Sven Lindström: “I thought the Roxette story deserved to be told”

I met Sven Lindström, the author of “Att vara Per Gessle” and the new book “Roxette – Den osannolika resan tur och retur” in Stockholm just right before the release party of the book. Sven told me about himself and especially about the making off the book. Enjoy the interview!  

JSven_L_Roxette_DORTOR_coverudith: To start with, could you tell us about you, how you started to write about music and what you’ve done so far?
Sven: I started as music journalist in Malmö for Sydsvenska Dagbladet, which is the biggest morning paper in the area. I became a music journalist back in 1983 and one of the first guys I interviewed was actually Per Gessle. We connected; I thought he was a fun guy. It was when Gyllene Tider were having a break due to military service and he was about to release his first solo album and he was starting a new chapter in his career.

Some years later I quit writing about music, I got fed up with doing nothing but reviewing concerts or albums, I wanted to keep this more as a hobby, so I went into advertising. I’ve been working as a copywriter since the end of the 80’s.

Some years later, Per called me up and wanted me to make an interview with Marie and him to be used as a press release for the Joyride album, so I met them in Per’s apartment in Halmstad in December 1990 and wrote the piece which was then given a magazine look where we tried to emulate the feeling of Rolling Stone interview.

And since then I’ve been working doing a lot of press releases, biographies, CD booklets, tour programs for Roxette and GT. So basically I am a music writer that tried to quit but didn’t really manage to. And I’ve published three books so far.

J: One of them is another Rox-related book, “Att vara Per Gessle”. How did that happen?
S: The idea came up at the after-show party at the last concert of the Room Service tour in Göteborg, it was Per who suggested that at 5:30 in the morning when most people had gone to sleep and the others who were still around were not terribly sober. He said, “You know, one day somebody will write about the Roxette story, why don’t you do it?”

I heard myself say “Yes, of course,” I didn’t realize what I had just said yes to, haha! So afterwards we decided to make a biography on his career and life, we wanted to do it very candid open and very interview based. But it took forever to do it because I worked with other stuff as well, so it was released in 2007 in the end.

J: And what can you tell about the third book “Han sitter där nere mellan Clapton och Hendrix – Jan Olofssons galna tripp genom pophistorien”?
S: It’s about a photographer from Malmö, Jan Olofsson. It’s a very funny story, a bit like Forrest Gump in the pop world of the 60’s. He met The Beatles in Hamburg in 1960, when he was just 16 and The Beatles had just arrived from Liverpool. And then he went to London and stayed there, working as a manager, photographer, record label boss, producer, club owner etc. Whenever something amazing happened, he happened to be there. It would make a great movie.

J: You are also the voice behind Nordic Rox. When did you join this radio program?
S: Nordic Rox started in 2006. There were quite a lot of people involved, like Pelle Almqvist of The Hives, Per and the ABBA expert Carl Johan Palm. I am not sure what happened before I joined, but around the time when “Att vara Per Gessle” came out at the end of December 2007, Per asked me if I was interested in taking over as the show’s host together with him, but that he would be more of the flagship of the show, and I would do the work, haha! So that’s how it started for me.

J: But you don’t travel to the US every time for the show, or?svens
S: No, I do it from Malmö. My kids have found me in the closet sometimes because it’s good acoustics there, so when you hear the “Hello, you are listening to Nordic Rox – good looking music” you now know where it was recorded, haha! I still do it from home, recording voice breaks with the regular Mac stuff like GarageBand and doing playlists of songs in iTunes. Then I send it to the Sirius XM headquarters in New York where they produce it into a proper show. I still haven’t really understood that it’s aired in USA, it’s amazing. A friend of mine who was once somewhere in California, was at a hotel with a few business people and he heard the program on the radio and called me “I am sitting here at a restaurant and they are playing something called Nordic Rox, is that you??” haha! So you see, it’s a small world.

J: But it’s great that you are able to spread Nordic music in the states, what is your favourite Nordic band right now?
S: The Asteroids Galaxy Tour from Denmark, I listen to them a lot lately. But there is a lot of good music coming from the Nordic countries, so I think Nordic Rox is a good call.

J: You explained how “Att vara Per Gessle” happened, but how did you get the idea to write this book about Roxette?
S: The original idea was to make something out of the tour, but that idea changed in-between. I realized that the only book that had been written purely about Roxette came out in 1992, I think. So much has happened since then, everything that happened before the 2011 tour, and then how it progressed into 2012, I thought this had to be recorded and told. Of course, fans know about this and are totally involved, but the majority of people didn’t know the whole story. Some knew parts of it of course, but they didn’t really know the details of the struggle that went on, so I thought the story deserved to be told.

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Marie Fredriksson about upcoming solo album: “You can expect a typical Marie Fredriksson style”

There have been some rumours going on about a new Marie solo album the past months and specially since the recording of “Tack för musiken” last week. I had the chance to ask Marie a couple questions about the album and other topics:

RXB: First of all, how was your summer? You did some appearances like with GT at Ullevi or at Madeleine’s wedding or now the recording of “Tack för musiken”…
Marie Fredriksson:
My summer was relaxing and sunny. And GT was a great evening! Sweden and GT at its best. Madeleine asked and it was lovely to play at her wedding. I think “Tack för musiken” is a great TV show and Niklas is a great host and a good ol’ friend of mine. I was very surprised and happy to see all of you in the front rows!

RXB: There have been rumours for a long time about a solo album, what can you tell us about it?
Marie: You can expect a typical Marie Fredriksson style. The album is in Swedish.

RXB: When did you start working on it and with whom did you record the album?
Marie: I started a long time ago but a world tour came in-between. The album is produced by Micke [Bolyos] and Christoffer Lundquist. We had Mr. Pelle Alsing on drums on a couple of tracks. Jens Jansson and Christer Jansson played drums too. Then Christoffer Lundquist played bass and guitar, so did Staffan Astner and Jokke Pettersson. Ola Gustavsson [who was at “Tack för musiken” as well] played guitar and pedal string. Micke played keyboards and did some programming together with Christoffer.

RXB: and who wrote the songs?
Marie: I wrote one song, Per [Gessle] wrote one song too and the rest are written by Micke, mostly together with different lyricists.

RXB: There were also rumours about a solo tour… so we are wondering if and when?
Marie: Definitely not during 2013. Maybe 2014, but nothing is decided yet, so I cannot tell you more at this stage. But I love to tour, it’s the best I know!

RXB: What are you doing nowadays when you are not busy with music?
Marie: I am painting, relaxing and having fun. I love to be close to my family.

We are very much looking forward to the album (and tour)!!

Interview with Micke Syd: “It’s the way we deliver the songs and the communication with you that create this good vibe, I think it’s very unique.”

We met Micke Syd in a café in Södermalm, one of the nicest districts of Stockholm, the Monday after the Stockholm concert. The weather wasn’t as nice as the previous days, but still allowed us to sit outside for “fika”, the Swedish word for “drinking coffee”. After a bit of chit-chat about our stay in Stockholm, travelling here and there to go to concerts and how Micke Syd is feeling today (“better today, yesterday I was totally KO!” he told us) we started with our interview.

Judith: So let’s start with some background. How did you get into music and when did you start playing drums?
Micke: I think I’ve always wanted to play drums. I remember when I was 5 or 6 and my parents had parties at home and played music and danced, I had a metallic ashtray and I played with knitting needles on it, just for myself, following the rhythm of the music. I don’t know why! (says with a smile). Then I got a drum kit for Christmas when I was 12 or 13, so I learnt to play myself. When I was in 9th grade I had some music lessons for some months but I learnt the rest myself. Then I started to play with Anders and a friend named Martin and the rest you know.

J: and did you have any favourite drummer or inspiration?Micke Syd 2
M: I think I had when I was younger; I always liked all those good drummers who had a personal sound when they play. A beat is a beat, but there must be that special something.
The thing is, you can be technically very good and fast but that doesn’t mean that it’s good.  So, of course, Ringo Starr or Charlie Watts were some of my inspirations. When you hear them play, just one beat, you know it’s them playing, it’s their personality coming through the drum sticks.

J: I think there are just a few drummers you can put in that category, I just got into Bruce Springsteen lately. I sometimes like to concentrate on an instrument when listening to an album, mostly it’s the drums or guitar. So I am amazed the way Max Weinberg plays.
M: Max Weinberg is fantastic. The feeling you get from him is very strong and precise. Love it.

J: It reminds me in a way you play, very much defined strong beats, very fast and catchy as well. And that’s one of the things I love about Gyllene Tider. You hear the difference if you are not playing the drums. You have a very much defined strong beat and you totally miss it when somebody else plays GT songs.
M: Thank you! I think this is the biggest thing with us in Gyllene, we have a totally own sound. All the 5 of us need to be there for this special thing to happen. And the fact that you hear when it’s me playing is the key. It comes with age, I know that I am never gonna be playing faster than *beep*, but I know that I can play ME.  Like MP plays himself, or Anders and Göran and Per. And that is the formula that makes us so special. It’s important to know who I am when I play. And what happens with me and the others in the band. And this is the kind of drummers I like and what I like to hear in other bands too. I am rather old now so I don’t listen to songs that way anymore, but sometimes you just have to. Like for instance, Paul McCartney’s drummer – have you seen him live?

J: Yes, just a month ago!
M: that is great to hear. Did you notice the drummer? Abe Laboriel Jr. His father is a legendary bass player; you can check him on Youtube. Abe Jr. is a huge guy, he also sings and has a very soulful voice and he plays fantastic drums. We could do the same beat on the same drums and it would sound totally different. Just because of the way we do this. And that’s all about music. Find who you are and play the best you can.

J: How did you create the drum parts for the new songs? I understood that Per sent you the demos, which are basically guitar and some keyboard, and that’s all. Was it on the fly in the studio or did you prepare yourself?
M: that’s one thing that was so magical about “Dags att tänka på refrängen” and the difference to when we did “Finn fem fel”. Per had written like he always does, on guitar and him singing, maybe some rhythm pattern or keyboard. He sent the songs bit by bit in spring I think, and I decided for myself to just listen to the songs once this. Sometimes when you listen to them more often, you listen to the chords, you may think ‘I have heard it before’, and you get a wrong input or idea about the song. Then you also start to think how you will play things. So I just listened to them once and left them. I think that one of the best things with us is that when we are together things just happen, we just do it. Of course, I have my box of fills and my beats and rhythm, you will probably hear the same or similar on more than one song. But it’s my way of doing it. So this time we just played.

J: And it worked out amazingly, because the album is great and you really seemed to have fun, some songs sound even like having been recorded live.
M: I think one of the good things was that we started out with “Det blir aldrig som man tänkt sej” because it’s a very powerful song and because we had already played it 32 years ago, but we still remembered it. Now when we rehearsed we even did songs from the EP “M”, like “M” which we never played back then, so we just said ‘let’s see if we can play it’ and we could. So songs are somewhere here in the brain, and when we get together it all comes back.

J: So what happened after “Det blir aldrig…”
M: We recorded this song in two or three takes and that was the beginning of the creative thing going. The first day we did a lot of takes, everything went so fast we didn’t even have time to think and I think that was the good thing, we simply played.

And many times what we played then became the arrangements, so you could say that we did the arrangements for the songs in real-time. And when you do that, often the stuff that comes out is amazing and the way it should be.

And for me this is very important too, I have to keep the tempo, I have to know what is happening to put the beats and the fills so it melts with the rest, so I like when it’s flowing, it shouldn’t stop, it should be like a dance. The parts between the verse and the chorus should be together with some nice … something. So when we do it like this, that fast, it just happens, this is nothing you can talk about. And it’s so special to be in a band where we have such a communication that is not verbal, it’s totally something else.

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Motivation is what drives Per Gessle

Hallandsposten made a long and interesting interview with Per in the garden of his house in Sandhamn. From the interview it turns out that Halmstad is the place where Per can get energy. He also mentions that Åsa is the best wife in the world and Gabriel is as interested in computer games as he was in The Beatles and all other music at the same age as now Gabriel is.

According to the article, first it was the answering machine, then the tape recorder and mini-disc, but today Per Gessle‘s most important “instrument” to record and collect his ideas is his iPhone. Later he is saving all his files to computer, too. Per’s mobile is full of cryptic names of draft files that later might become hits. The working name of e.g. Singel was ”Apelsin” (= Orange – this word appears in the lyrics). Talking about hits, there are more than 1000 Gessle songs registered at Stim (International Music Agency of Swedish Composers).

As Per says to Hallandsposten, in terms of percentage, the lyrics take much more time to write than music. It’s often verses, quotes or events he’s picking. For example, ”Tiden är en dåre med banjo” (= Time is a fool with a banjo) is a Charles Bukowski quote.

Regarding ”Anders och Mickes första band” Per says:

It was my way of showing that we are five in Gyllene Tider, not just me.

 

Of course, we all know Per likes playing with words, he’s creating awesome rhymes. He says to Hallandsposten that ”Det blir aldrig som man tänkt sej” is about disappointment and with the rhymes ”Du kunde knappast knäppa knappar och knyta knutar på en och samma gång – du stod på fyllan bakom hyllan som en Bob Dylan väntande på varm buljong” he could express exactly what he wanted.

Hallandsposten writes it was 37 years ago when Per got his first ever fan mail – from Katarina. He remembers the letter clearly and says if he writes a song he thinks is good and then anyone else likes it too, he’s proud. He says he always wanted to succeed with his art, so today he feels that there is nothing left to prove. Therefore, being No. 1 on the charts or commercial success are not that important anymore.

To Hallandsposten’s question regarding what is driving Per, he replied:

Motivation. If I would lose it, no more melodies or chords would come to my mind. I wouldn’t be so open to ideas and wouldn’t take down what is out there.

 

Hallandsposten also asked how Mr. G can manage all the things he is doing at the same time: music, hotel, wine and even handling several social media sites. Per says:

If it wasn’t me doing it, then someone else would. And then I still should check it. So why not doing it myself? After all, it’s fun.

 

 

Per Gessle_Hallandsposten_photo_by_Jari_Valitalo

 

Original article © Hallandsposten; GT photo © Jari Välitalo

Celestte Williams contributed to the article.

 

Marie Fredriksson in ”Tack för musiken”

It’s nice to hear so many news about Ms Effe being very active nowadays. Today it has been announced that Marie will appear in Niklas Strömstedt’s ”Tack för musiken” (= Thanks for the music) show.

The show provides an exclusive and unique picture of Sweden’s most famous artists. Niklas and his guests are talking about music, memories, anecdotes from the artists’ career and also singing songs during the program that is recorded in Maximteatern, Stockholm. Other famous guests related to the participating artists are also attending the show, so we might see Per in the part with Marie as well.

The third season of this program starts in December on SVT, but recordings with Marie are on 27th August.

If you want to be in the audience, apply for tickets asap by sending an e-mail to Joanna Nilsson (Audience Manager): tackformusiken@titan.se. Provide your name, phone number, e-mail address, number of tickets you need and the name of the artist you want to see. Tickets cost only 70 SEK, payable in cash at the entrance. Who comes first is served first!

 

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