Gomorron Sverige interview with Per Gessle

Per was one of the guests on today’s Gomorron Sverige on SVT. As he mentioned on his Instagram account: ”Early morning TV show. Really early. Really.” Haha. Poor guy, having some long and busy PR days this week.

If you are in Sweden, you can watch the show on SVT Play, if not, then you can watch it on YouTube (thanks to Gaby for recording it).

In 10 years, this is the first material Per releases in Swedish. To the question why Nashville, he replies he wanted to change the milieu a bit, not to record again in Skåne. He was thinking about recording in England or France, but suddenly Nashville popped up. Per thinks the combination of Halmstad and Nashville is perfect. He says he likes classic country, Neil Young, for example.

The host on the show says Per’s music is not really country, but Mr. G says there are country elements, for example, on Mazarin. Now he worked together with local musicians and all the instruments they used add the Nashville sound to the album, but at the same time he wanted the lyrics and his voice to be in focus.

Regarding the duet with Lars Winnerbäck, the hostess asks Per if it is a bit like looking for something new after Marie. Per says he just wanted to do something different. He likes to test different things all the time.

The host asks Per if this project is more about looking back than looking into the future. Per says in a way it is. He tried to write the lyrics from the point of view who he is today, even he writes about the same topics as usual, love, disappointment, longing, dreaming. The host asks if it is easier to write in his mother tongue, Swedish than in English. Per says it is.

They talk about the album cover of ”En vacker natt”. Per tells it’s his sister on the cover. She passed away last autumn. Her son found a box full of photos from 1965-66 and Per chose to put this picture of Gunilla on the cover. The pic was taken in Halmstad.

The hostess asks Per if losing his father, mother, brother and sister had any affect on his music. Per says of course it had in a way. Everyone who loses someone close is affected by the loss.

They are talking about the fact that a second album is out in autumn. Per says they worked fast and there was so much material, he decided to release 2 albums instead of one damn long album.

The hostess says the album looks like an old LP. Per says that was the idea behind the design. The cover also helps to create the milieu of the songs. And it will be released also on LP. The hostess asks why Mr. G thought it should be released on vinyl as well. He says mainly in Sweden, Spotify is huge in streaming music, but it’s a bit anonymous. There are no album covers, but pop or rock culture doesn’t exist without album covers. Nowadays Per still buys LPs and he is looking at the sleeves while listening to the songs on Spotify. He likes to have the lyrics in front of him when he is actively listening to music.

The hostess asks what Halmstad means to Per. He replies he has been travelling a lot around the world, but he always gets back to Halmstad. He likes Halmstad and he likes small town life. He of course likes Stockholm too, but he is more of a small town guy. Lars Winnerbäck is also a small town guy, Marie Fredriksson is also a small town girl.

The host asks about that one English song, ”Far Too Close” (duet with Savannah Church) on the album and they play a short snippet from it. Per says this is a homage to Nashville to have an English song as the last track on the album, a duet by a local country singer.

Per says the musicians in Nashville of course knew the songs ”Listen To Your Heart” or ”It Must Have Been Love”, but they thought Per’s music was strange. Per was happy about it and thought their cooperation would be exciting.

About how he wrote the songs Per says he always writes either on acoustic guitar or on piano. The host asks how long they rehearsed together with the musicians in Nashville. Per says they didn’t rehearse at all. He played the demos to them and explained some things, but then it was more like jamming. There were like 3-4 takes for a track, then they just put the whole song together. The pedal steel and the violin are very characteristic.

Per says his summer tour has its premiere in Helsingborg, but he couldn’t remember the exact date. Haha. First he said 7th July, then smiled and said or maybe rather 6th July. Yes, it’s the 6th. He won’t have Nashville musicians in the band, but Swedish guys and girls. They will play songs from Per’s whole career.

Still is from the TV show

 

Per Gessle interview and single performance on Skavlan

As you already know, Per Gessle appeared on Skavlan talk show tonight. From the video teasers (selfie; desert island) we saw on SVT’s website during the day we could be absolutely sure that the show was going to be much fun. The recording took place on 15th March and 2 hours before showtime Per shared a rehearsal video from his 14th March get together with the band and Lars Winnerbäck on his YouTube channel (GessleHomeVids), which we hope he will keep alive for a longer time and share even more content in the future.

The first 2 guests in Skavlan were Annika Falkengren (actual President and Group Chief Executive of the Swedish bank, SEB) and Jo Nesbø (Norwegian writer, musician). Mr. G was the third guest, his part starts at around 25:40. Before he entered the studio, some old concert and TV show footage was shown from Per’s early and later career (Gyllene Tider, Roxette, solo) and after he sat down, Fredrik Skavlan, host of the show was chatting with all 3 people, asking interesting questions.

Since Annika is one of the guests, Fredrik asks Per what type of bank client Mr. G is. He says he is a weak banker. Then Fredrik goes on asking who Per was before he became a musician. Per says he can’t remember, it was so long ago, but he thinks he was a shy and lonely guy. Music became his life quite early. Already at the age of 6-7-8 he was listening to The Kinks and then The Beatles.

Fredrik asks Per what his father thought about him choosing music. Per says his father died in 1978, but he wasn’t fond of his musical efforts. He heard one song on the show Bandet går and thought Per was singing like shouting badly. Fredrik asks Per if he would have chosen this career if his father wouldn’t have died, but Per doesn’t know the answer. He says his mother always supported him. His dad died the same day a big article about Gyllene Tider appeared in Expressen.

They talk about Per being called a mom’s boy and that she and Per’s brother and sister died during the past 3 years. Fredrik asks Per what his mother would say was the peak in Per’s career. Per tells she lived with her mother for a long time and she witnessed all the weird things during the golden age of Gyllene Tider, like getting 3000 postcards or fans stealing the drying clothes from their garden. Then it was different with Roxette, it was more of a global thing. But he tells his mum was very proud of him.

Fredrik says people talk about Per as the boss. Per says he is more of a control freak. Fredrik asks if it has always been easy to work together in Roxette. Per replies ”piece of cake” and laughs. He says they started from nowhere and it was a fantastic journey with Marie. But of course, there were conflicts. Per always wanted to work and when they finished something he wanted to work again, but Marie didn’t think the same way. And probably Per’s control freakness also caused some conflicts. Fredrik asks if Marie has ever told it to Per and Per replies he read that in Marie’s book and laughs.

Fredrik Skavlan asks Per if he is a pedant. Per says he is. If Fredrik goes to his home he would for sure think a pedant lives there. All records are sorted on the shelves in alphabetic order, for example. He was like that already as a kid. He tells his friends think it’s fun to push some books in on the shelf when they visit him. Here Jo Nesbø says all guys put the records in alphabetical order but asks Per if he also puts the records in chronological order for one band. Per says no, he doesn’t do that. Jo says then everyone can calm down. Haha.

Fredrik says both Lars Winnerbäck and Per Gessle are introvert guys. He is wondering who talks most. Per laughs and says they sit silent. Then Fredrik asks Mr. G what small town talks (småstadsprat) Per knows about himself. He says he loves Halmstad and he really feels that Halmstad is proud of him. He says it’s always fun to fuel the car. Then Fredrik asks if he drives the cars Per has in his collection. It’s like having a horse inside the house. Per says of course he drives them. Mr. G talks about how it is to drive his Ferrari to the ICA (Swedish supermarket) to buy strawberries. He says he thought a Ferrari is a girl magnet, but it’s not at all. Everytime he leaves the shop, coming back to where he parked the car there are like 30 guys filming his Ferrari.

Per also talks about that since he was 20 he got used to the fact that people recognize him. He can’t leave his apartment without bumping into people who want to take a selfie with him. Actually, if nobody asks for a selfie, he gets very depressed. Then Fredrik comes close to PG and they pose for a selfie.

Fredrik asks Per what kind of car Annika’s husband should buy when they move to Switzerland and Mr. G suggest a 2-seated with no roof. Here Annika tells Per once she was sitting behind Per on a plane and Mr. G was reading a car magazine. His wife and son were sitting on the other side. She asks if it happens often. Per is kidding he is surprised Annika saw them travelling on the same class.

Then comes a little game. Fredrik asks his guests which 3 albums they would bring to a desert island where they would spend a long long time. Jo Nesbø asks Per who he prefers, John Lennon or Paul McCartney and Per chooses John Lennon. Jo and Per can agree on taking The Beatles’ Revolver album. Annika couldn’t really get first what revolver they are talking about, then out of the blue she suggests why not taking Julio Iglesias with them. LOL. Per’s facial expression is priceless. WTF? Haha. Then Annika goes on with Demis Roussos and Per can’t keep it to himself, he says he hopes it’s a big island. Haha. One must love his sense of humor. Per says the 3 albums he would take are Revolver, The Ramones’ first album and Joni Mitchell’s Ladies of the Canyon. Jo agrees on The Ramones’ as well, but he would take Rocket to Russia from them.

With this the PG talking part is over (at appr. 40 minutes in), but a fourth guest is coming, Susan Faludi, an American Pulitzer winner author and feminist. It’s worth watching this part, too, because Per stays there in the studio and is listening to Susan’s stories, paying a lot of attention.

Then at appr. 53:20, at the end of the show Per performs his new song, ”Småstadsprat”, a duet with Lars Winnerbäck. Lars is of course there as well. In the band you can see Clarence Öfwerman, Christoffer Lundquist, Helena Josefsson and some new faces, Ola Gustafsson, Malin-My Nilsson and Martin Höper. How they perform Småstadsprat live is pure awesomeness! Just magical! H.e.a.v.e.n.l.y.!

What a wonderful and interesting show it was! We would love to have more of this, wouldn’t we?

Still is from the TV show

 

Per Gessle to appear on SVT Skavlan

Per will be one of the guests of this Friday’s TV  talk show Skavlan, which will be broadcast on SVT and NRK at 21:00 CET.

According to SVT, Per will be interviewed and will also perform  ‘Småstadsprat’ – the first single off ‘En vacker natt’ which is out this Friday – with Lars Winnerbäck. The show will be recorded tomorrow.

The show will also be streamed on SVTplay. Usually, Skavlan can be seen everywhere (no geo block).

Marie Fredriksson’s biography on Swedish TV

As we posted about it yesterday, journalist Tara Moshizi talked about Marie’s book in SVT’s morning program yesterday. Today it was Helena von Zweigbergk’s turn. She was invited to the same morning show on SVT, Gomorron Sverige and the reporter did a nice interview with her about the book. HERE you can watch it, but unfortunately, only if you live in Sweden. The important part starts at 1:23:13 and lasts until 1:35:09. 12 minutes about Marie on one of Sweden’s biggest TV channels sounds good, right?

At the beginning of the part about Ms. Fredriksson, the program leaders show the book itself, then there are some footage from Marie’s early live performances, Roxette’s Joyride video and Marie’s Skavlan TV show (2013) live performance.

Then the reporter starts talking to Helena. She tells about the title ”Kärleken till livet” that it was Marie’s idea. She was thinking about it for quite a long time, then one day when she was on tour with Roxette in Australia, she just came up with it and was very happy about it. To both Marie and Helena it felt like being the perfect title for the biography.

Helena also talks about how she was first hesitating about writing the book, but when she talked to Marie she realized how much Marie wants to tell the story about her life, without faffing around. While they were working together on the book, they became friends. They had a hard time writing the book, but also much fun.

The program leader asks about how popular Marie is internationally and Helena tells Roxette is incredibly huge and Marie gets so much love from the fans and she is really a loved artist.

Helena talks then mostly about what’s in the book and how they were writing it together. A little about how Marie grew up, her family, how Marie met Per and their work together, how Marie and Micke met and how happy Marie was about it, etc.

She says Marie is a strong and weak person at the same time, but when she is sitting on stage, she is sitting there like a queen and all the fans are just cheering her on.

It was a very nice interview and hearing more and more how Helena is talking about Marie and the book itself, it definitely seems that she was the best person to choose to cooperate on this long-awaited biography.

Here are some stills from the morning show. The older pics are probably taken from the book.

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Thanx for the hint regarding the interview, Anja Hoppe!

Per Gessle in the Henry Diltz docu

As we informed you yesterday, the documentary about legendary rock photographer Henry Diltz premiered on SVT2 today. Unfortunately, the film Rock Photographer Henry Diltz – A Boy And His Camera can only be seen in Sweden. Click HERE for watching it on SVT Play.

The docu is almost an hour long and it is definitely worth watching if you are into photography or music history or a wise, positive guy with great sense of humour. Henry who has always been close to music (even singing and playing the banjo and other instruments) bought his first camera, a second-hand one in 1966. Since then he just can’t stop taking pics. Not only of rock stars and musical events, as well as for album sleeves, but literally everything from cows to forks. In the film he tells lovely stories related to his iconic shots and music history at all. It’s not only him talking in the docu though, but several huge artists who became friends with him over the years. Most of them are friends with him since the very first time they met. Besides Ringo Starr, Graham Nash, Michelle Phillips (The Mamas & The Papas), David Cassidy, Jackson Browne, Robby Krieger (The Doors), Micky Dolenz (The Monkees), Julian Lennon and others there is our Mr G. talking. Per says:

I think every artist is probably a good photographer as well, because if you’re a singer or a writer or a painter, whatever, I mean you have this artistic thing going on. And it’s not that big difference, you know. A lot of people who write songs are interested in images. Joni Mitchell is a fantastic painter, you know. And Ringo Starr is a great photographer. Graham Nash is a fantastic photographer. Michael Stipe is a great photographer. It goes well hand in hand with your occupation. Absolutely.

This part is on from 41:30 to 42:07. You might remember Per’s 6 seconds (starting from 00:50) in the teaser of the docu which was published last year. That part is missing from the film now. So either this is the final cut and those 6 seconds (and maybe more PG talking) won’t ever appear in the documentary anymore or there will be that originally planned 90-minute-long version with more Gessle in it. Who knows. Either way, the documentary is very well done by director Janolof Fritze.

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Stills are from the documentary.