Ticketcorner notified those who asked for a ticket alarm that Roxette will perform at Stars of Sounds festival in Switzerland next year. The concert will take place in Murten, on 3rd June. Tickets are already on sale HERE.
The South African leg of Roxette’s XXX tour was announced in August with 4 concerts, but already in October an extra date had to be added, because Cape Town on 7th February became sold out. The extra date is 8th February and it’s the same venue in Cape Town, just the arena will be fully seated for the 2nd show.
Today Big Concerts not only announced that the support act joining Roxette will be Watershed, a South African acoustic rock band from Johannesburg, but also the fact that the tour leg opening concert in Johannesburg is also sold out.
So 2 shows out of 5 are sold out! Sounds great and there is still time to buy tickets for the other 3 gigs to make them sold out as well. 😉
If you couldn’t order Marie Fredriksson’s biography, Kärleken till livet from Adlibris or Bokus signed and you couldn’t attend the signing session in Stockholm, here is your great chance to get hold of a signed copy of the book. The prize of this contest is signed both by Marie and Helena.
In order to participate, answer the following questions:
1. Who are the 2 authors of the biography? – Marie Fredriksson & Helena von Zweigbergk
2. In what formats can you buy the book? – (hardcover) book, audio book, e-book
3. At how many Roxette concerts did Marie Fredriksson perform in 2015? (XXX tour stops and corporate gigs included, but count only the ones she really performed at.) – 47
4. Is Marie a Facebook fan? – NO! 🙂
Send an e-mail with your name, home address (so we can send the book in case you win) and the answers to the questions to firstname.lastname@example.org until 23:59 CET, 20thDecember 2015. The lucky winner will be announced a few days later.
UPDATE on 21st December 2015:
The winner is: Ognian Dimitrov, Bulgaria. We informed the winner in e-mail and also posted about it on our Facebook page.
Contest terms and conditions:
– In order to participate, you have to send an e-mail to email@example.com with name, address and answer to the 4 questions. We will consider all e-mails we receive until 23:59 CET on 20thDecember 2015.
– 1 winner will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once, any attempt to participate twice will lead to your disqualification.
– Prize won’t be paid out in cash. Prize will be sent by registered mail only once.
– Winners will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer the e-mail confirming your address.
– RoxetteBlog.com will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prize.
– All submitted data will only be used for the purpose of the contest and in case you are one of the lucky winners, to send you the prize.
Per had been interviewed by Jan Gradvall for his Swedish Radio podcast and the program was made available last Saturday. You can listen to it or even download it from HERE. Per’s part starts at 7:18 and ends at 21:50. The second half of the program is an interview with Kajsa Grytt.
The topic was “I Want You”, a song title that you can find among The Beatles, Bob Dylan and Elvis Costello classic songs, but Jan and Per also went into a deep analysis of song titles in general.
Per’s opinion about Bob Dylan’s “I Want You” is that it’s an awesome song on Dylan’s fantastic Blonde on Blonde album. It was released in 1966 when Per was 7 years old, so he says he didn’t know what the song “I Want You” was about, but he remembers he listened to it a lot of times.
According to Per, “I Want You” is a very good, simple and direct title. It makes you curious. Gradvall asked him what makes a song title a good song title. Per says, even if today’s generation doesn’t really look at album covers, actually it’s usually the title of the song you see first. It has to raise curiosity about what the song is about. He thinks a good title is very important, but it’s also a matter of taste. He likes simple titles, but he also likes strange titles, e.g. of his GT songs ”Allt jag lärt mig i livet har jag lärt mig av Vera” or ”(Dansar inte lika bra som) Sjömän”. Per thinks many artists have boring song titles.
Jan asked Mr. G what he thinks, which his best song titles are. Per says “Dressed For Succes” is really good, “Ska vi älska, så ska vi älska till Buddy Holly” is very good, “Sleeping In My Car”, “How Do You Do!”, because it makes you curious what the song is about, “Queen Of Rain” is an exciting title, “Crash! Boom! Bang!” which is coming from Elvis Presley’s Jailhouse Rock [here he is singing the tunes 🙂 ], “Flickorna på TV2” is a superb title.
They talk about Elvis Costello as well. Per likes him and liked his first album and the song “Watching the Detectives”. He thinks he became a little bit too clever with a little bit too many chords for Per, but he is a fantastic musician and singer. He listened more to Costello’s producer, Nick Lowe. Per prefers simplicity and beautiful, simple melodies.
“I Want You (She’s So Heavy)” by The Beatles is very simple and direct. Per thinks it’s a fantastic mix and it’s an odd, but a damn good song on “Abbey Road”. The album came out when Per was 10 and it was an important one for him. “Come Together” is also an outstanding song on it. George Harrison’s “Something” and “Here Comes The Sun” are masterpieces on “Abbey Road”. “Octopus’s Garden” and Paul’s medley on side two are also fantastic. Per explains he did a medley on his “Son of a Plumber” album, the “Junior Suite” and it was inspired by the “Abbey Road” medley. It was real fun doing it.
Gradvall asked Per about his thoughts on The Beatles song titles. The early songs had more simple titles (“I Should Have Known Better”, “I’ll Cry Instead”, “Love Me Do”, “Please Please Me”), but later the titles became more nonsense and abstract, e.g. “Happiness Is A Warm Gun”, “Tomorrow Never Knows”, “Sgt. Pepper’s Lonely Hearts Club Band”, “Lucy in the Sky with Diamonds”. If he looks back at Lennon titles, they were rather simple, e.g. “It’s So Hard”, “Jealous Guy”, “Imagine”, “God”.
Jan asked Per about his own “I Want You”. Mr. G clarifies it’s not his own song, he did it together with Marie Fredriksson, Eva Dahlgren and the Ratata guys in 1987, during their joint tour Rock runt riket. The producer was Anders Glenmark and it does sound like a Glenmarkish song.
To the question how many words are optimal in a song title Per replied sometimes he thinks as many as possible. For example, for the latest Gyllene Tider album he wrote a song with a long title “Jag tänker åka på en lång lång lång lång lång resa”. It could have been “Jag tänker åka på en lång resa”, but with 5 långs it sounds better and it is to emphasize how long the journey is. It’s that “The Continuing Story Of Bungalow Bill” is much better than “Bungalow Bill”. Or as an album title, “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” is much better than “Ziggy Stardust”. But a song title can be short or long, the important thing is to raise curiosity. It can be a question that might not be answered in the song or e.g. he has the title “I Never Quite Got Over The Fact That The Beatles Broke Up” which is not in the lyrics, but the content reflects that he didn’t get over the fact.
When the news about yesterday’s signing session came out, most of us were really surprised. No one thought there would be such an event, taking into consideration how Marie talks about it also in her book what difficulties she has with writing after her illness. Many were worried about her, thinking that a signing session would be too tiring for her and it probably was in a way, but you could see she really enjoyed it. She was smiling during the whole session and anyone talked to her while she was signing, no matter whether in Swedish or in English, she had some nice words to everyone.
The session was to start at 1 pm. Some hardcore fans started queueing quite early, even before 10 am to be the first ones in the line. By 12 there was already a very long queue. Helena von Zweigbergk arrived at 12:45 and Marie a bit before 13:00. Marie came with Micke and he helped her to get down the stairs that led to the little podium. She walked so fine down the stairs. We shouted woohoo when she arrived and she was happy to hear it and see so many people there.
On the podium there was a small table with flowers in a vase on it, 2 chairs and a Xmas tree next to the table. First Marie was sitting on the left to let Helena sign the books first, but after a little accident of a fan knocking over the vase they changed places. It was just a little water coming out of the vase and it wasn’t a real issue. Marie took it easy, just smiled and even helped to wipe it off.
It was awesome to see her in such a great mood. She was happy to see everyone, but when she saw the real familiar faces to her, she was smiling even brighter. Fans came from all around the world. Besides Sweden of course, there were fans from Germany, Czech Republic, Russia, Spain, Norway, Austria, Hungary, Poland, the Netherlands, the UK and 2 people came even from Australia. Wow! Some couldn’t reach Stockholm yesterday because of storms. Ferries and trains didn’t come or didn’t arrive in time to the Swedish capital, so some who wanted to, unfortunately couldn’t attend the session. Some fans brought only 1 book, others brought 7-8 to have them signed for those fans who couldn’t attend the session.
Marie got tons of presents and flowers. Mainly white and red roses. She loved it! She couldn’t grab all the flowers of course, but Marie Dimberg was there to help her and she took all the flowers and gifts. Helena also got some flowers and she was glad about it, too.
Those who still didn’t have Marie’s biography, Kärleken till livet could buy it at NK. A shop assistant was bringing the books around, along the queue. The security team of NK was very nice and their system worked well and smoothly. They let fans go to the podium 1 by 1 to the signing stage and it was Ms. Dimberg who told them when they could let someone inside the cordoned off area. Sometimes even Marie told the security guy: “Nästa!” (“Next!”)
As it was stated on the event’s Facebook page by the organizers, we could take pictures of Marie, but not with Marie. Everyone understood it and was behaving well. Many were taking photos, so actually, even if one of course couldn’t sit or stand next to Marie, they could have pictures with her while she was signing their books, smiling at them, etc.
Those who wanted to have their names written in the book besides Marie’s autograph and Helena’s signature, got it written by Helena. Marie was so cute when grabbing the books to sign. If the book wasn’t open at the page where she wanted to sign it, she insisted on turning the pages. Haha.
Micke wasn’t there waiting until the end of the session, but Marie’s daughter, Josefin stayed there to wait for Marie. After the session ended at 2 pm, after everyone got their books signed, we applauded Marie and when she got off the stairs of the podium and she showed she was happy she could make it coming down the stairs we shouted woohoo and applauded her again. Watch THIS short set of videos. She’s just awesome! She really is.
You know Marie is no fan of Facebook at all. She made it clear several times, mentioned it in her book and also in the TV4 interview one could watch in the morning. So if a post comes from her – of course it’s not she writing the post itself, but D&D Management typing her words – it’s much appreciated. She wanted to express her happiness, so she thanked everyone for coming. A picture of approximately one third of the flowers was posted both on her Facebook page and on Roxette’s page with these words:
“Tack alla som kom till dagens signering – från när och fjärran! Och tusen tack för alla vackra blommor och presenter – mycket glad!” / “Thanks to everybody who came to the book signing today – from near and far. And a thousand thanks for all the beautiful flowers and gifts – very happy!” Marie Fredriksson
It was a wonderful one hour with Marie and we were all so happy about seeing her enjoying it too. Her smiles are priceless!
An interview with Marie and Helena von Zweigbergk was broadcasted on TV4 Nyhetsmorgon today.
Marie and Helena were interviewed by Jesper Börjesson earlier this week. Both Jesper and MF FB page shared teaser pictures from the interview.
In the interview Marie and Helena explained about the process of writing the book, and that she hopes the book helps people who are going through a hard time / cancer. Because there is hope and it’s possible to make it. She also explains that she is thankful she survived and that deep inside she knew she would.
Marie also explains about her childhood and the funeral of her sister as one of the strongest memories from her childhood.
She also thanks her fans for the prayer chain and the list of names which reached her at one of the worst moments in her sickness. It is very important for her and she wanted it to be in the book as a way to thank her fans.
According to a recent tweet, there is a song registered for Addeboy vs. Cliff (Andreas Broberger & Hannes Lindgren) and Per Gessle. The title is ”I Come Alive”. If you check BMI’s repertoire, there is indeed a song under their names. The question is whether it is one of the new Roxette songs co-produced by the duo or a Gessle solo cooperation with Addeboy vs. Cliff. Well, all 3 guys are registered as songwriters / composers of the song, so it’s probably rather a cooperation like it was with Heikki L or Kill FM or Sebastien Drums.
I had started working with Addeboy vs. Cliff on some other projects a couple of months earlier so I thought they could be great collaborators. We got the backing track from them, which was the groove, drums and bass, and it sounded really cool and fresh, like the skeleton to something really interesting. I went into the studio with our regular producers, Clarence Öfwerman and Christoffer Lundquist, and added guitars, the solo parts and, of course, new vocals together with Marie. It took us two days.
With every album/project, I try to change one ‘important’ person, just to make everyone, myself included, stand on our toes. I always welcome change if it’s the right reason. In this particular case, new blood definitely needed to be injected everywhere. As always, we wanted to produce it ourselves so as to not lose control, but we needed a fresh start and a different angle.
I told Addeboy vs. Cliff we wanted it to sound like a hit record in 2015 and to pretend that the original Roxette version from 1988 is the demo.
He also mentioned they are producing themselves, but Addeboy vs. Cliff are involved in a few songs of the upcoming Roxette album, as well as other producers.