Observations by Fredrik Etoall – Roxette, Marie Fredriksson, Per Gessle, Gyllene Tider

An art book including photos of Roxette, Marie Fredriksson, Per Gessle and Gyllene Tider taken by the amazing photographer Fredrik Etoall will be published on 30th June. Observations by Fredrik Etoall – Roxette, Marie Fredriksson, Per Gessle, Gyllene Tider comes in two versions, one standard textile bound book with 176 pages. The second version is the same book delivered in a nice box including a signed art print by both Fredrik Etoall and Per Gessle. The signed and numbered box set is a limited edition of 500 copies, covered with Fancy Linen.

Mr. G says:

I first met Fredrik during a photo session with Roxette at the Scandic Grand Central in Stockholm in January 2012. Marie understandably was very tired and impatient, but that didn’t stop Fredrik from taking some of the finest and most personal pictures ever taken of our band.

I’ve had the privilege to continue working with him on various projects, and nowadays regard him as a good friend. He’s the kind of guy who’s fun to bounce ideas with. And he always speaks his mind. A good quality.

During our two-day session to nail the visual identity for the PG Roxette album ”Pop-Up Dynamo!”, the idea of a photo book with Fredrik’s fabulous images of Roxette, Marie, Gyllene Tider, and myself took shape. I loved it immediately. Fredrik’s craftmanship, artistry, and sensibility hits you on every page. If I could only use two words to describe his work, it would be “timeless quality”. I’m pretty sure you’ll agree.

You can pre-order the book at Bengans. HERE you can see details of the standard book and HERE the box set. The weight is appr. 1 kg. Dimensions: 230 x 320 mm.

The book is published by Tres Hombres Art that will also organize an exhibition of Fredrik Etoall’s photos at Hotel Tylösand from 30th June.

Roxette, Per Gessle and Gyllene Tider are now represented by Monza Music Entertainment

Monza Music Entertainment is now being launched – a merger of several of the Nordics’ leading management companies. Some of the Nordics’ top management joins the new music company Monza Music Entertainment. In its own three-storey farmhouse in Vasastan, Stockholm, the newly started company aims to help artists and producers in their careers – with long-termism as the main watchword. Behind the initiative are Andreas Håkansson (former A&R Director, Warner Music) and Tomas Jernberg (former partner, Dimberg Jernberg Management), a strong team and a number of external partners.

Monza Music Entertainment is a merger of the management companies Autonom Management, Dimberg Jernberg Management, Tiny Monsters and Monza Music Management, which will run publishing and management activities with the whole world as a market.

With both offices, social spaces and music studios under the same roof, Monza hopes to minimize the distance between the creative and operational work – and in that way create a more efficient collaboration model.

Tomas Jernberg, Managing Director says:

Monza wants to be the company that provides the conditions for artists, songwriters and producers to fulfill their visions all the way from creation to meeting their audience. We are a team consisting of management, A&R/Creative, Brand Partnerships, Digital Content Creation and project management. Our ambition is to establish a really strong alternative in the Nordic music industry, with the world as a market.

Niklas ‘Pankan’ Bergson, Manager & Partner says:

I started Autonom together with Per Hägglund 13 years ago because we felt that we wanted to be an independent management entirely on the artist’s terms. When Per decided to write and produce music full-time, I felt that I wanted to find a new context to take it further. When I met Andreas and Tomas, I felt that we had the same view on how to develop and build an interesting and modern management, where we can meet the challenges of the new era and have the opportunity to take advantage of and develop our artists without losing our basic idea.

Marie Dimberg, Manager & Partner says:

In an industry that has undergone enormous changes during the almost 40 years I have spent in it, the management role has been established, grown and greatly changed in recent years. The need for strong and professional management has never been greater as more and more artists and music creators become their own small labels and brands. To be able to grow and offer competence in all areas and bring in new people with new ideas, the idea of a management house like Monza felt obvious both to Tomas Jernberg and me. ‘Develop or die’, as it is called. Together with a number of competent people with varying experience, we see the future and intend to stick to the first mentioned – develop!

Monza Music Entertainment currently represents the following artists, songwriters and producers:

Management: Love Antell, Christopher (Dk), Peder Elias (No), Florence Valentin, Per Gessle, Gyllene Tider, Molly Hammar, Hederos & Hellberg, Maia Hirasawa, Hurula, Peter Jöback, Elias Kapari, Loney Dear, Nause, Roxette, Nicole Sabouné, Sakarias, Thåström, Titiyo, Bruno K. Öijer.

Publishing: John Alexis, A36, Cherrie, Harm Brothers, KJ, Pontus Persson, Ricky Rich & Dani M

More names are expected to be added shortly.

Photos by Fredrik Etoall.

Read the press release in Swedish HERE!

APRIL FOOLS’ DAY! – Per Gessle to appear on stage in the Roxette musical!

APRIL FOOLS’ DAY – There is still quite some time left until the Roxette musical hits the theatres in autumn 2024, but it has just been confirmed in a recent interview that besides taking huge part of the job in matching Roxette’s music with the play, Per will also appear on stage each night the musical is on. Well, not exactly on stage, but in the orchestra. Actually, in front of the orchestra, because he accepted the challenge to be the conductor. This way he can make sure everything sounds exactly how he imagines it, so the audience will have an extraordinary experience each night. This is going to be a very new role for Mr. G, of course, but the more he dives into this project, the more his curiosity about theatre life is growing. Who knows, maybe one day we even see his name in the cast of some play. Haha.

The script of the musical is not yet ready, but as you already know, it will be based on Got You Back, a book by Jane Fallon and is being written by Swedish playwright and director Klas Abrahamsson. The premiere will happen in Malmö Opera in autumn 2024.

Dates will be out and tickets for the musical will go on sale in autumn 2023. Until then, you can always read the book. HERE you can find the first chapter.

Conductor Gessle stills are from PG Roxette’s Nothing Else Matters cover video.

Roxette on MTV Unplugged – 30th anniversary

MTV’s acclaimed music series, MTV Unplugged premiered in 1989 and it showcased top artists in the industry performing acoustic versions of their songs. Roxette was the first non-native English speaker band invited. It was a fantastic opportunity for Roxette to show their qualities as a live band to a large audience worldwide. They recorded their show live at Cirkus in Stockholm, Sweden on 9th January 1993 and it was broadcast during MTV’s Roxette Weekend on 20th and 21st February, then on Swedish TV a week later.

Per says in the Att vara Per Gessle book:

It was good for our self-confidence to do the songs acoustically. The sound on the studio versions was based almost exclusively on production technology, but it was still quite easy to strip the songs down and play them in a natural way. And that probably affected the way we approached the new record [Crash! Boom! Bang!]. We wanted to tone down some of the technical stuff and find a more organic sound.

The gang

Lead vocals: Marie Fredriksson
Acoustic guitar & lead vocals: Per Gessle
Drums, percussion & Samsonite suitcase: Pelle Alsing
Backing vocals, accordion & mandolin: Vicki Benckert
Acoustic bass: Anders Herrlin
Acoustic guitar: Jonas Isacsson
Piano & pump organ: Clarence Öfwerman
Backing vocals, percussion & glockenspiel: Staffan Öfwerman

3 songs from the set – Joyride, The Look and Dangerous – were released on Roxette’s Rarities album in 1995, but for the rest we had to wait until their 20th anniversary in 2006 when they released the entire performance on a DVD in The RoxBox / Roxette 86–06 box set.

The 53-minute-long concert – 12 tracks + 3 short interview parts – on the DVD was what anyone could watch on MTV. The 8 bonus tracks weren’t on TV, they saw the light of day only on the 2006 release.

Setlist (they played the songs in this order originally)

  1. Dangerous
  2. Hotblooded
  3. Spending My Time
  4. The Heart Shaped Sea
  5. Fingertips
  6. Cry
  7. I Never Loved A Man (The Way I Love You) (Aretha Franklin cover)
  8. Heart Of Gold (Neil Young cover)
  9. Surrender
  10. It Must Have Been Love
  11. So You Want To Be A Rock ‘N’ Roll Star (The Byrds cover)
  12. Watercolours In The Rain
  13. Fading Like A Flower (Every Time You Leave)
  14. Here Comes The Weekend
  15. The Look
  16. Perfect Day

ENCORE

  1. Listen To Your Heart
  2. Church Of Your Heart
  3. Joyride
  4. Queen Of Rain

There would have been a second encore with Things Will Never Be The Same, The Big L. and So Far Away, but unfortunately, it never happened.

DVD setlist on the RoxBox

  1. The Look
  2. Queen Of Rain
  3. Hotblooded
  4. Interview
  5. I Never Loved A Man (The Way I Love You) (Aretha Franklin cover)
  6. It Must Have Been Love
  7. Fingertips
  8. Interview
  9. Heart Of Gold (Neil Young cover)
  10. Church Of Your Heart
  11. Listen To Your Heart
  12. Interview
  13. Here Comes The Weekend
  14. Joyride
  15. So You Wanna Be A Rock ‘N’ Roll Star (The Byrds cover)

BONUS TRACKS

  1. Dangerous
  2. Spending My Time
  3. The Heart Shaped Sea
  4. Cry
  5. Watercolours In The Rain
  6. Surrender
  7. Fading Like A Flower (Every Time You Leave)
  8. Perfect Day

Now, 30 years later, it would just be amazing to have this gem on streaming services. Both as audio and video. Maybe one day?

Stills are from the DVD.

Photo from the press conference shows Brian Diamond, MTV Europe Executive Producer and Monica Eek, Head of Entertainment at Swedish TV next to Marie and Per.

Per Gessle on “Halv tre med Lotta Bromé” on Mix Megapol

Per Gessle was Lotta Bromé’s guest on radio Mix Megapol on 26th October. You can listen to the interview HERE.

Before Per was on air, the radio played The Look by Roxette and När vi två blir en by Gyllene Tider.

Lotta welcomes Per on the show and he thanks for that. Lotta asks Per how he is doing. Mr. G replies he is actually very well. Lotta asks why and Per laughs, because it’s a weekday. Lotta is curious if PG has any fun things to do now that he is in Stockholm. Mr. G thinks there are only fun things around him and a lot is happening right now. Gyllene Tider ticket sales and tour and a new album and everything possible.

Lotta asks Per how he is functioning. Whether he is always in a hurry or he is one of those who have ADHD or if it’s just that he is a very creative being. Per thinks he is a combination of all that. He usually says that he probably has all the letter combinations except I and Q. [They are laughing.]

Lotta is curious if Per was good at school. He was quite uninterested in school. He liked art and drawing and English and Swedish. Lotta finds it strange that Per hasn’t mentioned music. PG says he wasn’t that interested, music teaching was quite boring in his time. He doesn’t know how it goes nowadays, but back then there were a lot of theory things.

So the question is, when he found music in his life. It came very early thanks to his 7-year-older brother who had a massive record collection. Already as a 6-7-8-year-old, he was completely engaged in the pop universe. Lotta asks if Per’s brother had a good taste. He had very broad and good taste that Per thinks he has carried with him. It was everything from Hepstars to Led Zeppelin. So Lotta thinks it was PG’s brother who laid the foundation for Per’s chords. Per agrees. It’s his brother’s record collection that he dug into until he got his own back then.

Lotta wants to know how many records Per has in his collection. Mr. G has gotten rid of a lot since then, but he has maybe a couple of thousand LPs left. A lot of singles too. He split the collection and keeps the vinyls in Halmstad, while the CDs are in Stockholm. He has a record player in both places. He is also using Spotify, but he likes to buy vinyls for the sake of the cover. He loves record covers and the smell of vinyl records. Holding the record and listening to it is magical. Lotta says her 16-year-old daughter started collecting vinyls, using amplifiers and speakers and stuff. Per can identify with that. You think about all the music you grew up with. Aladdin Sane by David Bowie or Sticky Fingers by the Stones or Sgt. Pepper. Without the cover it’s just empty. Album covers are like the face of the music.

Lotta says Per asked her not to invite him for too early on the radio show, because he is old. Now it’s afternoon and she asks Per if he has already woken up. PG has woken up.

They get down to Gyllene Tider and Per tells it was hysterical back in the days. It was crazy in 1980-81. He lived with his mother, his father had passed away by then and his siblings, 7 and 14 years older had already moved out. Lotta is curious what Per’s mother thought of the people standing outside their door the whole time. Mr. G says she took it pretty well, until people started stealing the laundry that was hung on the dash and the number plate of the car. Then she thought it was time for Per to get his own apartment. So he found one. He had a very close relationship with his mother. She was very supportive [Per says the word „supportive” in English], as it’s called in Halland. It was Per’s father who thought you should get a real job instead of fooling around with 3 chords. He had a real job, he was a plumber.

Per’s family members passed away in 3 years and it was tough of course, it always is, everyone knows that when you lose your relatives. But that happened when Per was quite mature himself and as a man you can handle it in a different way than when you are small. It was harder when his father passed away when he was only 19. It was difficult in a way, but there isn’t much to do. You go through that and you learn to live with it. The older you get, the more human people disappear around you, so you learn to deal with it in a way, even if it’s difficult.

Lotta remembers that Per once said that when relatives disappear, you get different values. She is curious what values he thought of. Per can’t remember he said that, but he thinks that when you lose friends and relatives, you become thoughtful. You think through what you are doing. This pandemic was a shock to the system that lasted for years. Per thinks people changed a lot, how they travel and stuff like that. Also one of the reasons for a Gyllene Tider comeback is because they have realized that, perhaps, you should value things and value things in a different way. Value relationships, for example.

Lotta plays Tittar på dig när du dansar and asks Per to tell something about it. He hasn’t heard it in a long time, but he recorded it in Nashville. Using flute and mandolin. Lotta asks if those were real instruments. Absolutely yes, Per replies, ”oh my god, it’s Nashville!”. Lotta says there are other projects when Per is not using real instruments, but rather technical stuff. She thinks of Mono Mind. Per likes switching between his projects, jumping between different things. You do an acoustic tour, then you want to do something electrical next month. Then Gyllene Tider. GT is very organic. It’s played hardcore.

Lotta asks when the tour starts. It starts on 7th July in Halmstad next summer. To the question how many gigs there will be Per replies you never know with this little band. Right now there are probably 15, 16, 17, 18 booked. Two extras were added today. Lotta asks Per how many times they said it’s over. Mr. G says they didn’t really say that more than once, in 2019. And that’s what they meant back then. The decision was initiated by Micke Syd, who thought they should stop when they were at their peak and alive, but as Per said before, the pandemic came and he started thinking again. He started writing songs that had that clear Gyllene Tider feel to them and presented them to the band. All of a sudden everyone wanted to be back on the train. On tour they will of course play the old goodies, but he hopes they will play something new as well, because the new record feels fantastic. Although you won’t be able to listen to it until next spring. Lotta asks Per if he comes back on the show when the date for the album release is decided. They kind of agree on meeting at 3 pm on Maundy Thursday.

Lotta is curious about this new project, PG Roxette. Per tells that a new album is coming out on Friday. It’s called Pop-Up Dynamo! and it’s actually a continuation of Roxette. After a lot of tossing and turning, he decided to go on with that train as well. It wasn’t an obvious decision, but time passed and he felt that he wanted to. Continuing that journey mostly comes from the fact that he would like to continue playing the Roxette songs live. He wrote almost all of these songs and he doesn’t want to put the lid on. He also has to say that he is not trying and has never tried to replace Marie in any way. There are these two fantastic girls who were backing vocalists on Roxette tours for many years. It’s Dea Norberg and Helena Josefsson who came forward when they were needed.

Lotta has just looked at the dates and realized that Marie passed away shortly after Per’s family members passed away, so it must have been quite tough years. Of course it was tough, Per says and then their fantastic drummer Pelle Alsing also passed away not long after. So it was tough.

Lotta says that Marie wrote it in her biography that the last tour they went on was the best rehabilitation. Per says Marie was absolutely fantastic, because she never gave up. He remembers when in the spring of 2016 Marie wanted to meet him in her home and said she couldn’t continue. They had a big summer tour booked and had sold several hundred thousand tickets in Europe. She said she couldn’t do it anymore, but she actually toured from 2009 to 2016. They did several hundreds of concerts together. She did that because she was so strong and she wanted to do that. She was just amazing. Lotta notices that it’s still hard for Per to talk about it. Mr. G says it’s tough indeed. She was a special person.

Lotta tells that Marie’s family has decided to put a part of her wardrobe on auction and the money will go to Stockholm’s City Mission in full. Lotta thinks she would have liked that. Per absolutely agrees.

From the new album Lotta plays Watch Me Come Undone. It has this wonderful ’80s style, Per says. This whole album is a cousin to the ’80s and ’90s records that they did with Roxette. Look Sharp! and Joyride.

Lotta is curious if PG Roxette will tour next autumn. Per thinks it’s not a bad idea. Nothing planned yet, but it’s in his plans to go out and play Roxette songs. Lotta says he should release this one in Spanish as well as they did before. Per hopes he doesn’t have to do that. Lotta says she heard Per was so lazy or didn’t want to sing in Spanish that he gave all the songs to Marie to sing. Per explains it was a ballad record and so he chose the ballads that Marie sang and he escaped.

Lotta wants to know how many ballads there are on the new Gyllene Tider album. Per thinks and says there are no ballads on the album at all. It’s full speed from A to Z, just like how it should be.

Lotta asks how much music Per has in his head and how it can be enough for this many projects all the time. Mr. G doesn’t really know the answer. He is writing all the time, so it gets more and more and as long as it’s fun, he won’t stop. He says that if you are motivated and having fun, it’s music, it’s not a job. He is not the kind of person who gets up every day and sits down at the piano or writes a song. He just writes when he feels like it. Per usually says that he writes as little as possible.

Lotta and PG agree again on meeting at Easter. They wish merry Xmas to each other and happy new year. And with this, the show ends.

Stills are from PG Roxette’s The idea behind the album video.