Hallandsposten (Jan-Owe Wikström) did an interview with Per in relation to the Roxette concert in Halmstad tomorrow. It’s going to be the 6th time they play in Halmstad. After 1988, 1989, 1991, 1994 and 2010 tomorrow it’s time for them to play again in the band’s hometown. It will be their first time at Örjans vall though.
According to the interview, the tour will continue in 2016, however, nothing is planned after the September concert (company gig) in Warsaw. Per says since they turn 30 next year, the tour should last until then and they haven’t played South Africa, Asia, North America and South America yet on this tour. At the same time it is Marie’s health they are depending on, how much she can do.
Regarding the tour Per mentions it’s quite typical nowadays that as no artist can earn money on album sales, they go on tour. When Roxette played in Madrid, there were posters from Katy Perry via Mark Knopfler till the Foo Fighters. Since there is this big competition, he says it’s fantastic that they still have sold out shows and can sell 8000-18000 tickets per concert. In Halmstad there will be approximately 15000 people in the audience. The plan for the 5 concerts in Sweden was to sell 50000 tickets altogether and it seems it will work.
Per tells Jan-Owe the tour is one of the reasons why the new album is delayed. The other reason is the EMI – Warner merger. There are too many new people and Per wants to work with people he likes and who respect their history and the new songs. 5 songs off the new album are ready and as Per says, it is 65-70% of the total album. This would mean the album has 8 songs? Hm.
With Addeboy vs. Cliff, who mixed the 2015 remake of The Look, Per wrote some songs together. He says to Hallandsposten that it’s hard to find people who are talented in what he is not too good at, ie. programming.
There are still unknown collaborations on the new album, but Per told Hallandsposten he and Mats MP Persson wrote some songs together now for the first time since long and they might turn up on the new album. Mr. G says he would never be able to write “Fading Like A Flower” today, simply because he has moved on as a songwriter.
Regarding the changes in music consumption Per says nowadays it’s less important to people who wrote the songs or who plays the drums. Today’s pop music reflects the society today, so most of it is made on laptops where everything can be fixed in the end.
This time he says again that social media is a unique way to get close to the fans.
Jan-Owe Wikström asked Per what is left to do after that he has done almost everything with Roxette, Gyllene Tider, his solo projects and soundtrack. Maybe a musical? Per can imagine that there could be a musical built on Roxette’s, Gyllene Tider’s hits or his solo songs just like ABBA’s “Mamma Mia” and the Queen musical, but only if the right way is found. Something new. Maybe with Jonas Åkerlund as a director.
From the Hallandsposten interview it turns out that Per is still writing his diaries after each show, so it’s not only the Facebook posts he writes about them. And they film a lot. Probably, a lot more than what we get to see after each gig on Facebook.
Per says in the Kappahl interview that the plan is to go on with the tour until 2016 (as he already mentioned many times before, and that would be the meaning behind the whole XXX tour, as Roxette turns 30 in 2016!).
Now he revealed that Roxette plans to do about 80 dates until 2016. If you count the dates until Drammen (Norway) on August 22, that makes up to 61 dates. Which means about 20 would be left to be announced / planned. And this raises lots of questions:
Will these dates be in 2016 only? Will there be more in 2015? Where will it take Roxette to? South Africa? South America? North America? Some more Europe / Sweden to celebrate the 30th anniversary “home”? Lots of questions for our never-resting minds!
What we know for sure is that fans are longing to see more of Roxette live, both those who have been to (many) shows since the tour started and those who haven’t seen Roxette since at least 2012. And that The Look 2015 is awesome. And that we cannot wait until the new album is out! And that we already need the tour dates for 2016.
A week has gone since my last Roxette show (ever?) in Vienna. I tend to think it was my last Roxette show ever, but I am always open for a pleasant surprise, of course. Why I do think that this is it? The final countdown, the last tour ever? Yes, just because of Marie’s condition. I know very well that she is a warrior, the greatest warrior I know. Maybe, but maybe, just maybe, all of this is too much to fight for. I don’t know. I posted a very long text about her and my perception of her condition in another article (there’s an English translation at the bottom of the text). I don’t want to go in too much detail here now. It’s only part of my thoughts and I already have put them in words, so I try to move on from it. But yes, it felt a bit like a farewell to a long long dream for me.
So, my last show was in Vienna, Wednesday, July 8th, 2015. Unfortunately, the tour stress had totally exhausted me which forced me to leave my place in the third row during “Spending my time” already and got me to a spot on the side of the stage. Suddenly I couldn’t handle all the people around me anymore, it was too loud, too crowded, just too much. I had wished for a better ending to this whole touring experience as I have never done it this extensively (10 shows in 14 days). It wasn’t meant to be and so I stood at the very far end of the stage, held a mug with water in one hand and my jacket in the other and watched Marie trying to deliver her notes.
I joined the tour with the start of the German leg of the European part of the tour. Roxette had been on tour already six weeks. The first European show in Milan I had attended, yes, but after that, as said, six weeks break. So, I came to see the concert in Cologne and joined all the travelling until Vienna.
What’s left to say? It was a very intense, very confusing, very life-changing experience. Apart from the concerts I realized that I am actually really too old to queue the whole day in front of the venue in 36°C, even though we could mostly sit in the shadow. My body doesn’t want to be in the heat for several hours, then get tense when it’s close to inlet and then run for a minute and then relax, just to tense again when it realizes that air is practically not existing inside the venue. At least my body doesn’t want that several times a week and that’s probably what it showed me in Vienna.
I realized that I am also too old to stand in front of hotels and airports and waiting for the right moment to ask for a photo. This moment never comes. Every fan is so dependent on the mood of her star, so was I. Fortunately, with Roxette, I adore a band who always took their time and mostly never have a bad mood or when they don’t show it their fans, at least there was only one occasion I witnessed it.
I also realized that I might be too old to adore people who don’t even know me. I started to ask myself what I actually expect when I meet them? I wrote in my other post that it’s the feeling of breathing the same air for some moments. This might be it. I don’t know. I know it’s different when it comes to Marie. Since her illness all I ever wanted was to show her my support in every situation possible. There were many times when she gave back so much, thanked for our support or even begged for more. Moments I can hardly forget or ignore. It stopped this year. For me and for her. She doesn’t notice or doesn’t want to notice her fans anymore and it’s finally time to step back for me. Concerts: Yes. Anything else: No.
So, yes, I’d do it all over again, travel miles and miles and never stop, I would, but my reasons have drastically changed. Still, there is this “have to support Marie” thing, it’s very strong, it can’t be abandoned easily. Then there is the other reason that got stronger and stronger during my journey: Meet other Roxers, laugh together, wait together, sing together, enjoy time together. I am so happy that I met so many nice people, maybe this was the most important thing for me during this trip. I finally remembered why they all are so special, even those who I thought wouldn’t speak a word with me anymore. I really really loved that. In the end we’re on this ship together and when it’s time to wave the white flag, whenever that is, we have to do it together somehow anyway.
I am trying to point out some of my personal highlights of the ten shows I saw now:
The best Roxette show I ever saw was the one in Berlin. This was another topic I wrote something about it, unfortunately it’s in German only so far, sorry for that. This was a magical night, moments that can’t and won’t be forgotten. The audience maybe wasn’t the loudest, but the most empathic. It took over when Marie forgot the lyrics and from that moment on everything could happen and it did. I am happy I was there. I could feel the love floating around from the stage to the audience and back. It was the one perfect night.
The best local song Christoffer played was probably “An der Nordseeküste” in Hamburg. It worked surprisingly well regarding the fact that this isn’t a German song in origin. The audience sang even louder than the people in Cologne who got their very own anthem “Viva Colonia”. For Non-Germans: “Viva Colonia” is T-H-E song in Cologne and even in parts of Germany. So I really wondered why it didn’t work THAT good this time. The funniest moment was most certainly Christoffer’s attempt to play Helene Fischer’s “Atemlos” which was probably the most played German song in 2014 and 2015 (just guessing).
I loved that Per shared our “bring us some water or ice” photo from Stuttgart. We had so much fun that day and it made us smile despite the heat. Unfortunately, we never got the ice or the water (just kidding, of course). Being a Roxer for 24 years you very well realize how special it is to communicate with your star in such a direct way. You post a photo, you know for sure that he sees it and when he shares or likes you are in heaven for some hours. Yes, that’s how it works. Praise the internet!
I also won’t forget the very messed up inlets in many many German cities, almost all of them. Gates that get less and less, although people are already queuing, scanners not working, security staff who don’t know how to mark a ticket, entrances that get closed completely ten minutes before the doors open, security staff telling you you are not allowed to sit down, because it’s too dangerous, others not telling you where you have to run – it was a mess, really. After three shows we joked about founding a consulting agency for security companies. They know so little, they do want to know so little – it can make you really angry. Worst are those who keep the guitar picks for themselves, by the way.
But let’s get back to the positive things. One of them: The amazing setlist Per Gessle put up. What a trick to end the show with “The Look”. What a great idea to bring “How do you do” back as standalone song again. People always have loved “How do you do” so much and it worked so very well at every single show I have been to. This was most often THE party crasher and people were not to stop from that point on. Yes, the audience expects the hits, the great number ones and the singles – it’s true and I can live with it, but after my last show I joked that I really don’t want to hear “Joyride” again so soon and that I am actually happy that I could keep myself busy with the balloons rather than singing. It’s a pity, of course, that I never applauded the band during the band presentation because I was so busy with getting the balloons ready. I still love the balloon thing very much.
We also had a talk about the stuff the fans do during the show and another fan had a very new thought: That we fans are part of the show as well. We do the balloon thing, we clap in moments non-fans don’t know (you know which songs I mean, Dangerous (attracted to go-go deeper tonight), The Look (head drum)), we try to sing “How do you do” on our own after the first riff and get the rest of the audience to join (it never worked until today, of course). Yes, there might be something to it. I had so much fun with all of this!
The general audiences really surprised me, though. I cannot count the times I heard people singing “The Look” while leaving the venue. One sang the verse, others joined in with the “Na na na na nas”. They were full of love for the band and didn’t hesitate to show. This felt much different during the last tour in 2011 and even more different during the Room Service tour 2001. Which brings me to my next point: This band loves to play, loves to be on stage, to play live, to improvise a bit, to make music together. You can see it every second they are on stage, even on their tired days. And this transports so much that people can’t help but join in. It might be compassion, farewell or memories bringing them to the shows, but they leave with different feelings: admiration for the band, the love for music and the will to definitely buy a new Roxette album. This band is so rocky. I heard that on the radio one morning: Roxette came as a pop-rock band to the Lanxess Arena in Cologne, but left as a rock-pop band. What a compliment for a band that earned so many bad reviews for their bubblegum music back in the 90’s!
So, what’s left after my last show in Vienna?
There’s a lot of good memories, some bad memories, decisions I made, a heart that’s still full of love for these people who accompany me for 24 years, a wish for another tour at least in North America so that I finally have a reason to go to New York (and I already have made appointments there with fellow Roxers, I didn’t forget that, Basia, Mareike and Mariana), and a deep deep longing which stands over it all that certain conditions get better again, the deep hope that something or someone can stop what we unfortunately witnessed this year and really don’t want to see and to see happen at all. The one topic we never talk about much. And then there’s the will to go on tour like this forever and that time just stands still, please.
There is a long and very nice interview with Åsa Gessle in Hallandsposten today, both in printed format and on their website. You will also find some cool pics of Fru Nordin in there. Interview is done by Christian Albinsson, pics by Anders Andersson.
Åsa talks mainly about Hotel Tylösand, her role in the hotel’s life, her designer career, her relationship to Per, as well as her love towards Halmstad, life around Roxette and her filming on tours.
The article mentions Åsa and Per acquired Hotel Tylösand relatively cheaply in 1995 together with businessman Björn Nordstrand. Åsa says they re-invest a lot into the hotel each year. She finds it fun that the hotel is constantly growing and renewed, because she always had a dream to run a hotel, although she thought that it would rather be a small boutique hotel in the countryside than a large conference center.
Regarding Per, Åsa says he is more interested in the art hanging on the hotel’s walls and what kind of wines are served at the restaurants, design ideas, appearance etc. are more Åsa’s thing.
In the Hallandsposten interview she mentions there are plans to create a sun terrace on the roof top of the spa building. Mrs. Gessle says many of her favorite hotels abroad have such a sun terrace with a bar. She is very proud of her babies, Leif’s Bar & Grill and Bettans Bar and says she feels herself at home there.
She talks about how she ended up in Halmstad 33 years ago, in 1982, when she moved to there to open a clothes shop with her then-boyfriend. Their relationship came to an end and she was introduced to Per by a common friend of theirs, Lars Nordin.
I already knew who Per was, but Gyllene Tider were not exactly my idols, so to speak. I had also lived a few years abroad and had not really kept track of Per’s career.
As Åsa tells Hallandsposten, love came approximately a month later, when Per sent her a letter written in tongue-in-cheek style, which truly characterizes Per. He wrote about her dog and if she could kindly leave the dog at home if he had a chance to invite Åsa for dinner. Since then they are a couple. By the way, Fru Nordin says Per still likes writing handwritten letters.
As written in the Hallandsposten article, Åsa planned everything around the Roxette trips. She and Per were travelling together since 1989, stayed at many hotels and in the beginning they could see less of the cities they stayed in, but nowadays it’s quieter and they have time to stop and collect impressions.
Besides organizing the travelling and gathering inspiration from different hotels, Åsa has always had a camera with herself. The Jonas Åkerlund film (Roxette Diaries) we already wrote about will soon be completed, however, it’s still not decided where to broadcast it.
Hallandsposten writes about Halmstad life being perfect for Åsa, she loves living there, while Stockholm suits Per more. He has more social life in the Swedish capital.
I also like to go out and dance to dance bands, last time about a week ago in Västerhagen. I still have sore muscles. Dancing to dance bands is not something I do with Per. 🙂
We’re going home to Halmstad to gather strength. I love to go to Prince Bertil’s path, which I do almost every day. It’s awesome that new things are happening there all the time and the landscape changes along the way. My favorite spot is Tylöbäck where there is a kind of magical atmosphere, although I think one should clean up a little of all the old trees…
Another favorite spot is the garden where Åsa and Per like just to sit and enjoy peace, and to have breakfast in the special breakfast corner.
It’s nice to have a little routine. Per always drinks filter coffee at certain times, like an old lady, ha ha.
In the interview Åsa talks about her designer career. It started in 2007 when there was a housing exhibition in Halmstad and Lars Nordin asked her if she would decorate one of the apartments. First she said no, because they were in the middle of a tour, but she now mentions the real reason was that she thought it was a little scary. She accepted the challenge in the end and she used By Rydéns lamps in that apartment, so she got in good contact with them. Now she is designing lamps for them. The theme is love and peace and the peace mark is a central element of the design. There are 1 or 2 lamps each season designed by Åsa, who has learned it step by step that it is important to believe in and challenge yourself.
For Åsa, it is obvious that love makes us better people, and her message is that we should be kinder to each other and be happy for each other’s success.
When we heard about the Twelve Peaks show on Nordic Rox, we thought there would be at least one Twelve Peaks bonanza per month. The essence of the show is that Per Gessle chooses 12 songs according to the actual topic and he and Sven Lindström are discussing them. The first 2 shows were shared by Sven in February 2014. More than a year later, now he was kind enough to share a third program, this time via Sandra Knospe. Huge thanks for that!
At the very beginning of the 3-hour-long show (you can download it by clicking HERE), as well as at 00:34:00 and at 00:51:10 Sven is announcing his guest, Per Gessle and tells we will listen to the 12 peaks list of contemporary music that Mr. G grooves to right now. Per joins in at 00:59:20 and is on until 02:15:32.
Sven says he gave Per the choice to pick his 12 New Wave favourites, but in order to be hip and appear groovy, he chose contemporary songs instead. They named this part as ”Twelve Peaks of Now” since Sven couldn’t come up with a better title. Per jokes the title could have been ”12 peaks of what’s in my lunch box”.
At the time of recording the show (early March 2015) Sven said Per was in the middle of picking up ideas for the new Roxette album.
Per’s reaction to that was:
Most of the songs are already done, but I can change my mind.
Regarding how songs are influencing him he said:
I try to listen to lots of things, lots of different things. I mean I didn’t invent the wheel, I let myself be influenced by certain sounds or certain ideas or certain structures in songs.
They are also talking about the upcoming Roxette album. Remember, the show was recorded early March. PG says:
I started writing the new Roxette album half a year ago. Then of course we went on tour. We started touring in October in Russia and the Baltic countries and we just came back from Australia. In early May we start our big European tour over the summer with almost 40 shows in Europe. So this recording, this new album, we’re doing it when we’re at home. Which is like good and bad. The bad thing is that it’s very easy to lose focus, because you’re in the studio for a couple of weeks than you go on tour for like 2 months. Then you have to go back. I would prefer to be in the studio until it’s done and then do the tour. But we can’t do that at this point. But it’s going great, you know. We have a great material and it feels really cool, the new stuff. It’s a mix of classic Roxette combined with new ideas. … It’s a much stronger compilation of material than the last 2 albums. And also I think since we started touring again in 2010 Roxette has become this sort of working machine that I like to have. I think that really pays off when you’re making new songs for the band.
Sven who heard songs off the new album thinks it’s impressive and promising, quite a step forward compared to the last 2 albums.
Sven asked Per where he gets his music tips from for finding new music. Per replied:
Most of the time you just share playlists with your friends who know what I like and vice versa. … It’s easy to get lost, it’s also easy to get bored, because you listen to so many songs that you don’t like and you sort of give it up and start watching Breaking Bad instead. You have to find a way to filter all this. But I have a few friends and we sort of share ideas all the time. You should find friends, Sven! It’s a good thing.
They are talking about the great reception of The Per Gessle Archives and demos in general. They have a deep discussion about the question if mooses are elks and vice versa. You can also hear SMS messages coming in during the conversation. It’s always so cool listening to them. They are sharing jokes, kidding each other and their conversation about music is one of the most enjoyable things in life.
Sven and Per are also talking about 1975 and Mr. L asked Mr. G where he was in ’75. Per replied:
I was still in school. I hadn’t formed my first band yet. I was struggling with songwriting. I wrote lyrics and made up melodies in my head, but I couldn’t really play anything. But then in ’76 my mother – I think it was ’76 – my mother bought me a guitar. And I started to play this sort of fingerpicking style, you know, Leonard Cohen songs and Gordon Lightfoot songs.
Then came the New Wave and he had to form his own band. He was influenced by Blondie, Patti Smith, Tom Petty etc. He always thought each Tom Petty song could have been a single.
The main thing in the show, however, is that list of 12 songs Mr. G likes right now. They are talking about the artists on the list, as well as about the songs, why Per thinks they are good or even brilliant tracks.
Say Lou Lou – Julian
Tove Lo – My Gun
Bo-Dogs – She’s Got To Go
Jungle – Busy Earnin’
Feist – I Feel It All
Röyksopp feat. Robyn – Monument
Amason – Älgen
London Grammar – Hey Now
The 1975 – Chocolate
Banks – Beggin For Thread
Karin Park – Out Of The Cage
Lana Del Rey – Cruel World
We have no idea how many Twelve Peaks have been recorded so far, but hopefully, a next part can be shared soon.
And yet another interview with Per popped up, this time by German music blog laut.de. Between other things Per talks about current studio work, the greatest hits album and world tour. When interviewed he’s in the studio creating demos and „hopes“ to have a new single ready for the European live shows.
The title „Marie needs much drama“ refers to Maries preference for big melodies when singing, in contrast to rather flat bubblegum pop. Per reveals that Marie and him had many disagreements during Roxette’s career, but they always kept it out of the public. In the past he could be grumpy when Marie only stepped into the studio to sing her vocal parts, but her illness changed everything and now he’s just happy to look into her eyes.
About current influences and Roxette’s forthcoming album, Per says that he’s interested in music that he couldn’t create himself and that puzzles him, like the work of Daft Punk. He thinks some people will be surprised by the sound of Roxette’s new album. While the foundation stays the same there’ll also be new things to discover…
During the past months many interviews with Per popped up in several countries. Anyone in for a little Hungarian this time? Piece of cake. OK, if you’d like to skip the lesson, just read the summary in English below.
Lángoló Gitárok is a well-known Hungarian music blog. Ádám Magyar, one of the LG bloggers did a quite nice interview with Mr G, having some interesting questions to him. There is nothing really new for a hardcore Roxer in it, but still, I’m always happy to read anything Rox-related in Hungarian newspapers or on websites. And yeah, I could read about / listen to Per’s thoughts and views on music 24/7. I know there are many more out there sharing this feeling. 😉
In the interview, to the question what motivates him being constantly on stage Per replied he’s not constantly on stage, but is constantly working. He writes, re-writes and re-re-writes songs, planning or he’s just in the studio. Touring is another part of the creative work, but he really likes it, because it feels wonderful to stand on stage in front of tons of people who love what they’re doing.
To the question what inspires him when writing songs he replied writing songs is just natural for him, since he started writing already as a teenager. He could not live without writing, it’s an important part of his personality. Per is writing constantly, but it doesn’t mean he finishes all the songs or that the audience will get to hear all of his songs.
Per says today’s mainstream pop music is very one-sided and he blames it on the major record companies and radio stations. He thinks it’s much easier to follow in the footsteps of an already successful production than to do something fresh and innovative. His favorite songwriters are those who still try to move out of the ordinary frames, while writing great melodies and doing interesting albums. He says he loves well-written songs.
Of current music trends Per says sometimes things don’t come through, because he thinks those songs don’t speak to him. But that’s just the way it should be. Pop music should always reflect the actual era and so it does.
To Lángoló Gitárok‘s question, if he ever recognized the impact of Roxette on today’s music Per replied he is not used to think about it at all.Music works like you hear something, you find inspiration in it and then write something new.
Lángoló Gitárok asked Per what kind of music he is listening to nowadays. He says he is listening to different kinds of music. He returns to Joni Mitchell or 70’s pop songs quite often, but healso likes new stuff, such as Lana Del Rey, Röyksopp, José González, Nine Inch Nails and Daft Punk. He finds French bands usually very good. But according to Per, there are good songs of Katy Perry, Tove Lo or Ellie Goulding, too.
To the question what he thinks of the future of music Per replied pop and rock music have changed a lot in his life. When he was a child, musicplayed a huge role in their daily lives, but today there is much more competition in the entertainment business. There is the internet, the fantastic computer games, etc.
The point is that the possibilities are endless and this is a huge difference compared to earlier times. Sometimes I feel that the role of music in everyday life in today’s society is not as dominant as it was decades ago. On the other hand, more people listen to music today than ever before, and it‘s amazing how much easier it is to access music. Of course, pop and rock music will live on, but who knows what role they will play in the future.
Per talks about his great memories from the tours.He says they are very lucky and grateful that they could attract so many people to their shows all around the world over the years.
To the question when he thinks he will retire from music he replied:
There are no such plans, as it has just started for me.
When asked about his free time, Per mentions he likes car sports, especially F1. He talks about his hotel being also an entertaining thing to deal with. He tells he’s interested in architecture and art in general.
But actually, I’m an incredibly boring person. I spend 99% of my time with my family and music.
Regarding travelling Per says he loves Europe and when he’s travelling he feels really European. Australia is a very good place, especially Melbourne. Brazil and Argentina are also super. His favorite cities are probably New York and London, he has a lot of his friends living there.
Lángoló Gitárok asked Per whether Chris plays local songs also in other countries or it was only Hungary where he played a local tune (Tavaszi szél) in 2011. Per explains Christoffer plays some local tunes every night. He says Chris is a great musician and learns extremely fast. He’d never be able to do what Professor Lundquist is doing.
Per mentions he was in Budapest only a couple of times so far and they only came to play here, but he saw that Budapest is a beautiful city and of course, he is excited to be there again.
Regarding the new album Per says it will be out in autumn and that they plan to make a classic Roxette album, but at the same time they want it to sound fresh.
Regarding further plans for the future Per says he will follow his gut feeling.
The last time the PLECtionary got updated was eXXXactly 3 months ago today. Let’s celebrate it with adding some more picks to it!
Since the 2014 picks weren’t really used (check in the PLECtionary, why), it was evident Per needed new plectrums for the New Zealand – Australia leg of the tour. He shared a photo of his new guitar picks one day before the Auckland show. We could all agree on these were fitting NZ-Oz quite much and that they are hilarious with the funny texts on them.
Sandra Knospe decided to see the band live in Australia in February and during the concerts she attended she could collect all the latest Per Gessle plecs, as well as one Christoffer pick and one Micke N-S plectrum. After getting back home, she found the time to take the pics of all the beauties and tell the trivia she knows about them, so 8 plectrums are added this time to her already stunning collection. Check out the PLECtionary and look for the guitar picks No. 92-99!
There are plenty of the picks produced for NZ-Oz, so maybe there are enough left for at least the European leg of the tour. The designs are fitting Australia more, but of course we’re happy to catch them in Europe, too. 😉 (Update on 28th March: Per says there will be new picks for Europe.) 7 weeks left until the tour goes on! Woohoo!
Huge thanx for the updates, Sandra! We’re eXXXtremely happy that your collection is growing and growing!
When Per was in Berlin, he got interviewed by the press, also by German TVs. The RTL stuff was rather a joke with a less than 1-minute-long coverage, even misspelling Per’s name, but Das Erste did it oh so right. You can watch 2 videos online, 6 minutes altogether. You can choose if you want to watch it with Per’s original voice in English or the one with German overdubbing. Among other things, Per talks about the last 30 years, if it was better in the ’80s than now, The Look, their brother and sister relationship with Marie and Marie’s illness, as well as how Marie is doing now and that he thinks it’s the leg thing what bothers Marie the most these days. Ms Effe was doing photo sessions in Stockholm for her upcoming book while Per was in Berlin. He also tells Party Crasher would have probably been a Roxette album if he knew Marie would come back. To the question if he sings along when he hears a Roxette song on the radio he said he just turns up the volume to hear how it sounds in the car, but doesn’t sing along.
This was a lovely interview with him with great questions and even more interesting answers. Check it by clicking HERE. It’s really worth watching! There was a report broadcast on TV /Das Erste/ (different vs. what you can find in the mediathek). Check this one, too.
Thanx to all the German Roxers who kept an eye on their TV sets!
Update on 20th March: There is one more video interview with Per at Süddeutsche.de. Overdubbed, but still lovely. Watch it by clicking HERE.
Vox.de shows the RTL report with correct spelling of Per’s name and in a slightly longer version.
You might remember Per sharing pictures of himself at a Racing Day at Ring Knutstorp, Sweden last September (pic 1, pic 2). Mr G mentioned back then:
Racing yesterday at Ring Knutstorp. Well, I actually didn’t race. Just a few laps on the track. I’m a coward.
So, the car was driven by someone else on the track and we were also joking a lot about him wearing that helmet or not in the end. I bet many would have been happy to be there and check Per’s LALALA LaFerrari from the inside. It seems some were lucky enough to sit in it for a little time.
Besides providing the visitors with the possibility to see tons of posh cars, there was a charity race for Childhood Cancer Foundation and 300000 SEK was collected for them. On a side note, Hugh Grant was also present and he was racing.
6 months after the event, Autoropa, the organizer of the racing days shared a short VIDEO summary of what happened at Ring Knutstorp that September day. They talked to Per, so he also appears in the video. Check him at 0:36 and 4:40. As you can see, the mystery is solved. Mr G did wear that helmet, even if it was maybe only for some seconds or minutes. Per says in the video that Åsa (who was btw driving the LaFerrari to and from Ring Knutstorp) drives a little faster on the roads than Per. Who would have thought? 😉
Any plans for March? Particulary, March 13 and 14? No? Then you could go and book a “Gessle inspired weekend” at Per’s Hotel Tylösand in Halmstad. Everybody who books a “Spa & Entertainment package” will get a special treat with a wine tasting of exclusive Gessle wines as well as do a tour around the hotel’s unique pop history landmarks – as is stated on the homepage of the hotel.
This is the complete program as listed on the site:
WINE TASTING – Friday and Saturday 17.30 PM
The Per Gessle Selection is the brand for the series of wines that the Swedish super star and wine aficionado Per Gessle has launched with the help of some of the world’s most prominent wine makers. In this series there are champagne as well as red, white and non-alcoholic wines, and we will be served a selection of these during the tasting session.
THE POP TOUR – Friday and Saturday
On both Friday and Saturday there will also be a guided tour of selected pop history items on display at the hotel, led by music writer and Per Gessle biographer Sven Lindström, who guides us around Leif’s Lounge with its exhibition of unique Roxette and Gyllene Tider material from Gessle’s long music career.
Sven Lindström has written the authorised biography ”Att vara Per Gessle” as well as chronicling Roxette’s career and sensational comeback. Together with Per, he also hosts the weekly show Nordic Rox, presenting the best music from the Northern countries on Sirius XM satellite radio.
Availability is limited, so book now for a weekend in March with a little bit more of everything.
You surely remember last year’s Göteborg Book Fair either you could personally be there or not. On 26th September Per, in between 2 signing sessions, took part in a very entertaining pop quiz that was led by Sven Lindström. Another participant of the quiz was the other lonely boy, Nisse Hellberg. 4 months after the event, the book fair team decided to share the sound recording of that seminar, so now everyone can enjoy it. A short summary of the day as chapter 1 you could already read here at RoxBlog in this article and 1/3 of the seminar you could already watch as a video summary in this RoxBlog article. The seminar was of course in Swedish, but it is worth listening to it even if you don’t speak the language. How these guys love music shines through their talking. Always! Oh and you can also hear how Per loves to win. Because he won. Of course.
Hopefully, chapter 2, i. e. the interview Jan Gradvall did with Per on 28th September will also be uploaded as a sound recording at least. Until then, enjoy this little pop quiz!
Another year passed and Mr. G became 20454 days old today. Wishing a splendido birthday to Per! The past year was again full of fun, joy and treats in many forms and most importantly, we got some more gorgeous & cool music from him. Cheers to another busy year!
Do you have any plans about how to celebrate Per’s birthday? You can choose more than 1 from the list below. If you choose ”Other”, we would be glad to read about your plans in a comment.
During the first half an hour of the program Kajs spellista, Kaj Kindvall played some songs from the past he thinks still sound good today. Then came the interviews with several listeners, artists and colleagues. The interviews were done by Micke Cederberg who met Per for recording his thoughts on 6th December.
In the 2-minute-long interview with PG (starting at 1:05:19 at THIS link) he talked about his memories related to Kaj Kindvall and his programs and mentioned Kaj always had a significant role in his life as a radio host. At the time Per became an artist, Kaj was the host of Poporama (1974-1984), a radio program that was very important in Gyllene Tider’s history. Per talks about the story we could read I think in Att vara Per Gessle and could also hear it in older interviews that they, the guys from Gyllene Tider and their friends sent a lot of postcards to Kaj to ask him to play Flickorna på TV2 on the show. The only “mistake” they made was that all the postcards were sent from Halmstad, what Kaj saw and mentioned it on the radio, too. But they succeeded with that action after all. There is even a short cut of a call from those times when Kaj talks to Per on the phone about the song. Funny.
Per says Kaj’s other program, Tracks(1984-2011) also meant a lot to him as a solo artist, but also to Gyllene Tider and Roxette. Mr G mentions that Kaj has a really good radio voice that one can recognize immediately and he is a great host and one couldn’t miss any of his programs. Per wished him a nice life after retiring and not to forget to clean the dust off thegramophoneevery now and then.
When we first got to see the 2014 editions of Per’s guitar picks on the producer’s Instagram account (pic 1, pic 2), we got very excited. They all look so hot ’n’ cool! Then the tour started and besides being extremely happy about seeing our most beloved band live again, we expected to see the new picks live, too. During the Russian leg of the tour fans were posting pictures of plectrums they could catch at the concerts and we could see that besides some new ones, most of the picks they could obtain were from 2012. We could think the amount produced of the new plecs was so few vs. Per’s pick-throwing habits that he ran out of those 2014 picks very fast. But it wasn’t the case.
A nice collection. But where are the pix from 2014????? /P.
Haha… Yeah… We’d been also wondering, because we saw a lot of 2014 picks appearing e.g. on Tradera, already before the tour started and we were quite sad about the fact that they ended up in traders’ hands, while we couldn’t see too many of them on Per’s mic stand on tour and he played even less of them.
The producer shared the info after we asked them and they saw the PLECtionary that the picks are quite exclusive, not too many of them were produced. That was also confirmed by Mr G and Micke N-S. 100 pieces were made of each 2014 picks, except for the Rox-Jet plec, of which 400 exist. Per already mentioned it in the guitar pick interview that they should slow down a bit and produce less picks for a tour. Now it seems they sticked to that idea of keeping the picks more exclusive.
There was another thing Per mentioned in the plectrum interview and this is how the actual update of the PLECtionary is possible. When talking about Sandra’s collection, he said:
She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
And how awesome the way is how he is helping her! He sent the missing 2014 guitar picks to Sandra in a mail not much after he posted about the PLECtionary. Wow! I mean W.O.W.!
Santa Per or Gessle Claus, call him as you wish, he is the most fantastic and most fan-friendly artist in the whole wide world! And he really knows how to make the fans the happiest people in the universe. I can only confirm it.
I don’t even have to mention how Sandra was jumping of joy when she saw Per’s mail in her mailbox. She also wants to thank Mr G for the awesome gift, so here is a message from Sandra to Per:
A truly unexpected and special Xmas present!! What a treat!! Not only that I finally can add a set of these beauties to my collection, but also I’ve got lots of Xmas presents for my Rox-friends now. A big thanks to the generous and kind donator! Hallelujah! You rock, Per!
He ROX, indeed! And Sandra, too! Thanx a million for all your efforts and work with the updates again! We’re extremely happy for you and glad to see your collection is growing.
Since Per sent more picks to Sandra and let her share them with her Rox-friends, she also thought about giving a chance to a wider group of Roxers to get these rare picks. Huge thanx for offering them for a contest, Sandra!
Besides adding the 2014 picks (No. 86-91), the PLECtionary has also been updated with some info regarding quantities produced of picks where it is known and since the latest update, the misspelled, rare Woddy plec (No. 10) could also be added to Sandra’s collection.
Read the trivia from Sandra at the new picks to get to know why Per doesn’t really use those plectrums on tour! What will we see on the mic stand in 2015? Will there be a new production with the same designs or will there be some completely new layouts? Are there still so many 2012 picks left that Per will use them until he runs out of them? The answers are not known at this point. Let’s see what happens next year!
CONTEST!!! Here is your great chance to get hold of a ROX-JET / PER AIR HAIR – CAPTAIN GESSLE guitar pick (No. 91)!In order to participate, answer the following questions (correct answers are added next to the Qs on 3rd January):
How many Rox world related guitar picks are there altogether in the PLECtionary at the moment? – 150 (143+7)
How many different 2014 guitar picks were designed for the XXX anniversary tour? – 6
What is written on the front and back of plec No. 10? (Please, spell it how you see it, otherwise we can’t accept your answer. 😉 ) – Text front: HEJ DIN TOK JAG ÄLSKAR DIG; Text back: WODDY
Send an e-mail with your name, address(so we can send the guitar pick in case you win) and the answers to the questions to firstname.lastname@example.org until 23:59 CET on 2nd January 2015. The 10 lucky winners will be announced a few days later.
Contest terms and conditions:
– In order to participate, you have to send an e-mail to email@example.com with your name, address and the answers to the 3 questions. We will consider all e-mails we receive until 23:59 CET on 2nd January 2015 with complete information.
– 10 winners will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice will lead to your disqualification.
– Prizes won’t be paid out in cash. Prizes will be sent by standard mail only once (so basically, if the envelope gets lost, we won’t be able to send a replacement).
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to reply to the e-mail confirming your address.
– Roxetteblog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are one of the lucky winners, to send you the prize.
Update on 3rd January:
The 10 lucky winners are:
Rosina Marmion – Uruguay
Agata Giunta – Italy
Gaby Hildebrandt – Germany
Jorge Diaz – Argentina
Nikolett Zentai – Hungary
Ilya Volkov – Germany
Kersti Liivamäe – Estonia
Helen Franklin – England
Mariana Gumuzio – Spain
Remco Verhaaf – The Netherlands
The winners have been informed via e-mail and were announced on our Facebook page, too.