Releases

Nypon och ljung – new single by Per Gessle is out

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Nypon och ljung, the first single from Per’s upcoming album is now out. Listen to it on Spotify, iTunes, YouTube and other digital platforms! Look at the amount and type of instruments Mr. G plays! Oh wow! And the vocals! And the melody! So catchy!

Per tells he wrote his new album’s opening song, Nypon och ljung for Gyllene Tider’s Dags att tänka på refrängen album in 2012, but they never recorded it. He thinks he didn’t even present it to the band. Later, before his Nashville trip in 2016 he made a demo, which is completely different. In the end, he didn’t record it in Nashville either. It was just lying around though he always liked it. He was sitting at home and played and it got some sort of swing that can’t really be found in his old demos. He was thinking of J. J. Cale’s old drum box stuff from the ’70s. That fits this song very well, so he made a very simple demo with a little drum machine. It turned out just fine, so he went to the studio and did an acoustic version, then added instrument after instrument. Per Thornberg came to play tenor sax, Helena came to sing, ”Gicken” Johansson plays the bass, Jens Jansson plays the drums and Per plays all other instruments. He says it was incredibly fun and unexpectedly, it became one of his favourites.

NYPON OCH LJUNG

Min dörr är aldrig stängd
Min dörr står alltid glatt på glänt
För henne

Min dörr är aldrig stängd
Fönstret står alltid lätt på glänt
Så jag kan höra henne: oooohh….

Hon hann ikapp och förbi
Hon hann ifatt och for förbi
Det är helt OK

Hon hann ikapp och förbi
Med stav och hatt, som trolleri
Och det är helt OK

Hon kom med nypon och ljung
En gammal känsla som känns ung
Ny och ung

Hon kom med nypon och ljung
En gammal känsla som känns ung
Orörd och ung: oooohh….
OK

Text + musik: Per Gessle
© Jimmy Fun Music

Produced by Per Gessle
Recorded at T&A, Halmstad + Sweetspot, Harplinge July + August 2020
Engineers: Mats Persson (T&A) + Staffan Karlsson (Sweetspot)
Mixed by Mats Persson + Per Gessle

Vocals + acoustic guitar + electric guitar + clapping + pump organ + Wurlitzer: Per Gessle
Vocals: Helena Josefsson
Bass + lap steel: Fredrik ”Gicken” Johansson
Drums + percussion: Jens Jansson
Tenor sax: Per Thornberg

Lyric video HERE!

Photo of Per on the single cover is by Åsa Gessle

Gammal kärlek rostar aldrig – tracklist of the new Per Gessle album

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Per Gessle’s new Swedish solo album, Gammal kärlek rostar aldrig (Old love never dies) will be available on LP and CD, as well as on digital platforms. The vinyl comes in two versions – gatefold with black vinyl and limited edition coloured vinyl (1000 copies). The release date is 6th November 2020.

Tracklist

1. Nypon och ljung
2. I din hand
3. Du kommer så nära (du blir alldeles suddig)
4. Hjärta utan hem
5. Segla på ett moln
6. Ömhet
7. Viskar
8. Lycklig en stund
9. Tända en sticka till
10. Som regn på en akvarell
11. Mamma
12. Pappa
13. Kom ut till stranden

Don’t forget that Nypon och ljung is out as a single digitally on 18th September.

You can pre-order the album at Bengans and Ginza.

Cover pic by Bruno Ehrs.

Read more about the album in the press release HERE.

Per Gessle to release a new Swedish solo album

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PRESS RELEASE – Per Gessle spent his summer down on the Swedish West Coast looking back on his 44 years as a songwriter. He wrote his first song in 1976 in contemporary new wave spirit and since then there have been hundreds of compositions.

On the new album, Gammal kärlek rostar aldrig Per interprets his own Swedish favourites from the ’80s onwards. Most of it is acoustic based and Per plays almost all the instruments himself. “All of them, except the difficult ones”, as he himself says.

I wrote the songs Mamma and Pappa for Mother’s Day in May earlier this year and was reminded of how fun it is to make it easy for yourself, play the piano and guitar and just sing.

On the new album, Per often sings with Helena Josefsson, but in one song also with Uno Svenningsson. For the first time, Per has also collaborated with local Halmstad musicians such as Per Thornberg on tenor saxophone and Gicken Johansson on bass and lap steel.

Per is an old acquaintance and is one of Sweden’s best jazz saxophonists. Gicken was new to me, but he is clearly Sweden’s Duck Dunn! A fantastic bassist. And MP from Gyllene Tider is of course involved. Without him, no coffee!

I have the privilege of having a fantastically rich song catalogue. There are so many songs from different decades that I never recorded for different reasons. There are songs I wrote for other artists such as Segla på ett moln (Anne-Lie Rydé) and I din hand (Svante Thuresson).

Some songs I always carried with me and they still feel relevant. Viskar, Tända en sticka till and Kom ut till stranden were written in the early ’80s, but still mean a lot to me. Ömhet I wrote a little too late for it to catch up with the Mazarin train. Nypon och ljung was intended for my Nashville adventure, but never made it. It’s been incredibly fun to meet them again.

Nypon och ljung will be released as a single on 18th September. The album is out on 6th November.

Photo from Per’s archives.

Press release in SWEDISH.

Per Gessle about Mamma and Pappa on P4 Musik

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There was a conversation with Per Gessle on Swedish Radio’s P4 Musik program yesterday. It starts at 33:32 HERE.

The program leader, Carolina Norén introduces Per as Sweden’s answer to Bob Dylan [they played Bob Dylan’s I Contain Multitudes before that /PP], a real Swedish songwriter and pop icon. She says Mr. G released 2 new songs recently and the radio plays Mamma first. Then Per joins in via phone and it turns out he is still in Halmstad since Easter. He says it’s a strange time we live in, but it’s nice living in Halmstad.

Carolina asks Per where he got the inspiration from for writing Mamma for Mother’s Day. Per says he was writing songs in English for an English project and the idea just came up that shit, it’s soon Mother’s Day, so why not writing a song for that occasion. So he sat down and wrote a text. It turned out to be nice and he recorded it with Helena Josefsson. Then he thought shit, he should write a father song too and he wrote Pappa, which was a bit harder to write. He locked himself in the studio and then played the songs to a few people and they thought they were damn fine. They recorded them quickly and the single was out before Mother’s Day, which is lovely.

Carolina notes that if she compares the 2 songs, in Mamma’s lyrics you can’t find the word ”mamma”. Per says he didn’t want to write the songs in a way or paint them at all costs as if they are about his own mother and father. He actually wrote a story about a mom. He thought of a person, a mom, a woman in the beginning of a relationship and that life goes on and life ends. Of course, he used his own relationship to his mother, but it doesn’t mean that it’s a true story about her. It’s the same with the lyrics of Pappa. It’s a bit dark and has an exciting drama in it. The 2 songs are very different. Mamma is tender while Pappa is a bit darker.

Carolina asks Per who he is more similar to, his mother or his father. Per thinks he is rather like his mother was. He didn’t have a long realtionship with his father since he died when Per was still a teenager. He always heard it in his life that he is like his mom, so it’s probably true.

Carolina also brings up Mono Mind and tells Per there is so much creativity in him. She is curious if the new English project is related to Mono Mind or what it is at all. Per says a lot is going on. He always had several projects going on at the same time. There was his solo career, Gyllene Tider and Roxette and they are all different. It fits his personality very well that he can jump from one project to another. He is working on Mono Mind, on English songs and Swedish acoustic songs. During the past years he started working with other musicians too and it’s very different now, because he had always been a lone wolf before. When you are working in a team, there are a lot of compromises and he is not sure what comes out of it, but we will see.

Mr. G says holidays are overrated when Carolina asks him about vacation. Haha.

PG part ends with the radio playing Pappa.

 

Per Gessle interview on P4 Extra on Mother’s Day

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Titti Schultz did an interview with Per Gessle today on P4 Extra on Swedish Radio. It starts at 1:42:42. After Titti welcomes Per, he says it’s an adorable weekend and the weather is fantastic on the Best Coast (West Coast). He is in Halmstad during corona time, because he lives there. He laughs. He has been home since Easter. Titti asks Per if he is thinking about corona or if everything is as usual. Mr. G says his life hasn’t changed a lot, because he most of the time works alone or only with a very few people. So it’s rather business as usual for him, but he has been very productive during this period. He wrote a lot of English songs and in between, Mamma and Pappa poppud up on a sunny Tuesday morning. He was dealing with a totally different type of music and then suddenly an idea came to his mind that shit, it’s mother’s day soon, so why not writing a song about a mom. It went quite easily and then he thought he should write a song about a dad, too. It was much harder. He laughs. He booked the studio, he worked there for 2 afternoons and then came Helena Josefsson to sing and then it was ready. It happened only in 2 weeks and it never went this fast before.

Titti says she knows Per’s mom is not among us anymore and asked Per if he celebrates her mom on a day like this. He said it doesn’t happen like this directly. Now there is another mom in his family, his wife, so it became rather her day. Per says when you are young, you don’t care too much about Mother’s Day, but by getting older, you think more about how it is to be parents and that kids are growing up. He thinks it’s a nice day. Tradition in their family is to give flowers and cake.

Titti asks Per if he thinks Mother’s Day has more meaning now for other families during corona time. Per thinks it could be. He thinks it’s a very special period we are going through now. It’s something we haven’t experienced before. When there is uncertainty, family and friends are more in focus and you realize that you can’t take any basic things for granted.

Per says he read that there were a lot of weddings cancelled. During this time people either still get married after the social distancing period or they get divorced. Titti says there can be a baby boom too.

Titti gets back to the songs and asks Per about the English songs he has been writing when Mamma and Pappa popped up. Mr. G tells he has Mono Mind, an electronic pop music project, but he was also writing guitar-based classic pop music. He doesn’t know yet what the future brings, but he wants to continue touring and play and make himself heard in a way. What he is writing now is based on the music he grew up with, the 60’s and 70’s (as usual) mixed with modern music. He can’t say anything about when this music will be out, but maybe next Mother’s Day. He laughs.

Titti asks if Per wants to say anything before she pushes the play button for Mamma. Per says just sit calmly and listen to the lovely lyrics and

Mom is the best!