Tour

Interview with Per Gessle in Cityliv

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Joakim S Ormsmarck did an interview with Per Gessle for Cityliv magazine in Halmstad. Read the original Swedish article HERE!

Roxette is back on stage in Halmstad. With two sold-out concerts, the city is once again filled with fans from all over the world who want to experience Gessle’s treasure trove of songs here at home where it all began. But it is a tribute to Roxette – not a new Roxette – that is now taking the stage.

It has been 36 years since Roxette last performed at Brottet. The pop duo’s breakthrough was still quite fresh at the time, and the concert at home kicked off the Look Sharp Live! Tour, which was to last until the end of the year with all stops from Hunnebostrand to Milan and Brussels. A lot has happened since then, not least the fact that Marie Fredriksson is no longer with us. But Roxette is still Per and Marie, Per makes that clear when he talks to Joakim.

It’s not that I’ve restarted my band with Lena, but the tour we’re on now is a tribute to the song catalogue. Roxette is me and Marie, but since she can’t be there, this is simply a variation. A bit like Queen with Adam Lambert or like Jon Stevens in INXS… Stevens was actually our opening act at some of the shows in Australia and he played a lot of INXS songs, it was fantastic.

Joakim has managed to do this interview during a break on the tour and Per is home in Halmstad for a few sunny days before it’s time for the Netherlands, Belgium and Finland before the summer tour ends with two shows in Gothenburg and two in Halmstad.

Joakim is curious if it is nice to have a break or if it disrupts the rhythm.

Good question actually. It’s both. You lose a bit of that flow that you get when you play every other day and we haven’t played that much together yet. We have only done eighteen shows so we’re still working on getting to know each other on stage. At the same time, it’s really nice to have a few days off for the sake of your throat, plus it’s great to land here when the West Coast is at its best.

The tour started in February in Cape Town, South Africa, Australia and parts of Europe have been completed. After the gigs in Sweden this July, there is a break. Among other things, Per will be working on the musical based on Roxette’s song collection, which will be staged in the autumn at China Theatre in Stockholm. But after that, it’s the tour that counts again.

Joakim wants to know if touring is still as much fun after all these years.

It’s actually more fun now than it was at the beginning. With Gyllene, you were terrified at first. We had done six gigs before we were number one on the charts, so we were constantly fighting against people’s expectations. We learned the hard way, you could say. It was really only during the Roxette era that I started to relax more on stage. With Gyllene, I was the one who would be at the front singing, but with Marie we could share everything.

To the question how he feels the tour he is on now is different from the previous ones, Per replies:

The big difference is that we are not trying to be number one on the list with a new album, but this is a tribute to the Roxette catalogue. We are playing a fantastic treasure trove of songs that very few artists can put their fingers on and that makes it special. We don’t want to promote new music, but play the old.

If Roxette releases new songs:

No, I don’t think so actually. I would like to make more music with Lena, we released “Sällskapssjuk” together last year and I would like to continue that collaboration, but it will not be under the Roxette label.

However, there is a lot of material that Marie and I did that has never been released, studio and live recordings. So there will be more from the original Roxette.

On this year’s tour, Per has gathered musicians who have played and worked with both Roxette and Gyllene Tider, as well as his solo albums. Among others, Jonas Isacsson, who was already on the first albums, is back as a guitarist.

When Jonas plays his solos on “Listen To Your Heart” or “Queen Of Rain”, it’s like time has stood still. It sounds exactly as it did before. It’s pure pleasure.

Joakim asks Per how he puts a band together for a tour like this. If he sits down with the phone book and starts calling around.

It’s a bit like that, actually. The idea of Lena as a singer came when we recorded “Sällskapssjuk” in the studio. She has exactly the power in her voice that Marie had, but in a different way. So we had a meeting and I told her my thoughts. We tested a few songs and when she decided, I started thinking about who I should include in the band.

Per says that his aim was to include as many of the original band members as possible. Jonas Isacsson and Clarence Öfwerman have been with them from the beginning, Christoffer Lundquist was already on the “Have A Nice Day” album in the late ’90s.

Pelle Alsing is no longer with us, but Clarence and Christoffer suggested Magnus Norpan Eriksson, because they thought he played quite like Pelle. I don’t agree with that at all, but he plays really good pop drums and that’s exactly what we need. Especially in songs like “The Big L.” and “How Do You Do!”.

Joakim is curious about how long Per has contracted the band and if there will be Roxette in 2026 as well.

Yes, there is a big world out there with South America, Asia, North America and so on. What has been said now is that we are doing 2025 and 2026, and then we will see. It could be that we do the spring and then we skip it or it will be spring, summer and autumn.

But before that, two packed concerts at Brottet are ahead, and there is no doubt that Per is looking forward to delivering here on home ground.

It is of course special to play here in Halmstad and at Brottet where we have played with Gyllene in recent years, but Roxette has not played there since “Look Sharp!”. So it will be really fun.

All interview text is written by Joakim S Ormsmarck for Cityliv Magazine in Swedish. Here it is a translation by RoxBlog.

Interview with Per Gessle in Hallandsposten about the Roxette In Concert tour

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Jan-Owe Wikström did an interview with Per Gessle for Hallandsposten almost ten years after Roxette’s last concert in Halmstad. Per brings the Roxette band for two gigs at Brottet.

Then it was with Marie Fredriksson, now he performs with Lena Philipsson.

Lena has grown into the role in a fantastic way. Marie can never be replaced, but Lena really does it in her own way so we are not a cover band. In addition, Jonas (Isacsson) is back, who is very much Roxette’s guitar sound.

15,000 people saw the concert on July 22, 2015 at Örjans Vall, which would be Marie’s last with Roxette at home when the following year she was forced to step down due to health reasons and then tragically died on December 9, 2019 from the consequences of her illness.

To keep Roxette’s song collection alive, including four US number-ones, Per went on tour in 2018 under the name Per Gessle’s Roxette. But it was in connection with the recording of the duet album Sällskapssjuk that he realized that Lena Philipsson was the right person to take the place next to him on stage.

Since then, Roxette has had two concerts in South Africa, nine in Australia and ten in Europe before the tour reaches Sweden; Gothenburg on July 23 and 25, and Halmstad on July 26 and 27.

Out in Europe, Lena is a completely unknown name, but the fans have received her in a fantastic way. But here at home, Lena is a big name in her own right, so it will be very exciting to see her meet her home audience.

I mean, there’s a big difference between her today and the first gig in Cape Town, and that’s how it should be. Because it’s on stage that you grow together as a band and learn how everyone behaves, what roles they take. You can never work that into rehearsals, and it’s the same with the social side – that it works there too.

Then we have deliberately included some songs that Marie never sang live. “What’s She Like?”, which is very strong in the musical, is one that Roxette never played live before. Likewise “Vulnerable” – mostly because I thought it was boring to sing, but the audience loves it, hahaha.

During the journey, he has also received confirmation of how strong Roxette is as a band with sold-out concerts in most places.

Yes, we are reaching a new audience, which is fantastic. In January 2024 we had 10.4 million unique listeners a month on Spotify, now we have 17.8 million, which is almost a doubling with 70 million listens every month.

To Jan-Owe’s question what he thinks the reason behind is, Per replies:

On the one hand, it’s a treasure trove of songs that shouldn’t really be possible to fail with. On the other hand, we represent a kind of music that is becoming increasingly rare, because pop music is no longer made in the same way, with a bridge before the chorus or a key rise. And that benefits people like me – especially with the song catalogue that we can build on.

I saw a documentary about Brian Wilson from The Beach Boys who recently passed away. It would have been impossible for him to have a hit today, when most things are artificial and programmed with many songwriters for each song. And it will get worse with AI.

When Roxette reaches Sweden, it will be standard concerts, while in Europe it has been about festivals where Roxette has in many cases been the headliner.

It’s different to play at festivals. Partly because it’s a shorter set, and partly because the audience is there for many different artists, unlike when it’s pure Roxette concerts where everyone has come for us. So if you play a lesser-known song, some people go and buy beer.

Initially, the second Halmstad gig was the end of the tour, but it is already clear that there will be a continuation in the autumn with gigs in Linköping and Stockholm in Sweden, among other places in Europe.

Yes, for each gig, five new offers appear, so the schedule will be filled afterwards. Because if you want, this is just the beginning of the continuation…

Pics by Åsa Gessle

Roxette to announce autumn tour leg in Europe

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PRESS RELEASE – In 2016, Roxette did what we believed was to be the last ever concerts. Now, nearly a decade later, Roxette’s frontman, songwriter and founder Per Gessle picks up the torch and brings the iconic hits back to the stage. Joined by Swedish pop sensation and superstar Lena Philipsson, Roxette In Concert is set to embark on their highly anticipated arena tour across Europe this fall – following a series of exclusive shows and festival appearances this summer.

Tickets for Roxette In Concert go on sale Friday May 9th at 10:00 am CEST! (Live Nation, Ticketmaster)

The first leg of Roxette In Concert has just come to an end – and it has been a massive success. Kicking off with a groundbreaking performance in Cape Town, South Africa, the tour continued through Pretoria, and then moved on to nine unforgettable shows in Australia. The energy was electrifying, with over 75,000 fans singing along to the iconic anthems, proving once again the timeless appeal of Roxette’s music. The response has been extraordinary, with both critics and fans celebrating the powerful performances.

“We may only be in the first quarter of 2025, but Roxette is already the top contender for the best live show of the year.” – Sheldon Ang Media

“More than just a concert, it was a reminder of what live music is supposed to be: uplifting, electric, and unforgettable.” – Music Festivals Australia

“The setlist was a masterclass in hit-making, from the sweeping ballad It Must Have Been Love to the high-energy How Do You Do! and Joyride. The encore delivered peak nostalgia – Spending My Time and Listen to Your Heart brought the emotion, while The Look had the crowd on their feet. Closing with Queen of Rain, Roxette proved that even after all these years, their music still resonates.” – Newcastle Live

It’s been five years since Roxette lost Marie Fredriksson to cancer, a devastating loss that left family, friends, and fans in grief. Yet, their legacy lives on, with their songs continuously streamed, played, and enjoyed by old and new supporters around the world.

“The first leg of the tour has been an incredible experience. It’s been really emotional and powerful to reconnect with the fans and bring Roxette’s music back to the stage. The response has been overwhelming. Marie will always be irreplaceable, but I’m lucky to have found an amazing voice and brilliant performer in Lena Philipsson. I co-wrote Lena’s first major hit back in 1986, and she’s one of Sweden’s brightest stars.” – Per Gessle

“The first part of the tour has been absolutely amazing! Working with Per and performing these iconic songs has been a true joy. I’m so excited for what’s to come next.” – Lena Philipsson

Later this year, Roxette brings their impressive show to cities across Europe, offering fans a rare opportunity to relive the soundtrack of their lives – with a fresh, powerful live production and the same timeless magic that made Roxette one of the most successful pop acts of all time.

The highly anticipated arena tour will follow a select run of summer concerts across Europe, including several major festival appearances and four already sold-out shows in Sweden.

The live band features long-time Roxette collaborators and world-class musicians: Christoffer Lundquist, Magnus Börjeson, Magnus “Norpan” Eriksson, Dea Norberg, along with original Roxette legends Clarence Öfwerman and Jonas Isacsson.

ROXETTE IN CONCERT – TOUR DATES 2025 EUROPE

  • June 12 – Bergen, Norway – Bergenfest
  • June 20 – Fredrikstad, Norway – Idyll
  • June 21 – Viborg, Denmark – Forever
  • June 23 – Munich, Germany – Tollwood (SOLD OUT)
  • June 27 – Madrid, Spain – Noches del Botánico (SOLD OUT)
  • June 28 – Mérida, Spain – Teatro Romano de Mérida
  • July 4 – Kestenholz, Switzerland – St. Peter at Sunset
  • July 12 – Weert, The Netherlands – Bospop
  • July 13 – Zottegem, Belgium – Rock Zottegem
  • July 17 – Pori, Finland – Pori Jazz
  • July 23 – Gothenburg, Sweden – Trädgårdsföreningen (SOLD OUT)
  • July 25 – Gothenburg, Sweden – Trädgårdsföreningen (SOLD OUT)
  • July 26 – Halmstad, Sweden – Brottet (SOLD OUT)
  • July 27 – Halmstad, Sweden – Brottet (SOLD OUT)
  • November 4 – Budapest, Hungary – Budapest Aréna (NEW)
  • November 6 – Prague, Czech Republic – O2 Arena (NEW)
  • November 15 – Valencia, Spain – Roig Arena (NEW)
  • November 16 – Barcelona, Spain – Sant Jordi Club (NEW)
  • November 18 – Leipzig, Germany – Quarterback Arena (NEW)
  • November 20 – Berlin, Germany – Tempodrom (NEW)
  • November 22 – Hamburg, Germany – Barclays Arena (NEW)
  • November 23 – Frankfurt, Germany – Jahrhunderthalle (NEW)
  • November 25 – Düsseldorf, Germany – Mitsubishi Electric Halle (NEW)
  • November 26 – Nuremberg, Germany – Arena Nürnberger Versicherungen (NEW)
  • December 1 – London, England – Wembley Arena (NEW)
  • December 4 – Linköping, Sweden – Saab Arena (NEW)
  • December 5 – Stockholm, Sweden – Avicii Arena (NEW)

Interview with Per Gessle by Hallandsposten before the Roxette tour start

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Jan-Owe Wikström did an interview with Per for Hallandsposten before the Roxette In Concert 2025 tour starts tomorrow. Per regarding the tour:

It’s the most exciting and the most uncertain thing I’ve done since Gyllene Tider’s comeback in 1996. You don’t know at all how it’s going to work, how it’s going to be received.

He explains it’s absolutely not a new band. It’s him, one half of Roxette, the Roxette band where Jonas Isacsson is back for the first time since 2001 and then Lena who is hired as a singer. The other option would have been to not make a comeback at all so this was the next best option, he points out.

Per tells Jan-Owe that it’s 26 degrees in Cape Town right now and he didn’t understand at first why he had an allergic shock, until he realized that it’s full pollen season over there. He took one pill and it was over in an hour, Per laughs.

We’ve actually sold as many tickets this time as when we were there with Marie. I never thought that! At the same time, the music industry has completely changed, where in four years we’ve increased the number of streams on Spotify by 40 percent. So I think it benefits us “craftsmen”, people want real music live.

It could even have been a joint tour with Bryan Adams in Australia, Jan-Owe says.

Yes, indeed. We play almost in parallel, so he wondered if we would go together. But unfortunately, we had already booked venues and started selling tickets. A bit of a shame, because it would have been great fun.

At the rehearsal a little over a week ago, there were 21 songs left. Per reveals:

There have been a lot of “kill your darlings”, but that’s because many songs have the same character. But there will still be two that we’ve never played live with Roxette before.

To the question how the rehearsals felt, he replies:

Very good! Lena is extremely professional. Now it’s about finding our roles. Marie and I had known each other for so long, so it was natural for her to step forward as long as she could. Then I got to the front on the last tour and solo and with Gyllene Tider, I’m the one who does it. We’ll see how it goes here. I mean, the rehearsals are one thing, but in front of just over 10,000 people: “How will Lena act in, for example, “Sleeping In My Car”?” So it’s going to be a challenge, really fun. It’s just a matter of not interrupting each other. Hahaha.

Jan-Owe asks who decides in such situations. Per explains that Lena of course had ideas regarding her singing, but otherwise, Per has the final say.

After the two Halmstad gigs at the end of July, Per has nothing else booked.

We’ll see. But I have several projects that are currently on hold.

To the question if there could even be new Roxette songs with Lena on vocals he replied:

Not at the moment. That has never been the intention, it has been that the song catalogue should live on. People want to hear Roxette’s old hits, not something new. But at the same time – when you work together for as long as we will now, you never know what it might lead to.

Jan-Owe is curious if there are any plans with Gyllene Tider.

Right now it feels a bit finished, but it has felt that way before too… If this tour develops into what I hope for with gigs on more continents, Roxette will be priority 1.

Interview with Per Gessle in Svenska Dagbladet – “Marie always made my songs better”

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Elin Liljero Eriksson did an interview with Per for Svenska Dagbladet. Elin and Per met in the Cornelis room at Södra Teatern in Stockholm.

It has been a busy year for Per. In addition to the feature film about Gyllene Tider and a musical with Roxette’s songs at Malmö Opera, he has turned 65 and released his first album of original material in over eight years – the duet album Sällskapssjuk. Now he is preparing for a world tour with Roxette next year, together with Lena Philipsson. He is really longing to go on tour again.

How his most successful project would be managed after Marie Fredriksson passed away in 2019 has not been a matter of course. Per explains that at first he didn’t want to continue with Roxette. Then he felt that this is over 30 years of his life and he has written almost all the material, songs that he wants to live on. Roxette has also been streamed more than ever in recent years. When he then made a single with Lena for his latest album, it felt right to ask her. But they haven’t started a new Roxette, Lena is hired to manage the Roxette catalogue.

PG is shocked at how many tickets they are selling for the new Roxette tour. There has been skepticism from some fans, but there are a lot of people who think it will be fun to hear the songs again.

Per wrote the lyrics of Kärleken är evig, Lena’s song that ended up at the second place in Melodifestivalen 1986. About writing songs for other artists, PG says he never liked it. Also if you write together with others, it usually means a lot of compromises that don’t make anyone happy, unless it becomes a hit. But that’s not really why Per is doing that. He is at his best when he gets to do things his own way, which is reminiscent of his upbringing in Halmstad.

I was a loner during my school years. I lived in my little bubble, listened to an extremely lot of music and was quite shy. But I was the one who got to sing “Staffan var en stalledräng” in third grade. I can’t believe I dared it, because it was incredibly unlike me. But there was something in me even then, that I wanted to be a pop star.

Per’s mother was a teacher of porcelain painting, his father was a plumber. They had a piano which was sometimes played by Per’s sister, but no deeper interest in music can be traced in the family, except to a violin-playing relative in the 1800s.

I don’t know where it comes from, but I’ve noticed that I have a completely different musicality than the fantastic musicians I’ve had the privilege of working with all these years. To this day, I can’t sit down at a piano and play my songs. I can play them wrong in the most ridiculous places. But if you ask Roxette producer Clarence Öfwerman to play anything from The Beatles, for example, he’ll play it even though he has never done it before. What I have is that sometimes I hear something in music that they don’t.

Elin wants to know if Per hears melodies.

Yes, I don’t know how they get to me. I have no idea how to write a hit. I’ve never had a formula for it. But I’m so glad I love commercial pop music, it’s in my DNA. That’s why there has been a lot of that kind of music. The melodies are the interesting part.

Elin is curious if Per has ever had complexes about not being a typically trained musician. Mr. G thinks „complex” is perhaps not the right word, but he has always felt inferior. Already on Gyllene Tider’s early tours, MP had to go on stage and tune Per’s guitar, because Per couldn’t. But when it was tuned, PG rolled on.

About Marie Per says:

Marie always made my songs better, that’s why I needed her. If she could have written those songs herself, she would have dumped me in the nearest trash can. But she couldn’t. We complemented each other very well.

Marie joining Roxette was not a given.

She was much bigger than I was at the time. No one around her, including the record company and producer Lasse Lindbom, wanted her to do anything with me. She did this against everyone’s will.

To the question how that could happen Per replies:

On the one hand, we had a fantastically pleasant relationship, but above all we were united in the desire to play abroad. But from Marie’s side, it was always the feeling of “we’ll see what happens”. Therefore, it was important for me to deliver. So I wrote the “Look Sharp!” album that was full of goodies. She liked the material for it very much, and I noticed that she sang in a different way when I could have a say. There was a sexiness in songs like “Dressed For Success” and “Dangerous” – a completely different Marie than the one who sang ” Ännu doftar kärlek”.

Look Sharp! was the start of a global Roxette hype that led to intense touring for several years. Elin says that despite the fact that both Per and Marie had partners, there were often rumors that they were a couple.

No, I have never had a relationship with Marie. We had a very intense relationship through Roxette, it was like our child. But after the Crash tour in the mid-1990s, everything changed, because Marie had a child. Then it became a different focus in her life, which was perfectly fine.

Per says he doesn’t really feel at home in the music industry anymore. It’s not because it is worse or better. That’s because it’s different from how it was when he was growing up. That’s why he still likes album covers. If you are 15 years old today, you don’t care about that.

Elin informs about the many projects in Per’s life. In addition to Gyllene Tider and Roxette, he has released several solo albums, runs Hotel Tylösand together with his wife, where he also has the photo gallery Tres Hombres Art and a solid Ferrari collection. He has a house and studio in Halmstad, in addition to his two floors on Strandvägen in Stockholm where he lives. Financially, he could have sat back a long time ago, but Per Gessle can hardly handle free Sundays. He says then it is impossible to get hold of anyone, the offices are closed and everyone is hungover. He wants access to things. Per says you can try to use Sundays as a contemplation day, but every seventh day is a bit too often.

Elin is curious what Per does when he contemplates. Mr. G says he walks and thinks a lot. Åsa likes to have the TV on in the mornings, which is a big schism in their family. Per is easily stressed by too much information, and if it is negative, which it often is these days, he can get quite low. Silence is a way for him to survive.

I never have music on unless I’m actively listening to it. Not in the car either. If it’s a nice car, I want to listen to the engine.

Regarding losing many around him in recent years, Per says:

It has obviously been very tough and has probably affected me more than I think. You are reminded of the impermanence of life.

Elin asks Per if he often thinks about death.

No. The most annoying thing about aging is that it’s so easy to look back. Besides that, it’s a very young world we live in, it’s not quite made for my age. 40 years ago I thought it was great, now it’s something I have to fight against. But if my ambition had been to only do bigger and bigger things, I would have gone crazy. Because what am I supposed to do with it? If I come up with an idea, I implement it. If I feel like it, I write a song. There will probably be a day when I feel like I’m done, but I’m not quite there yet.

Read the original interview in Swedish by Elin Liljero Eriksson and check out the photos by Rickard L Eriksson HERE on Svenska Dagbladet!

Rickard also shared the photos on his Instagram.