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Blikk did an interview with Per and Lena on Friday via Zoom. The Roxette In Concert tour’s first autumn show will happen in Budapest on 4th November.

Blikk: – The return of Roxette surprised everyone. Why did you feel like you had to continue with the band?

Per Gessle: – For many, many years I couldn’t decide what to do with Roxette, so this is a really big step for me. Then a few years ago I realized that I was a little sad that I couldn’t perform the songs that I had written for Roxette over the course of three decades. I tried to find a way to continue, but I didn’t really know what to do. In 2024 I made a Swedish album with Lena on it. When we worked together in the studio, I realized that she had the ability and the knowledge to sing Roxette songs. I just felt that out of all the people I had met so far, she was the first one who could really do it. I thought about it for a while, and then I met Lena and I presented my idea to her, which made her completely pale of course. But then we just tried it. We rehearsed some acoustic songs with some of the members of Roxette and they sounded great. Lena was a really good choice, she sings these songs just amazingly.

Blikk: – Lena, what was your first thought when Per asked you to join this project? It’s quite a challenge to step into Marie’s shoes.

Lena Philipsson: – It’s definitely a challenge. And it’s not that easy, because I know that when I go on stage, I’m not the person people really want to see. They want to see Marie, but unfortunately she’s not with us anymore. So someone else has to sing the songs, and that someone is me. In that sense, it’s a bit complicated. At the same time, Per’s request was flattering, almost impossible to refuse. And then, once I said yes, from then on, I just tried to focus on what I had to do and do my job as best as I could, considering the uniqueness of the situation. I really wanted to keep the original version of the songs as much as possible, so as not to cause any confusion for anyone, because it’s already a big difference to see a different person on stage, who might move differently and look different. It was important to me not to change any of the songs, but to show respect to Marie, Per and the fans by keeping the original. Our South African premiere was of course quite nerve-wracking. I tried to pay attention to the atmosphere in the venue to get a feel for what the band was doing, what we were doing on stage and how the audience was reacting. That’s where I started. But I think the feedback was positive from the very beginning. And from there, everything just got better and better.

Blikk: – We’ve seen other bands continue working with a new singer – most recently with Linkin Park. What do you think is the most important thing for it to work well?

Lena: – I can only speak about our own situation – for me it’s about showing respect for the music. I mean, I try to blend in, because it’s Per’s project, and I try not to take control of it. Just pay attention to the mood and listen to what the flow dictates. I don’t know how to explain it – you just have to be yourself as much as possible, instead of trying to be someone else. Give yourself and be honest in what you do.

Blikk: – Do you remember when the moment came when you felt comfortable in this role?

Lena: – After the second concert, I felt that everything was OK, that it was working. Now I can go out and be myself even more, giving myself more space. So it happened pretty quickly. The band, Per and I were working together for the first time – as musicians, we had to get to know each other on stage. But in terms of the setlist and the things that happened on stage, as we played together, it got better and better. So I think I got used to it pretty quickly.

Blikk: – Which song is the hardest for you to perform together?

Lena: – I would say “Spending My Time”, because it’s just me and Per on stage. He plays the guitar while I sing, which is very stripped down and revealing at the same time – so that’s an important moment. Also, singing “It Must Have Been Love” is very important to do perfectly, but I’ve learned it pretty well. Now I have more favourites: I really like “Listen To Your Heart”, for example, it’s pure joy for me to sing it, and I don’t think of it as complicated anymore. I just want to do a good job. We’re over the difficulties.

Per: – I think the best thing about the whole line-up is that we have a lot of fun and we feel good together on stage. The band members are also very enthusiastic. Lena’s presence and being able to perform the songs again is very inspiring for them. I tried to gather all the key figures from Roxette’s past, like guitarist Jonas Isacsson. Clarence Öfwerman, our producer, is still with us. I think that ultimately it is a tribute to Roxette and its legacy, and for that to happen we have to enjoy what we do. For me that is the most important thing, because if we have fun, the audience will have fun too.

Blikk: – What’s the goal of the project, besides playing old Roxette songs? Are there any plans to write new songs in the future?

Per: – No. I think the point of Roxette is to perform old songs. That’s all we do. By the way, we have made music together before, and maybe we will in the future, but I don’t think we will do it under the name Roxette.

Blikk: – You will also perform in Budapest in November. You just mentioned “Listen To Your Heart” – this is the song that probably every Hungarian knows, because from 1990 onwards a political party in Hungary started using it for its campaign and other events. Sometime around 1992 you said in an interview that you had heard about it. Were you ever worried that people would automatically associate your song with a party, forgetting its original message and content?

Per: – Well, first of all – looking back – I don’t like it when people use songs without permission. In the past, we were not asked about it at all. What happened in Hungary is a very unique situation, I have never experienced anything like this anywhere else. We have always tried to stay away from politics, because we don’t fully understand the countries and their political situation. I think if anyone had asked me if I would license one of my songs to a political party or movement, I would have definitely said no, without taking a stand for the left or the right. Because that’s how I operate and that’s how I work. I think copyright should be respected and the person who owns it or wrote the song should be asked first before they use it. That’s what I think.

Blikk: – There was a case a few years ago –  the same party used your song at a political event, and they even uploaded a video of it on Facebook, but because of copyright, that video was removed. Have you heard about that case?

Per: – I didn’t know about that, but I know that our record label, Warner Music, took legal action against it, because for them it’s the same situation: copyright infringement. You can have any political views, but ultimately it’s about how laws and rights work. As I said, I don’t have any other experience, so I can’t give you any other examples – it’s a unique thing. And I don’t really like being in the middle of things that I didn’t choose.

Blikk: – Let’s get back to the concert. You’ve been touring for a while now, how is the audience reaction?

Per: – We’ve done 25 shows so far, and they’ve been just fantastic. When we started, we were still wondering what happens if it doesn’t work out? On the one hand, what happens if people don’t buy tickets? On the other hand, what happens if they don’t like Marie being replaced by someone else? So many things could have turned out differently, but it turned out the opposite. Even the most dedicated fans have started to get to know Lena, appreciate what she does, and everyone leaves the concerts with a smile on their face. We have a huge catalogue of songs that people have grown up with and that have become part of their everyday lives – I think that’s just amazing, and it’s also a very rare thing. It’s really fantastic that I’ve found a way to carry on Roxette’s songs and that they are accepting it like that.

Blikk: – What message do you think the audience will take away from the fact that Roxette’s legacy lives on?

Per: – I don’t know if there is any specific message. But I’m a songwriter after all – I started writing songs when I was a teenager and I still do that basically today. I feel lucky to have had so much success all over the world in my life, and if my music and lyrics still mean something to so many people globally, that’s really fantastic. I hope that the people who come to our concerts get their reward from us on stage – something that adds value to their lives and that we can be a part of. Some people got married to our songs, some people gave birth to their children, and some people listened to “Joyride” on their way to school. These are just small fragments of some people’s lives, but we are part of them. It’s amazing to see that our music means so much to others.

Find the dates and links to ticket sales sites HERE!