Mono Mind

Lyrics for all the French LaLaLovers

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Dr. Robot was kind enough to share the lyrics to LaLaLove’s French version, LaLaLove (LaLaL’amour). Merci beaucoup! Listen to the song HERE on the LaLaLove – The Remixes EP and sing along! Cooky Carter does make French sound cool, doesn’t she?

LaLaLove (LaLaL’amour)

We loved to drive a million miles
A fastback car and you and I
You craved the speed, I don’t know why
Some simple need to feel alive

Every heart is a weaver
Of dreams of la la la la love and devotion
When the two of us are put into motion

We run on la la la la love and devotion
I really loved ya
Ooh how I loved ya

Je m’souviens de toi, tellement bruyant
Un t-shirt gothique dans la foule
Tu n’étais jamais satisfait
Ce DJ nous a fait tomber amoureux

Every heart is a weaver
Quand nous deux sommes mis en mouvement

On marche à la la la l’amour et à la dévotion
C’est vrai, je t’aime
Oh comme je t’aimais

Chaque cœur est un tisserand
à la l’amour et à la dévotion
Quand nous deux sommes mis en mouvement
à la l’amour et à la dévotion

We run on la la la la love and devotion
C’est vrai, je t’aime
Oh comme je t’aimais

On marche à la la la l’amour et à la dévotion
C’est vrai, je t’aime
Oh comme je t’aimais

 

Words: Per Gessle + Martin Josefsson
Music: Per Gessle + Alex Shield
© Jimmy Fun Music 2018

 

Massive birthday celebration of Per Gessle’s 60th on TV4

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TV4 already did a short phone interview with Per Gessle on 11h January. Per said that he was in the US, working a bit on Mono Mind, his new project under which he released an album the next day, on his birthday. Mr. G said he would be celebrating his 60th birthday in Florida. Åsa organized a surprise party for him. The program leader asked what the most heart-warming moments in his career are if he looks back and Per said there are so many, but Roxette’s greatness at the end of the 80’s and in the 90’s is sure one of them. He said he is fortunate that he can work with his hobby and to the question if he likes getting older he replied that he still feels quite young and he still doesn’t know what he will become when he grows up.

Then on 12th January TV4 shared a video report about 5 times Per Gessle made whole Sweden sing along. With Gyllene Tider, Roxette and as a solo artist. The video is based on footages from some concerts during the past 40 years and earlier reports, as well as some photos from the past and PG walking on Tylösand beach recently and some years ago. Watch it HERE!

Nice to see Mr. G on TV so many times, but the main thing came on Nyhetsmorgon on his birthday. TV4 invited Per for a longer interview in the morning show. Watch it HERE! The interview was recorded some days before. The reporter, Anders Pihlblad and Mr. G talked about Per’s career, aging, success, future and his actual project, Mono Mind.

Anders first asked Per how it feels turning 60. Per said it’s surreal in a way, 60 is very much. At the same time it’s awesome, because he is reminded that thanks to his age he has been through so many things and lived a lot. Anders is curious if Per has ever worried about his age. Per says kind of. He realizes that time goes by and he sees for example that a lot of his friends or relatives have health problems when they are getting older and this is how they are reminded of getting older. Then he thinks that he is not 58 anymore. It was tough for him to lose his mother, brother and sister after one another in a short period of time. But nothing stands still and you have to learn to live with it. It’s hard to understand though, but you have to find your place in life. The Earth is actually still spinning. When people close to you die you feel emptiness and all people are handling it differently. Per says he partially uses his songwriting for that.

Anders and Per talk a bit about the book Att vara Per Gessle in which Per’s mother and his siblings also talked about Mr. G. Anders asks Per how it feels to have all this documented. Per says it’s awesome. He says that he learned it over the years that documenting as many things as possible is important. For example tours, recordings, projects. Nowadays it’s getting easier with mobile phones. They already recorded a lot of backstage videos and album recordings, as well as took photos during the 80’s. The quality of those materials is catastrophic though, but it’s of course much fun to have them anyway.

Anders reads a short part of the book. It’s when Per’s mom tells about Mr. G’s dolls. Per says he had a little Barbie doll collection. He has always been into style and design and it probably comes from his mother, because she was always good at such things. She was kind of a female Ernst, fixing everything. (Ernst Kirchsteiger is a Swedish interior designer, also program leader on TV4. – PP) So Per learned a lot from her and he likes when everything is in order and likes nice things. His mom was always quite modern and supported him even when his conservative father – who died in 1978 when Per was 19 years old – said he should have get a proper job. His mother bought his first guitar for example and encouraged him to play and sing. She thought it was fantastic that Per was creating his own world and wrote songs. So she was Mr. G’s first and biggest fan for sure.

Anders says Per was his first big idol. Per says ”wow!”.  Anders says he brought some stuff from his collection. Per says ”shit!”. Haha. Anders shows the first LP he bought and it was Gyllene Tider’s ”Moderna Tider” that came out in 1981. Per says everyone felt that it was a great record, but they expected to sell like 10000 copies. They sold 140000 in the end. Per says it was awesome and they were so young back then. They were suddenly superstars, but also very uncertain and didn’t know much about anything. They did only 6 shows in public before they became No. 1 with ”Flickorna på TV2”. Per says they learned quite soon that as soon as you become successful it also has it’s backlashes that some wouldn’t want to deal with you anymore because they think you became too commercial. It was the same with Roxette and that also happened to ABBA in the 70’s. One has to be persistent, have the self-confidence and move forward.

Anders shows ”The Look” maxi single. Per looks at the cover and says ”tough guy and girl”. Haha. He says that Roxette had a fantastic journey. Roxette was huge during the first 10 and the last 10 years, but actually it’s still huge. The songs live on.

Anders shows a picture from 1988. Per smiles and says ”shit!” again. He appears in the pic and Anders is there too. He was interviewing Mr. G back then when Roxette had their tour premiere. Per says he looks like he wanted Anders to understand what he was saying, his gestures show that. Anders says then he asked if they would hit other countries too and Per replied they will hit the world. And some months later they became No. 1 in the US. Per says he can’t remember he was that optimistic, but he remembers he printed T-shirts with the text ”Today Sweden – tomorrow the world” and the Roxette logo. So he was determined and focused. He tells that they always wanted to work under their own terms. When they broke through in the US, their American record label wanted them to move there and work from New York or Los Angeles, but they didn’t want to. They wanted to keep their Swedish team and work from Stockholm. This is how they could keep their very own sound.

 

Anders and Per talk about Marie that she had to retire from touring. Per says she lives a quite private life nowadays, but they talk once in a while. It’s very sad what happened, but they had a wonderful journey together with Roxette.

Anders says it feels like Per is still curious and is trying out new things. He asks Per if he is satisfied with his success. Per asks back if one can be satisfied with his own success. He doesn’t know. He likes the creative work and write when he feels like it. The whole creative journey is very attractive for him and of course he wants as many people as possible to listen to his songs and sing along.

Anders wishes Per a fantastic birthday and Per thanks and says it was nice being there.

Then later during the morning show there was another report with Per about Mono Mind. Anders tells a bit about the project, that it has 4 fictive band members and they are releasing an album on Per’s 60th birthday and it’s actually Per Gessle behind this project. Watch it HERE!

There is manager Wicked Pete talking first and Harriet, the dog appears too, as well as Dr. Robot dancing in the crowd. Then Per starts talking and says he felt he wanted to record songs in a different way. He felt his voice limited his possibilities, because as soon as he starts singing everyone knows it’s him. So he tried out different manners, singing in various octaves and wrong keys, changed on computer. This way he found a new voice which is quite technical and maybe not too easy to recognize. It was exciting to record the songs this way and new ideas came up during the recordings. Then there were so many songs that he thought it could become an album.

The guys are talking about the 4 characters and Anders asks Per which one is him. Per says it’s Dr. Robot, the one who sings. He has a very similar personality to Per’s. Mr. G tells in pop history there are a lot of projects with fictional characters. He for example didn’t know David Bowie in 1973. Back then everyone was a figure, a character. Per says the fun thing is that a fictive band like Mono Mind can do anything.

Anders asks about the future, about touring with Gyllene Tider, as Per Gessle or with Mono Mind. Per laughs at the thought of Mono Mind touring. He says MM got 2 nominations on the NRJ Radio Awards in France and they were thinking as a fictive band how they could accept an award if they win. Haha. He also mentions that he would like to see the band members appear in a Family Guy episode. Why not.

 

Mono Mind interview with Per Gessle à la RoxetteBlog

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Together with the Mono Mind press release 2 days ago, there was the opportunity to ask 5 questions from Per about his latest project. 5 might be even too many for most journalists, but too few for a fan who already has more than 30 in her mind. Fortunately, some of my relevant questions were answered in an earlier Instagram Q&A and the „Per Gessle presents Mono Mind” videos include quite some details too, so I could reduce the number of questions. But not to 5, no way. Haha. I thought Per knows anyway that I like novels, so I sticked to sending some more questions hoping for at least as many answers. He is fast, the answers are just in! And they are detailed. Enjoy!

Patrícia Peres: – Hi Per! First of all, thank you very much for the opportunity regarding the interview. What a fab birthday gift, a new album under a new project! Pure awesomeness! As far as I know, the songs were recorded years ago. (Not sure if all of them though.) Why did you decide to wait for so long with the release?

Per Gessle: – Hey Pat! Thank you. I started fooling around with this idea in 2014, spent weeks and weeks trying to find out how I could create different sounds with my voice. I did all this work together with Christoffer Lundquist in his fancy studio way down south. Why did you try to change your voice, Per? Well, that’s a very good question, Pat.

PP: – Haha. Thanks for asking in my name. Since the number of questions was limited, I didn’t want to use some which I thought journalists would ask anyway. But of course I’m very much interested in why you wanted to change your voice.

PG: – The thing is that the voice is the main thing you listen to in pop music. I felt a bit tired of my own tool and wanted to dream up something new and fresh. I tried out different manners, singing in various octaves and „wrong” keys to see if something special happened. We tried to out different gadgets in the computer and eventually found a way to stretch/ shorten the words, vowels and consonants and create different styles of melodies. We basically „drew” the melody lines by hand. I didn’t really sing it the way it sounds. Exciting, heh? It took forever, don’t try it at home.
Most of the stuff on the album was finalized 2016 and 2017. „LaLaLove” was recorded 2018. I wanted to start with at least three singles before I put together the first album. The big moment for this project was, of course, the six weeks at the Number One spot on the MediaBase Dance chart in the US with „Save Me A Place” in the late summer of 2017. That’s when I realized I had something special going on.
My ambition with Mono Mind has always been to create a „classic” album, that’s why you have instrumentals like „Away Away Away” and „Lap Dancing” in there to glue things together. Also, I wanted to use the same lyrics in different songs to see what happened and how they worked in various environments. It’s all been a magic carpet ride for me. Every song has created a new urge for another one.
Musically I wanted to create songs à la PG but made in the computer. We certainly used some guitars and keyboards from the outside but I wanted the production to sound electronic. Funny thing is I did most of this stuff while working on the Nashville albums which are TOTALLY DIFFERENT. Two sides of the same coin? The dark side of the moon? Fascinating.
And when I finally found the sound I liked I created the four characters. They were not there from the beginning. If you think about it… the history of pop is filled with „characters” with fake names; The Ramones, David Bowie, Marc Bolan, Alice Cooper. It made sense to me to create my own little circle of friends. Four cool names, looks, voices and opinions. It’s been very exciting to visit the Mono Mind quarters from time to time. And, of course, I had to invent Wicked Pete, their manager who takes all the money. He’s been all over me sometimes.

PP: – Amazing to hear so many details about how it all started and the way to what it has become! What is the main thing that you think differentiates Mono Mind from any other EDM band?

PG: – Mono Mind is not really about EDM. Mono Mind at this point is about combining classic pop music with electronica. That’s what’s been going on on the first album. However, next recordings might be different. It all depends on who I’m working with. I want to stay open to anything. I might lose the robot voice eventually. But right now I’ve been into putting together computerized pop and computerized voices with my style of writing which, as you know, is based on the 60’s and 70’s songwriting tradition. The EDM elements you are referring to must be from some remixes that’s been done. Some of them have been wunderbar, others have been crap. You haven’t heard those. Lucky you.

PP: – Yeah, the remixes might have misled me, but also I’m not a pro when it comes to defining genres. What can you tell us about your laboratory co-workers besides the wonderful trio of Helena Josefsson, Christoffer Lundquist and Clarence Öfwerman?

PG: – They’ve been crucial to the project. Especially in the beginning. Dr Robot’s unique voice wouldn’t have happened without Chris. I also wanted to use a female voice here and there to soften things up a bit and Helena is da shit! She makes a perfect Cooky. Also, I’ve been working with quite a few people from all over Europe and the US. Lots of stuff are not included on the album. Some things didn’t work out.

PP: – From your career so far I think Good Karma is the closest to Mono Mind. What was the difference in the process and cooperations of recording MM songs vs. GK songs? Or the difference to any other earlier project of yours.

PG: – GK was a Roxette album which was pretty complicated to create due to Marie’s illness. For me, Mono Mind is VERY different. And if I’m gonna be frank, the MM album got much better songs.

PP: – Your latest album lengths were quite short. Now with this release you get back to a length that is over 50 minutes. That’s really cool! Why did you decide for a longer album this time?

PG: – I have so many versions of various Mono Mind songs lying around. My first idea of the CD was over an hour long. But I skipped two songs (that I love) and put them on the double vinyl instead. I hate it when CD’s become too long.

PP: – Which was the very first song you wrote especially for Mono Mind?

PG: – „In Control”.

PP: – Now that’s really interesting. This is the song that has become an instant top favourite for me off the album, right after the first listening. Is there any song you wrote for another project of yours, but it has ended up as a Mono Mind song and is now on the album?

PG: – Yes, „Couldn’t Believe My Luck” was written for Roxette but was never recorded. And „Shelter From The Storm” (from the vinyl album) was written in the 80’s. The rest are Mono Mind originals.

PP: – Which song on Mind Control would you suggest a non-electronica fan to listen to for sure that you think it would engage the listener and would start to like EDM music?

PG: – Like I said I don’t consider MM to be an EDM-act. If you listen to „Tell Him I Said Hi!” or „Mile-Melter” or „Couldn’t Believe My Luck” or „In Control” for example, I don’t think the first three letters that pop up in your head will be E and D and M.

PP: – Before I get on your nerves with those 3 letters, I promise I’ll never use them again regarding Mono Mind. On the vinyl there are 2 extra songs. How did you decide which ones not to include on the CD & digital release?

PG: – „Shelter From The Storm” is amazing but very long so I kept it away from the CD. „Have Another Go” felt similar in style to „Love Is Loud” so one had to go.

PP: – Your Mono Mind lyrics also have that PG trademark on them. It’s amazing that no matter in what genre you write songs, it shines through. How can you keep your own basic style in such different projects?

PG: – That’s the whole idea. To mix my style of writing with new ingredients and other collaborators’ visions. It’s not that complicated. You have to have your antennas out, though. You have to like the final result. Sometimes I didn’t and those songs will not be released. Mono Mind will always be, first and foremost, my vision.

PP: – When you turned 50, you turned towards disco and released Party Crasher. Now when you turn 60, you come up with a whole new electro project. What do you think you’ll be dealing with when you’re 70?

PG: – Hahaha. Heavy metal? Haven’t got a clue. As long as I think I create interesting things (for myself, that is….) I will have a go. Ten years is a long time. Maybe we’re all dead and gone by then and will be singing „Love Is All” upside down on a cloud.

PP: – Oj… Don’t even joke with that, Per! I mean not with heavy metal. I would love to hear your growled vocals one day. Haha. I know I had the option for 5 questions only and I’m well over it, but let me ask one more. Is there any chance we will get to hear the demos to the songs with your non-distorted voice one day?

PG: – No, there isn’t any. I didn’t make any demos for this one. There is an acoustic version of „Couldn’t Believe My Luck” (or at least half of it…) but that’s it. The rest was made in the studio. And in bits and pieces on my iPhone.

PP: – No demos? Wow. Now you really surprised me. Good luck with the album release and I wish you a bright future with Mono Mind, as well as a fabulous 60th birthday!

PG: – Thank you. And thanks for your great support. Appreciate that.

 

Per Gessle’s 60th birthday present for himself and the fans

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Per Gessle turns 60 this Saturday and wanted to celebrate in style. He releases a new album on 12th January! We have already written about Mono Mind before, but so far it was a secret project. Now it’s no secret anymore!

Mono Mind, consisting of the fictional members Dr Robot, Cooky Carter, Bright Jones and Rain Davies, has released three singles overseas during the past year, high on club and radio charts in the US and France. In the United States, the success includes a prestigious six-week first place on the dance charts in radio industry magazine AllAccess and No. 1 on both iTunes Electronica and Amazon Electronica. In France, Mono Mind was nominated in 2 categories in the NRJ DJ Awards 2018, as “Group of the Year” and for “Club Hit of the Year”.

Now Mono Mind’s album will be released all over the world and finally it can be revealed that it’s none other than Per Gessle who is behind this entire secret project!

Here is what the popmaster says:

After basically living in a recording studio for almost forty years I tried to find new ways of creating pop music. I wanted to do something I’d never done before. A new challenge. Still pop, of course (that’s in my DNA!) but created and presented in a new manner.

I started fooling around with different gadgets working with my own voice, recording in different octaves and different keys just to see what might pop up. In the end of the day it’s all about the voices. We all focus on the voices when we listen to pop music.

We didn’t use vocoders or anything like that. Instead we found ourselves spending days, even weeks “hand-painting” and “drawing” my melodylines in the computer. For some songs we created my voice in a r’n’b-fashion, others got a touch of Nine Inch Nails-desperation.

In the end you couldn’t really hear it was me singing which was a blast and felt really refreshing. So off I went creating a new little colourful band, four characters with different personalities and different kind of temper, humour and looks to represent MONO MIND. How gorgeous! I had so much fun. Still do.

CHECK OUT THIS VIDEO TO FIND OUT WHAT PER SAYS ABOUT THE PROJECT!

 

Follow Mono Mind on Facebook, Twitter, Instagram, check their videos on YouTube and most importantly, listen to them on the usual digital platforms (Spotify, Deezer, iTunes, etc.) and sing along.

Mono Mind live Q&A on Instagram

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Mono Mind decided to do a ”live” Q&A on Instagram and announced it 2 days before the happening. It wasn’t a real instalive thing though, but you could type in your Qs in the Mono Mind instastory and they picked the ones they wanted to answer. In written form. So no live video with MM characters or real life members and distorted or non-distorted voices. It was much fun anyway. Mainly after Mr. G posted THIS pic on Instagram, right at the time the whole thing went ”live” at 19:00 CET. So you could be sure it was Per himself answering the questions. Not that from the style of the answers and the wording you wouldn’t know. 😉 Cool thing!

Here is the complete Q&A:

Q: – Do you plan any live promotion?
A: – YES, that would be lovely, wouldn’t it? Cooky cookin’ on stage and the other lads beefin’ things up!

Q: – When will other band members join Helena in the videos?
A: – Well, it isn’t really Helena in the video, it’s Cooky! They look similar don’t they?

Q: – How did you choose your pseudonyms? What do they mean?
A: – They don’t really mean anything! They are just great names. Don’t you like them?!

Q: – How did it feel that SMAP reached No. 1 on different charts just for the music itself, no one knowing who behind the band are?
A: – Isn’t it lovely that music can have a life on its own? Mono Mind believes that a great song is always gonna stay a great song!

Q: – If Madonna’s 60th b’day is a song, what would it be?
A: – Oh, we love Madonna! We can’t really believe she’s turned 60! A song? We’ll send out LaLaLove any day!

Q: – How important do you think lyrics are in EDM songs?
A: – Our idea is that a good lyrical really makes the song better in any genre. It’s as simple as that!

Q: – Any plans on releasing a full album?
A: – Yes! We have an album in the can. Hopefully, it can be out before we get the chance to change our minds! We do that all the time…

Q: – Do you plan to shoot more videos?
A: – Yes, hopefully we’ll do a videoclip for every single we release. Sometimes we’re gonna use humans, sometimes it’s cartoons. They look lovely, don’t you think!

Q: – How do you look for the DJs who are making your remixes?
A: – Well, we try to use our network and also listen a lot to what’s happening on the remix scene. There is so much talent out there it makes you dizzy!

Q: – Why ”Mono Mind”?
A: – Well, the project started out as ”one man’s vision” but then expanded into something else. But we kept the name!

Q: – Who writes the songs? Dr Robot maybe?
A: – There are quite a few people who have been involved in MM so far. That’s the whole idea. The Doctor is like parmigiano on the pasta!

Q: – I love your group! Will you be touring?
A: – Well, nothing is planned yet but we would love to tour. We think the world needs Mono Mind more than Mono Mind needs the world. Or is it the other way around?! We need to release more songs first, though. But, short answer: Si, Si!

Q: – Any physical releases?
A: – That’s a very good question! We’re talking about it. Mono Mind is definitely a vinyl group. Si si!

Q: – How did this project come to life? Tell us how you decided to start MM, please?
A: – It’s a very looonnngggg story. We will reveal everything in the Mono Mind book 🙂 or in the Mono Mind musical 🙂 or on Netflix 🙂

Q: – ABBA or Roxette?
A: – HAHAHA. Dr. Robot fell to floor and grabbed after his Voulez-vous T-shirt!

Q: – Your laboratory is in Sweden, but you started spreading your music in the US. Why did you start from there?
A: – It’s the land of opportunities, dear you!

Mono Mind finished the Q&A at appr. 20:10 CET with this bye-bye note: ”That’s all folks! Thank you for all your questions! Until next time, loves!”

Follow Mono Mind on Facebook, Twitter, Instagram, check their videos on YouTube and most importantly, listen to them on the usual digital platforms (Spotify, Deezer, iTunes, etc.) and sing along. Enjoy!