Per’s latest posts made many fans wonder what Mr. G is cooking again. First you see him posting a video, getting ready to work with Clarence. In a different time zone. Okay, it’s music in the making, not just a random holiday. Then bang, there is a Sunday selfie with Anders Herrlin, Clarence Öfwerman and Per. Anders? Hm hm… Then it comes to your mind that Anders is very much into soundtracks and you remember Per said in an interview quite some time ago that he is working together with Jonas Åkerlund again on a soundtrack for Jonas’ new movie. Jonas is indeed working on a new film. The title is Lords of Chaos and it’s based on a true story. It was announced already in May 2015 that Jonas is directing this movie, but the shooting was a bit delayed for whatever reasons. Now it seems Mr. Åkerlund is very busy with it and the project is in pre-production phase.
Back to Mr. G’s new dice, the storyline on IMDb states: A teenager’s quest to launch Norwegian Black Metal in Oslo in the 1980s results in a very violent outcome.
Black metal… Aha… What does Per have to do with black metal??? Oh my… Then ooops, he posts a picture of Christoffer Lundquist and Clarence Öfwerman hanging out with a cutout Alan Jackson (famous country musician) and he writes ”Chris, Anders & Clare preparing yet another heavy metal arrangement.” Heavy metal… so why Alan Jackson? Just to confuse us… Oh, Alan Jackson has a good-looking country bar in Nashville.
Back to the movie. You check anything related to the ”music by” section of Lords of Chaos, but all you can find related to sounds / music so far is that Mattias Eklund’s name is stated as re-recording mixer / supervising sound editor. Mattias was there to edit sounds for Small Apartments as well. You know, the movie with beautiful soundtrack music by Per Gessle.
So is Per making black metal music together with Anders, Clarence and Chris? Or are they all there in Nashville for country music only? Haha. This guy is certainly not running out of projects. Good for us!
Update on 2nd November 2016:Helena Josefsson joined the gang in Nashville for 3 days & they are recording together with Jessica Sweetman (British singer / songwriter). Jessica says: “Yesterday [1st November] I was recording in the Blackbird Studios in Nashville with Per Gessle from Roxette. I am so happy that I am going to be featured on a song of his that he is releasing next year. Per and his team are such wonderful souls and incredibly talented musicians. I feel blessed I have had this opportunity of collaborating with them on this project.”
Update on 5th November 2016: Drummer Elizabeth Goodfellow joined Per Gessle & Co in Nashville. Elizabeth also worked together with Helena Josefsson and Christoffer Lundquist at AGM a month ago. Elizabeth says: “Just wrapped up tracking drums for Per Gessle! It’s an honor to play for a songwriter I listened to on the radio since before I can remember. So grateful to keep growing and learning. Thank you!”
As we posted about it some days ago, LevelK, a sales company handling international sales and distribution and managing the distribution rights for quality films and TV productions worldwide started to deal with the Roxette Diaries. They bring the documentary as part of their Berlin International Film Festival line-up.
They describe the docu as:
The extraordinary pop documentary ROXETTE DIARIES that through self shot video material presents an intimate portrait and an unique insight into the world of one of the 80’s and 90’s biggest pop bands.
Roxette Diaries is in clear focus. Roxette appears on the cover of LevelK’s festival magazine (click HERE to download) in which you can find 2 pages about the docu, including Rox pics from the past.
Nice promo for this long-awaited film, which is set to be released on 7th March. Now it’s out really soon.
As we already wrote about it earlier, a Roxette movie is coming. According to Hallandsposten (1; 2), the Roxette Diaries behind-the-scenes documentary directed by Jonas Åkerlund will premiere in August at the Way Out West Festival. The festival is between 13th and 15th August 2015 in Gothenburg, Sweden.
As you know, Jonas got exclusive access to a huge amount of private videos filmed backstage during Roxette’s world tours, in studios, during PR tours and at other places. He received the videos in April 2014 and now he created a story about Roxette. The first updates were about tapes from 1988-2001, but later Per said what you’ll see in the movie is from 1986-1995. Now Hallandsposten mentions 1988-2001 again, but he used our article as reference, so it’s probably 1986-1995 in the end. Let’s see what happens.
Watch the fantastic trailer on Mr. Åkerlund‘s website HERE!
Hopefully, the movie will be available soon to a wider audience, too.
You might remember that a bit more than a year ago, April 2014 Per posted updates (1; 2) about a cooperation with Jonas Åkerlund involving old video tapes related to Roxette. This was what he wrote back then:
MONDAY UPDATE w/ EXCITING NEWS: Going through loads of old Hi-8 and DV videotapes (mainly shot by Åsa) from 1988-2001 with Jonas Åkerlund and his gang.
Backstage, in the studio, video shootings, photo shoots – you name it. Have an idea to make a proper film out of it. What do you think? Cool or what? /P.
It seems the project is now very close to take form of a movie. Cool or what?
A trailer has been shared by the movie’s editor, Emma Backman. (Update: the trailer has been set (back?) to private. Probably, it was too early to publish it.) The film is directed by the most awesome Jonas Åkerlund and this fact itself guarantees a most amazing result. But that you’ll see already from the trailer.
The film will include tons of forgotten home videos and real behind the scenes of video clip shootings, photo and studio sessions, interviews, concerts, etc. More than you could ever think about! As Per says, all videos are from the years 1986-1995, so the quality of them is not compatible with the 21st century. But who cares, really? It’s so fantastic to have that many funny and magical moments documented in the past and now we will have access to them. Speechless is the word!
This is what Per says about the project:
Everything (and more) happened to Roxette between 1986 and 1995. This was the era where a videocamera wasn’t something you saw every day. The technical quality you would get was so-so but today I’m really happy we covered hundreds of hours of film from these magic years.
The ambition was to shoot everything. Studio-sessions, back-stage-parties, rehearsals. My wife, Åsa, was the commander-in-chief when it came to capture promo- and TV-shows as well as the extensive touring all over the world.
All in all I gave about 180 Hi-8/VHS-tapes to director Jonas Åkerlund and asked him if he and his team could do something special with it. Maybe create a movie that captured the spirit of Roxette in the early days as well as being honest, silly and fun to watch. Hey, I think they succeeded. Enjoy the Roxette Diaries.
Huge thanks to Åsa for filming so much over the years and that she still hasn’t got tired of it, using the camera for shooting more and more magic! We highly appreciate it!
As you can see, Jonas got appr. 180 tapes, a huge amount of material to go through. I’m sure there would have been many volunteers to help Mr. Åkerlund. The first updates were about tapes from 1988-2001, but now Per says what you’ll see in the movie is from 1986-1995. Does it mean it’s just a first part and later on there will be a vol. 2 with 1996-2001 videos? Then a 3rd part? Who’s in for a neverending movie?
Release date is unknown yet, but the film is coming soon! Whose soon? Hopefully, not Per’s. 😉
Stills are from the trailer. (Update: the trailer is set to private now, probably, because it was too early to publish it. Business as usual. 😉 )
Thanx to Roxette Diaries for googling “Roxette Diaries” and finding the trailer!
Per Gessle mentioned it several times that a video has been done for his cover version of The Hollies’ He Ain’t Heavy, He’s My Brother, which was released on Per’s Small Apartments soundtrack album. We had to wait approximately the same amount of time for this video as for Jonas Åkerlund’s movie. But finally, it’s out!
The video is not connected to the movie in any way, so fortunately, you won’t see Matt Lucas in his undies, but 2 very cute boys. The storyline is lovely and really beautifully done. You’ll see that Jens Jansson, the director of the video, is not only a very talented drummer, but also good at doing such videos. However, I must add one thing. I was very much looking forward to Per appearing in the video, but for the first watch I felt like the way he is in it, its style somehow doesn’t fit the whole story. Then watched it again & again and if we look at him as a narrator, he does fit in. So all in all, it’s a nice one.
The parts with Per are shot at the same place where the pic for the album booklet and CD cover was taken of Per, Clarence and Chris. It’s from 2012.
The song is still a killer one! Per’s best cover of all times, I would say. We’re so lucky that the usage rights for the original song were too expensive.
Since that studio photo of Per and Chris with David Guettawas posted on Roxette Official 2 days ago, tons of fans started discussions about what this new project could be. Well, yeah, we are discussing this topic continuously, whenever PG is in the studio. But is it a remix album in progress now or something completely new? Is it related to Roxette or some Per solo stuff?
Mr G said it even in one of the Nordic Rox shows that it’s easy to get stuck in your own style, so for example, he tries writing in keys that he doesn’t know that well. Why not a new genre then?
You might remember our earlier article about Per Gessle featuring Galavant, a house duo from Halmstad. They were together in the studio on 19th September 2013. It’s still not known what they recorded there, but that work must be also related to this new project.
One month later, on 24th October 2013, Per posted a selfie from a helicopter, saying he ”talked a lot to DJ Balthazar. Such a generous and talented fella.” DJ Balthazar is a Bulgarian DJ, whose music is something unique between techno and progressive house.
Had a big “remix-discussion” over dinner….. Do you like remixes of our songs? If so, any favourites from the jolly and colourful Rox-past?
When it comes to remixes, fans are divided into 2 bigger groups. One part of them likes or even loves most of the remixes, the other part is never listening to them. I’m personally not much into remixes, but my ears say Bassflow did magic to ”The Sweet Hello, The Sad Goodbye”. One thing is sure: almost everyone agrees on that anything can be better than ”Dance Passion” (1987).
So now here is this David Guetta piece of info some months later and we still don’t know what it is all about. I think via remixes, PG’s music can reach and be more appealing to the younger generation, so it’s fine to spread the word that way, too. But who knows if it’s really about remixes?
Surely this is not the only project Per is working on, since he was also posting a lot about vintage synthesizers, studio sessions in AGM and T&A studios and all this DJ info. He said it in interviews that he is also working on a soundtrack for a new Jonas Åkerlund film (which Jonas starts shooting this spring) and we know new Roxette material is also in sight in a near or a more distant future.
Hard to be patient when there are so many exciting bits and pieces of news, but again, Roxers are the best at waiting. Hope to hear the outcome of the project(s) quite soon.
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
Have you ever thought that the day of ”soon” will one day become ”now”? Per informs on Facebook that the Small Apartments soundtrack album is finally having a digital release (Spotify + iTunes, etc.) on 18th March, the CD will be out here and there – whatever it means – on 27th March. Exclusive, numbered and signed double-LP is out on 17th April (sort of). The record will be coloured for sure, but Per says he still has to decide which colour to use. However, we think he – of course – has a colour in his mind already. Well, green would definitely fit the sleeve, mainly Matt Lucas’s clogs. TDR says there will most probably be appr. 300-400 vinyls.
Here you have pages of the booklet. Unfortunately, there are too many pics from the movie (which is of course understandable) and too few pics (1) of the musicians. However, good to know that you can check so many websites and social media sites where Mr. Party Pleaser provides you with spiritual guidance.
When I’m thinking about how a sleeve of a Per Gessle album would look like, an almost naked Matt Lucas is maybe the last thing I’m visualizing. Well, the album is the soundtrack of Jonas Åkerlund’s movie, Small Apartments, in which the outfit we can see most often is the one you can see on the sleeve. So it’s quite evident to have Mr. Lucas like this on the cover.
1. Franklin’s Intro (0.56)
2. I Have A Party In My Head (I Hope It Never Ends) -Instrumental- (2.03)
3. Drizzle #1 (2.02)
4. Shopping With Mother (2.36)
5. Franklin’s Theme #1 (1.39) 6. He Ain’t Heavy, He’s My Brother (4.18) 7. Burned Out Heart –Instrumental- (3.37)
8. Are You An Old Hippie, Sir? –Instrumental- (1.49)
9. Making Love Or Expecting Rain #1 –Instrumental- (2.46)
10. Waltz For Woody (1.03)
11. Drizzle #2 (2.02)
12. C’mon (2.59)
13. Warm. Again. (4.27)
14. Drizzle #3 (2.02)
15. Drizzle #4 (0.56)
16. Week With Four Thursdays (1.54) 17. Dixy -Instrumental- (3.06) 18. Making Love Or Expecting Rain #2 –Instrumental- (4.03)
19. Double-Headed Elvis -Instrumental- (1.31)
20. Franklin’s Main Theme (6.43)
21. I Have A Party In My Head (I Hope It Never Ends) (2.09)
As you can see, the list is different vs. the one you can see at the end of the movie. It excludes eg. Something in the System, Speedboat to Cuba, Late, Later on and Something Happened Today or maybe they are called Drizzle #x on the album. The songs in bold were not included in the list that appears at the end of the movie, but Per’s He Ain’t Heavy, He’s My Brother cover can be heard on the radio, when Matt Lucas is driving the car. Unfortunately, Matt is singing along with Per, so the song itself we can enjoy when the soundtrack album is finally out. When? Aha…. ”Soon” seems to be a neverending period of time…
Jonas Åkerlund shared 3 behind the scenes videos on his website. All 3 videos are full of Gessle vibes. 🙂 The longest – titled as Behind the Scenes – contains a 1-minute-long part with Per Gessle (judging from his hairdo and the shirt he is wearing, this scene was probably shot in February 2012, in Melbourne, Australia). At about 14:26 you can listen to a snippet from Mr. G’s cover version of He Ain’t Heavy, He’s My Brother (a pity that Matt Lucas is singing over…). Right after this part Jonas is talking about Per:
He has such a strong sense of melody and … have a weird combination of melancholy and happiness.
Small Apartments official Facebook page informed that the movie is coming to UK Cinemas on March 22 2013. In reply to the question if the movie will also be available in other European countries they say:
We will have a conversation with Sony about other territories in about 10 days time about other theaters.
As we’ve already informed you about it, US cinema premiere of the movie was at the beginning of February (reaching a limited audience), US DVD release date is 19th February.IMDb informs about the following release dates:
Italy: 5th March (DVD premiere)
Germany: 1st April (DVD premiere)
UK: 1st April (DVD premiere)
Sweden: 8th May (DVD premiere)
Australia: 12th September
Here are the list of all songs written by Per Gessle and used in the film – more or less different vs. the original version of them:
– Franklin’s Intro [new]
– I Have a Party in My Head (I Hope It Never Ends)
– Drizzle [new]
– Franklin’s Theme [new]
– Shopping with Mother
– Burned out Heart
– Are You an Old Hippie, Sir?
– Making Love or Expecting Rain
– Waltz for Woody
– Week with Four Thursdays
– Something in the System
– Warm. Again. [new, English version of ‘Varmt igen’]
– Speedboat to Cuba
– Late, Later on
– Something Happened Today
– Double-headed Elvis
We assume one of the the new songs is a renamed “Kurt – The Fastest Plumber in the West” tune. The soundtrack should also include 7 additional songs, including one performed by Per Gessle – a cover of “He Ain’t Heavy, He’s My Brother”. Big thank you to Alejandro Lerin for sharing this news.
According to The Daily Roxette, “Dixi” is also included in the project and the soundtrack will be available on Elevator Entertainment vinyl, CD and digital download.
Hopefully, Per Gessle’s “soon” he wrote on 13th February on Facebook – regarding when the soundtrack is out – is much sooner than his “very soon” he mentioned in December, 2012. 😉
Who would have thought that after the past busy years 2013 will also be full of happenings? Here is a list of what’s coming. 🙂
January: Gyllene Tider tour is announced, tickets are on sale (5th July, Halmstad is already sold out, but there is an extra Halmstad gig on 7th August /tickets for this latter one are available from 9 am CET, 31st January/)
March: Roxette ”It All Begins Where It Ends” documentary and ”Travelling The World – Roxette Live 2012” DVD / BluRay release (exact date is still unknown)
Roxette concert in Switzerland on 6th April – the one & only Roxette gig this year (at least so far)
Gyllene Tider: Dags att tänka på refrängen – album release (release date varies at different online music stores); a compilation album called “Soldans på din grammofon” will also be released, but we have no info about any date yet
May: Marie’s birthday (I couldn’t leave this month blank) 😉
June: all GT tour participants are being prepared for juli och augusti 😉
We could already see the official trailer of Small Apartments, but now a director cut trailer is also available on Jonas Åkerlund‘s website. You can get more of the familiar Per Gessle SOAP vibes from this version.
As we already informed you, release date of the DVD is 19th February. Soundtrack: out “very soon” 😉 – still no info about an exact date.
A “Small Apartments” related happening a day keeps the doctor away. The movie’s bizarre trailer premiered on Entertainment Weekly today. Click here or watch the embedded video below and enjoy. Can you hear any familiar vibes in the background? 🙂
According to Sony Pictures Home Entertainment’s press release, 11 months after its official premiere on the SXSW Film Festival in Texas, Jonas Åkerlund’s “Small Apartments” movie – for which Mr. Gessle has done the soundtrack based on the Son of a Plumber vibe – will finally be out in February, 2013. It will reach a limited audience, though, as it will appear in theaters in selected markets beginning 8th February via Tugg.com. Here you can check how tugg.com works.
The 97-minute-long movie will also be available on DVD from 19th February. DVD will include 2 bonus materials: “How To Build A Gravity Bong” & “Small Apartments: Behind The Scenes”. As Amazon.com informs, it will be a Region 1 DVD (US and Canada only). Language: English; subtitles: English, French, Spanish; dubbed: French. DVD can already be pre-ordered.*
What about the soundtrack? Good question. Will it ever be (physically) released? Hope we get some news on that soon.**
*According to Amazon.de, the DVD will be available for other regions, too, with the following subtitles: Italian, English, Arabic, French, Greek, Hindi, Dutch, Polish, Spanish, German. (Thanks for the info, Daniel Kühn.)
**According to The Daily Roxette: “The soundtrack to Small Apartments will be released on EMI Parlophone and “very soon” according to the writer of the music. There’s also whispers about vinyl…”