setlist Archives - Page 4 of 12

Per Gessle’s Roxette – London, UK – 15th October 2018 – #5

October 16, 2018 by Patrícia Peres

Per & Co. played the 5th gig on tour in London last night. How cool is that to play at a venue, Eventim Apollo (earlier Hammersmith Apllo, even earlier Hammersmith Odeon) that was an important place in one of Per’s biggest idols, David Bowie’s life. On the facade of the building, above the entrance there was written in huge red letters: PER GESSLE’S ROXETTE and there was a tour poster on one of the entrance monitors as well.

It was a seated show, so people didn’t have to rush inside. The doors opened at 7 pm, the support act started at 7.30 pm. Support act was Lee MacDougall again. He was added last minute, on 12th October. Great chance for him to play his first London show in 5 years. The audience liked his music a lot and his anecdotes were fun too. He said the first Roxette record he got in 1993. His sister is a big Roxette fan. His parents would buy them gifts to give them to each other at Christmas. His parents gave him the Joyride album to give it to his sister, but after he put the cassette on and it blew him away, he just couldn’t give it away. He created a plate writing Roxette (spelt wrong) and Joyride on it with glitters and all colorful stuff instead. When he gave it to her sister she was really excited because she thought she knew what’s inside, but then she was plain disappointed, she started to cry. Haha. A story to remember in a fan’s life.

After Lee left the stage, the technicians were setting up for Per and his band. The setlist stayed the same as on the past 2 shows.

Setlist:

1. The Look
2. Milk And Toast And Honey
3. Crash! Boom! Bang!
4. Dressed For Success
5. She’s Got Nothing On (But The Radio)
6. Spending My Time
7. I’m Glad You Called
8. Small Town Talk
9. I Have A Party In My Head
10. It Must Have Been Love
11. Opportunity Nox
12. The Big L.
13. Fading Like A Flower
14. Doesn’t Make Sense
Band presentation
15. How Do You Do! (in a medley with No. 16)
16. Dangerous

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

It was the second seated show on tour. I wouldn’t have been too sure about the London crowd standing up, hearing they are more reserved, closer to Swedes in behavious when it comes to standing up at shows, but actually everyone were up on their feet already from the beginning, when the gang played The Look. So it seems, seated shows are indeed among the best ones and you can use the seats for your jackets and bags, but you won’t use them to sit.

After The Look Per mentioned this is a classic venue, used to be called Hammersmith Odeon and this is the place where David Bowie killed Ziggy Stardust in 1973. He said let’s hope nobody dies here tonight.

When Per said he’s been writing songs for more than 40 years, the audience cheered him. There are tons of Per Gessle, THE SONGWRITER fans in the UK. Speaking English as their mother tongue they just love how differently Mr. G expresses himself in their language.

PG asked the audience if they knew the lyrics to the songs, please sing along. And they did so. People stayed standing also during the ballads and partied to all uptempo songs.

Doesn’t Make Sense ended with Christoffer’s madness in London too, but he was on a high during the whole concert anyway. Actually, the whole band were in top shape. The crowd cheered Helena a lot, they liked her performance very much. The intro to HDYD worked great. DFS was huge too, probably there was an even bigger party than for OppNox here. IMHBL was of course a song Per couldn’t give a miss and even if there were 72 songs on his mind for the first time during the rehearsals, but the list was reduced, IMHBL had to stay. The loud sing-along was guaranteed.

One thing I expected – I’m quite sure I wasn’t alone with it – didn’t happen. Actually, I wished to hear Small Town Talk as a duet with the original artists, I mean Per and Nick Lowe. And since Nick is English, I thought it was possible to see him on stage in London. Well, he didn’t appear there. I saw he had a show in Canada on October 11th, so maybe that’s why he wasn’t there. Still not at home. Fingers crossed we can hear this duet one day live. STT sung by Per and Christoffer worked extremely well in London anyway.

Before both encores after the gang went off stage, the crowd was clapping heavily and were happy to have the ladies and gents back on stage again and then again.

Some thought it was a guilty pleasure gig for them, some went for nostalgia, some to see the talented songwriter on stage. One thing is sure: all of them had much fun in the audience. PG and the band had a blast too.

Mr. G after the show:

LONDON. Oh yeah, such a treat to play the old Hammersmith Odeon. Remember reading about it all the time when I was a kid getting my Melody Maker every Wednesday. And boy, did we have a blast. Super crowd and band in top shape. We’re only five gigs old but are almost grown by now!!! Thanks everyone for showing up and singing along. London, you never disappoint!!! Lots of love from P&Co.

All pics in the article are taken by Niall Corcoran. Thanx for sharing!

Per Gessle’s Roxette – Brussels, Belgium – 12th October 2018 – #4

October 14, 2018October 14, 2018 by Patrícia Peres

Without a day off after the magnificent Hamburg show, Per & Co. performed in Brussels on Friday. They all flew to the Belgian capital and since the connection between Hamburg and Brussels is not the greatest, some of us fans also travelled by the same plane. I must say it was a bit bizarre, listening to the Small Town Talk album on Spotify while sharing the flight with THE artist and his musicians. We all behaved, so we didn’t jump on either Per or anyone else from the band. Not on BoJo either. Haha. We all landed safe and sound and headed to our accommodations.

The doors were to open at 7 pm at the venue, but it was a standing show, so we got there a bit earlier to queue. When we entered we realized that the front row was right in front of the stage, without any fence. The stage was so low you could touch Per’s monitor. I liked it a lot that the balconies were hidden by huge black curtains with lights on them. This way the whole area looked like being covered with stars. Nice view from the stage it must have been. One not too important, but I think interesting detail is that it was the first time I saw much more guys in the crowd than girls. Why in Belgium, no clue.

This time there was no support act. The gig was to start at 20:30 and end at 22:30. The gang started playing at appr. 20:40. The setlist? Stayed the very same as it was in Hamburg the day before.

Setlist:

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

The Look turned out to be a great starter in Belgium too. It can never go wrong! After the song Per talked to the crowd and said he played there 29 years ago ”when you weren’t even born”. ”Or were you here?”, he asked. Some in the audience shouted yes and Per said ”we should go on a cruise together”. He tried to remember anything from that evening, but he couldn’t and Clarence, who was there back then too, he couldn’t remember it either.

Between MATAH and CBB Mr. G told about 1993 when the Roxette team went to Italy. ”Scary thought. Not Italy, the Roxette team”, he said.

With DFS, the gang speeded the tempo up and Per said we’re still young. Oh yes, they are and we are too! It got confirmed during SGNO as well. The intro to it increased the excitement and we partied on. I was standing on the left side of the stage again and Chris and Ola, as well as Per were so close to us when they came to the front to play their guitars. Once Mr. G kicked in the air with his left leg and it felt like there was 1 cm between his leg and my camera. The cam survived. Haha. After the song Per said it’s fantastic he is here, ”thanx to you guys”.

Before playing SMT, a guy shouted ”we love you”. Per smiled, but he still finds it a bit difficult to take compliments. That’s what I saw on his face this time too. He said this is a great day and he had another great day back in May 1990. Mr. G mentioned Åsa in Brussels, that he wrote Joyride thanks to his wife who left a note on the piano saying ”hello, you fool, I love you, bla-bla-bla”. The crowd laughed. Then he took a break he said and took some Swedish icecream, some coffee and then he wrote SMT. Helena got her well-deserved applause after she sang the song.

After IGYC, Per said ”dank u wel” I think (it means ”thank you”) and in reply to that someone shouted ”tack så mycket”. Per was happy both about his own and the shouting guy’s ”thank you”-s. Then Per talked about his Nashville experience before he started playing STT, which of course sounded wonderful at Ancienne Belgique. We definitely need it on a live CD, don’t we? 😉

The intro to IHAPIMH just almost contained na na nana na, but the audience was clapping loudly and enjoyed the song so much.

Before IMHBL Per mentioned that when they started rehearsing for the tour he had appr. 72 songs that he wanted everyone to learn in the band. Magnus said and they did. There was one song that he didn’t really feel like playing, but then he heard it was Magnus’s fave track of all time. Magnus said he had to pay Per to play this song and he stills pay Mr. G every gig. It became a nice sing-along.

Do I have to mention that OppNox and TBL put everyone on fire? On and off stage. I love this part! You could see in the video Åsa recorded from the back how the crowd enjoyed themselves during TBL.

Getting back to the ’90s, before FLAF Per asked Magnus about his girlfriends in the ’90s. Magnus said he didn’t have any. Per said then tell us about his boyfriends. Magnus said he didn’t have any friends at all.

Before DMS Per wanted to say something about the Party Crasher album, but then he said he shouldn’t. Magnus said we’d really love to know and then Per said Magnus blogged about it on www.puke.com. The crowd laughed out loud. The song by the way sounded awesome again and Chris became the definite hero of the night. Poor guy was rocking on his guitar so much that even something got broken on it and it flew over the audience and Christoffer’s hand was also bleeding like hell. Jakob, Christoffer’s technician tried to wipe the blood off with a towel, but it didn’t help much. The guys tried to find some plasters and were trying hard to stop the hand bleeding. Per asked, ”did that make sense?” Haha. Mr. G started introducing the band. Started with Chris who was still bleeding, then moved on to Ola, then Andreas. That was funny, because PG said he called 5 drummers, but 4 couldn’t make it, so that’s how Andreas ended up in the band. Haha. Then Mr. G introduced Clarence, who produced almost every existing Roxette song, even the hits and the B-sides. Then Magnus, Malin-My and Helena were introduced too. And then Per turned to the audience and said: ”And a wonderful crowd, thank you!” In the meantime, Chris got his plasters. Per asked him if he can continue and Chris said the show must go on. The crowd applauded him and shouted woohoo.

During HDYD we had a blast again, the intro teaser worked fine. Then came Dangerous and off they went. The audience didn’t stop clapping or shouting, not even for a second, however, it took a bit longer time now for the band to come back on stage to play the first encore, QOR and Joyride.

The crowd didn’t keep quiet while waiting for the 2nd encore either. They were really loud. And so the gang came up on stage again. Per said the next song he wrote for a friend of his in the ’80s, when there was a bit of a conflict in his friend’s life. LTYH it was, of course. Then the closing song TSHTSG. And it plays in my head again until the next show.

There was a Belgian couple who I met for the first time. We talked a bit before the show and they said it’s the only concert they plan to see on this tour. They have kids and have to work and the logistics are not so easy. After the show we talked again and they loved it so much they started thinking about how to organize things to be able to attend at least one more gig. Oh yeah!

Per after the show:

BRUSSELS: YEEHAA. Back again at the Ancienne Belgique. Haven’t played here for 29 years. Had a blast, dear you! Hot and cozy. Wonderful crowd. Great band. Happy!!!!

See you all in London. Plan A: Got to get some band aid for Chris’s hand…….. Plan B: Call MP! Cheers, P.

All pics in the article are taken by Patrícia Peres.

More photos:
Front View Magazine
Proximus
by WIM

Per Gessle’s Roxette – Hamburg, Germany – 11th October 2018 – #3

October 14, 2018October 13, 2018 by Patrícia Peres

Hamburg, Germany, the best show so far on tour! And that was a seated gig! If all seated gigs are like this, I’m very much into them. Once the tour was announced and we could see there were several seated concerts, we thought OK, the setlist would probably be too slow, full of ballads, so the seats might be because of that. Then we saw the setlist at the first show and realized there is a great flow in the mix of ballads and uptempo or midtempo songs. So when we reached the first seated concert in the schedule, we got curious how it would work out. Should we stand up? Should we stay seated? What is the rule at the venue? Are we allowed to stand up anyway? If we stand up, when should we? First world problems, I know…

The show in Hamburg was held at a concert hall, a beautiful building. The soundcheck started at appr. 5 pm again and those who met Per in town before he left for the soundcheck got lucky, because Mr. G was in a very nice mood, stopping to sign stuff and fans could also take pictures with him.

Since it was a seated gig and we had our fixed spots, no one was really queueing in front of the venue. Once we arrived we could take it easy, enter the building, check out the merchandise, grab some drinks, chat with other fans. That’s a big advantage of seated events.

This time the support act was again Lee MacDougall. Great guy, really. He was much fun on stage in Hamburg too and he even changed 2 songs in his short setlist. Well, this is how people can get to know his music. He mentioned that in Leipzig he said he is the biggest Roxette fan in the UK, but after the show a guy from the UK, called Huw stepped to him and said that actually HE is the biggest fan in the UK, so Lee corrected himself in Hamburg and said that since Huw is here, he can only tell he is the biggest fan in England.

Already during the support act it was a bit strange to be sitting. I was sitting in the front row and the stage was a bit too high for looking up there without having problems with your neck after. So the thought of standing up got stronger and stronger each second. Haha. Another thing that made me think we should stand up was that hey… the setlist starts with The Look, c’mon! How could you stay seated during The Look?! I mean even the royal family showed it long ago that it just doesn’t work. 😉

Even if Per said after Leipzig that they ”got a few more things to check out in Hamburg” regarding the setlist, there was only a slight change. Listen To Your Heart got moved to the 2nd encore, but otherwise the running order stayed the same. 20 songs. After talking to some of the band members later, it seems to stay like this, since 22 songs both Per and them all found too long. Oh well… ask a fan anytime, we wouldn’t have enough of a 30-song-long setlist either. Let’s hope that at least it stays 20 until the end of the tour and it doesn’t get even less, as it happened during last year’s tour.

Setlist:

Encore
17. Queen Of Rain
18. Joyride

Encore 2
19. Listen To Your Heart
20. The Sweet Hello, The Sad Goodbye

So, back to the first world problems of standing up, when the gang hit the stage a bit after 9 pm and started playing The Look, appr. 5 seconds passed and the whole concert hall was standing. Woohoo! That defined the mood of the crowd and I think it guaranteed the success of the complete show. Also, it probably gave even more energy to the band. 150% energy on and off stage, I can tell. And the level dropped to 120% during the ballads. Haha. Most of the crowd stayed standing during the whole gig, but also those who ”sat down” were sitting on the upper edge of their seats and only during the ballads and talks in between the songs. Once an uptempo song came, everyone got on their feet again. Great vibes! It was fantastic being part of that crowd!

After The Look, Per talked to the audience while drinking his ginger tea and said he didn’t play in Hamburg since 2015 and asked who was there. Tons of people shouted in the crowds they were there. Nice.

He moved on digging in that deep box of Roxette songs and they played 2 ballads, Milk And Toast And Honey and Crash! Boom! Bang!. Both of them sounded great and the audience liked them a lot. After the ballads, Per tried to throw his acoustic pick to the crowd, but it got probably stuck to his hand so it landed on stage very close to himself. It happens. We were laughing and while Micke N-S brought Per his guitar he plays during speed-up song Dressed For Success, he was kidding him showing how he throws a plectrum. DFS was loved, as well as She’s Got Nothing On! Constant party mood in the crowd and madness on stage! Even 1 drumstick of Andreas flew to the edge of the stage at the end of the song. Per said he is getting too old for this. Someone in the crowd shouted we too. Haha. Per heard it and said you too are definitely getting old.

In the talking before Spending My Time Per mentioned he wrote 2 songs in one afternoon. The first one was Joyride, then he had some tea and biscuits and then he wrote the next one. The crowd sounded very happy to hear SMT and Helena got applauded loudly.

2 more ballads came, I’m Glad You Called and Small Town Talk with Chris in the 2nd verse again. Pure magic!

Showing how fab the crowd was, when the band started the intro to I Have A Party In My Head, the audience started singing Opus’s ”Live Is Life”, not just the Na Na Nana Na part, but the complete chorus. Per laughed and pointed at the audience while looking at the band, then talked into the mic saying this sounds great by the way, however, this coming song is from the Son of A Plumber album. He was glad that the crowd recognized that one.

It Must Have Been Love was next, Magnus’s favourite track (including The Beatles, The Eagles, Fleetwood Mac, Frank Zappa and even Milli Vanilli). Per said he tried to avoid to play it, but Magnus said he has to play it, he kills Mr. G otherwise. Per said he knows and it’s scary. Good they played it. The audience burst out into a loud sing-along.

Then came the party section again, with Opportunity Nox and The Big L. and these 2 songs rocked big time in Hamburg too. Per said ”getting ready for the weekend, right”. The ”bringing me down to my knees” part of TBL was funny, because since we had a bigger space in the front between the stage and the front row without fence or anything else, we could really get down to our knees. Almost. Haha. This time I was on the left side of the stage and loved how Ola and Malin-My came to the front to rock their instruments during TBL.

Before Fading Like A Flower, Per and Magnus talked about the ’90s again. Magnus said he doesn’t just remember the ’90s, he IS the ’90s. Wherever the ’90s went, he was there before. Haha. How Helena sang the song in Hamburg sounded a bit different vs. the first 2 gigs. I would say her version got more powerful from getting the energy from the wonderful vibe of the gig. Fantastic!

Doesn’t Make Sense was a blast again. I love the whole song. Beautiful lyrics, great PG vocals, how he sings ”nose” is still killing me and the ending where Chris and Andreas go crazy is one of the greatest parts of each show.

In the band presentation Per mentioned he is extremely lucky to have this band with him. Magnus he found in a flea market, he said. Haha.

How Do You Do! and Dangerous were very much welcomed by the audience to have some more party. HDYD had the teaser intro this time and the crowd started singing the song before Per started it. No one could believe the gang went off stage after these 2 songs. The audience didn’t stop clapping and shouting, waiting for them to come back on stage.

Then the band members appeared one after another and Per came back as well to play Queen Of Rain and Joyride in the first encore. Since the audience was whistling, Andreas tried to whistle using his hands too, but wearing gloves, it just couldn’t happen. It was funny though. I love how Per and Chris interact during the intro to Joyride. After these two songs the gang went off stage again, but the audience went crazy to have them back. And so they came to sing 2 more tracks in the 2nd encore.

This time Listen To Your Heart was moved to the 2nd encore, but the closing song remained The Sweet Hello, The Sad Goodbye. Helena was very happy to receive the love of the crowd after LTYH. Loud applause she got. And TSHTSG, well… keeps on playing in my head… again and again. Tütütütürütü. Awesome version!

Per closed the show with saying ”hope to see you again very soon”. Let’s see what happens, but with such a band and such an audience anything can happen! 😉

Sven Lindström was there in the crowd too. He liked the show and said he will probably see another one Sweden.

Åsa wasn’t there at the gig. It would have been great if someone filmed this concert for a DVD actually. Hard to top, but there are more gigs to come, so let’s see!

Per’s post after the show:

Hamburg tonite. Oh yeah! Thanx everyone for showing up and singing along. Wonderful feedback on every song, love that! Extra special thanks for the Party In My Head-intro (yaknowwhatImean…theunmentionablesong….). Have to come back to Hamburg again and again, it’s addictive!!!!! I’ve had two great days here, checking out Anton C’s fab exhibition and just enjoying myself in the sunshine. Brussels tomorrow. Rise and shine everyone! Lots of love from P.

All pics in the article are taken by Patrícia Peres.

More photos & TV reports:

NDR: 1, 2

Per Gessle’s Roxette – Leipzig, Germany – 9th October 2018 – #2

October 14, 2018October 10, 2018 by Patrícia Peres

Last night PG & Co. performed in Leipzig, Per coming back to town for the first time since 2011, when Roxette played there. The gang arrived to the venue at appr. 5 pm for a short soundcheck where they mainly rehearsed The Sweet Hello, The Sad Goodbye, but we could also hear SGNO. So we knew these 2 songs have a safe place on the setlist last night again. But what’s with the rest? We were curious.

This time the support act was Lee MacDougall, the guy who would have been the support to Roxette in 2016, when the tour got cancelled. Good he had the chance this time. He is a great musician with a nice voice, so we enjoyed him performing. His sense of humor is fun too, so it was a great 30 minutes, him being on stage. He got introduced to Roxette when he was appr. 8 years old, via Baywatch, Pamela Anderson. There he heard The Look in a commercial and got hooked. He says he is the biggest Roxette fan in England. We will see him several times on tour, since he is the support in Hamburg, Vienna, Zurich, Berlin and Cologne as well. Just a funny moment: Lee goes unplugged on one of his songs and while he walked around the stage with his guitar, he stepped on PG’s already sticked-on-the-floor setlist and stayed there for a while. Haha. Thank God the songs to be played were still visible after.

Per and the band hit the stage at 9 pm. Different running order of PG’s shirts meant different running order on the setlist too. Slightly different though. They skipped The Finest Prize for reasons I can’t understand and also Silver Blue. Silver Blue’s spot got occupied by Doesn’t Make Sense and the encores were changed a bit too.

Setlist:

Encore
17. Queen Of Rain
18. Joyride
19. Listen To Your Heart

Encore 2
20. The Sweet Hello, The Sad Goodbye

This time there were some technical hiccups, which somehow made us feel the gang got a bit distracted. Even some word changes in the lyrics happened by Helena. All this caused a bit lower energy level on stage in Leipzig than in Prague, but the audience’s loudness and sing-alongs made Per & Co. very happy and they got confirmation again that what they are doing is just fab.

I love how the band members interact with each other on stage, changing their places, kidding each other, singing towards each other, etc. They are so good together!

I was happy The Look stayed first on the setlist, because it really gets you into the Roxette party mood right from the beginning and it can define the whole show. I think I didn’t mention it in my Prague review, but there is a little pause in The Look, which adds to the excitement.

Per talked to the crowd after they finished the song that he was there in Leipzig 7 years ago and it’s fantastic to be back. He also told they would do a big dive into the box of Roxette songs. He also sneaked in a couple of solo songs just for good measure.

Before Crash! Boom! Bang! Per told they went to record the album in Capri, where the world’s most expensive pizzas and the cheapest wine are sold. They took full advantage of that. The song sounded wonderful and the crowd appreciated it with a loud applause.

During She’s Got Nothing On, Helena and Malin-My came to the front and animated the audience, it was cool. They were full of energy, and also Chris was going wild on his guitar and involved Ola in the madness too. A real party song this one is.

Before Spending My Time Per mentioned he wrote 2 songs on one crazy afternoon in the spring of 1990. One of them was Joyride. The audience shouted woohoo and Per said not bad actually. Helena got a huge applause for performing the song.

This time during I’m Glad You Called there seemed to be less acting. But it’s always a bit strange to see Per without his guitar. He sometimes doesn’t know what to do with his hands while singing without holding any instruments. It’s fun though when he is demonstrating the lyrics. And while Per and Helena walked away from each other for the non-singing part, we could enjoy the music Malin-My, Chris and Ola played for us. This song was a success too. Per commented after the song, it’s music for old people. Haha.

Small Town Talk was a highlight in Leipzig too. Wonderful to hear it live and Chris joining Per in the duet is just amazing. Can’t get enough of it!

During the intro to I Have A Party In My Head the audience burst out into loud clapping. It sounded awesome! Really a great crowd it was! Per said he is always so surprised that people recognize tracks from Son of A Plumber, because he doesn’t. The audience burst out laughing.

Mr. G told the crowd he tried to avoid playing the next song, but it’s actually Magnus’s favourite, so he couldn’t skip it. Magnus said he would be very disappointed and he would hit Per if he didn’t play it. Yep, it was It Must Have Been Love’s turn. The crowd loved it!

It was lovely that the setlist remained the same at this point, when Opportunity Nox and The Big L. followed IMHBL. Party time guaranteed!

Before Fading Like A Flower they, I mean Magnus and Per were again joking about the ’90s, talking about their favourite bands from that decade. Besides Roxette, Milli Vanilli popped up, as well as Beagle and Brainpool.

Doesn’t Make Sense was very welcomed by the audience, they were clapping a lot during the whole song and it seems it wasn’t working only in Prague that Chris and Andreas went wild on this song towards the end, but in Leipzig as well. It rocked big time!

During the band presentation Per started with their own little guitar God, Chris (sweating plus drinking after DMS), Ola who plays everything with strings on, even shoes, Andreas the drummer, Clarence got a long long applause, being the producer of Roxette songs, Magnus the stand up comedy guy, the most talented Malin-My and last but not least, Helena Josefsson on vocals.

The crowd didn’t stop clapping and shouting when the band went off stage and it took some more time for the gang to come back. They certainly enjoyed the audience’s reaction. It was so loud and wonderful! The first encore now started again with Queen Of Rain, but as Doesn’t Make Sense was moved, Joyride and Listen To Your Heart came to the first encore. Joyride started with a tiny little intro, where Chris was standing in front of PG with his guitar and they were kidding each other. It was much fun! After the song PG said ”well, we can play all night…”. Oh well, you know, Per, you really could! We wouldn’t mind! 😉

After LTYH, the crowd was loud again, wanting the whole gang back on stage and so they came and played the last song. The 2nd encore now contained The Sweet Hello, The Sad Goodbye only. When Per and the band came back, someone in the audience shouted ”gott nytt år” (= happy new year) , so Per repeated it in the mic. Then someone else shouted ”tack” (= thank you). A real Swedish lesson. Haha. TSHTSG, what can I say? It’s absolutely awesome how this song sounds now live. I could listen to it 24/7. Actually, this one is playing on one’s head for a long time either after the show during the whole night or the day after. Top earworm!

Åsa wasn’t there this time, so we’ll see how many videos were shot, if any at all. We could already see a backstage video Per shared. Let’s hope we can see more of such vids.

As you read Per’s comment on the gig, it makes you curious what changes they plan in the setlist in Hamburg. Fingers crossed the number of songs gets back to 22 at least and won’t be decreased by even more songs.

Per after the show:

Leipzig = Wow!!!! Haven’t been in this city since 2011 and hey, do I love to play here! Great crowd as always.

We tried a different running order tonight to get the perfect flow. Got a few more things to check out in Hamburg. That’s the way it should be, every gig should be different. That’s why we play everything 100% live. No tricks.

Thanks everyone for showing up and making that typical Roxette noise!!! Love it! See y’all soon again. Cheers, P.

All pics in the article are taken by Patrícia Peres.

More photos & TV reports:
regioactive.de
radioSAW.de
Brisant report (starts at appr. 27:40)

Whatever works – but does it work? My take on Per Gessle’s Roxette tour

October 11, 2018October 9, 2018 by Tomasz

Per Gessle has started his European tour last Sunday, October 7^th in Prague, Czech Republic in front of nearly 1,000 people. It’s the first time since 2009, where he hits the bumpy roads of Europe again and is going to visit 20 cities in the coming weeks.

This time he is no longer the man from Roxette as 9 years ago, the project is labelled “Per Gessle’s Roxette”. He admitted in our exclusive RoxetteBlog interview back in April that it’s a great name: “since it’s exactly what it is. This is my personal version of Roxette. I play Roxette-songs I’ve written, music that still is such a big slice of my life. In the perfect world Marie would have been by my side to sing and perform, but that won’t happen anymore. I have to live with that. You do too. The options I have are to perform the songs without her or not perform them at all. I chose the obvious one.”

When I was compiling the potential setlist predictions back in June, I was thinking this is going to be something similar to the Party Crasher tour. Back then – meaning 2009 – we still didn’t know exactly what good and bad future would bring, but we were happy to get these very personal interpretations of Roxette’s vast catalogue from Gessle. This year I truly felt coming back to Roxette music with a mix of Nashville vibes and 2017 band (big hand to new additions to the band: Andreas, Ola and Malin My) would be a fantastic way to introduce these songs in a new & exciting way. Per already tested the ground during 2017 Scandinavian concerts – several Roxette tracks were played and got ovations from the crowd generating even more unforgettable sing-a-longs.

How the setlist looks like in the end? There are some surprises, which always is a surprising thing at the Per Gessle concert, wink-wink. We actually got a track that was never performed live before though recorded 28 years ago. The Sweet Hello, The Sad Goodbye was performed by Per on the lead and Malin My & Helena doing the chorus. Gessle has always been highlighting this as a forgotten gem among other pearls from the early 90s. For understandable reasons. It also a nice way to end up the concert, instead of a worn-out Church of your heart closer. Hope it stays in the setlist as long as possible.

You might have been expecting to hear more tracks from English solo albums as it’s a solo concert after all. Well, no, not really. There was nothing off The World According To Gessle, which left many unhappy about that decision. Still, I Want You To Know could’ve found its way as a modern country version. I have a party in my head and Doesn’t make sense re-appeared in the set, which already was kind of unexpected as the latter one was never a single and I have not predicted Son of a plumber would find its way among all those Roxette tracks. There were 2 songs off Small Town Talk, though the second single, Being With You, was left out for the reasons one could only wonder. It reminds me the time when Party Crasher’s Silly really was omitted due to “being impossible to perform live”. It must have been a different thing with an accoustic song this time. Small Town Talk is my absolute highlight of the evening in which Per Gessle pairs with the band’s own Christoffer Lundquist for an amazing duet. We need more of Chris’ singing at the concert! The Finest Prize is as powerful as it was last year with Helena Josefsson taking over the second verse, so scrapping the song in Leipzig is definitely a miss.

Was the Roxette part of the setlist unexpected? Well, im Westen nichts Neues (all quite on the western front). There was The Look to start with which is a wise move as it brings everyone in this very party mood that stays throughout the concert. Then Joyride for the end with 3 lonely fan-brang balloons flying over the audience. Did they change anything in the arrangements? Very little if you ask me, but I might be deaf as well. Adding pedal steal or violin here and there is a little bit too little to say it’s been a major change.

Per Gessle performed 10 songs on his own, where e.g. “Milk and toast and honey”, “It must have been love” or “I’m glad you called” were 50:50 duets with one-of-a-kind Helena Josefsson. She is one of the most talented persons Per has worked with anyway. She was switching constantly places – from being in the back next to Malin My to the front position between Per and Magnus. And she owned both positions superbly.

What I have really mixed feeling about is actually leaving some of the most prominent tracks like “Spending my time”, “Queen of rain” or “Listen to your heart” to Helena herself. She’s a very talented singer – if I haven’t highlighted that already enough – and I absolutely adore her in many songs during the concert (“I’m glad you called” acting-game for instance), but some of Roxette arrangements weren’t particularly friendly to her voice. I feel like “Fading like a flower” in a slower arrangements doesn’t do the justice to this somewhat wonderful power ballad. If you expect Per would do all songs himself, that’s not the case this time. He is really presenting new versions of Roxette songs now; this is how he now imagines the Roxette world where Marie cannot longer perform. Does it mean female voice is essential for those songs to survive? Would Per’s interpretation be worse than Helena’s versions? How would it sound if they had replaced this with a duet? There are so many questions and so little time. You need to hear this yourself to be able to judge.

In a certain way I feel like calling this a Per Gessle concert is misleading and I do not mean anything negative here (there’s too much of that childish shit over social media now). It just doesn’t really do the justice for the concert itself. For my part it was Per Gessle AND Helena Josefsson concert with Roxette songs in the focus. Helena plays the vital role to Per’s 2018 concert as the starting riff to The Look. I really miss his versions we’ve all known from 2009 as I preferred a male narrative, it gave a totally new dimension to the lyrics and the accoustic arrangements back then were to die for. If I was to compare “Listen to your heart” anno domini 2009 to 2018, I would definitely go for the Party crasher version. But hey, it seems like – for the reasons I can only guess – this is not what works for Per any longer.

Is there a space for a change? Limited. From the Leipzig gig it seems like the band plays 2 songs less – “Silver blue” and “The Finest Prize” were kicked off the field. We might hear “Sleeping in my car” or something already performed in the past like “7twenty7”, but obviously it’s always tricky to predict the future.

This new concert is definitely not something everyone can approve. Though I have a lot of mixed feelings about the arrangements and songs picked up to perform, the audience reaction was rather positive, which makes me think this can have a future as a long-going set of different performances in clubs all over the world. Whatever works and it seems actually to work, no matter if you like it or not.

If you feel like reading more about the Prague concert, here’s the Patricia take on it.