Per Gessle

Per Gessle and Sven Lindström have started a new series on Nordic Rox. Before they get down to business, they talk about their winter. Per says he was abroad for Christmas. He is not really a fan of the Swedish and Scandinavian winter season, even though he was born there. Sven agrees and says if they start talking about it, they are going to spend ten minutes complaining about the weather. To cheer things up, the guys have got a new list to go through, the top 30 songs of the ’80s.

Per thinks the ’80s was a fantastic decade. Great hairdos, great clothes and great music. Sven adds, great shoulder pads on the record covers. Haha. They will go through the first five of these songs.

Speaking of freezing cold, they first take a trip to Finland and play Matkustaja by Egotrippi. PG thinks they are a great band. He guesses Egotrippi means ego trip. That’s as far as his Finnish goes. He can’t pronounce the title, but he really loves this song. He tries to pronounce it and Sven says he can’t correct him, because his Finnish is… Haha. For two countries that are so close to each other, the Finnish language is incomprehensible for Swedes. Egotrippi is actually one of the few words that you understand immediately.

The next song is from Norway, I Used To Be A Real Piece Of Shit by Sløtface. It’s just under two minutes, which is their favourite timing for a pop song, Sven says. Per says it’s not bad.

Run To You by Roxette is next from the Crash! Boom! Bang! album that has just been released as a 30th anniversary edition, Per informs.

Before the countdown starts, Ain’t No Saint by Peg Parnevik is played.

Per loves the ’80s. It was a fantastic decade, he thinks, especially when you look back at it now. Sven asks PG what made it special compared to the ’70s. Mr. G explains that music-wise the digital revolution happened. Suddenly you started to work with click tracks and drum machines instead of the old school stuff. Music changed a lot and everything else changed. If you look back at fashion, books…, everything was different. If you look back, Sven thinks the ’50s continued until The Beatles came on the scene in ’63 or so. The ’70s started in 1968-69. Sometimes decades go like this. When Sven hears the album Station To Station by David Bowie, it’s recorded in 1976 or 1975, but that sounds almost ’80s to him as well. Sven is curious if for Per as a songwriter there is an archetypical ’80s sound. It is the synthesizer for PG. It’s Pet Shop Boys, Eurythmics, Thompson Twins, Depeche Mode, Simple Minds. There are so many examples of that style. But, of course, there was a parallel industry as well. Country music went on and the rock scene as well. So basically, the guys are going to have a little bit of this, a little bit of that on the list.

At position No. 30 they kick off with a Swedish monster hit from 1980, Vill ha dig. It became the breakthrough song of a band called Freestyle. Per says this song was all over the place and his first band, Gyllene Tider and Freestyle became sort of competitors. They shared the number one spots on the charts all the time with different singles. Per thinks this is a really brilliant track for its time. It’s just really catchy and it sounds really cool. Long live the ’80s, PG says. He adds that it was a hit even in 1981. It just went on and on and on. Big song for the band, one that you couldn’t escape in the early ’80s. It was all over the radio.

A song you could escape is the next one. Öresundstwist by Torsson, a southern Swedish cult band. Per says this song doesn’t sound like the ’80s at all, it sounds rather like the ’60s. It sounds very much like Torsson. They have their own universe, Sven says. It’s very lyric-driven and it’s really fascinating to listen to them according to Per. The song is about taking the boat between southern Sweden, Helsingborg and Denmark over the Öresund strait. If you have trouble checking out the lyrics, this is basically what it’s all about, Sven informs. And while doing so, you dance some twist on the boat as well, if Sven understands the lyrics correctly. The band is still active. They are touring and they are still very popular, Sven says. PG adds „and they still sound the same”. Sven is pretty sure this is the American radio debut for Torsson.

No. 28 is Blodspengar by a great band called Japop, led by Janne Anderson on lead guitar. They made a couple of albums in the early ’80s. This is very typical of how the power pop scene sounded in Sweden in the early ’80s. Spilling over from the late ’70s new wave. This is like The Greg Kihn Band sort of style. Per thinks it’s a great, really nice pop song. Sven is curious if Per saw Japop live. He did. They were actually signed to the same record label as Gyllene Tider were in those days. Janne is a great guitar player and great singer as well. It was a trio and it’s a shame that they didn’t become bigger. They were produced by Dan Sundquist from Reeperbahn, also an incredibly cool band.

Speaking of power pop, the guys have Mikael Rickfors coming up next. Tender Turns Tuff is a great song from 1981. Mikael Rickfors became the lead singer of the English band The Hollies in the ’70s. He replaced Allan Clarke. They were pretty successful in the ’70s, then Mikael returned home to Sweden in the ’80s and made some amazing solo albums. He worked a bit with Robert Palmer. This song, the title track from the Tender Turns Tuff album, was really big. Per remembers it was all over the place. It’s also a bit new wave-ish, spilling over into the ’80s. Mikael Rickfors and his songwriting partner Hasse Huss wrote a song, Yeah, Yeah, the last track on the Cyndi Lauper album She’s So Unusual in 1983. It was one of the best selling albums in the States in 1983. They have been very successful as songwriters. They were a really good team. Hasse Huss was writing the lyrics and Mikael was writing the music. Sven says that there is a bonus version of the Tender Turns Tuff album and on that extended version there is a track called Blue Fun, which was remixed by Robert Palmer. It sounds really cool. He did a lot of interesting stuff.

The final ’80s song of the day is Ängeln i rummet by one of Sweden’s most successful female artists during the ’80s, Eva Dahlgren. She is still around and she is still amazing, Per says. This was a really big song for her, released in 1989. Wonderful vocals, really atmospheric according to Sven. It might also be the first time being played on American radio.

The list continues in the next show. On this episode the guys still play Soul Free by Atomic Swing from 1994 and Younger by Seinabo Sey from her album Pretend.

Elvis, I Love You by Albin Lee Meldau is next. Per says this is the sound of Gothenburg, Sweden. Sven thinks it’s a brilliant song and informs that PG recorded a song with Albin Lee on Per’s latest album. They did a duet together, which has been a big hit in Sweden, Per says. „Very nice! Thank you very much, Albin Lee!”

The show ends with Cigarettes by Anita Lindblom, as usual.

Still is from the Bag Of Trix talks recorded by Anders Roos.

Thanks for your support, Sven!