picks were designed for the XXX anniversary tour? – 6
What is written on the front and back of plec No. 10? (Please, spell it how you see it, otherwise we can’t accept your answer. 😉 ) – Text front: HEJ DIN TOK JAG ÄLSKAR DIG; Text back: WODDY
Send an e-mail with your name, address(so we can send the guitar pick in case you win) and the answers to the questions to firstname.lastname@example.org until 23:59 CET on 2nd January 2015. The 10 lucky winners will be announced a few days later.
Contest terms and conditions:
– In order to participate, you have to send an e-mail to email@example.com with your name, address and the answers to the 3 questions. We will consider all e-mails we receive until 23:59 CET on 2nd January 2015 with complete information.
– 10 winners will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice will lead to your disqualification.
– Prizes won’t be paid out in cash. Prizes will be sent by standard mail only once (so basically, if the envelope gets lost, we won’t be able to send a replacement).
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to reply to the e-mail confirming your address.
– Roxetteblog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are one of the lucky winners, to send you the prize.
Update on 3rd January:
The 10 lucky winners are:
Rosina Marmion – Uruguay
Agata Giunta – Italy
Gaby Hildebrandt – Germany
Jorge Diaz – Argentina
Nikolett Zentai – Hungary
Ilya Volkov – Germany
Kersti Liivamäe – Estonia
Helen Franklin – England
Mariana Gumuzio – Spain
Remco Verhaaf – The Netherlands
The winners have been informed via e-mail and were announced on our Facebook page, too.
The PLECtionary has been updated with some more Rox world related guitar picks Sandra Knospe got hold of during the past months. The update includes some more colours of the Night Of The Proms plectrums, some Overkill picks of Micke N-S, Jokke Pettersson’s pick from the Marie Fredriksson tour, as well as a new section called Fun Picks where you’ll find the Gyllene Tider cartoon plecs and the Leif’s Bar & Grill pick. Huge thanks again for providing us with the new pics and trivia, Sandra!
CONTEST! We thought about giving away 3 plectrums: a blue Roxette / Per Gessle 2010 guitar pick, a Gyllene Tider 2013 cassette pick and a Soldans på din grammofon Gessle pick from 2013. 2 of these plecs are extras in Sandra’s collection and 1 of them is an extra in Judith’s collection. Thank you so much girls for offering them for the contest! You’ll find the pictures of the picks if you check No. 63, No. 109 and No. 110 in the PLECtionary.
In order to participate, answer the following questions:
How many Rox world related guitar picks are there in the PLECtionary at the moment, excluding the Fun Picks? (136)
What is written on the front and back of plec No. 97? (Ta mej… nu är jag din! / Åsa)
Where Per Gessle ordered the Party Crasher picks from? (Australia)
Send an e-mail with your name, home address (so we can send the plectrum) and the answer to the questions to firstname.lastname@example.org until 23:59 CET on 15th July. The 3 lucky winners will be announced a few days later.
Contest terms and conditions:
– In order to participate, you have to send an e-mail to email@example.com with name, address and answer to the 3 questions. We will consider all e-mails we receive until 23:59 CET on 15th July 2014.
– 3 winners will be picked randomly among those who have participated and sent the correct answers. The 3 plectrums will be picked randomly among the 3 winners.
– You can only participate once, any attempt to participate twice will lead to your disqualification.
– Prizes won’t be paid out in cash. Prizes will be sent by standard mail only once (so basically, if the envelope gets lost, we won’t be able to send a replacement).
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer to the e-mail confirming your address.
– Roxetteblog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and. in case you are one of the lucky winners, to send you the prize.
You surely remember the day when Per posted 2 photos from the guest bathroom. Yeah, those 2 pics (pic 1, pic 2) on which we could see tons of plecs in a cosmetics bag. No surprise that many of us started thinking about a perfect excuse to use the guest toilet of the Gessle Residence one day. No clue what those picks are doing in the guest bathroom (???), but W-O-W! It was a heart-attack moment when the photos appeared in the newsfeed.
We all started checking the plecs one by one and could also see real rare items on the top among the picks from the past decade. When I say rare items, I’m not talking only about the ”LOOK SHARP! / IT’S ONLY PLAYBACK P.GESSLE” and the ”Ta mej… nu är jag din! / Åsa” plecs, but also about such a rare pick which hasn’t been part of Sandra Knospe’s collection either. The white ”MONEY NEVER SLEEP$ / ROXETTE P. GESSLE” plec with black letters!
When I saw it, I got very excited and thought where is Sandra when we need her. She has to see it immediately! Some hours later she was online and of course, she also started drooling when she saw Mr G’s posts on Roxette Official. It didn’t last long until THE plec got into her sight. And she let Per know about it, posting the same pic with a funny sign to hold that guitar pick back. One could have been more than 99% sure Per would react on that post. And he did so. But I think no one thought what the content of his comment would be:
Sandra, send me an envelope with your address and the pick is yours. Your collection deserves it! /P.
Pure awesomeness! And he was so right. No one else would deserve that plec more, than Sunny. Sandra was faster than a shot from a gun, ran to the post office and the letter was on its way to Sweden in about an hour. Another fast PERson replied to that mail very soon and BADABAM, Sandra’s collection got closer to being complete. Woohoo!
This way the PLECtionary is also updated. The numbers are changed now, since this plectrum had to be No. 3 on the list. Check it out!
Sandra says this pick has become the most precious item in her collection. It will be hard to beat how she got this guitar pick.
Speechless is the word. I know I kinda repeat myself quite often when it comes to such things, but is there anyone who would question that this guy is the most caring and most awesome artist in the whole wide world? Roxers are the luckiest fans, that’s for sure.
Now only 1 mystery has to be solved: what is that sweet South Park plec doing among all the precious PG-related guitar picks?
And still one thing left to dream of: to see the red Ferrari box, the archive in which there are all the plectrums, kept proud and polished.
P.S.: Per, dig a bit deeper in that cosmetics bag! There still might be some hiding picks, one or two of those missing bits that could further help Sandra find Plectrum-Nirvana. 😉
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
I always wanted to see Sandra Knospe’s amazing plec collection. Then I thought this is something that probably everyone else would be happy to see. So I asked Sunny what she would think about presenting her guitar picks on RXB in a separate section and she liked the idea. We immediately started working on this project and it took some time, but now we (Sandra and RXB) are extremely proud and happy to present the PLECtionary.
What other date could we find to publish it, if not Mr G’s 55th birthday? 😉 Have a splendido birthday in the sunshine, Per!
In the PLECtionary you can find all the plecs – except those few ones Sandra is missing – which are related anyhow to the Rox World.
Hats off to Sunny to take all these beautiful shots. I can tell it’s not easy to take pics of the metallic print on plectrums and sometimes even the base colour of the guitar picks is tricky to be photographed, but as you can see, Sandra did a great job with it. Not mentioning the trivia she shared with us. It’s always a pleasure to work together with PERfectionists. 😉 HUGE thanx again, Sandra and I hope to see the missing bits of your collection here soon!
Click here and check out the PLECtionary! You’ll always find it in the menu above.
From the title you might guess that the interview is about the plectrums. 😉
While we’ve been working on the PLECtionary, I did an interview with Sandra and she happily shared some more details about her passion, the guitar picks, as well as some further nice stories related to these precious little things. Enjoy!
Patrícia Peres: – First of all, huge thanx for your hard work with this PLECtionary. It’s awesome to have all plecs’ photos and knowledge at one place. How did it all start for you? Which is your first memory and which was your first plec?
Sandra Knospe: – You’re welcome. It was fun to do it. I love going through the plecs once in a while. It all started in Helsingborg 1996 at the second Gyllene Tider concert from the Återtåget tour. That was also the day when I got my first plec. I found it after the show, somewhere on the dirty ground. I saw Per throwing the plecs away during the gigs and I was just curious if I could find one. I knew chances were low. It was like searching a needle in a haystack together with all the other fans who knew that there might be something to find on the floor that’s worth to pick up. And it felt like a triumph when I finally succeeded, it was kinda thrilling. I was surpised to see that it was customized. I didn’t know that before. That made it even more interesting, of course. But back then I did not really start collecting in the way I do it today. I was just happy that I found it. The wish to make my collection as complete as possible came later in 2003 when I received an envelope from Per with 10 different plecs including real rare ones from 1989 and 1991. So I had a few different ones thanks to him and also from the Rox tour 2001 and Mazarin tour 2003 which I attended as well. I liked the design and little phrases on them and I wondered how many customized plecs by Per exist at all and wanted to find out how they looked like and from which tours they were. So I started some investigations. From then on the hobby turned into a passion.
PP: – So the first plec you got 17 years ago. Wow! How many picks do you have actually? How many of them are Per’s plecs and to whom are the others related?
SK: – Oj, need to count… Without the doubles it’s 114 different plecs (and 3 of them in different gauges). 71 from Per plus 2 from him which are not customized, 17 from MP, 4 from Christoffer plus 1 from him which is not customized, 4 from Micke N-S, 1 from Jakob Johnzén, 12 T&A studio plecs and 2 plecs of which the origin I don’t really know. One of these two could be a tech plec as well and the other one is dedicated to someone whose name is Tedde. No idea about it really, but on the other side it says ”WITH LUV FROM THE GESSLES”. So I guess it comes from Per at least. All together (including the doubles) it’s 224.
PP: – Who would have thought that there are so many plecs related anyhow to the Rox World. I know the whole collection is very close to your heart, as one day when a friend asked what you would take with you in a hurry if there would be fire in the house, you replied: ”The plecs, the plecs!” But which is the most precious item if you can choose only one? What is your story behind it?
SK: – Urmmm… I would rather get my ass burned before I would leave any of them behind in case of a fire. A fav plec? Hard to say, it even changes from time to time. Maybe the ”LOOK SHARP! / IT’S ONLY PLAYBACK” plec, because it’s probably the oldest one. Even if mine is not in top condition. I got it from a friend with the right connections. But then again, it could also be one of the plecs that have a more sentimental value to me, like the plecs Per sent me in 2003 that made me start collecting more purposeful. They are indeed very special to me. Tough question. So many goodies, really can’t decide. Sorry.
PP: – I can totally understand you. I can’t choose any favourite either, as all of them are beauties. Is there a pick you don’t like at all? Maybe because of the design or anything else.
SK: – I wouldn’t say there is a pick that I don’t like at all. I’m maybe not so much into the latest GT picks with the record and the cassette on one side and the GT emblem on the other. That might be because I am not a fan of pictures on plecs. I like it simple. A cool phrase is better than anything else. The ”WOODY / VEM FAN ÄR VERA?” pick for example is a great one. Great colour of plec and print and a cool note on it. Simply perfect.
Mikael Nogueira Svensson is the most well-known member of the crew among fans. Many people know him as Micke N-S, the guy behind the iPhone, taking the panorama pics we can see on Roxette Official and on Gyllene Tider’s Facebook site. We know his face and sometimes fans are chatting with him at the venues, but still, we don’t know too much about Micke, just that he is doing a fantastic job as backline technician.
He took his time between Gyllene Tider’s Örnsköldsvik show and 2nd Halmstad gig and was happy to share some more information about himself & his work and told us some interesting and funny stories, too.
PP: – On a Swedish drum workshop website I read this: ”Workshop leader is Mikael Nogueira Svensson, one of the most experienced and hired drum technicians in Sweden.” When did you start your work as a drum / guitar technician? What came first: drums or guitars?
MNS: – I started around 1997 with some local acts in the middle of Sweden, Dalarna. First it was only drums. The guitar bit of it came in the picture in around 2002, when I ran a rental company in Stockholm and had to go on tour with a band and also help the guitar player. And basically, it’s more common in Sweden that the techs help the guitar player more than the drummer.
PP: – Do you like working with drums or guitars more? Or does it depend on the person whom you are working with?
MNS: – It’s totally up to the artist I work for, so it doesn’t matter at all if it’s drums or guitars. But I toured with Prince between Roxette tour legs, which was more of a challenge, because then I did keyboards and piano for him.
PP: – Even keyboards and piano. Great! By the way, have you ever been studying music? Or you just learned to play the instruments by yourself?
MNS: – I’ve been studying at Stockholm Conservatory of Music for 3 years. But the fun part of it is that I decided to play the drums when I was a child, after meeting Pelle Alsing backstage in Gävle on the Joyride tour. And now I work for them.
PP: – Really? That sounds cool! What was Pelle’s reaction, when you told him you decided to play the drums because of him?
MNS: – Can’t remember. Nothing special I guess.
PP: – Oj, Pelle… Any other instruments you play besides the drums and guitar?
MNS: – I can only play the drums, can’t play the guitar. I only know a few chords. But I guess I can set up a guitar better than most of the guitar players out there…
PP: – You’re kidding! I thought it’s evident that you can play the guitar. Hats off then! Besides Roxette and Per Gessle you worked together with many other artists on tour (e.g. Peter Jöback, Carola) or played the drums for (e.g. Rod Stewart and the producer of U2). Who is the one whom you enjoyed to work together with the most?
MNS: – First, I didn’t play the drums for Peter or Carola. I was a tech for them. I played the bass on a singback performance with Peter Jöback once at the Swedish football gala. I kind of like to work with artists who are very aware of everything. It’s a give and take. I like to make it nice for them and they appreciate it. If it’s an artist who doesn’t care about anything, I don’t like it. You get no positive feedback then.
PP: – You are now on tour with Gyllene Tider. How different is it to work with them vs. Roxette?
MNS: – There’s no difference, except that I sleep at home from Sunday till Tuesday. We are the same crew and everything is the same.
PP: -Who is the easiest to work with in GT?
MNS: – I would say it’s equal. Everyone demands a certain kind of professionalism and everyone is just as kind as the other. But I’ve known Micke Syd for the longest time, so he is kind of the same ”father” figure for me as Pelle Alsing.
PP: – You are taking care of Per Gessle’s guitars, Micke Syd’s drums and also Anders Herrlin’s bass guitars, as well as many other things before, during and after the GT concerts. Which is the toughest part of your job now and what do you like the most?
MNS: – I wouldn’t say that I take care of many other things than Per, Micke and Anders. Actually, I only take care of them (their gear). And if you think that something is not connected to them, it is. No one would think about it, but it’s kind of boring to change strings every day.
PP: – Every day??? That must be boring indeed. When do you have to be at the venue on a concert day? What’s the daily routine? What are the first tasks and what is the last thing you do after a gig ends?
MNS: – I’m the last to arrive, at around 11 am. The stage is built the day before by the second unit crew. The riggers and light crew set up everything from 8 am on a concert day. Then I start building the drums, which takes about 1 hour including tuning, head change and miking the drums. After that I set up Per’s VOX rig and Fender amps of Anders. Then it’s lunch. After lunch I set up my tech world [see photo] and connect everything to the sound desk. Around 2 pm we do line check with the crew. Then we remove all the things in front of our risers, so Linnea and her band can set up.
PP: – You do soundchecks in the early afternoon with or without the band, but you are also checking the sounds before the concert starts. Were there any difficulties during this tour that you had to solve very quickly before a concert started to make everything work in the end? Or all is going smoothly during these soundchecks?
MNS: – There was no problem so far. Knock on wood.
PP: – I remember there was a moment in Karlstad, when Per looked at you and showed he has problems with his guitar. They were just coming back to the stage for the 2nd extra with Sommartider. You had to come up the stage and change the guitar settings from silent mode to normal, while Per was playing the guitar. It was hilarious. Are you and Micke Syd teasing him a lot with this since then? (At least in Örebro I saw you and Micke Syd were teasing him and showing the guitar was then set to normal mode.)
MNS: – Hahaha! Shit happens to everyone. And actually Syd is not talking about the guitar, he is just teasing me, because Per makes fun of me holding the guitars for so long. He’s fooling me and decides to wipe his face once again and have another drink. So I have to stand there and look like a fool. Sometimes I walk back before he can take the new guitar.
PP: – Now that’s too funny. Anyway, which is your personal favourite among Per’s actual guitars – Cherry Gibson, Blonde Gibson, Black Gibson or the Black Acoustic – and why?
MNS: – I like the Black Gibson, because it’s the easiest to work with. But I bought the Blonde for Per during the Roxette tour and that one has grown in my mind and feelings. (Also in Per’s, I guess, since it’s used for more songs now.)
PP: – Between the support act, Linnea Henriksson and the GT gig we see you on stage with a red plec saying ”Tänk att få sätta på” (part of the lyrics of Flickorna på TV2). Lookin’ good. Is it your personal plec? Is it an own design?
MNS: – It’s my personal tuning pick. It’s one gauge thicker than what Per plays with. It’s more comfortable and more accurate to tune with. I have had own tuning picks since Roxette started the tour. Purple ones.
PP: – We know that for the Roxette tour you had many ideas regarding plecs and Pelle’s drumkit with the star was absolutely your idea. How much have you been involved in designing this year’s plec collection and drumkit?
MNS: – I have designed all of them. Per gave me a few lines he wanted to see on them and I did the rest. The drumkit setup is designed by me. The front head design is Gyllene Tider’s official tour shield, not my design, but I made a few changes to it. It’s 3D, if you look closely at it. Peter, who printed and helped out with the Roxette drumkit, also did the graphic work and printing for this and the Leif on the small kickdrum.
PP: – Talking about ideas, we could see one of your greatest in the Roxette live concert film, namely the small cam on Per’s guitar. Awesome camera angle. Can we expect anything like this in the coming GT live film?
MNS: – No, but I pitched the idea for the show designer to add the GoPro wide angle cameras in the production inside the drumkit. But that is shown every night, so it’s nothing new.
PP: – Back to your past. Have you ever played in any band? Are there any plans that you want to leave backstage and come into the spotlight one day or it’s not your cup of tea at all?
MNS: – I was playing in a band during my years at the Conservatory of Music. We did a reunion in 2009 and played for 2 weeks in St. Anton ski resort. But there are no other plans and it’s nothing I want to do.
PP: – Do you already know what’s next, whose backline are you going to be after the tour ends? Or do you take a good rest and have some free weeks?
MNS: – I do all the pre-work for the Swedish / Norwegian talk show, Skavlan at our national TV station (SVT). I take care of the acts playing there when it comes to all backline work and logistics. It can be any artist: Foo Fighters, Take That, Alicia Keys or a local act. Funny thing is that Sinéad O’Connor asked me if I could get her a guitar for her performance. The only one who I knew he had a guitar Sinéad wanted was Per. So I called him and borrowed his guitar for that show. He told me to say hello to her, since earlier they met in another TV show (where she ripped a photo of the Pope).
You can watch Sinéad O’Connor’s performance in Skavlan show here. She was playing Per’s Gibson Les Paul Jr. /PP/
PP: – One last question came into my mind when I looked at your cover picture on Facebook – Bruce Springsteen throwing the guitar to his technician. Cool one! Who is the artist you would love to work with if you had one wish and why?
MNS: – Foo Fighters, because it’s good music and they are nice guys.
PP: – Fingers crossed for you to work with Foo Fighters then. Thank you for your time and for the fun stories. See you on a next Gessle-related tour!
MNS: – Thank you for coming to the shows. We are nothing without you. And who knows. There might be something in the future, or not…