Per Gessle – Nio i topp is back!

The so far last part of Gessles nio i topp on Swedish Radio P4 was broadcast on 25th December 2017. The program is back from 30th June! 9 more episodes will be on air and available to download and it’s of course again Sven Lindström joining Per to discuss Mr. G’s choice of songs. A must-listen-to podcast for all nerds!

The 9 new episodes will be the following:

  1. Gyllene Tider’s nine best songs (Part 1)
  2. Nine songs that have shaken my world
  3. Nine songs of which the cover became bigger than the original
  4. Nine best debut albums ever recorded
  5. Gyllene Tider’s nine best songs (Part 2)
  6. Nine singer / songwriters who reached all the way to Halmstad
  7. Nine best double albums of all time
  8. The nine best songs from 1971
  9. Nine Swedish hits

Don’t forget to tune in on Swedish Radio P4 this Sunday, 30th June at 12.03-13.00!

Per Gessle and Micke Syd on Musikplats

Per and Micke were Fredrik Eliasson’s guests on Musikplats on Swedish Radio P4 Stockholm the other day. They talked about Gyllene Tider’s new album and their feelings before the band’s farewell.

Micke Syd says it’s a 40-year-long love story between them and their audience and now that both the audience and the band know it’s the last time, they will make the best out of it this summer.

Per talks about GT as a five-piece puzzle where everyone is important. It’s a kind of magic when them 5 play together it sounds totally different when they play their songs with other musicians. Fredrik asks what’s that Gyllene touch in their songs. Per says there are a lot of things that make their unique sound, but one of them is definitely the Farfisa, which became their trademark. It sets a special tone for the songs.

Fredrik remembers he was sitting in the living room in the ’80s with a cassette and recorded songs from the radio when När vi två blir en came with 40 seconds of Farfisa intro and a little from the first verse. He was stuck in the rhythm and feelings. Per says that’s the fantastic power of music. Certain music and songs are just magnetic, but they are not magnetic to all at the same level and not the same music is magnetic to everyone. Mr. G says he also has songs that turned his own world upside down. There aren’t many forms of art that can do this to you.

The guys are talking a bit more about pop organs. Micke Syd says they were not the first to use this instrument. Per mentions that e.g. in the ’70s Elvis Costello & The Attractions also played something on Vox organ.

Per, Micke and Fredrik talk about the new album. Micke Syd says they recorded 15 songs in 17 days in France. Fredrik mentions that over the years the guys went into different directions. Micke Syd says they all have their own inspirations. Anders works a lot with soundstracks, for example. Per says Göran doesn’t really play music outside GT, but he had a lot of great ideas in France. It seems that everyone is standing on their toes now and it feels wonderful before the tour.

Per says the idea was to write a pop album for GT, but it should sound like the band has become a little older, but kept their roots of course, to keep the Gyllene Tider touch. Fredrik asks Per if he feels it when he writes whether it’s a Gyllene song or not. Per says that with certain songs he felt shit, it’s not really GT, maybe it could be PG solo. He also says that when you have 5-6 midtempo songs of the same style, you need nice ballads too. And there is a song he wrote for Micke to sing, because he sang Min tjej och jag so fine in 1981 on Moderna Tider. Per says they weren’t inside when Micke sang Låt denna trumslagarpojke sjunga! in the studio. Micke says it was challenging for him to sing this song, but it’s nice he had the chance to sing on the last album and he likes it a lot.

Fredrik asks the guys about the cover of Sven-Ingvars’ Någon att hålla i hand. Per had this song on an EP when he was a kid. He recorded an acoustic demo and thought GT could Gyllenefy the song.

About the studio in France Per says Anders went there in autumn to check if it suits them. It’s a spacious studio, great for bands. Nick Cave and the Bad Seeds, Morrissey and Rammstein recorded there too, for example. At this point, a mobile rings and it turns out that Anders calls the guys. They pick up the phone saying he is live on radio. Fredrik asks Anders how it was in France and he says it was awesome, creative and overwhelming. They had a blast.

Regarding the tour Per says it’s going to be huge. They are playing big venues, Ullevi and Stockholms Stadion among them. They have a lot to organize, because it’s a huge production. At the same time they are aware of the fact that the audiences are coming for the songs, so it will be more about the communication between the band and the audience than a lot of technical stuff. Both the audience and the band will enjoy this last, special tour. Per says they are super happy that they are still there and can look back on such a fantastic journey.

Fredrik asks the guys which song they think could summarize the Gyllene feeling, production and sound. Per says it would be Det är över nu. He says it’s funny that when they came back in the ’90s they were actually better than when they finished with GT in 1985.

Listen to Musikplats HERE!

 

Per Gessle and Micke Syd Andersson on P4 Extra

Per and Micke Syd were guests on Swedish Radio P4 Extra. Listen HERE! Their part starts at 28:40 and lasts until 53:35.

Reporter Titti Schultz asks the guys how long they have known each other. They say too long. Titti asks Micke if he worked at a bar before and what he did there. Micke Syd says he did everything except for doing the washing up.

Titti is curious if it is really going to be the last tour and the guys confirm it is. She asks how many summer songs they promise to release on the new album. Per says he doesn’t know, but there will be a lot of summer songs on tour.

Det är över nu is played and Titti shares with the listeners that Micke was air drumming in the studio during the song. Per says Det är över nu and also Sommartider, Det hjärta som brinner or Tylö sun for example are songs that can’t be rehearsed, because it’s a bit comic without an audience.

The guys say it’s the ’90s when they sounded the best. It was the period when they came back for the first time, with songs like Det är över nu, Kung av sand, Juni, juli, augusti, Gå & fiska!

Titti says one of her absolute favourite GT songs is Juni, juli, augusti and asks the guys if they have any favourite GT songs. Micke Syd says Juni, juli, augusti is much fun to play live. Per picks Faller ner på knä.

Talking about the new album, Samma skrot och korn, Per says it’s a bit more adult, more thoughtful and also sentimental and sad vs. their previous albums. It’s very nice pop music. The title refers to the band members. The guys recorded it in France and they went through a creative process that couldn’t have happened in a studio in Stockholm.

Regarding the tour Per and Micke say there will be some unexpected happenings, surprises, but they can’t tell anything about it yet. Micke Syd jokes there will be pole dance. Haha.

Titti asks if the guys are sentimental and feel nostalgic now that all this comes to an end. Micke Syd says he became sentimental already in France. At last there is a song again that HE sings, Låt denna trumslagarpojke sjunga! Titti asks if she can get a little snippet a capella. Per jokes that then he has to go away.

To the question if they get together often, the guys replied that they didn’t meet the five of them together since the last tour, but the recording sessions in France were fantastic and much fun.

About the new single, Jag drömde jag mötte Fluortanten, Per says there is a little Van Morrison turn in it, which is a little unexpected. Titti says this must be the very first song about a Fluortant. The song is played on the radio.

Titti asks Per if he could write a song like Flickorna på TV2 today and Mr. G replies he couldn’t. Titti asks if they will play it this summer. Per says for sure, because it’s great to play it. Regarding the setlist Per says they circulated a list of 51 songs that they will narrow down to 25-26 songs. There are 17-18 songs that they MUST play, but then they also want to include surprises and songs from the new album. The concerts are planned to be 2 hours long.

Titti thinks fans in the ’80s were different than fans today. Per says they are not, it’s juts that we live in a different era. It’s just that there is social media and mobile phones nowadays. Titti asks if there are groupies around, Micke Syd says no, they never really had the talent for that, to have groupies waiting for them at the hotel.

Faller ner på knä is played, but cut short due to news.

Titti asks Micke Syd if he has become a better drummer over the years. Micke says he has, just not technically, but how he plays. When he plays elsewhere, even when he played for Roxette in June Afternoon or She Doesn’t Live Here Anymore, it’s different vs. when he plays in GT. In Gyllene Tider it’s like coming home. In France for example the recordings went so fast, because they went with the flow.

Titti asks how they know a song is ready. Per says a song develops all the time. When they play it live it becomes different. He thinks sometimes it’s a pity that one writes a song, they record it in the studio and take it to an audience only later. It could be the other way around, playing the song for an audience 20-30 times before recording it.

 

Per Gessle about Gyllene Tider’s new single

Swedish Radio P4 Halland did an interview with Per Gessle about Gyllene Tider’s new single, Jag drömde jag mötte Fluortanten. Listen to it HERE! Reporter Camilla Hentschel and Per are dissecting the lyrics.

First they are listening to this part of the song:

Varje svartvit tangent / Spelade covers av Kent / Morfar Ginko han gungade i vimlet

Camilla asks Per about the rhyme ”tangent – Kent” and Per says it’s a clever one. They are discussing how differently they pronounce the word ”tangent” (= key, like on the keyboard) and Camilla is curious why Kent ended up in there. Per tells it’s like an abstract dream sequence and as in many of his songs, the lyrics are hopping from one scene to another. Each verse has its own profile. One verse can be written in ”me” form, the other in ”he” form. There can be different perspectives.

The other part they are listening to is:

Pö om pö blev vi vänner / Men av ren reflex blev jag ett måndags-ex

Camilla thinks it’s fantastic, because it’s like a journey. Little by little we became friends, then it turned into something more and out of pure reflex I became a Monday ex. Per says he tried to describe when the expectation is blown away by weak self-confidence. It’s a bit sad. The guy wanted so much and in the end he felt he became a Monday ex. That was it.

Sing along HERE!

 

Per Gessle about Mono Mind on Musikplats Stockholm

After Per Gessle got back from the US to Sweden this week, Fredrik Eliasson from Swedish Radio P4 Stockholm immediately did an interview with him to be broadcast yesterday on Musikplats Stockholm. Listen to it HERE!

The interview was about Mono Mind and before it was on air, they played I Found My Soul At Marvingate. Cool to hear it on the radio!

Fredrik introduced Mono Mind as Mr. G’s secret project that got out of the closet recently. Then he welcomed Per as Dr. Robot and Per said in a slightly changed voice that ”yes, I’m here” (trying to imitate Dr. Robot’s voice, but it didn’t work well without the computer distortion, haha). Fredrik wished a belated happy birthday to Per and asked how it was to celebrate his 60th. Per said it was quite intense for 2 days with a very few people. He said his wife is very social and he is the opposite, so he just sat in a dark corner and it went fine. Haha.

The guys talked about Mono Mind’s debut album that it was released on Per’s birthday. Mr. G shared the info that he started releasing singles in 2017 and the first single was Save Me A Place. He said no one knew he was behind the project and the song suddenly became No. 1 on the dance charts in the US and kept the position for 6 weeks. It was much fun to achieve this at his age and with an anonymous project.

Per talked about the characters and that he wanted to change his voice and how it worked in the studio when he was sitting there with Christoffer Lundquist for weeks. It’s not vocoder or any other gadget you can hear, but they created the new voice on the computer themselves. Each song took appr. 2.5 days to create. It was very exciting.

Per said the idea was to create some kind of modern pop music and pop music nowadays is made on laptops. So he wanted to try to mix it with his classic songwriting and it has become a new chapter in his career. Fredrik asked Per about Nashville where he went rather acoustic and Per said Mono Mind started already before Nashville.

Before they played Down by the Riverside, Per said it’s one of his favourite songs. He thinks Dr. Robot’s voice is the best on this one.

The guys then talked about Helena Josefsson. Per said she has a fantastic voice and it fits Dr. Robot’s voice very well and it brightens up all songs.

Per said Mono Mind is still like a playhouse for him. The album was released on 12th January and on 11th he was thinking shit, if it was really a good idea to reveal this project. What if people don’t like it? He would be a bit sad. And what if people like it? How to go on with it? And then there were questions if he goes on tour with Mono Mind. But how to do it? It can be something similar to how Daft Punk or Pet Shop Boys tour, but who knows. The only sure thing is that Per wants to continue working with Mono Mind and develop the whole project, the characters and their stories. One can do anything with such characters.

Per talked about the market for this type of music. He said there are a lot of competitors out there and you need much luck to succeed. He can’t see the same journey with Mono Mind as they had with Roxette, but it’s much fun to record and talk about it anyway. Fredrik jokes with ”are there any exchange students around?”. Haha.

As a last question, Fredrik asked Per which song he is the most satisfied with on Mind Control. Mr. G was thinking for a while, then he said In Control. They had some magical hours when they recorded that song. He likes its construction, the changes in it that don’t usually happen in dance music. There is a kind of progressive rock 1972 in it, Barclay James Harvest style. He thinks it’s magnificent music coming from him and laughs. After the interview they played In Control.