2 months ago SVT broadcast a documentary about modern Swedish music’s journey around the world. I just had the time now to watch it and since many fans asked for translation, I thought I would summarize it for them. The part with Roxette in it has a more detailed summary, of course.
The documentary consists of 6 episodes and one can follow how the music industry, music consumption, production and spreading music changed over the decades. It’s a real high quality docu including a lot of information not only about Roxette, but many other Swedish artists and worldwide hits.
The 6 episodes on SVT’s website are available to watch only in Sweden, but the extras can be watched even outside Sweden. The episodes are up on YouTube though, so you can watch them from any country.
Part 1 – En magisk afton i april – A magical evening in April
This episode is about the ’60s and ’70s. I picked a couple of interesting parts of it. One of them is when the reporter asks several Swedish artists (Dr. Alban, Neneh Cherry, Jonas Åkerlund, Björn Skifs, Per Gessle among them) if they know who the first Swedish artist was that entered the US Billboard Hot 100. Even Per couldn’t guess it right. It was Siw Malmkvist with Sole Sole Sole in 1964, peaking at No. 58. When the reporter hands over the single to Mr. G he says it has a wonderful cover. He immediately takes out the vinyl from its sleeve and smells it. Haha.
Another interesting fact was that the first Swedish No. 1 on Billboard was Blue Swede’s cover of Hooked On a Feeling. Blue Swede was Björn Skifs’ band back then. What is more interesting is that the song became No. 1 on the same day when ABBA won the Eurovision Song Contest with Waterloo. 6th April 1974.
ABBA, still being Sweden’s biggest music export, was the first band that could make an international breakthrough not coming from the US or the UK.
Paul Gambaccini (known as The Professor of Pop) from BBC says they learned that if you get music from Sweden, you should at least listen to it.
Part 2 – “Today Sweden, Tomorrow The World”
Yes, this is the episode about Roxette, the ’80s mainly, but also a few words about the ’90s. It is worth watching this episode even if you can’t speak Swedish. It shows a lot of footage from concerts, studio sessions and old interviews.
In one of the old interviews Marie and Per say their dream is to break through not only in Sweden, but also internationally.
First, the reporter is talking about Gyllene Tider with Per. After a while he shows the English version of När vi två blir en (Beating Heart) to Mr. G on YouTube. Per’s facial expression says it all. Many artists tried their luck in the ’80s. They were singing in English to have better chances for their breakthrough.
Per shows The Heartland Café album that was released in 1984, one year after he released his first solo album. Then he suddenly shows another sleeve which says Roxette as the band’s name. That was the US version. Per tells he remembers he was at Tower Records in Los Angeles and found their album next to Roxy Music and it made him very happy. But they sold only a few hundred copies of that record. The Heartland Café didn’t sell good in Sweden either.
About Marie, the reporter says a girl showed up with a better voice than the best singers had. Per says Marie and him thought they could do something together and one day break through abroad. Mr. G says it was a better period for Marie when GT failed with The Heartland Café. She was an artist on her way up with a bright future. For Per, it was the exact opposite. He released another solo album that was a flop.
Per always wanted to work together with Marie and do something in English. Mr. G wrote Svarta Glas for Pernilla Wahlgren, but she or her record company never got back to Per. Then this song was just lying around and when the head of EMI heard it, he told Per he should translate it into English and record it with Marie. It became Roxette’s debut single, Neverending Love. There was no picture of Marie and Per on the cover not to risk Marie’s career. If the single flops, there is no harm done, they thought. But the single became a hit in Sweden, so they went to the studio to record a complete album. They had a video camera with them and extreme ambitions. They even printed ”Today Sweden, Tomorrow The World” on their T-shirts.
There was another Swedish band back in the days that was really successful, Europe. The reporter asks Per if they were envious of Europe. Mr. G says of course they were. Of their hairdo. Haha. After we get to know more about Europe’s breakthrough, Per says they envied the success of the guys, but at the same time it was awesome. Europe showed that it works even after ABBA. They managed to succeed in the US.
Roxette’s debut album wasn’t released abroad even if it became double platinum in Sweden. EMI in Germany said they should write a Christmas song, so it might be on the radio. Per went home and wrote It Must Have Been Love (Christmas for the Broken Hearted). It was a big song in Sweden in 1987, but it wasn’t even released in Germany.
The reporter says, if you come from Halmstad, there is only one way to go, forward. Per started writing songs for another Roxette album and they were soon back in the studio. With less musicians, more machines and of course, Marie’s magical voice.
Per thinks that their 2nd album, Look Sharp! is still magnificent. The reporter asks what people thought about the album abroad. Per says it had a nice response, but many other artists had good albums. The reporter asks if they were disappointed. Mr. G says he was disappointed because he knew it was a fantastic album, they all felt it was a strong record, so they thought it’s difficult to go forward when you don’t have success with such an album.
In 1988 another Swedish artist broke through internationally. It was Neneh Cherry with her Buffalo Stance single. Per says it’s an awesome one. He knew that Neneh Cherry was Swedish, but many thought she was e.g. from Brooklyn.
Then comes the story of Dean Cushman. As we all know, he brought his copy of Look Sharp! to the radio station in Minneapolis. Program leader Brian Phillips says it picked his curiosity, but didn’t put it on on his CD player. The album was lying around on his table among other music. Then Dean popped up again to ask his album back, so then Brian felt guilty and thought he would listen to it. The Look came up and Brian thought the intro was great. He thought the whole song was great. ”This is terrific pop. I remember hitting the false ending in the song and it picked back up again and then I got goosebumps. Oh boy… this is…”
Per says they sent it to other stations too and got the same response. Everything exploded after that. The Look became No. 1 on the US Billboard 100 on 8th April 1989. In an old interview Per explains what it means to have an US No. 1. It can open the doors to other markets, like Europe, Japan, everywhere.
Per tells the story of soundtrack to Pretty Woman. He was asked to write a soundtrack song for a movie called 3000 Dollars in the beginning. He didn’t have the time to write a new song, but thought It Must Have Been Love could work with that. And the rest is history. 6 months later Pretty Woman became one of the biggest movies of all time and IMHBL became Roxette’s biggest song. The reporter asks how the song worked in Germany. Per says it became a hit there too. It was No. 4 on the charts the reporter confirms.
The reporter gives Per a piece of paper with numbers written on it. 1, 14, 1, 2, 1, 1, 2. Per guesses it right, it’s the list of Roxette’s singles’ peaks on Billboard. The Look, Dressed for Success, Listen to Your Heart, Dangerous, It Must Have Been Love, Joyride, Fading Like A Flower. Per says the more time goes by, the more unbelievable it feels.
To emphasize how amazing it is, there were 7 Swedish No. 1’s on Billboard and 4 of them are Roxette songs. Roxette had more US No. 1’s than e.g. the Queen.
Swedish No. 1’s
1974 Blue Swede – Hooked On A Feeling
1977 ABBA – Dancing Queen
1989 Roxette – The Look
1989 Roxette – Listen To Your Heart
1990 Roxette – It Must Have Been Love
1991 Roxette – Joyride
1994 Ace of Base – The Sign
Part 3 – Hitkrattan och Cheirongubben – Exploring hits and the Cheiron guy
This episode is about the ’90s, the disco and dance floor era. DJs and music producers talk, but also Dr. Alban and Ace of Base, as well as American artists who came to Sweden to record their songs. Denniz Pop and Max Martin also appear in this part of the documentary, who wrote and produced songs for e.g. Backstreet Boys and Britney Spears.
Part 4 – “Generation Blockflöjt” – Generation Recorder
This episode is also about the ’90s. The Wannadies, Atomic Swing, The Cardigans, Meja are talking among others, but also Jonas Åkerlund who directed tons of music videos. Roxette’s Fingertips and June Afternoon, as well as Per Gessle’s Kix is shown in the docu for some seconds, but he directed videos also for e.g. The Prodigy, The Cardigans, U2 and Madonna.
Part 5 – Ett paradis för pirater – A paradise for pirates
This episode is about the 2000s. It’s about how the computers and the internet changed the music industry. Basshunter, Robyn, Swedish House Mafia, Avicii and his manager, as well as Daniel Ek (VD Spotify) talk among others in this part of the docu. Most of this episode is about Avicii.
Part 6 – Må bästa låt vinna – May the best song win
In this episode we can see again the question about who the first Swedish artist was on Billboard. Then another question is asked from several artists: Which song is the biggest hit? Being for the longest time on several charts, not only in the US. In the vinyl era: ABBA – Dancing Queen; CD era: Ace of Base – The Sign; streaming era: Avicii – Wake Me Up; written by a Swede: Lady Gaga – Poker Face (co-written by RedOne).
Most of this episode is about Max Martin and Johan ”Shellback” Schuster. Martin has 22 No. 1’s on Billboard Hot 100. Only John Lennon and Paul McCartney have more. Justin Timberlake says Martin is great at making earworms. Adam Levine, Pink, Katy Perry, Taylor Swift are also talking about him. Martin together with Shellback produced tons of worldwide hits.
Extras
Hitlåtens historia på 2 minuter – Roxette – The Look
It’s the song’s story in 2 minutes. Most of it is repeating what you could hear and see in Part 2 of the docu about the song. In addition it is mentioned that the recording technician who would have originally been in the studio broke his leg, so Anders Herrlin came to record with Marie and Per. He brought computers, synths and some other stuff. Roxette found their sound. Also, they are talking about the song, what the lyrics mean. There Per explains he wrote the lyrics to remember the rythm. If you want, you can find a surreal logic in the text.
Per says he thought he was good at writing songs, but he didn’t like his own voice. He thought his voice set a limit to his material. He didn’t want to sing, but wanted to work with someone who could. When Marie started singing she made Per’s songs so much better. In the end they became a duo and Per was singing too. He says it’s effective. It’s the same as in Fleetwood Mac or the Eagles or The Beatles. You can customize the song after you wrote it. He wrote The Look for Marie, but it didn’t fit her, but it suited Per. The big ballads he wrote for her, Queen of Rain, Listen To Your Heart, It Must Have Been Love, Marie made them big anthems. When he listens to his demos of these songs he can hear they are rather boring. It’s Marie’s capacity that lifted these songs. Per says they were a good combo. Match made in heaven. They were good at different things, but when they added them together, 1 + 1 made 5.
Fönster mot TV-världen del 2: Roxette tar över Argentina – Window to the TV world (part 2): Roxette takes over Argentina
Per talks about their first tour in South America 1992. He says there was extreme poverty and Michael Jackson cancelled his tour, Guns N’ Roses too, Madonna as well. It was clear they wouldn’t earn money on that part of the tour, but they still wanted to play there. Whole South America exploded. They had to move their shows from places with capacity of 7000 to football stadiums with capacity of 48000 in Buenos Aires, 65000 in São Paulo, 55000 in Rio de Janeiro. Same in Lima and Santiago. After the first Buenos Aires concert they had to do another show and they sold the rights to broadcast live to one of the 2 TV channels in Argentina. The other TV channel was broadcasting their Zurich show from half a year before. So that night for about 90 minutes Roxette was all around Argentina.
Stills are from the documentary.
