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RoxBlog interview with Lena Philipsson before Roxette In Concert 2025 – “I’m gonna do everything I can to honour Marie”

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As you could read in the press release, Per Gessle and Lena Philipsson release a single on 3rd May, the next single from Per’s upcoming Swedish album and embark on a tour together in 2025.

I met Lena Philipsson on 1st May via Zoom and after we discuss it’s better for me to speak English than doing the interview in Swedish, we get down to a very nice chat about her career and life as a performer and songwriter, as well as her collaboration with Per Gessle and their future adventure.

Patrícia Peres: – Hi Lena! Nice to meet you!

Lena Philipsson: – Hi Patrícia! Nice to meet you too!

PP: – First of all, I have to mention that I’m not a journalist. I’ve been a Roxette fan since 1991 and I’m blogging about Roxette and related stuff on RoxetteBlog. So my questions will rather be from a fan’s point of view, for a worldwide audience. Starting with the point where your career met our fan world, we have to go back to 1986 when Per wrote a song to you, “Kärleken är evig”. We can say it was your breakthrough song. How do you remember those times and how did everything evolve around that song? You even chose this as the title of your debut album.

LP: – Yes, Per wrote the lyrics to it. The music was written by another person. That was actually the first time Per and I met and that was when Gyllene Tider was over and right before Roxette started. I guess he had time before Roxette, but after that he became very busy, because Roxette was a huge success. Actually, “Kärleken är evig” is one of the most important songs in my career. I’ve also been working for a very long time, since 1986, and I’m still working, doing my thing. I release albums and go on tours. Back then I worked with a guy called Torgny Söderberg, who wrote the music, and he wanted someone to write the lyrics. I think he kind of knew Per and called and asked him if he could write the lyrics. And he said yes. I think it was that uncomplicated. Melodifestivalen is very big in Sweden and that was my first time in Melodifestivalen. And so, of course, that song became a huge hit and I still sing it.

PP: – No surprise, “Kärleken är evig” finished in 2nd place at Melodifestivalen.

LP: – If you google it, you can probably see us in Melodifestivalen. Pictures of us three standing there being interviewed before I sing the song. Per, Torgny and I.

 

Screenshot from Melodifestivalen 1986 and scan of Schlager-SM 1986

PP: – Yes, there is even a video, that’s very cool! [47:09 into the video. /PP] You took part in the contest 3 times in the ’80s as a performer, then 2 times in the ’90s as a songwriter and while you were also hosting the show in other years, in 2004 you came back as a performer just to win it with “Det gör ont”. A song that finished in 5th place in the Eurovision Song Contest that year. What does Melodifestivalen mean to you? It must have an important place in your life.

LP: – Yes, as I said, it’s a very big TV show and everyone is watching it. So I mean, if you want to make a big impact, that’s the show to be in. And it’s still like that even now. It’s very popular to be in that contest and I’ve been there so many times, as you say, I’ve been a host too, several times. It’s a good program and it’s like a huge party going on.

PP: – In Sweden, you have a long and very successful career. You released numerous albums, mainly in Swedish, but you also have many English songs. Per wrote songs to you later as well, not only in Swedish. On your “Talking In Your Sleep” album, there are two songs written by him. “Never Is A Long Time” and “Take It Or Leave It”. Why was it important to you to sing in English back in the days and how was your cooperation with Per during those times?

LP: – Why did I sing in English? I guess it’s just because it felt kind of cool. I mean, I was 20 when I started and my “Talking In Your Sleep” album was a mix between Swedish and English. I thought I was cool. I don’t have a better answer than that. I wanted to be a little bit tougher, I guess. Haha. As you said, Per wrote two songs and he sent them to us. I didn’t meet him at that point. I just sang the songs in a studio. I think I remember him asking if Roxette could record “Never Is A Long Time”. And they did record it later.

PP: – Yes, it came out on their “Tourism” album in 1992. In later years, you wrote more songs yourself. What is the essence of songwriting for you? Do you usually start with writing the lyrics or the music?

LP: – Very often it starts with the music and the lyrics come later. Sometimes I write songs just because I know I want to do another show and I need some new songs. When I’m working with my own things, I like to be involved in everything around. I have made a lot of shows. It’s like being on the same stage for three months doing four or three shows a week and in that kind of show you can maybe change clothes or dance a little bit. You do this monologue and I’m being funny and I’m playing the piano and I do all sorts of things. And I really like that way of performing. The two latest albums that I wrote, I already thought of them as doing them on stage. And I always think about how I’m going to do it. Music and the visual appearance are combined in that way. I’ve been writing new music now, but I’m still thinking of what way, what direction I’m going for and what I want to do with that, what’s the meaning of that. I would like to find some kind of meaning to the music more than just the music itself. I’d like to see that vision in my head, how I sing it, what I am wearing…

PP: – I read somewhere that you were even sewing your own clothes.

LP: – Yeah, a long time ago. I actually did that because I come from a very small town and they didn’t have those cool stores. So you had to buy some fabrics and just do it yourself.

PP: – How cool is that! And when you have an idea, how do you record it for a song? Do you make demos or just snippets?

LP: – Yeah, I usually make a demo at home here, I have a tiny little studio. But I also sit by the piano and try some things out. I just vary it a little bit too. It depends on what I feel for. And I’ve always had a demo studio at home since the beginning, actually, since I was 15 years old. Writing songs has always been a part of my career, even though I haven’t always written the songs myself. It’s definitely a part of me.

PP: – When I was in Sweden, I think it was after COVID, I couldn’t avoid your song “Maria Magdalena” on the radio. It’s a very danceable, earworm song and it became a big hit. What do you think, what makes a hit?

LP: – Little do I know about that. I’m a person that likes totally different kinds of music, really. I love techno, house, R&B and great singers or even rock ‘n’ roll things if it’s a good song. When I write music myself, sometimes I write complicated songs and sometimes simple songs. And it feels like it will always be the simple song that wins. I love “Maria Magdalena”. It’s quite simple in the melody and that seems to work the best. But I’m a little bit more complicated than that. I write a lot of other sorts of music, too, but they have never become some kind of single hit. “Maria Magdalena” did, and I kind of felt it, because I knew it was catchy. And when I played it for people to see what they think about it, everyone was very positive about it immediately. But I still think it’s a mystery, this thing about what makes a hit. Simplicity might be one of the key things.

PP: – Who are your main musical inspirations?

LP: – Well, as I just said, I like so many different kinds of things. And at the same time, I’m not so interested in listening too much to something and being too influenced by it. I try to dig into myself and find what’s the best part in my musical thinking and use that, because I want it to be as personal and unique as possible. I like everything, but then I kind of shut it out and start thinking about what I want to do. This is typical for me. I do my own thing. I know it’s not what you hear on the radio right now, but maybe I don’t care about that. I just do it anyway, because that’s me.

PP: – Now that Per is releasing a new Swedish album and he decided to do some duets on it, you met again. You sing the title track with him, “Sällskapssjuk”. How did this cooperation start?

LP: – You know Marie Dimberg. She texted me one day and asked if I wanted to sing a duet together with Per. And I actually quite immediately said yes, because I thought that was fun. I went down to Halmstad and we recorded the song there. It was very easy to do it together with him. He was easy to work with. Afterwards, we had a nice dinner and talked about what we were doing now and everything we’ve done during the years and the future and so on. And then I went home and a couple of days later he texted me and asked if we could meet. He had a question to ask.

PP: – And then he asked you about joining him.

LP: – Yes, he asked about this Roxette tour. And I was very surprised by the question. I don’t know what I had expected. Maybe doing some more songs together or some tour together, but this wasn’t the question I was expecting. It’s different for me, because I’m always doing my own thing all the time. Then suddenly I got this question and the first thought in my head was actually, I can never be Marie Fredriksson. I mean, she was an amazing singer and she IS Roxette. And that might be difficult, I thought. But Per was very optimistic and positive. He said “you’re doing your thing”. I went home to think about it for a while and talk to my people about it. And now here we are, I said yes.

PP: – I know Per has been thinking a lot about how to bring Roxette songs around the world again and it was only a question of time to find a solution. All the songs deserve it.

LP: – Yeah, I can understand that, because there are so many songs he has written that he can never sing, kind of. So I really understand it.

PP: – What does Roxette mean to you personally and musically?

LP: – At that time when they got really big in the US, when they became No. 1 and had this huge success, I was working, too. I was in the middle of everything. You of course heard about it, you read about it, you heard them on the radio, at the cafe, at the nightclubs and you saw them on TV, but I actually have never seen them live, because I was also touring myself. I must say I have the greatest respect for Per. He is a brilliant songwriter. He is really amazing. I’m very happy to work together with him. He is still so full of energy.

PP: – Yeah, that’s inspiring!

LP: – Yeah. And he still writes these songs, he never stops. Amazing!

PP: – I don’t like to compare anyone to Marie and as Per says, Marie is irreplaceable and it has never been the intention to replace her with someone else, but fans tend to compare female vocalists who cooperate with Per, it’s inevitable.

LP: – Yeah, I know that, of course, and I can understand that.

PP: – How do you feel about stepping into these shoes?

LP: – It will be hard for me. Well, that was the first thing I was thinking about. I can never replace Marie. And even though I try to do a good job, the fans are standing there and say, you’re okay, but well, you’re not Marie. I will just try to do my best, because that’s the only thing I can do. I also understand that the fans don’t know anything about me. I’m just somewhere from Sweden. Per himself is very, very happy and positive and really looking forward to this. And I trust him. I understand I’m like a guest here, I’m going to try to blend in and he will do all the decisions and I will just come along. I understand the job.

PP: – How much did you know Marie and what do you think about her? You already mentioned that she was an amazing singer.

LP: – Yeah, she was! I didn’t know her deeply, but I met her several times here in Stockholm at parties and other places. She wasn’t my best friend, but we talked. She was always so kind and humble, a very nice person with a warm heart. And she was always smiling.

PP: – How challenging is the Roxette song catalogue for you?

LP: – Well, the songs are not that easy to sing, actually, because they have a big range, high up, down low. We tried some songs in an easy way at home with Per and two musicians and I listened to six or seven songs to try to learn them a little bit, so we can just try out how this sounds. Then I just realized that it was like up there. OK, you can take this down a little bit, but this one you can’t take down, because it’s already very low. Then I said sorry, maybe I promised too much. But Per just laughed and said, no, no, we don’t do that thing anymore. So we have changed the keys and it went OK when we tried it out. But yeah, there are some difficult songs.

PP: – Which is your favourite Roxette ballad?

LP: – I think “It Must Have Been Love” is a very good ballad. There are a lot of ballads that are very good. “Queen Of Rain” I really like, because it’s kind of soft and more suggestive. I would say those two are my favourite ballads.

PP: – And which do you think is the best Roxette power pop song?

LP: – Now I’m thinking about the songs I’m gonna sing. “Dressed For Success” would be very special and it’s very much Marie to me. A fun song to sing. I’m looking forward to that.

PP: – Have you already discussed which songs are in sight for the tour?

LP: – No, not yet, but there are a lot of songs they need to play. Or WE need to play. We are not there yet and that’s one of the decisions that I leave to Per. To decide on which songs to perform. I wouldn’t interfere with that. So you just have to wait and see.

PP: – Yeah, I’m excited about it. Is there a Roxette song you wish you had written?

LP: – Hm… all of them! Haha. I don’t know what to pick here, because there are too many great songs.

PP: – If we are talking about your songs, which are your, let’s say, top three songs that you would suggest Roxette fans to listen to, to get to know you better? Which songs represent you the most?

LP: – Wow, that’s a difficult question, because I never think about my own songs. I’m just working with them. I know the songs that are most famous that I always sing, but they are not necessarily the same that I like the most. It’s difficult to say. I have written all the songs on my two latest albums, so maybe those represent me now. But there are also some old songs. All the songs from Melodifestivalen, for instance, are very well known here in Sweden. So I guess somewhere in there you will find me.

PP: – I have of course checked videos of you on YouTube and I must say you are very much of a rock chick, but you also have your sensitive side when performing. How does it feel for you to be on stage?

LP: – I love to be creative. I love to work with stuff behind the scenes when you prepare a new show, when you think about the songs and where to speak and where to insert some fun. Then I always get a little nervous to be on stage and meet the audience for the first time, to see if it works. I’m never like, oh, I love to be on stage, because to me, being on stage, it’s all about doing a good job and giving it all to the audience. So it’s all about the audience and the communication between us. I almost never think being on stage is fun for me. I must say many times I’m kind of amazed that I’m on that stage, because I’m quite an introverted person.

PP: – It’s very interesting what you say, because indeed, a lot of artists are introverts.

LP: – Yes. But on stage, you have to take that role and just do it. At the same time, when I come up with a good idea, I’m of course looking forward to showing it to people and thinking that it will make them happy. They will laugh or that will surprise them. When you feel that energy, when you create something, it takes a little bit of the nervous thing away. Obviously, I’ve been doing this for almost 40 years now, so I’m here because it’s fun and I’m good at it.

PP: – In an interview you mentioned you are always looking for new things, not to repeat or sing the same stuff all the time. Now this is very different to what you have been doing so far. As a songwriter yourself and performer of your own songs, how does it feel that you will now perform whole concerts of another band’s songs?

LP: – Yeah, that’s something new I didn’t do before. That’s kind of an adventure. I often work that way when I know I’m going to do something and I’m already there in my head to just prepare for that. So, I know what I’m going to do and I’ve just stopped wondering how it feels, because now I’ve decided to do this and I’m just on my way towards it. And I think it will be something different and hopefully very fun.

PP: – I’m absolutely sure it’s gonna be fun.

LP: – And I need to learn a lot of new lyrics. I’m not used to that either.

PP: – You will have a prompter on stage! Haha.

LP: – Ah, you say something! Haha.

PP: – Have you ever toured outside Sweden?

LP: – No, I haven’t. I’ve been thinking about this because of this tour now. And well, I was in London in 1991 and there I was at a kind of management office. They wanted to contract me and they wanted me to move to London, but I didn’t want that. I was too scared for that. No way! I like Sweden. I’ve been a couple of times in Italy, Greece and around Sweden, of course. I did some gigs in Norway, Finland, Denmark, but nothing more than that.

PP: – I saw a 1989 interview with you where you said long bus rides are very tiring, but meeting the audience is always fun. What do you expect from a world tour?

LP: – I guess a lot of travels. Haha. It’s the same procedure as in Sweden, but in another country. You travel somewhere, you check in at your hotel, you go to the place where you’re going to do this gig and you’re into your dressing room and prepare for going out on stage and then you do the work and afterwards maybe a glass of wine. That’s exactly the same thing I do in Sweden. It will be just bigger. And there will be new people for me and a new kind of audience, the challenge in all that.

PP: – The tour starts in South Africa and the next stop is Australia. I assume other continents will soon follow the February and March dates. Which country is high on your list to perform in?

LP: – I’m just focused on the job and Roxette and my work together with Per. But I’ve never been to South Africa and I’ve never been to Australia either, so that will be fun too.

PP: – The touring band will consist of Christoffer Lundquist, Magnus Börjeson, Magnus “Norpan” Eriksson, Dea Norberg, as well as Clarence Öfwerman and Jonas Isacsson. Have you ever worked together with anyone in the band?

LP: – No, I don’t think so. Maybe some of them will remind me that I have, maybe in some studio when we recorded albums in the ’80s. Dea has been working with me on a couple of shows I did here in Sweden. Yes, and other tours as well. So, yeah, Dea I know well. She is super easy to be with.

PP: – Which Roxette songs do you look most forward to singing live?

LP: – As I said, I really want to get “Dressed For Success” right. It’s such a big hit and so much Roxette.

PP: – What is your message to the Roxette fans?

LP: – My message is: I love you too! Haha. I hope we meet and I hope you will like me. I’m looking forward to seeing you all and I’m gonna do everything I can to honour Marie.

PP: – Thank you so much for your time, Lena! Looking very much forward to seeing you on stage with Per and the gang! Happy release day for your duet and all the best on this upcoming journey!

LP: – Thank you very much!

Check out Lena’s music HERE!

Photo by Fredrik Etoall

Per Gessle and Lena Philipsson release a single and embark on a tour together

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Per Gessle and Lena Philipsson release the title track on Per’s upcoming album on 3rd May. And there is more to come…

It all began with Per starting to write and record a new album in Swedish. His first in eight years of new material. Early on, the idea crystallized to focus on duets, to sing together with some of Per’s absolute favourites.

A first taste came in February when Beredd with Molly Hammar was released and now it’s time for the second single, Sällskapssjuk. This time together with Lena Philipsson. The album, which is also called Sällskapssjuk, will be released this fall.

Per and Lena’s paths already crossed in the mid ’80s when Per, among other things, wrote the lyrics to Lena’s breakthrough song Kärleken är evig. Now it’s time again.

Sällskapssjuk suited Lena like a glove, and during the recording in Halmstad both thought it would be fun to work even more together. A thought was born.

In 2016 Roxette did what we believed was to be the last ever concerts. Now, the duo’s frontman, songwriter and founder Per Gessle picks up the torch and takes this bundle of worldwide hits on the road again.

It’s almost five years ago since Roxette lost Marie Fredriksson to cancer. A devastating loss that left both family, friends and fans in grief.

Their legacy of songs has continued to thrive, being constantly streamed, played and enjoyed by old and new supporters around the world.

2025 will see a live revival of this massive catalogue, all penned by Per Gessle, when he takes the Roxette band back on stage to do what he loves the most; perform his songs live in front of a dedicated audience.

Per and the Roxette band will be joined on stage by Swedish singer and megastar Ms Lena Philipsson.

Per says:

This is all about my Roxette songs, this huge bundle of music and lyrics I’ve been writing for well over three decades. I’m not starting a new duo. Marie will always be irreplaceable. However, I’m really lucky to have found an amazing voice and a brilliant performer in Lena Philipsson.

I co-wrote Lena’s first major hit back in 1986 and she’s one of the brightest shining stars Sweden has ever known. I’m extremely proud she wants to join me in my trek to keep the Roxette legacy alive.

Lena says:

I’m both excited and thrilled about embarking on this tour. I really look forward to working with Per – he is a phenomenal songwriter and a neverending musical force.

The Roxette band will consist of Christoffer Lundquist, Magnus Börjeson, Magnus “Norpan” Eriksson, Dea Norberg as well as original Roxette icons Clarence Öfwerman and Jonas Isacsson. Nine years since the last tour, “Roxette in Concert” will kick off in Cape Town, South Africa.

Tour dates – 2025

February 26       Cape Town, Grand Arena GrandWest, South Africa
February 28       Pretoria, SunBet Arena Time Square, South Africa

March 5              Perth, Kings Park, Australia
March 7              Melbourne, Margaret Court Arena, Australia
March 8              Sydney, ICC Sydney Theatre, Australia
March 9              Wollongong, WIN Entertainment Centre, Australia
March 11            Adelaide, Adelaide Entertainment Centre, Australia
March 13            Hobart, Mystate Bank Arena, Tasmania
March 15            Hunter Valley, Bimbadgen, Australia
March 16            Mount Cotton, Sirromet Wines, Australia

Photo by Fredrik Etoall

Per Gessle on Lotta Bromé’s show at Mix Megapol

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Per Gessle was a guest on Lotta Bromé’s show at Mix Megapol last Friday. John Lundvik and Daniel Paris were on the same program and them 4 talked about Per’s upcoming album, duets, the GT movie and the signs of spring among other fun things. You can listen to the show HERE.

When Lotta welcomes her guests and asks who wants to talk about their week, Daniel is shocked. He says it’s huge, because he has never heard his name in the same sentence as Per Gessle. The only time was when they said, „Daniel, please stop calling Per Gessle”. Haha. He had a stalker period where he called up celebrities. Lotta asks Per how it feels that they have brought a stalker here today when Per is on the show. PG says he is in shock. Haha.

Lotta asks Per how he feels and Mr. G replies he feels great, he loves Fridays. Lotta agrees that it’s perhaps the best day of the week, especially now that Per releases new music. She says they will listen to it in a moment.

Lotta turns to the other two guys and they talk about Semmelchips, because Daniel brought it to the studio. Per refuses to even taste it. He says it’s not for him. He smelled them and it was horrible. Lotta asks him how much of a gourmet he is. PG says he is a pretty basic type of person. So he likes pasta and ketchup and instant macaroni, Lotta says. Mr. G says maybe not so much ketchup, but pasta and instant macaroni, there are days when he eats such stuff. John is trying to sort out that Per Gessle is basic. They are laughing. John has three kids, so they eat a lot of pasta and meatballs.

Space travel pops up as a topic. Lotta is curious if Per is longing for travelling in space. PG smiles and says he isn’t, he stays in Halmstad. Haha.

While Daniel is still starstruck by Per, Lotta starts talking about Per’s upcoming album, a record with many duets. Mr. G says wanted to try something new. At his age, he tries to find a new angle in every project he does. He had a lot of songs that he thought would work well as duets, so that became the angle. Not all the songs became duets, but there will be seven or eight duets on this record. The album title is Sällskapssjuk. Lotta thinks it’s such a great title, she loves it. She says Cher released a Christmas album with duets last year, but she never met anyone who sang along. Lotta is curious how it was with Per’s duets. Mr. G says it was the opposite for him. He met everyone in Halmstad and they were together in the studio and had dinner then. He had a good time with everyone. Lotta wants to know how he chose who to work with. Per says the first thing, of course, was that he liked their voices. The second was that it would work reasonably well with keys and such, purely in terms of arrangement. Some songs he had to re-work a bit to make it work, but it has been very nice all the way. Lotta asks if Per could reveal any more duet partners. Per says he could if he wanted to, but he doesn’t want to. Haha. Lotta says she will ask that question again before Per leaves, so Mr. G should be prepared for what he will answer then, because he can’t say the same answer twice. PG says he can use another language.

Lotta asks John about duets. He says one of his big moments in life was when in 2010 he had to write a duet for the wedding of Princess Victoria and Prince Daniel. [The song is When You Tell The World You’re Mine. /PP] He is a real sucker for duets. Lotta asks him if he is on Per’s new album. John laughs and says he can’t say anything. Lotta says he can’t answer the same when she asks this question again. Haha. Lotta assumes Daniel is not Per’s upcoming album of duets. Daniel says he doesn’t kiss and tell or sing and tell on the radio. He likes the title of the album Sällskapssjuk. It’s with great humor, because it’s called Sällskapssjuk and then there are a lot of guest artists.

Lotta asks Daniel how sociable he is. Daniel says he can have very introverted periods where he just wants to be devoted to himself and then he has periods where he is really extroverted, his emotions burst out and he wants to hang out with people.

Lotta is wondering if anyone was surprised when Per called them and wanted to do a duet with them. PG says he didn’t ring, but sent an email and a text and stuff like that. Daniel laughs and says they probably thought they were AI-hacked and they could have asked Per to send them a picture of the daily paper to get proof it’s not AI.

Lotta says John has a bottle of his new wine with him, named after him, Pour Toi John Lundvik. She asks John to open it so everyone can taste it.

 

Lotta starts talking about Melodifestivalen with John. He was the winner a couple of years ago and he says he tries not to be that involved sometimes, but he automatically gets into it every Saturday. When he won, it was a door opener on many levels. Lotta turns to Per and says he was also involved, but not as an artist. He helped write the lyrics to Kärleken är evig. And Lasse Lindbom participated with Per’s song, För dina bruna ögons skull. Per laughs and says that became the last song that year. Lotta is wondering if Per ever feels like he wants to be there. Per’s answer is a clear no. It’s not really his cup of tea. In fact, he hasn’t seen any of the Melodifestivalen episodes in the last ten years. Lotta is surprised, but she says Per saw Madonna at least, as they were talking about concerts before. He was at the concert for twenty minutes or so, then he left. Lotta asks John if it happened to him too. John says he never left a concert, but he has friends who did exactly the same as Per. Lotta says she and Daniel stayed, but people left, because Madonna was really late. Daniel thinks that’s why people left. It was a working day the next day.

Lotta is getting back to Melodifestivalen and asks Per if he knows about Fröken Snusk. Per has no idea about her. Also doesn’t know about Gunilla Persson. John says he was in Fort Boyard, on the TV show “Fångarna på fortet” and they competed with Gunilla at the same time. She was nice to talk with. She was also nice to John the other day when he posted a cover of Whitney Houston on Instagram. Then she spread it further and John thought it was very nice. Gunilla Persson is Sweden’s kindest and most misunderstood person, Daniel thinks. This woman has a heart of gold, he thinks. Lotta says she has met another person who had been with Gunilla at the Fort and who had slightly different types of stories related to that. Daniel defends Gunilla and he thinks in Sweden, people are a little too hard on her.

Lotta plays Too Late For Love, song of John Lundvik that was the winner 5 years ago at Melodifestivalen. John says it’s still fun to hear it, however, when you have a hit, it’s a little love and hate. He is looking at Per. For example, he thinks of Lionel Richie when he sings Hello. It might not be fun for him to sing it every night, but he still loves it somehow. Lotta asks Per how he feels about this. He has a lot of hits. Lotta is wondering if there are any songs Per got tired of and never intend to perform again. Per says he thinks a bit like what John says, that you have to respect that it’s actually music that a lot of people like. When you stand on a stage and play Sommartider with Gyllene Tider, it might not be the most fun musically, but the communication create with this song is priceless. He thinks all artists feel the same way.

Now that John mentioned Lionel Richie, Lotta asks if he was in the movie that both John and Per recommended on Netflix. Yes, it’s a documentary about the recording of We Are The World in the happy ’80s. Lotta asks what is so special about this docu, because there are several who say don’t miss this. Per thinks it’s a very cool movie. It was a cool decade with very cool shoulder pads in the jackets and high hairstyles. John says you get an insight in that room, the reason why he sings today. It’s the absolute elite in that room and everyone went there after a party. Daniel thought this was a Julia Roberts movie. Haha. Lotta asks Daniel about Britney Spears. He says he has just read her book for the seventeenth time and he sees new shades all the time. Daniel asks Per what he thinks about Britney Spears. Per says he doesn’t think anything about Britney Spears. She was damn cool when she broke through. She had very good songs that Max Martin put together at the time. Daniel’s reaction is „did you all hear? Per Gessle approves of Britney.”

Lotta starts talking about Per’s upcoming movie about Gyllene Tider. Per says it’s not his movie. Haha. Lotta asks if PG is happy with the actor who plays him. Per is really happy with him. He is Valdemar Wahlbeck. He has the same ridiculous dialect that Per has, so that helps, Mr. G says. Lotta adds he is Peter Wahlbeck’s son. Per says he is super talented. Lotta goes on and says there is a Parnevik boy who will play Micke Syd on drums. Phoenix Parnevik. Lancelot Hedman Graaf plays Anders Herrlin, Sweden’s most handsome guy in 1981. Lotta asks when the movie will be finished. It’s still in cutting phase, so it will premiere at the cinema in July. Lotta is wondering how Per will feel when he sees it. Per doesn’t really know what he got himself into with this one. Haha. Lotta asks whether Per has approved the script or he has given free hand. It’s not a biography, PG explains, but it’s based on a true story with some artistic freedom taken. But it will be fun, Per thinks.

Now Lotta and the guys are talking about the signs of spring. For Daniel, the biggest sign of spring is that many of his old friends have started contacting him. Haha. John has broken down after this answer, so Lotta gets down to Per. Mr. G says it’s a little hard to top Daniel’s answer, but for him it’s that the Formula One season starts. He is crazy about Formula One and it starts in Bahrain next weekend. There are test days this weekend. It’s a fantastic thing according to Per. Lotta asks him if he is going there, to Bahrain. Per won’t go there, but he tries to go to at least one race a year. Lotta asks where he has planned to go this season. Per doesn’t really know, but he would love to go to Las Vegas. But it’s not until November. Lotta says that dude, the one who is supposed to be the best has switched teams, if she knows it right. Per asks if she means Lewis Hamilton. He will switch teams next year. It will be exciting.

John’s spring sign is left for last. John says he is now talking as a father, so the spring sign for him is when the gravel is swept away, because the kids are out skateboarding and riding bikes.

Here Lotta plays a new song, Misstag by Miss Li. She is curious if any of the three guys would put this song on their playlists. John would add it to his playlist, he thinks it’s cool and it would be great to hear it live. It would be sweaty. It’s almost like a rap. Daniel likes Miss Li a lot, he thinks she is very talented. Lotta says that the texts of all Miss Li songs work even when they are translated into English. It’s really special. Per agrees that it’s special, but it isn’t really his cup of tea. But he can hear the charm of this one. But it probably wouldn’t end up on his playlist. He has a lot more older songs on it. Daniel says he likes it, Per likes it too, although it’s not his kind of music. You can still like things. Not everything is for everyone. We have to respect that. But we love Per Gessle, Daniel says. They are laughing.

Lotta asks Per if Miss Li is one of his duet partners. Mr. G says, unfortunately, he can’t answer that. As Per said earlier that he would reply to Lotta’s question in another language, Lotta asks him in English, then Per says „sorry, I don’t understand”. Haha.

Lotta asks the guys what they are going to do today. Jan Lundvik, what are you going to do today? They are taking it easy. Lotta turns to Per and asks him in English if he is making some international phone calls. Per answers yes, of course. He says, jokes aside, he is going to take it easy this weekend. He will do Nyhetsmorgon on Sunday morning.

Lotta thanks everyone for coming and the guys say goodbye.

Pic from Janne Innanfors’s Instagram

Per Gessle’s single premiere on P4 Extra

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P4 Extra premiered Per Gessle’s new single, Beredd last Thursday. Titti Schultz invited Per on the show. You can listen to it HERE, 43:24 into the program.

Titti welcomes Per and offers him some sweets. Some remaining candies from the Eurovision panel where they discussed the songs. Per points at a sweet and says it looks completely life-threatening. He loves sweets. Titti is curious if there are any of those in the bowl that Per is particularly fond of. Per says he actually likes all of them. He likes everything with chocolate. He also likes liquorice, black liquorice, salty liquorice and sweet liquorice. He points at one that he doesn’t like. Titti says it’s peach. Mr. G says it’s the kind of nonsense he doesn’t have. He says he has reached the age that he likes Bridge Blanding and stuff like that. Titti says it’s something you grow up to. Haha.

Titti says she has claimed today that Per has become a bit sociable (longing for company). Sällskapssjuk. At least that’s the title of the upcoming album, coming this fall. The first taste comes tomorrow. Titti says Per sings a duet with Molly Sandén, but Per corrects her that it’s Molly Hammar. Titti excuses herself and says it’s her who read it completely wrong. She laughs and says they will have to cut that out later.

Titti asks Per if he considers himself a sociable person. She is curious if it’s more fun to work with others than to work alone. Per thinks he is sociable, like anyone else. But he is quite much of a lone wolf as well. It is a rather solitary work that he has chosen, to write and compose and think about ideas. He is pretty much to himself. Titti says there are artists who gather in large groups and are working on creating songs together. She wants to know if that would have worked for Per. Mr. G says he has tried that, but he gets tired, because there is so much compromising and that doesn’t suit him. But of course, he also needs feedback. If we look at his entire career, he has been very dependent on collaborators. Producers, Marie Fredriksson, the entire Gyllene Tider band, not to mention all the people behind the scenes who have helped him. So he is not alone in that way. Titti asks if it is always Per Gessle who has the last word. Per asks back if she means on planet earth. Haha. Titti says, knowing Per, the world would look different if he had the last word. She referred to having the last word regarding Per’s music. PG’s reaction is „absolutely”. He has always been lucky and privileged to be in the position of being able to do so.

Titti wants to know how Molly Hammar and Per found each other, how this collaboration came about. Per says it came about because he thought of writing an album in Swedish. After a while he realized that it would be fun to do a lot of duets. And that’s why the record is called Sällskapssjuk. It contains seven or eight duets. He can’t really remember, but it doesn’t matter. Haha. And if he had this song, he thought he would love to work with Molly, because she is a fantastic singer. She has that little extra that makes you want to listen to her. He met Molly in a TV show a few years ago, then he got into contact with her and asked if she wanted to join. Per was so proud and happy that she said yes. Then Molly came to Halmstad and they spent a few hours in the studio. Then they had a good dinner in Tylösand and now Per is sitting here.

Titti says we have to wait a little longer for the album, but the first single is here. It’s called Beredd. Titti is curious if there are only newly written songs on the album or if Per has picked up any favourites from the past. Per says there is an old Gyllene Tider song that they did on their English record in 1984. He translated it into Swedish and he has recorded it in a completely different version, so you might not even recognize it. That sounds exciting, Titti says.

Titti asks Per if he could tell about some more duet partners that he has worked together with, but Per doesn’t reveal any other names. You’ll have to wait and see. Titti accepts that she shouldn’t be nagging Per.

Titti mentions that the last time they met, they were talking about the Gyllene Tider movie that was in the making back then. Now the premiere is getting closer, the film is out this summer. Titti is curious how much of it Per has seen. PG says he hasn’t seen much more than 5-6 scenes, which are much fun. He is really looking forward to this movie. He thinks he said that when they last met that the script is great fun and he really hopes that the film will be as fun as the script. Because then it is a home run and everyone will love it.

Titti and Per start talking about Joyride – The Musical, the Roxette musical, which has its world premiere at Malmö Opera this autumn. Titti is happy that it comes true, because earlier there were thoughts about a musical, but it has been scrapped before. Per says, many people have contacted them and wanted to do a Roxette musical, but it has always failed on the script, that the script has not felt good enough. It’s not that easy to make a script where you have to add this song catalogue in the right way. But now they have succeeded. The story is based on a book called Got You Back, written by Jane Fallon from England. It’s a very exciting project. Per says anything can happen, but he thinks it will be amazing. Titti guesses Per is pretty much involved in it. PG confirms. Last week he was down in Malmö for two days and attended the readings and met people and listened and discussed. So he is absolutely involved. After all, these are his songs. Titti says Per has to have the last word there too. They are laughing.

Titti thinks it will be lovely to hear the whole album of duets. Now they should listen to Per and Molly Hammar. It’s the premiere, because this song is not out yet. It is released tomorrow.

Before they play the song, Titti thanks Per for coming and says it was nice to see him. PG says it’s always fun. Titti offers Mr. G the remaining sweets. They are laughing.

Photo by Helen Ling, Swedish Radio

Thanx for the hint regarding the interview, Martina Letochová!

Per Gessle and Molly Hammar on Nyhetsmorgon

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Per was Jenny Alversjö’s guest on Nyhetsmorgon, TV4 this morning. Molly Hammar joined them via Zoom. Watch the interview HERE!

Jenny informs that Per is back with a new single, Beredd. On Friday we got a taste of what’s to come this autumn, because PG will release a new album, Sällskapssjuk. On Beredd we don’t only hear Per’s beautiful voice, but also Molly Hammar’s, Jenny adds.

Here they play a short part of the video to Beredd.

Jenny welcomes Per and asks how it feels to release this song. Mr. G says it feels great. There are only very positive reactions and it’s wonderful to have Molly in this. Per is very happy. Jenny understands that and she says now he works in Swedish again. PG says he has also done some Gyllene Tider in between, but it’s been seven years since he made his Nashville records that were in Swedish.

Jenny says Per is always active. Now this is the first taste from the album Sällskapssjuk, which will be out this fall. Jenny is curious if there is any special reason why the first single is released now. Mr. G says it’s mostly because he wanted to release different duets before the album is out and this way he needed some leadtime. The next single comes in May.

Jenny wants to know more about the background. Why Molly? Because that’s pretty much the only thing they can talk about now, since Per is so secretive about the other collaborations.

PG tells Jenny that he wrote a lot of songs and felt it would be fun to have a different angle this time, to do duets and work with different male and female singers that he likes very much. So he called around and found a bunch of singers that he likes. It’s been an incredibly fun project.

Jenny asks if it was difficult to find these partners. Per says it was easier than he thought. PG says you want to work with people you like, but who have something to add. When you write a song and another personality comes in, things happen with the song both lyrically and musically, so it’s important to find the right one. He thinks it has turned out very nice in this case.

Jenny says it sounds like no one refused to collaborate. Per confirms that and says smiling that it’s unbelievable.

Jenny asks how Per has chosen Molly. Mr. G says Molly is a favourite. She is an absolutely magical singer. She has this magnet, when you hear her voice, you can’t stop listening to her. Jenny says Per mentioned Molly could sing a phone book. PG says she is the classic one who could do that. She is a bit like Adele, she has that kind of voice. You can’t help, but listen to it. So Per is glad she wanted to join him.

That’s a nice compliment according to Jenny. Here they call Molly via Zoom. She is in London. They greet each other and Molly thanks Per for the compliments. Per asks Molly how she is. She feels great, and asks if she doesn’t look fresh. PG says she does look fresh despite that it’s Sunday morning.

Jenny says Molly looks splendid and asks her about how it feels to hear what Per has just told about her. Molly says it’s huge. When Per called her, it was a very big deal for her. Because Per is a legend and a fantastic musician. When they got to meet and then hung out in the studio, then she started liking him as much as a person too. Molly thinks it’s fun that you can be a legend and be incredibly nice at the same time. So she is very happy.

Jenny asks Molly what she thought when she heard the song for the first time. Molly says she loved it right away. She thinks that it’s a classic fine, cross-generational pop song, because it’s a theme that everyone can relate to.

Jenny is curious about how they did the recordings, if they were in Stockholm or in Halmstad.

Per says they met in Stockholm and tested some keys and such. Then Molly came down to Halmstad. The whole album was recorded in Halmstad, by the way, with lots of local musicians. So Molly came down to Halmstad and they had a good day in the studio and a very nice dinner in the evening in Tylösand. Molly confirms it was super nice.

Jenny asks Molly how important she thinks it is to hang around when creating together. Molly thinks it’s important to have a lot of fun together when making music. Otherwise it just gets weird and she doesn’t think this magic could happen then. You have to have fun and laugh together.

Jenny says they would have loved to see Molly in the Nyhetsmorgon studio, but she is in London. She is curious what Molly is doing there. Molly is running around writing songs and she has a great time. Jenny says she should come to the studio when she gets home. Molly says it would be her pleasure.

Jenny says it’s great that they could have her on the show this way. She knows Molly has a lot to do, so they will let her go now and wish her to have a nice time. Molly thanks for that and says goodbye to both Jenny and Per.

Jenny says Per has been in the business for a very long time, but she wants to know if Per has learned anything from this collaboration. PG says it’s hard to say that you learn something, but as he said before, songs grow and change when you work with other people. And as everyone knows, he has worked a lot with duets in Roxette. He wrote so many songs for Marie that changed and raised the quality of the songs simply because of her voice and her personality. And it’s the same here. All these people he has worked with have changed his songs. It’s not like he sat down with seven or eight people and wrote new music together. It’s his songs and his lyrics that they come in and sing to. So there is a big difference here.

Jenny thinks that many people, including her, will forever associate Per with Marie, of course, even if he does duets with other artists. She asks Per what it was like working with others. Per says it’s always exciting. Before you go into the studio and you have a song, it might not feel right. The keys might not fit or there might be too much modulation for it to work. When he chose certain singers, he listened to what kind of voice they have and in theory he tried, this person fits this song, that person fits that song. And some have not worked at all. Then he already knows in advance that it won’t work. Jenny asks if there were a lot of singers on Per’s list to revise, if he had to revise Molly. Per says no, it was simple with Molly.

Jenny can imagine that when Per and Marie worked together, they must have known each other inside and out, so Per rarely got to revise things there. Per says no, but he was listening to the Roxette catalogue and sometimes he heard some strange key changes to lower and higher, so that they can both sing. You can do such technical tricks. The songs Marie sings herself, they are in her register what she enjoyed the most.

Jenny can imagine that there might be an extra reminder of Marie when Per has collaborations and someone else is at the microphone. Per says not really. It’s been so long since Marie and Per have worked together. It was a lovely era in his life that he preserves. But he doesn’t think too much about it now. But the loss is still there, definitely.

Jenny says she knows that Marie wrote some of the music on the new album. Per says it’s actually a song that is not a duet, but he sings it himself. Marie and he wrote it together in the ’80s. Per wrote the lyrics and Marie and Per wrote the music. So it is also a bit special. It was written long before Roxette, when Marie and Per hung out in his attic apartment in Halmstad in the early ’80s and watched Dallas and Dynasty and stuff like that in the evenings. Jenny finds it lovely and she can see Marie and Per in front of her like that.

Jenny wants to know how Per finds such a song. If it was on paper or they recorded it on cassette. Per says it was on cassette and there have been a few demos on it over the years. It has been a little too good to throw away, but it has never found its rightful place.

Jenny asks Per if he has an overview of everything they have worked on. Per says he doesn’t. A few things have appeared in recent years that he has forgotten about, but they are somewhere on cassettes and strange minidiscs. There has been a lot of technology over the years. It’s such a long time.

Jenny asks if the song that Marie co-wrote is also a duet. Per says it’s not a duet, he sings it himself.

The album will be released this fall. Jenny asks Per about the title, Sällskapssjuk. PG says he wrote a song called Sällskapssjuk and he thought it’s a good title when you have a lot of duets. He also thought it was a nice expression, a nice word.

Jenny says Per mentioned before that he worked on the album in Halmstad, he recorded it there. So some of the songs are probably very organically recorded. Per confirms it. He has worked a lot with local musicians to try to find a new angle, a new sound on the record. Everything is a bit homegrown. It’s hard to explain music, but it’s very organic. There is a lot of lap steel and there is a lot of violin. It’s good.

Jenny wants to know how Per finds inspiration again and again. Mr. G says he doesn’t really look for inspiration, but it pops up from time to time. He is not the kind of person who goes and sits down to play the piano and guitar and writes every day. He usually says that he writes as little as possible. Because when he has something on his mind, he becomes very focused and it goes quite quickly. So Jenny says this means Per doesn’t really like sitting and writing like that. Per says he doesn’t like it at all. He has to do it only sometimes. It’s something that has to come out in some way.

Jenny asks how it is to record in Sweden and elsewhere. There must be a big difference between Sweden and the rest of the world. Per has experienced both. PG says there really isn’t that much of a difference. It’s a completely different thing to work in the studio and to be on stage, of course. This communication that you work with when you have an audience in front of you, it’s fantastic. Many people always ask if it’s fun to play Sommartider or The Look, which you have played a thousand times. When you have an audience in front of you that gives so much back, it’s clear that you love to play your hits. That’s why you work, so to say. Jenny says it must be amazing to see those songs live on through different generations too. What a gift!

The album is coming this autumn, there will be more duets. The next single comes out in May. Jenny asks who will be Per’s partner in that, but Mr. G doesn’t reveal. Jenny asks for a hint. Per says it’s a fantastic male or female singer. Haha.

Jenny thanks Per for coming and hopes to see him again in spring. Per says it’s always fun to be here.

Stills are from Nyhetsmorgon.