It’s almost a year now since we reported that a song by Marie Fredriksson was supposed to be featured on the Swedish movie “Krigarnas Ö” by Emil Jonsvik (who directed Marie Fredriksson’s video “Sista Sommarens Vals“). The movie is out in Sweden since May and now it was time to ask Emil about the song and the movie again since we weren’t able to watch it until now and haven’t read anything about Marie’s song anywhere yet.
The demo version of “Kom vila hos mig” is what you can hear in the credits of the movie. Emil wrote us why he chose it:
“It’s a naked beautiful song of Marie Fredriksson and the tune written of Mikael Bolyos and it makes everyhing come together. I’m always happy to work with so genius musicians as Marie and Mikael.”
So, technically, when the movie was being shot, the song was still new. Right now, Emil is trying to make the movie available worldwide. Until now you can purchase the movie in Scandinavia only:
The film is right now released with the big company SF, SF anytime in Sweden, Norway and Denmark. (Se it on SF anytime, Telia, comhem, Xbox 360 app, bredbandsbolaget …) We hope to plan a world wide release later this year.
Not really Roxette news, but a little bit related in the end: Live Nation Entertainment is partnering with German concert promoter Marek Lieberberg to form Live Nation Concerts Germany, promoting concerts and festivals in Germany, Austria and Switzerland – beginning January 1, 2016.
This is indeed news because it means that Marek Lieberberg leaves his own company “Marek Lieberberg Konzertagentur” – the one agency responsible for the huge festivals “Rock am Ring” and “Rock im Park” in Germany and also responsible for the Roxette shows in Germany and the Party Crasher tour back in 2009. The Marek Lieberberg Konzertagentur belongs to German ticketing company CTS Eventim.
The ticketing for Live Nation Concerts Germany will be in the hands of Ticketmaster Germany. Ticketmaster Germany will serve as the lead ticketing company for the new venture, which probably means that the tickets get a bit more expensive in Germany than they already are, but that is just my humble opinion.
According to their own statement, Live Nation offers more than 23.000 shows for 60 million fans in over 40 countries. The “Lieberberg deal” is supposed to add another 700 shows and two million fans.
Unfortunately, that Roxette 30th Anniversary tour (European leg) is coming to an end also means that we have to say bye to Eskobar. After yesterday’s show in Halmstad, it’s just 3 shows left with Eskobar as special guest, so we wanted to take the chance to thank Daniel, Frederik and Jocke for making the time before Roxette’s show feel shorter, for cheering the audience up and for performing such great versions of your songs, you have been a great opening act!
I was very happy when I found out Eskobar would be the support act for Roxette during their European tour. I have liked the band since early 2000ies and I had never seen them live. And I was sure that Roxette fans and audience in general would like them too, who can resist their melodies?
After having seen them 4 times now and the reaction of the audience at the shows and also on social media, I think it is safe to say that the guys really enchanted us! Many have bought their albums, share their music and leave very positivecomments about Eskobar everywhere. We have also got many messages of people asking if Eskobar will join Roxette in the possible continuation of the tour in other parts of the world, what Eskobar will do next, where to buy their stuff and more. So we thought of putting all the information in one article.
But before that, we also got a message from Eskobar for all of you:
Now that this tour is coming to an end we would like to send the biggest thank you to Per & Marie, but also to Christoffer, Clarence, Magnus, Dea & Pelle in the band, everyone in the amazing crew, the drivers & the bosses and everyone else. What a fantastic experience filled with so much laughs, jokes, BBQ, great music and wonderful people. Also a very big thanks to everyone all over Europe who took their time to watch Eskobar support Roxette. We have felt extremely welcome in every city thanks to you all!
Great music lives forever!!!
Future plans, new album, tour, beer?
Eskobar’s upcoming album will be released in the upcoming months. The guys are also planning to release a live album recorded during this tour. And would also love to go on tour in the near future. If you want to stay up-to-date, check out Eskobar’s Facebook page, all information will be shared there.
We don’t know if Eskobar will be the support band in possible future Roxette shows in other countries. Of course, many of us would love to see that so.. let’s just keep our fingers crossed (not only for Eskobar but for more Roxette shows in 2016!).
Frederik‘s beer Svinninge Bullet is also available in Sweden at Systembolaget, so if you are there this summer and you like beer, give it a try.
Past and discography
Eskobar has released 5 albums so far. You can buy most of them online on CDON but also Bengans or Ginza.
2000 – ‘Till We Are Dead
2001 – There’s Only Now
2004 – A Thousand Last Chances
2006 – Eskobar
2008 – Death In Athens
If you want to get more of their discography – Eskobar has released about 20+ singles… try your luck in second-hand stores or check Amazon out.
And in our interview from May you can read about how they started and their career so far.
Videos and rare stuff
Eskobar also has a YouTube channel with videos to their singles as well as unreleased songs and demos from “The Complete B-side collection 1999-2006”.
And of course, if you search by Eskobar, you will find videos of performances and concerts. Here is a selection of videos you may want to check out:
Starlight, from the upcoming album
Performance and interview from 2008
“Someone new” featuring Eva Dahlgren
Once again, thank you for your music and wonderful performances!
Is it the 30th of May again, already? It feels like we have celebrated a very special birthday only yesterday. So, apparently, another year has gone by. Many great Roxette shows are behind us and many great things are still to come (more shows, a biography of the woman, a new album).
So, here we are again. The Roxetteblog team wishes the invincible, strong, brave, iconic and ebullient Marie Fredriksson a very happy 29th birthday. (Women never get older than 29, we all know that!) Have a great day! We are certain that there are some fans out there in Antwerp who not only enjoyed another great show of the European leg of the World Tour 2014-2016 but who definitely will get the chance to congratulate you in person today.
Thanks for all the joy you bring, for the role model you are for so many of us and for the strength you keep to show to us. A strength that keeps us carrying on as well.
I met Daniel Bellqvist and Frederik Zäll from Eskobar in a café at Mariatorget, Stockholm, a few days ago to talk about the upcoming tour as guest artist during Roxette’s XXX Anniversary tour in Europe, the band in general, creativity, upcoming projects and more. To find out more about the band and follow them on tour check their Facebook page. I have also prepared a playlist on Spotify (check at the end of the interview) with some of their hits so you can start learning the lyrics. First stop will be Madrid.
Judith (J): Thank you very much for taking some time for this interview. I know you are quite busy. So how are you? Daniel (D): Lots of preparations before the tour, finishing up some things. We did a small tour in Denmark in March, we were just three of us, Frederik – who plays about 1000 intruments – , a drummer and me. We liked the setting so much, we decided to record an album in that setting to sell during the tour. So we recorded it some days ago, now we are finishing it. And we are trying to find something to travel in during the tour where we can all fit in.
J: That sounds like a lot of planning. Let’s start from the beginning in order to present the band to the Roxette fans. When did you start as Eskobar? D: We released our first album in 2000, but we had played together many years before, six maybe? Frederik (F): Yes, at least 6 years. I had a strange grunge band back then, and I needed a bass player for one show, I knew Daniel could play the bass, so I asked him to play in my band. And in return Daniel asked me to play guitar in his band, so we started helping each other, and one day we just decided to work in a band together. We have been brothers in arms since then. D: Yeah! We went to the same music class in school, that’s how we knew each other in first place.
J: How did you choose your band name? Some Spanish fans have been wondering if it is related to the Spanish singer Manolo Escobar. D: When we got our first record deal with V2 records we didn’t have a name for the band. We were so focused on music that we didn’t care that much about the name. Our first record deal doesn’t even mention the name of the band but just the names of the three of us who formed the band back then, Frederik, Robert and me. So we asked around for suggestions for the name, and the manager of another American band suggested Eskobar, we liked it and we said ok. F: I think it was a few days before the first single was about to be printed, so the record company told us we really have to put a band name on it, and we were like “but it’s just about the music!” but well, in the end we found a name that we love.
J: So no connection to Manolo Escobar… D: No, not directly at least. F: We don’t know where the American guy got it from, I think it’s a typical surname. D: We know Manolo Escobar, and he has this one song “Porompompero” that was translated into Swedish and sung by the Dutch-Swedish singer Cornelis Vreeswijk, it’s an amazing song and we had listened to it a lot, but we didn’t know it wasn’t his original song. So when we found out that it was Manolo Escobar’s song, we thought it was funny, like there is a connection between our name and the song that we like so much. F: Indeed, I remember we used to sing this song on the tour bus even, so it’s a fun connection.
J: How did you start making music? F: I started playing classical piano when I was five or so, I think I read music sheets before I could read, so I was really early in that, then I learnt to play saxophone, guitar, everything felt easy to learn and it was fun. I also didn’t think of starting a band back then, I just wanted to play. It was when we started high school that I thought, hey, we could actually start a band!. D: Sort of the same for me, my grandfather was a folk musician, he always had lots of instruments around, he could play everything, like him (pointing at Frederik). The first instrument I started to play was drums, then bass, guitar.
It definitely wasn’t intended to end like this, but some person who visited the Roxette show in Perth made an expression written in an angry posting go viral. Disappointed by Marie, writing that she shouldn’t be on stage when she’s not well and not leave “some other dude” singing.
It didn’t take long and the post – or to be more specific that “other dude” went viral. While we have no intention to embarrass the visitor more than it already happened, this “some other dude” joke is too funny to not share.
In the meantime, the post has been deleted, but the “some other dude” memes make their way through the social networks. The Daily Roxette joined in with this one:
Earlier, some fans already had great ideas how to use Per’s name. The following photos are courtesy of Alexandra N., Basia K., Ricardo A. H., Marie D. and “some other dudes”.
Any plans for March? Particulary, March 13 and 14? No? Then you could go and book a “Gessle inspired weekend” at Per’s Hotel Tylösand in Halmstad. Everybody who books a “Spa & Entertainment package” will get a special treat with a wine tasting of exclusive Gessle wines as well as do a tour around the hotel’s unique pop history landmarks – as is stated on the homepage of the hotel.
This is the complete program as listed on the site:
WINE TASTING – Friday and Saturday 17.30 PM
The Per Gessle Selection is the brand for the series of wines that the Swedish super star and wine aficionado Per Gessle has launched with the help of some of the world’s most prominent wine makers. In this series there are champagne as well as red, white and non-alcoholic wines, and we will be served a selection of these during the tasting session.
THE POP TOUR – Friday and Saturday
On both Friday and Saturday there will also be a guided tour of selected pop history items on display at the hotel, led by music writer and Per Gessle biographer Sven Lindström, who guides us around Leif’s Lounge with its exhibition of unique Roxette and Gyllene Tider material from Gessle’s long music career.
Sven Lindström has written the authorised biography ”Att vara Per Gessle” as well as chronicling Roxette’s career and sensational comeback. Together with Per, he also hosts the weekly show Nordic Rox, presenting the best music from the Northern countries on Sirius XM satellite radio.
Availability is limited, so book now for a weekend in March with a little bit more of everything.
This is just a blog post, WARNING, no news included.
In the middle of the ticket presales that started this week the fans have been surprised by not so nice things. One of the “things” popping up was an issue already months ago when the ticket sales in Australia started. Australian fans were – let’s say – surprised when they found out that the prices for tickets in the front rows were high above what they were willing to pay. A check today made clear the prices never changed, even though many fans complained about them on Facebook, Twitter, official sites and elsewhere. So, a “hot seat package”, which probably means you have a “hot seat” in front of the stage costs around 212 Euro. And then there is a “VIP package” which costs around 280 Euro. And of course, there are normal tickets – even in the front row, if you are lucky enough to get them. In the end that means that someone who paid 90 Euro could easily set next to somebody who paid 212 – a really bad thing and a trend that cannot be stopped it seems since there are always some people out there who pay every price they have to. For those who want to see more than one show it’s even harder.
However, prices in that range were hardly imaginable in Europe, but today we learned better. A front row seat for the show London costs around 380 Euro and a ticket for the also seated show in Paris is around 200 Euro. But this is not the only problem regarding the ticket issue. Many fans wondered why there are “exclusive presales” when it’s not possible to book and buy the best possible seats. This problem showed up for the show in Mainz (seated show, tickets costs 86 Euro which is pretty much for Germany and starting from row 3) and Paris (tickets from row 7 only). So yes, the question is: Why exactly do they offer an “exclusive presale” when it’s not possible to get the best tickets? Who else but hardcore fans buy tickets on an “exclusive presale”? Seriously?
A quick poll among fans showed what even hardcore fans are willing to pay. The German Roxette fan site Planet Roxette asked their users on Facebook about that. Many would definitely pay more for their favourite band but then buy less tickets and see less shows. For the German fans 80 Euro seems to be the magic limit. Compared to let’s say Romania this isn’t much. The tickets for the Romanian show cost 60 Euro, but please keep the ticket price-salary relation in mind. 200 Euro for a ticket is about 1/6 of a monthly average salary. 60 Euro in Romania are 1/7.
Another short story from yesterday/today. The Swedish presale via coop and comviq yesterday didn’t include the possibility to book tickets with an “early entrance” option. Today suddenly this option appears – for some extra 90 Euro. We wonder: What happened to the numbering system? Is it really all because of the money? And why is it necessary to totally rip off the fans?
Throughout the day many fans were clearly irritated about the increasing prices for concerts, prices which are not much longer affordable. In the end, it’s pretty easy: “If you can’t afford it, don’t buy it. If you don’t want to afford it, don’t buy a ticket.” But maybe it’s not that easy in this case. Many fans save their money for concert tickets for months, waiting for this one concert, this only chance to see their favorite band on stage. Everybody in this world should be able to do so. It’s clear that this is not Roxette’s fault but certainly a big fault of the promoters. Or maybe really their intention. In the end it means that at least some foreign fans don’t travel to Swedish Liverpool, because they are not willing to pay 190 Euro to stand in the front.
Just a short note: The German promoter Marek Lieberberg blocked the two front rows for the Mainz concert for themselves – no chance for fans to get in the front row. And not many people are willing to pay 86 Euro for a third row ticket.
This feels wrong. It probably shouldn’t be like that – neither the prices nor the way the agencies deal with the tickets they give away.
UPDATE, November 14th:
This is getting more and more absurd. Not only in Mainz but also in London the front rows are already blocked for American Express customers. So it says on the website: “”American Express Invites® Reserved Tickets.” If this is the future of pop concerts, then no, I don’t want to be part of it anymore.
The Swedish rockabilly trio JLT (John Lindberg Trio) just released a new album called “DiG iT!” which features the song “Still In My Car”, co-written by Per Gessle (music). Per initially wrote the song in Swedish under the title “Kvar i min bil”, as you may have already guessed, and now the trio has written English lyrics to it. The song is the trio’s new single as well.
The Swedish song was written for the film “Låt den rätte komma in” and is also included in “The Per Gessle Archives – Demos & Other Fun Stuff Vol. 2”. As Per explains in the Conversations, the song included in the Archives is not really a demo but the final product and it was never released officially until now. And now actually twice, as it was also released by Per on vinyl in April for the Record Store Day.
Kvar i min bil:
Comment from Per:
John Lindberg, Martin Engström and Jocke Dunker from JLT performing “Still In My Car” at Go’kväll in April.
The band Sandy Mouche, formed by Helena Josefsson, Martinique Josefsson and the brothers Per (drums) and Ola (guitar) Blomgren, just released their latest album “Glory And Grace”. (Release date: 8th May 2013).
Helena Josefsson has previously worked with Per Gessle and sang backing vocals on many of his albums and went on tour with Roxette in 2011 as backing vocals singer.
The album is in English, features a song in French (and sounds very French!) and contains these songs:
Glory & Grace
L’elefant dans la Chambre
Tears In Time
You can buy the album on CDON, Bengans or iTunes or listen to it on Spotify:
It is one of my hobbies to keep a sort of database of Swedish artists and their connections. It is a fact that there are many many artists in Sweden, and many of them have worked together at a certain point in their career. I think specially the time of the 70ies – 80ies was a period of many collaborations. I started with this many years ago and I am trying to bring my paper-excel database into a better platform. Who knows where this will end.
I also have to mention that the fact that I started to listen to the Swedish Per & Marie material opened the doors for me to other Swedish music and some of these artists have become a fix part of my music collection. And this collection is growing year after year.
Gyllene Tider is, of course, no exception, so I wanted to share part of these findings here.
Marie Fredriksson – Sang backing vocals on “The Heartland Café” and duet with GT “Ingenting av vad du behöver” from “Puls”. She also sang “Vandrar i ett sommarregn” with GT on TV and joined GT on stage a couple of times before. On the other side, GT also joined Roxette in 2010 in Halmstad.
Eva Dahlgren – sang “Vandrar i ett sommarregn” in “Puls”. As far as I know, GT never played this song (or any other) live together. It’s about time!
Niklas Strömstedt – sang “Da’n före da’n” with Gyllene Tider, taken from Glitter, glögg & rock ‘n’ roll. Played as musician and sang backing vocals on “The Heartland Café” and other albums. On his TV program “Tack för musiken” he and Lasse Winnerbäck performed “Honung och guld”.
Christoffer Lundquist – Produced Gyllene Tider’s albums “Fin 5 Fel” and “Det är dags att tänka på refrängen”. Ex member of Brainpool. Brainpool and Gyllene Tider sang “My Sweet Lord (she’s so fine)” on TV together.
Wilmer X – joined GT on stage during Återtåget, sung “Marie i växeln” together. They also formed The Lonely Boys together with some of the GT-ers in 1995.
Anne-Lie Rydé – “When Love Is On The Phone” from “The Heartland Café”.
Lasse Lindbom – produced many GT songs and albums. He also recorded some songs written by Per, he performed “För dina bruna ögon skull” on Melodifestivalen in 1980. The song is also recorded by GT.
Clarence Öfwerman – like Christoffer, produced Gyllene Tider’s albums “Fin 5 Fel” and “Det är dags att tänka på refrängen”.
We interviewed Martin Sternhufvud (MaMas Barn), who just released an album “Från ingenting till någonting” (you can listen to it at the bottom of this article and buy it here) and talked with him about his music and many other things.
RXB/ Judith: Hi Martin, we would like to begin with the origins. How and when did you get into music? What instruments do you play?
Well, the impulse to express myself through music came very early in my life, when I was like 9 years old I did my first songs and recorded them on my mother’s cassette-player. But it was in the secondary school when I was 16 years old that I met other friends and we started a band. I remember when I met up with MP at that time and asked him if he wanted to play the drums in our first band. He said: Yes!
RXB/J: Who are your favourite artists and inspiration?
My current absolute favorite artist right now is a Swedish guy who calls himself “The tallest man on earth”. Check it out on Spotify or/and youtube. I enjoy all artists who move from the inner space in some sense – I think that is what touches me as a listener. I want to feel the soul of the other…
So genuine artists as Springsteen, Dylan, Lars Winnerbäck, Bon Iver, Fink, Ebba Forsberg among others may help me to awake to a more genuine reality. I think that’s what art is about.
RXB/J: Could you tell us about the 70ies, how did you get to know Per and Marie and start the band with her (Strul, MaMas Barn)?
Per and I went in the same school and he was kind of eccentric, walked around in suites and a hat (guess he found his inspiration from David Bowie…) which was kind of odd at that kind of post hippie-era! Per was a good friend of a friend of mine so we that was how we first met. Further on we shared the same facilities where our different bands rehearsed.
I remember how Per introduced me to Tom Petty in our chill-out room. I was very impressed by Tom Petty – Per was a great fan to him (and still is I guess).
Marie was the girlfriend of our drummer (not MP – now we are in the late 70’s…). So I asked him if he could bring Marie to the band as the rumor said that she sang very nice…And she did! She blew us all away with her voice…!
Two new wines have been added to the Per Gessle Selection. The Wine Agency, the company distributing the wines, sent out this press release yesterday:
Per Gessle is used to successes and since both critics and the audience loved his Italian wines “Furet” and “Kurt and Lisa” he was more than pleasedwith his debut in the wine business. Now it’s time for two delicious French sequels in the “The Per Gessle Selection”, the “Sommartider” wine boxes, a white and a rosé, which premiere to the world today, April 8th.
Nothing could be more longed for after an eternity long winter than the promise of brighter and warmer times! Per Gessle himself is the one behind the summery boxes’ design which make you think of the lovely, lasy summer days. Together with one of France’s most well-known wine producers, François Lurton, he has created two new wines of southern French grapes.
The white wine “Sommartider” is a delicious combination of gros manseng and souvignon blanc grapes. Fruity and fresh as a summer day with nice notes of citrus, line and blackcurrant. Lovely on its own and very nice with fish, chicken and salads.
The rosé “Sommartirder” is done from 100% Syrah. South France summer with fragance and flavours of raspberry, red currant and herbs. Refreshing and the best summer picnic wine that fits most of meals.
The press release goes on telling about Per Gessle as an artist and the previous two wines, “Furet” and “Kurt & Lisa” as well as about François Lurton.
The two wines can be bought at Systembolaget from now on at a price of 199 SEK / box. They are also available in bottles but only for restaurants.