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#gtsommar THE 2013 TOUR – DATES

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Here’s the official schedule of the 2013 Gyllene Tider tour:

05.07.2013 Halmstad, Marknadsplatsen (Facebook event) Venue capacity: 20 000      SOLD OUT!
07.07.2013 Lysekil, Gullmarsvallen (Facebook event) Venue capacity: 25 000
10.07.2013 Helsingborg, Sofiero Slott (Facebook event) Venue capacity: 12 000         SOLD OUT!
12.07.2013 Gothenburg, Slottsskogsvallen (Facebook event) Venue capacity: 22 000
13.07.2013 Malmö, Stadion (Facebook event) Venue capacity: 22 000
15.07.2013 Ronneby, Ronneby Brunn (Facebook event) Venue capacity: 9 000
17.07.2013 Linköping, Stångebrofältet (Facebook event) Venue capacity: 9 000
19.07.2013 Karlstad, Mariebergsskogen (Facebook event) Venue capacity: 7 000
20.07.2013 Leksand, Hembygdsgårdarna (Facebook event) Venue capacity: 10 000
21.07.2013 Örebro, Brunnsparken (Facebook event) Venue capacity: 5 000
24.07.2013 Kalmar, Fredriksskans (Facebook event) Venue capacity: 20 000
26.07.2013 Jönköping, Elmiafältet (Facebook event) Venue capacity: 30 000
27.07.2013 Stockholm, Tele2 Arena (Facebook event) Venue capacity: 40 000
31.07.2013 Gävle, Gasklockorna (Facebook event) Venue capacity: 12 000

02.08.2013 Sundsvall, Konsertfest – Norrporten Arena* (Facebook event) Venue capacity: 25 000
03.08.2013 Örnsköldsvik, Strandparken (Facebook event) Venue capacity: 10 000
07.08.2013 Halmstad, Marknadsplatsen (Facebook event) Venue capacity: 20 000      EXTRA CONCERT!
09.08.2013 Skövde, Karstorps Fritidsområde (Facebook event) Venue capacity: 20 000
10.08.2013 Eskilstuna, Sundbyholms Slott (Facebook event) Venue capacity: 25 000

Ticket sale starts on Monday, January 28 at 9:00am CET.


See Gyllene Tider Sommar Tour Map in the bigger scale

Gyllene Tider plans to release a new compilation album called “Soldans på din grammofon” (Sundance on your gramphone – part of “Juni, Juli, Augusti” lyrics). Linnea Henriksson, a young female singer from Halmstad, is going to be a support act for the whole tour. The new Gyllene Tider album will be released in April this year, including 11 new songs and 1 hidden pearl from 1978.

Tickets cost 460 SEK + presale fee (except for Stockholm and Sundsvall) and sold through LiveNation.se, Ticnet.se / +46 77-170 70 70, and Ticnet outlets.
Tickets for Tele2 Arena in Stockholm cost 525 SEK / 460 SEK / 395 SEK + presale fee.

Tickets for the Konsertfest – Norrporten Arena in Sundsvall released separately, more info on the www.norrportenarena.se.

VIP tickets may cost up to 1 995 SEK.

Source for venue capacity and VIP ticket info is: expressen.se

#gtsommar Rumours & facts: what do we know about the tour so far?

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Officially? Not much except that the tour schedule and tickets prices are to be announced tomorrow at 10 am CET – in less than 14 hours from now. But as always there is a lot of articles published in the Swedish press and on popular social media networks, where one can find a lot of exciting rumours and gossips. All positive for now! 😉

The tour is organized by Live Nation and Gyllene Tider plans to play in 18 places across Sweden. No other Scandinavian country is on the list yet, but we cannot exclude possibility that GT might give a concert in Norway or Finland where they are relatively popular and known. At least they did this in the past.

In the Swedish Radio interview Göran Fritzson revealed that the 2013 summer tour will kick off in Halmstad on July 5. So everything should be over by the middle of August – 45 hectic days as it seems!

Various Swedish regional dailies and websites confirmed places where Gyllene Tider’s concerts are booked by now – this is the so-far list in the alphabetical order: Gothenburg, Gävle, Halmstad, Kalmar, Leksand or Falun, Lysekil, Ronneby, Stockholm, one concert in Scania (Malmö?). So we know (or don’t) 50% of places, most of them will be located in the south of Sweden where 80% citizens live. The tour will be obviously smaller comparing to the 2004 half a million gigant – no Ullevi stadium at this point. But you never know where the #gtsommar leads.

The sale should start in January, but surely not tomorrow, official sources confirm. All international fans will have at least few days to plan their trip to the jolly Svea Riket. Please register yourself on the Ticnet website in time, so you will avoid unecessary stress during the ticket sale.

The only official ticket vendor at this point in Ticnet.se – please avoid other resellers. Those who own European credit cards should not have any problems with purchase of tickets. If any problem occurs, please contact at +46 771-707070 with Ticket call centre. We expect that ticket prices will not be higher than SEK 400-500 per concert.

More (& confirmed) news tomorrow! Stay tuned!

It’s official: new Gyllene Tider album and tour!

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According to the latest HallandsPosten.se article we have the very first official confirmation of the coming Gyllene Tider tour around Sweden and a new album in 9 years from Mr Gessle himself. At this point 18 concerts are planned and the tour schedule will be announced on the 22nd of January. The new album called “Dags att tänka på refrängen” will consist of 12 songs and it is being recorded in Christoffer Lundquist’s studio in Scania. The title can be both translated as “It’s time to think about the chorus” but also it’s a Swedish idiom meaning “It’s time to start thinking about quitting or going home” according to native speakers at The Daily Roxette. It also seems like that the tour will be called “LIVE 2013 – Dags att tänka på refrängen”, but this is not confirmed yet.

UPDATE #1:

In Aftonbladet story – some concert places are revealed. The tour should start in Kalmar according to various sources and Gyllene Tider will play in Slottsskogsvallen in Gothenburg, instead of Ullevi stadium. Of course, GT home town Halmstad is also in the schedule.

Goran Fritzon in the Swedish Radio interview said that album is ready in 75% and that the tour will take off on July 5 in… Halmstad! This would make Aftonbladet rumours false.

UPDATE #2:

HN.se has published another story on the new album and tour. Gyllene Tider has recorded 12 songs in 10 days and they plan to record 2 more, though only 12 will make the album. All songs are newly written except an old pearl from 1978. It seems like Per agreed to do a tour with GT already in the summer 2012 after he knew when Roxette tour would be over. A big differance from “Fin Fem Fel” will be that all songs are written specially for this project, not as before when 1/3 tracks were “Mazarin” left-overs.

Per Gessle of Gyllene Tider talking about new album: “Album will include a lot of three-minute hits. Shorts songs, a lot of positive energy with guitar and Farfisa-organ in the centre. It sounds like Buzzcocks meeting Green Day after they partied with a little too much of Red Bull”. And for those who know Swedish proverbs, you shouldn’t read the album’s title as a farewell, according to Mr Gessle.

Clarence Öfwerman and Christoffer Lundquist are producers behind the album, but all guys are involved in the album making process.

CD, colour LP album and the first single are planned to be released in the spring time with no exact date at this point.

(c) Fredrik Etoal
(c) Fredrik Etoall

The photo shoot was done by Fredrik Etoall, the one responsible for the Roxette’s “Travelling” session. And here’s the promo video from the newly launched YouTube site

Don’t forget to follow Gyllene Tider on
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If you had one wish, what would you change in the “It all begins…” documentary?

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We were able to talk about positive sides of the “It all begins where it ends” documentary. As there is no real negative ones :-), we have decided to put the question differently – is there anything you miss in the show? If you had one wish, what would you change in the documentary? More interviews from band members, more soundcheck shots. Are there any tour mysteries that still remain unfold? As Favela production team has over 800h+ of materials, so they are surely able to answer many of our needs… Let’s see what our Facebook fans wrote:

Thomas Lawrie-Clark

Would love to see some more Marie studio footage / sound checks. Wonder if anything was rehearsed and not performed?

Ricardo Acosta Hernandez

Maybe some other music celebrities could have given their opinions about Roxette’s past and come-back, such as Abba, Loreen, Ace of Base, Europe…

Anderson Trevisan

More studio images, less live shows, no 7twenty7, even being a good song, more references to Travelling Album, less fans interviews… and the best of Argentinian fans is their energy during the shows, but it was not explored enough.

Patrícia Peres

If I have to state something I miss, it is at least some words from Helena and Dea, as they also had a very important role in this miraculous tour. As Per said, hopefully there will be more of them, too on the DVD. Crew worked hard during the whole tour, so it would be great to see more of their work, too. Some more scenes with how the guitars are prepared for the show or how the lights are up and the stage is built. I mean not showing these for long minutes, but a bit more. One more thing has just come into my mind: there are many Mikael B. parts, which I like a lot and it is totally understandable why he appears in the docu. What about Åsa? Will she appear and talk in the DVD version?

Fabio Deluca

I miss a few words from Helena or Dea, don’t know why they were not interviewed at all. Or from people who collaborated with Roxette in the past (Isacsson, Benckert, Suurna, Corbijn, Åkerlund, Kjell Andersson) talking about their experience and memories. Something more focused in the group and less in the fans. Fans stories are ok, but they tend to repeat the same words again and again.

Cristian Solera

I’d like a little more about the recording of the albums, and more diversity of fans stories (different countries for example).

Chrissie Roehrs

Åsa..yes..where was she? And a short clip how all these logistics are working would have been nice as well. I think on the Mazarin DVD there was a fast motion how the stage got built. That was cool. Well..all in all I think we have to see this documentary as a short summary for the TV stations. I am really really looking forward for the extended version.

Olya Khmarenko

It would be better to make cut from more countries, to avoid those “holy wars” between fans, who were not mentioned, that we experienced some days ago. And also it would be nice to mention in what way the band can have influence on organizers of concert, who negotiate on which stage concert will take place and where fan-zone will be located. Because in Kiev we had sitting parter (ANNOYING!!) and veeery uncomfortable fanzone, and band also told that it was awful. So couldn’t they make it strict condition for organizers? How it all works?

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What’s your favourite part of “It all begins where it ends”?

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We have asked our fans on the Facebook page www.facebook.com/RoxetteBlog which parts of the very new Roxette documentary are among their favourite for now. Here are some of those comments. If you like to give us some more hints about your favourite moments, please drop us a comment or write on our Facebook wall.

Kirsten Ohlwein – So, working for the media myself I always look at it from the professional point of view as well. I love the decision to have the interview parts in b/w and the live parts in colour. I love the cutting and I love that they decided to just film for example Marie when she is not saying anything, just watching around, thinking – I could watch her doing “nothing” for hours. Really emotional and you feel that sometimes words are not needed. I love the music, the Hong Kong version of FLAF (where do I get that btw??). It’s a really professional docu, giving insights even though most of what Per and Marie saying is not exactly new to us fans.

I love how they switch back to the “view outside from the plane” to show there’s a new scenery coming. I love the silence coming up before Marie’s story is told. And I love the ending – when I am thinking: no no no no, don’t let this end now, the story isn’t over yet!
Gerardo Contijoch – The very beginning, when they come out of the hotel and all the fans are cheering. The instrumental version of OWID is amazing!!!
Ivan Kelava – Every part with MF.
Anna Gradowska – The rocking audience, the vibe… The end accompanied by parts “it all beginns where it ends” from “Joyride”.
Alejandro Manniello – Only when I dream instrumental sounds terrific and fits the images perfectly.
Markus On Wheels – Marie talking that open is touching.
Fabio Santos – I dont have a favourite part, it was very special this documentary… I think it was nice to show to the all fans and curious their reality behind the stages!
Lindy Lovegrove – The beginning when they walk out of hotel an OWID plays and when Marie spoke it was so emotional… loved it all
Myriam Roxana Garcia – The mix of images of concerts, when Marie and Mike talk about fans knowin’ their name… when she talks about the ill, I do not undertand a word, but I cried with her…

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