Per Gessle’s Roxette – Hamburg, Germany – 11th October 2018 – #3

Hamburg, Germany, the best show so far on tour! And that was a seated gig! If all seated gigs are like this, I’m very much into them. Once the tour was announced and we could see there were several seated concerts, we thought OK, the setlist would probably be too slow, full of ballads, so the seats might be because of that. Then we saw the setlist at the first show and realized there is a great flow in the mix of ballads and uptempo or midtempo songs. So when we reached the first seated concert in the schedule, we got curious how it would work out. Should we stand up? Should we stay seated? What is the rule at the venue? Are we allowed to stand up anyway? If we stand up, when should we? First world problems, I know…

The show in Hamburg was held at a concert hall, a beautiful building. The soundcheck started at appr. 5 pm again and those who met Per in town before he left for the soundcheck got lucky, because Mr. G was in a very nice mood, stopping to sign stuff and fans could also take pictures with him.

Since it was a seated gig and we had our fixed spots, no one was really queueing in front of the venue. Once we arrived we could take it easy, enter the building, check out the merchandise, grab some drinks, chat with other fans. That’s a big advantage of seated events.

This time the support act was again Lee MacDougall. Great guy, really. He was much fun on stage in Hamburg too and he even changed 2 songs in his short setlist. Well, this is how people can get to know his music. He mentioned that in Leipzig he said he is the biggest Roxette fan in the UK, but after the show a guy from the UK, called Huw stepped to him and said that actually HE is the biggest fan in the UK, so Lee corrected himself in Hamburg and said that since Huw is here, he can only tell he is the biggest fan in England.

Already during the support act it was a bit strange to be sitting. I was sitting in the front row and the stage was a bit too high for looking up there without having problems with your neck after. So the thought of standing up got stronger and stronger each second. Haha. Another thing that made me think we should stand up was that hey… the setlist starts with The Look, c’mon! How could you stay seated during The Look?! I mean even the royal family showed it long ago that it just doesn’t work. 😉

Even if Per said after Leipzig that they ”got a few more things to check out in Hamburg” regarding the setlist, there was only a slight change. Listen To Your Heart got moved to the 2nd encore, but otherwise the running order stayed the same. 20 songs. After talking to some of the band members later, it seems to stay like this, since 22 songs both Per and them all found too long. Oh well… ask a fan anytime, we wouldn’t have enough of a 30-song-long setlist either. Let’s hope that at least it stays 20 until the end of the tour and it doesn’t get even less, as it happened during last year’s tour.


1. The Look
2. Milk And Toast And Honey
3. Crash! Boom! Bang!
4. Dressed For Success
5. She’s Got Nothing On (But The Radio)
6. Spending My Time
7. I’m Glad You Called
8. Small Town Talk
9. I Have A Party In My Head
10. It Must Have Been Love
11. Opportunity Nox
12. The Big L.
13. Fading Like A Flower
14. Doesn’t Make Sense
Band presentation
15. How Do You Do! (in a medley with No. 16)
16. Dangerous

17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

So, back to the first world problems of standing up, when the gang hit the stage a bit after 9 pm and started playing The Look, appr. 5 seconds passed and the whole concert hall was standing. Woohoo! That defined the mood of the crowd and I think it guaranteed the success of the complete show. Also, it probably gave even more energy to the band. 150% energy on and off stage, I can tell. And the level dropped to 120% during the ballads. Haha. Most of the crowd stayed standing during the whole gig, but also those who ”sat down” were sitting on the upper edge of their seats and only during the ballads and talks in between the songs. Once an uptempo song came, everyone got on their feet again. Great vibes! It was fantastic being part of that crowd!

After The Look, Per talked to the audience while drinking his ginger tea and said he didn’t play in Hamburg since 2015 and asked who was there. Tons of people shouted in the crowds they were there. Nice.

He moved on digging in that deep box of Roxette songs and they played 2 ballads, Milk And Toast And Honey and Crash! Boom! Bang!. Both of them sounded great and the audience liked them a lot. After the ballads, Per tried to throw his acoustic pick to the crowd, but it got probably stuck to his hand so it landed on stage very close to himself. It happens. We were laughing and while Micke N-S brought Per his guitar he plays during speed-up song Dressed For Success, he was kidding him showing how he throws a plectrum. DFS was loved, as well as She’s Got Nothing On! Constant party mood in the crowd and madness on stage! Even 1 drumstick of Andreas flew to the edge of the stage at the end of the song. Per said he is getting too old for this. Someone in the crowd shouted we too. Haha. Per heard it and said you too are definitely getting old.

In the talking before Spending My Time Per mentioned he wrote 2 songs in one afternoon. The first one was Joyride, then he had some tea and biscuits and then he wrote the next one. The crowd sounded very happy to hear SMT and Helena got applauded loudly.

2 more ballads came, I’m Glad You Called and Small Town Talk with Chris in the 2nd verse again. Pure magic!

Showing how fab the crowd was, when the band started the intro to I Have A Party In My Head, the audience started singing Opus’s ”Live Is Life”, not just the Na Na Nana Na part, but the complete chorus. Per laughed and pointed at the audience while looking at the band, then talked into the mic saying this sounds great by the way, however, this coming song is from the Son of A Plumber album. He was glad that the crowd recognized that one.

It Must Have Been Love was next, Magnus’s favourite track (including The Beatles, The Eagles, Fleetwood Mac, Frank Zappa and even Milli Vanilli). Per said he tried to avoid to play it, but Magnus said he has to play it, he kills Mr. G otherwise. Per said he knows and it’s scary. Good they played it. The audience burst out into a loud sing-along.

Then came the party section again, with Opportunity Nox and The Big L. and these 2 songs rocked big time in Hamburg too. Per said ”getting ready for the weekend, right”. The ”bringing me down to my knees” part of TBL was funny, because since we had a bigger space in the front between the stage and the front row without fence or anything else, we could really get down to our knees. Almost. Haha. This time I was on the left side of the stage and loved how Ola and Malin-My came to the front to rock their instruments during TBL.

Before Fading Like A Flower, Per and Magnus talked about the ’90s again. Magnus said he doesn’t just remember the ’90s, he IS the ’90s. Wherever the ’90s went, he was there before. Haha. How Helena sang the song in Hamburg sounded a bit different vs. the first 2 gigs. I would say her version got more powerful from getting the energy from the wonderful vibe of the gig. Fantastic!

Doesn’t Make Sense was a blast again. I love the whole song. Beautiful lyrics, great PG vocals, how he sings ”nose” is still killing me and the ending where Chris and Andreas go crazy is one of the greatest parts of each show.

In the band presentation Per mentioned he is extremely lucky to have this band with him. Magnus he found in a flea market, he said. Haha.

How Do You Do! and Dangerous were very much welcomed by the audience to have some more party. HDYD had the teaser intro this time and the crowd started singing the song before Per started it. No one could believe the gang went off stage after these 2 songs. The audience didn’t stop clapping and shouting, waiting for them to come back on stage.

Then the band members appeared one after another and Per came back as well to play Queen Of Rain and Joyride in the first encore. Since the audience was whistling, Andreas tried to whistle using his hands too, but wearing gloves, it just couldn’t happen. It was funny though. I love how Per and Chris interact during the intro to Joyride. After these two songs the gang went off stage again, but the audience went crazy to have them back. And so they came to sing 2 more tracks in the 2nd encore.

This time Listen To Your Heart was moved to the 2nd encore, but the closing song remained The Sweet Hello, The Sad Goodbye. Helena was very happy to receive the love of the crowd after LTYH. Loud applause she got. And TSHTSG, well… keeps on playing in my head… again and again. Tütütütürütü. Awesome version!

Per closed the show with saying ”hope to see you again very soon”. Let’s see what happens, but with such a band and such an audience anything can happen! 😉

Sven Lindström was there in the crowd too. He liked the show and said he will probably see another one Sweden.

Åsa wasn’t there at the gig. It would have been great if someone filmed this concert for a DVD actually. Hard to top, but there are more gigs to come, so let’s see!

Per’s post after the show:

Hamburg tonite. Oh yeah! Thanx everyone for showing up and singing along. Wonderful feedback on every song, love that! Extra special thanks for the Party In My Head-intro (yaknowwhatImean…theunmentionablesong….). Have to come back to Hamburg again and again, it’s addictive!!!!! I’ve had two great days here, checking out Anton C’s fab exhibition and just enjoying myself in the sunshine. Brussels tomorrow. Rise and shine everyone! Lots of love from P.

All pics in the article are taken by Patrícia Peres.

More photos & TV reports:

NDR: 1, 2


Roxette XXX tour – Hamburg, Germany (O2 Arena) – June 25 – #42

Oh, what a  night. Late June, back in 2015. What a very special time for me, as I remember, what a night. Hypnotizing, mesmerizing me. She was everything I dreamed she’d be.

Photo by Kirsten Ohlwein

Oh yes, it’s definitely time to quote The Four Seasons (especially here in Hamburg) after tonight’s Roxette show in O2 arena. There’s no better way to describe this night.

After a very smooth entrance and nice security guys in front of the venue we had to experience some very silly rules when we got inside: we weren’t allowed to sit down, we weren’t allowed to  hang whatever over the fence, we weren’t allowed to take photos during the first song, which is funny, because the security guys told everyone in the first row about it and obviously expected us to spread the word among the rest of everyone in the standing area. At least we were allowed to breathe, sing, get the balloons ready, dance and have fun – and how much fun we had.

Compared to Cologne, this band got even better. Marie was definitely in a top top top shape, she jammed, improvised and finally revived Hey Jude during The Look. Oh, it was the moment she started to hum the Hey Jude-na na na’s when I realized how much I had actually missed it. If she continues like that everyone will have lots of fun. Per also rocked the stage once again, gave everything he could which we could judge by his sweaty face very soon.

Christoffer surprised the Hamburg citizens in the audience with his version of “An der Nordseeküste” as Joyride intro and people even started to sing while he played and they obviously sang loud enough to make Marie wonder about that particular song. I had actually expected this to happen with “Viva Colonia” in Cologne, but this one was definitely better. We expect a very rocky version of “Berliner Luft” on Saturday, btw.


Photo by Kirsten Ohlwein
Photo by Kirsten Ohlwein

During “Sleeping In My Car” it seemed the sound was rather bad, but it was only minutes  later when we finally could actually hear them singing. The Hamburg show on June 25th 2015 definitely was one of the best shows during the European leg – voicewise, musicwise, energywise, audiencewise. Can things get even better?

It didn’t make much sense to turn the heads around when you were in the front row. Unfortunately there weren’t so many hands up in the air right behind us, but the audience on the seats made quite a noise and it boosted the band to new heights. Keep the whistles, shouts and claps coming, folks. They want it, they need it and we can easily give it.

Funny side fact: German radio station NDR 90,3 broadcast a special show about the concert between 22:00 and 00:00 and while we waited in the car to leave the parking lot we just tuned in when the host said they are about to play some live song directly from the arena – what followed then was the Travelling live version of It’s Possible. But they had vox pops from the people leaving the arena when the show was finished – everyone very positive, very touched by Marie, very happy and very thankful, one woman even said she feels it is an honor to hear Marie live again. So sweet!

Per’s comment after the show:

HAMBURG UPDATE: Oh yea! Awrite! Supergig tonite at the O2 World in Hamburg. Thanx all you approx 8000 ppl showing up. We had a perfect Thursday!! Thanx for all your singing along + your support, let’s continue this German tour like tonight!!!! Cheers, P.

Next stop is Berlin on Saturday, 27th June.


Articles and photos

Hamburger Abendblatt
Mondkringel Photography


Video including short parts of several songs
Concert ending



Photo by Kirsten Ohlwein

Sleeping In My Car
The Big L.
Spending My Time
Crash! Boom! Bang!
Crush On You
She’s Got Nothing On (But The Radio)
The Heart Shaped Sea
Watercolours In The Rain / Paint
Fading Like A Flower
How Do You Do!
It Must Have Been Love
Dressed For Success
Joyride /w Nordseeküste

Listen To Your Heart
The Look


World Tour 2011: Hamburg, Germany – October 25 #64

Comment from Per Gessle

Supergig in Hamburg. Brilliant crowd, great band. Thanx everyone for making this happen. Have to come back before long! Yea!


(c) Dennis Wegner

01. Dressed For Success
02. Sleeping In My Car
03. The Big L.
04. Wish I Could Fly
05. Only When I Dream
06. She’s Got Nothing On (But The Radio)
07. Soul deep (medley with SGNO)
08. Perfect Day
09. Things Will Never Be The Same
10. It Must Have Been Love
11. Opportunity Nox
12. 7twenty7
13. Fading Like A Flower (Every Time You Leave)
14. Crash! Boom! Bang!
15. How Do You Do!
16. Dangerous
Band presentation
17. Joyride (introduced with “Auf der Reeperbahn nachts um halb eins”)

18. Watercolours In The Rain
19. Spending My Time
20. The Look

21. Listen To Your Heart
22. Church Of Your Heart

Articles and photos

Abendblatt II
Hamburger Morgenpost (article)
Hamburger Morgenpost (gallery)
Radio Hamburg (gallery)

Countdown to German radio prize gala with Roxette

As reported some time ago, Roxette will perform tonight at “Der Deutsche Radiopreis” gala in Hamburg, Germany. Marie & Per have landed in Germany and acts are having soundchecks right now.

What we still don’t know is if Roxette will perform playback, live, singback or whatever. Per said they “prepared” music for this event some days ago, whatever that means. German radio channel “NDR 2″– part of the organizers – told their listeners today, that Roxette will perform “She’s Got Nothing On” additionally to the announced “Speak To Me” stage premiere.

The show will start at 20:05 European Summer time and will be broadcasted live on 50 (!) German radio stations and via video stream on the official website They started posting backstage videos already!

6 regional TV stations will broadcast the gala all over Germany, with “NDR Fernsehen” being the first on 22:00 CEST.

In Hamburg for the German Radio Awards! Performing tonite. Pelle lost his bag in Stockholm. Chris lost his mind.

The radio stations:
bremen vier, hr3, MDR JUMP, NDR 2, RBB radioBerlin, SR AntenneSaar, SWR 3, WDR 2, B5 plus, 94,3 rs2, 94.5 Radio Cottbus, 105‘5 Spreeeradio, ANTENNE MV, alster radio 106!8, Berliner Rundfunk 91.4, bigFM, delta radio, ENERGY Berlin, ENERGY Hamburg, ENERGY München, ENERGY Nürnberg, ENERGY Rhein-Main, ENERGY Stuttgart, Hit-Radio Antenne, HIT RADIO FFH, HITRADIO OHR, Oldie 95, Radio 7, RADIO 21, RADIO BOB!, radio ffn, Radio Hamburg, Radio Hitwave, Radio NORA, RADIO PSR, radio SAW, ROCKLAND, ROCKLAND RADIO, RPR1, R.SH Radio Schleswig-Holstein, Schwarzwaldradio, ANTENNE BAYERN, HITRADIO RTL, NRW-Lokalradios, Radio Regenbogen.

The television stations:
NDR, MDR, WDR, hr, rbb, SWR.

Additional tour dates in Germany in Autumn!

Live Nation has sent out the first dates of the additional dates which will be added to the Roxette World Tour 2011. The dates are, so far, for Germany and Spain (already known) only.

“The concerts have been great so far,” tells Per Gessle. “Marie and the band are in top form and the response of the audience has been incredible. And it is also great that the new album has been received like this. We are very happy and look forward to this exciting year!”

2011.10.13 – TUI Arena – Hannover, Germany
2011.10.14 – Gerry Weber Stadion – Halle (Westfalen), Germany
2011.10.16 – SAP Arena – Mannheim, Germany
2011.10.17 – Schleyerhalle – Stuttgart, Germany
2011.10.19 – König-Pilsner Arena – Oberhausen, Germany
2011.10.24 – O2-World – Berlin, Germany
2011.10.25 – O2-World – Hamburg, Germany
2011.10.27 – Arena Nürnberg – Nuremberg, Germany
2011.11.18 – Palacio Vistalegre – Madrid, Spain – pre-sale starts March 16, normal sale March 18
2011.11.19 – Sant Jordi Club – Barcelona, Spain – pre-sale starts March 16, normal sale March 18

Information about ticket sales in Germany is still not available.

In addition, apparently Live Nation Spain has cancelled the Golden Ring tickets which were announced last week, so currently only the normal tickets (49 EUR) are listed on the website.

More dates to come, hopefully in other countries and Stockholm too! For the complete tour agenda so far, visit our World Tour 2011 page!

Update: Tickets for Germany will go on sale this Friday, March 18 at 9 in the morning.

A short note about releases: The interest in the countries where “Charm School” hasn’t been released yet is very high. However, the album won’t contain the same track list in all countries. For example, China has forbidden Roxette to release “Sleeping In My Car” due to the sexual content. Therefore the live version of this song, which is included in the Deluxe version of “Charm School”, will be excluded.

Jonas Isacsson: “I would join Night of the Proms again if they asked me”

Kirsten and Judith met Jonas Isacsson in Hamburg for an interview. He just came back from a walk in rainy Hamburg. After short introduction, we went straight to work.

Yesterday we saw that you are also in the front when you played with Alan Parsons, not in the back behind the orchestra.

– Yeah! I have to come down and play with him as well. That’s fine. He’s an old hero of mine, he was assistant producer of Pink Floyd’s “Dark side of the moon” and he worked with The Beatles as well. So I’m honoured to play with him, actually. He’s a cool guy, and very big, I’m not that tall, I look like a dwarfs. He’s nice, but like 2 meters tall!

Alan Parsons is a new act in the show. There are other new things, for example, Sharon von Adel is not there anymore. So John Miles does “Stairway to Heaven” alone.  We miss her! I miss OMD as well. They played somewhere in town yesterday as well. They were supposed to come to the hotel after the show but they didn’t.

Is it exhausting to play during the whole show, it lasts three hours…

– No, it’s actually better than sitting in the dressing room and wait, because the other guys in Roxette and everybody else have to sit and wait for their moment, kind of boring. The only thing that disturbs me when I come in during the break is that the wine is gone! I’m sure it’s Pelle, Clarence and Christoffer!

Yeah!, We can see that on the YouTube videos.

– Yeah, that happens while I am up on stage you know. It’s kinda funny, stupid but funny. We have a good time anyway.

So we’d like to know about your career. How did you start to play guitar?

– Two elder brothers, Thomas and Mikael, were playing in bands. They both played bass, they would fool around with guitars too. I always tried to be better than them (laughs), so that’s how it started. I went to rehearsals with my brothers, saw the bands, and I liked the atmosphere with amplifiers and all that.

How old were you?

– I was five. There were guitars in my house all around. And my great grandfather played organ at the church, so there was always music in the house and started from there.

Do you play other instruments?

– Yes! Bass and drums. I learnt to play drums at the music school, I could play guitar before that, but drums were the first instrument I really had to learn, but it became boring. I can also play keyboards.

Is it true you played with Joey Tempest and John Norum’s as well, back in early 80ies?

– I lived in Upplands Väsby where they come from. John Norum had a band called W.C., Water Closet, with some friends of mine, he was a great guitar player but  he was a kid back in those days, he was very shy and stood with his back to the audience, but everytime I listened to him play guitar, I thought “this guy is great.” So we lived in the same town and grew up with those guys as well. I also worked with Joey’s first solo album.

You said you lived in Upplands Väsby, but where do you come from?

– No, I was born in Umeå. We’re nearly one age. We moved to Dalarna and I moved to Stockholm in 1975.

You also worked with Eva Dahlgren a long time. How did you start to work with her?

– I worked with Eva from her second album “En blekt blondins hjärta”, from 1980 till 1991. Eva’s producer Anders Glenmark and I were on tour with a band, we played in the same show, a bit like this show wi

th various artists, and Eva was backup singer in one band, so we met then and became friends. Then Anders and me started to work together and we formed a band actually, with Eva. Then in 81 we went on tour with Eva, the woman went rocket skyhigh immediately, with such great songs.

How was it working with her? You composed one song with her, “Älska mig”.

– It was great! We also did music for a children’s movie and worked a lot together those days. I miss her sometimes, to play with her. We have still contact, we live very close to each other in SouthernStockholm, we see each other shopping groceries, you know, so I see her a lot. But she has a new band and works with Lars Halapi, they seem to have a good working relationship, so I don’t want to go and mess things. But if she’d ask I’d say yes , of course.

How did you start to work with Roxette?

– Working with Eva lead to other jobs, I got to do a lot of sessions with other big Swedish artists. I was working in studio 4-5 days a week, with different people and different kind of music, including dance bands, lots of stuff. And Clarence, Pelle and I knew each other since 1977, from different bands, Clarence got the offer to produce a solo album with Per, which then became Roxette. Clarence said “I want to have this band,” which was me and Pelle, and Tommy Cassemar. So I worked with them since 1986, except for the 7 years where Marie didn’t play. That was tragic.

Read moreJonas Isacsson: “I would join Night of the Proms again if they asked me”

NOTP tour: Hamburg, November 28, #24

We need your help. Each and every concert will have a such topic. If you find something connected with this particular gig, post it in the comment section. Thanks for your help and cooperation!


Per Gessle’s comments:

Hamburg #2 was a treat! Thanx everyone, we had a blast. Berlin tomorrow!

Official videos:

Craziness staring here

Fans stories:


My first German show after five Dutch/Belgian shows. I missed Sharon den Adel. H17 is an “ok” substitute for OMD, Alan Parsons is great and the show seems “shorter” than it was in Belgium/Netherlands. I missed the effects (pyro) and the catwalk (especially the ppl who walk in at the beginning of the show).

Christina Stürmer is better than I expected, don’t know why she plays only 1 song after the break. Feels a bit like they didn’t know where to put it. They changed the classical parts (to the better if you ask me). WICF is still so-so. I don’t know what I miss about it on this tour but so far I liked it only once when Marie did it the all-bluesy way. John Miles is still great, miss Sharon on Stairway to heaven. If I could is still boring (yes, sorry for that..).

And one thing: I know the organizers decided to do more seated shows to please the people. Apparently ppl wanted more seated shows. But for me it spoils the atmosphere completely. I don’t like it at all and I was really thinking about selling my tickets for the seated shows. I am not 50 yet and I want to party..and I do believe more people want that. Everybody stood anyway and I think the pushing is not THAT bad on a NOTP show..! AND I think there’s much more party with people standing and it’s not so hard for the artists to perform, too.

About last night’s show: Screwed up WICF again, voice great, lyrics, eh, yes, well, no. The Look and LTYH rocked, Marie gave all she has at the end of LTYH, it was fabulous! Joyride was nice, too. And it’s funny to see the audience seems to be fond of IMHBL. Everybody sang along…


It was absolutely fantastic! As Sasha already wrote concerning the first show in HH: No one got more applause. Everyone woke up, stood up when Marie rose like the sun onto the stage. As if she was the one, all had been waiting for. I bet, she was! And she did such a great job! So much strength, so much power!
There were some wrong words in WICF, but you wouldn´t have noticed it without knowing the lyrics by heart. So: no problems. She reached the high notes, she sung so powerful, I´m speechless. What a woman! She smiled and I´m sure that she enjoyed the show! What a power, what a strength on stage! THANK YOU, MARIE! ABSOULUTELY FANTASTIC!

YouTube clips:

It must have been love

Media reports/reviews:

Halterner Zeitung: Roxette is the highlight | Abendblatt: Roxette – Tears and goosebumps

NOTP tour: Hamburg, November 27, #23

We need your help. Each and every concert will have a such topic. If you find something connected with this particular gig, post it in the comment section. Thanks for your help and cooperation!


Sascha’s snapshots | Der Westen | NDR2 | Morgenpost | Kölner Stadtanzeiger | RTN | Regioactive | Bildmaschine

Per Gessle’s comments:

Excellent Hamburg gig. We felt extremely welcome by the German crowd. Thank you. Danke, dears. Let’s kick ass tomorrow again.

Hamburg! What a crowd! What a response! Just did Wish I could fly. Marie’s in top shape! Alan Parsons just borrowed my black guitar. Swell.

Official videos:

Lots of fresh footage starting here

Fans stories:


What a night! Already the knowing to really be at a Roxette event after those dark seven years felt incredible while I went into the arena. The show started of with some classical songs, the Katona twins, then Christina Stürmer, followed by Heaven 17. another classical track. Hey, what was that? A blue dress was glittering left of the stage… Marie?

Marie!!! The stage lift went down and I could see her head in the dark hole. Then the strings went into a familiar note: the intro of WICF. As she went up, smiling into the audience, Roxette got such a big welcome, so much louder than everything before! Marie started to sing and it sounded different to the past. But for sure not worse. Rather in the direction of hoarse, but full and touching. The beautiful performance was thanked with a thundering applause and they said good bye until the 2nd part.

After some classical part Alan Parsons entered the stage with Jonas on his side and they did a couple of beautiful songs. Jonas is such a master at the guitar, I wanna hear much of him on the new record! In the break I looked for the merchandise stand and got the new NOTP CD. They had ROX20 as well, but I didn’t find the shirts. 2nd part. The classical tracks were mixed with the twins doing a nice pop medley, than Christina again. John Miles did some good songs and Jonas was quite often jamming at the front of stage. Great solos! Jonas playing around… dand dang-dang… The Look!

As soon as Roxette entered the arena again everyone was on his feet. And they did simply great: Per jumping as usual, the whole band smiling all over and Marie walking the stage, fooling around with the band and orchestra. Thousands of lights at the ballads, thousands of voices at the up-tempos! Everyone was Na-na-na! Marie dared quite high notes at the end of LTYH and at one point her voice broke of. After a second she went on and sang even higher, with more power! They got such a huge response by the crowd, such a thunder of applause and encouraging screams, it was clear for everyone: Roxette was the absolute highlight of the night, they won them all. Like the reporters put it later: It seemed like everyone came for one reason: Roxette’s comeback.

Now watching my photos and videos it’s still hard to believe it really happened. But it is! Almost unreal. I did only a few video clips and snapshots cause I needed to enjoy as much as possible through my own eyes, unfiltered. It went so damn fast! The bad point of the night: I was too far away! Can’t wait to jump into the crowd in Dortmund. 🙂

NOTP FANPAGE: “Roxette – the absolute highlight”

YouTube clips:

Sascha’s video (in HD) | IMHBL | LTYH | IMHBL (clip)
By Tueffelberta: WICF | TL | IMHBL | J | LTYH

Media reports/reviews:

NDR2: “The most emotional NOTP”
Abendblatt: “Comeback of the year”
Der Westen: “Magnificent comeback of Roxette”

The voice of Marie Fredriksson has become more mature, in the heights no longer quite so at home, but all the more expressive.

Morgenpost: “Old heroes and hire youngsters”
Kölner Stadtanzeiger: “Roxette’s stage comeback”

TV reports: Leute heute | Brisant

NOTP: Hamburg is getting ready for the show!

Don’t forget to visit German-language blog written by Karen, one of The Nokia Night of the Proms staff in Germany. She posted few photos from Color-Line Arena in Hamburg.

Update: Newspapers have some nice articles around the show and particularly Roxette. In German of course: Roxette united again | Back to the 80s

Google translate may help you reading… 😉

Party Crasher Tour tickets

Do you still live on memories? Do you still have flashbacks from the Man’s latest tour? Yep, me too! That’s why I would like to present Party Crasher Tour’s tickets’ collection from each and every gig. I say thanks to all of you who helped me to collect all these tix. If you’ve got any ticket which looks different, then drop a line.

Helsinki – Mari Pudas / Ivanych @ R2R
Oslo – Jan Hedman / Daniel Bernhard
Copenhagen – Bo Hansen / Anja Jensen
Warsaw – Mikolaj Prymka
Prague – Almost Unreal @ R2R
Hamburg – Christina Röhrs
Munich – linki @ R2R
Cologne – Christina Röhrs
Zurich – Ms. Fredriksson @ R2R
Gent – otus! / Txiqui @ R2R / Andreea Totoescu
London – xarrrr @ R2R
Amsterdam – sarah @ R2R
Stockholm – tomos85 / Andreas Kullbjer / Sudek