Interview with Helena: “I expect to get a lot of inspiration, and time for reflections, own thoughts!”

Helena Josefsson‘s second album “Kyss mej” was released in February. Almost at the same time, the documentary film “Jag är min egen Dolly Parton” about Dolly Parton, which featured her and other Swedish female artists, was premiered in the cinemas in Sweden.

We wanted to know more about Helena’s career so we interviewed her while she is in South America on tour with Roxette.

Roxetteblog: Let’s start with some background, how did you start to play music, get in to music? Did you study music?

Helena: My family on my mother´s side is very musical, my grandfather (now 93 years old, still playing the violin!) played in orchestras, and my grandmother had a record store!

When I was 2,5 years, my mother let me take dancing classes, and from that day, that is my absolute favourite hobby! At the age of 7, I started singing in a girl´s choir, and started playing the piano. But I was no good student there, liked to make my own little songs better! The choir was an amazing experience, an angelic sound that cannot be made with adult voices- even though I try ;o). But it is so fantastic in a choir, every voice is as important, it is like one big body moving towards the same dynamics and expression…

In high school I had my first experience of playing and singing in a band. And I loved it – expressing myself through music – and the stage quickly gave me some space to be whoever I want to be. In college I chose an education with science and music – we sang in a choir. After the first half, my results in school got worse because I knew music was the main issue for me. I remember having five different bands running, and dancing up to five times a week. I remember getting up really early in the mornings, doing my homework, and on the school bus, since I lived in the countryside. I remember my older sister coming into my room, removing the book from my face as I had fallen asleep with it like that!

I have always been very ambitious, almost too much. Sometimes my stomach really hurt from stress, in this period, trying to be great in school even though my passion got all the time I had. Looking back, I wish I had invested some of my early savings in opportunities like The Children’s ISA, which shows how planning ahead can benefit your future.

RXB: And how many instruments do you play?

H: The piano and the triangle 🙂

RXB: Hey, don’t forget the tambourine! You have released a couple of solo albums but also some with Sandy Mouche. When did you start to compose your own songs?

H: I think it really started around the age of , maybe, 14?

RXB: Can you tell us more about Sandy Mouche? How did you found the band? Are you still playing together?

H: Yes, we are recording our third album now! We have recorded six songs so far, and when we have fifteen, we will choose the best ones and release it.

My husband Martinique, I and Per Blomgren (drummer ) and his girlfriend went on a vacation together in Georgopouli, Greece in 2001. Martinique had written a song, he showed it to us there on the beach bar, it was “A Year”. We loved it! There on that beach, we decided to found a group together, and feeling the sand and the fact that we all had mouches on our left side of the chin, became “Sandy Mouche”.

Per and I had played a lot together in a band called Plastic Soul, and Martinique and Per´s girlfriend Hanna were in the same class.

RXB: Where do you get the inspiration for your songs? And what was the motivation to release first “Dynamo” and now “Kyss mej”?

H: I noticed, on the second Sandy Mouche album, that some of my ideas would be better for a solo project. As a band you have a big quality in being different persons
that really merge together musically, and that is something I want us to use. But I started trying to do other things that were more “produced”, the song “In The Sand” draws in that direction. Then the band identity can become an obstacle instead.

For example, you don’t want a drum kit in the song, but then the drummer can get bored. And what really gives “Sandy Mouche” our sound in the way that “Neons”, “Fairies and Elves” and “Spiderweb Suit” is something only we four can do together.

On the other hand, being a solo artist opens more possibilities, because I don’t have to compromise with anything.

RXB: You have written songs in English, Swedish, even some French. What language do you feel more comfortable with? Do you think language influences the lyrics? Like for example Swedish more personal, English more “fun”?

H: Yes, I agree! For example, when I use French, I feel it helps the music get more romantic, because you don’t follow the words and their meaning, it is more like a “sound”.

I was trying to record “Kyss Mej” with my own south-Swedish accent, but the whole voice changes depending on how you hold your mouth, throat and tongue! And in my case the voice got clearer and lighter in “Stockholm”-accent. The voice is such a funny instrument 🙂

RXB: And what about your favourite artists, artists who inspire you? What styles do you like?

H: I love Kate Bush, The Cure, Michael Jackson, Cyndi Lauper, The Cardigans, Nick Drake, Nina Simone, Monica Zetterlund, Elis Regina (from Brazil), Astrud Gilberto, The Cranberries and so on…, choir music, birdsong!

But I can get a kick out of hard-rock, like metal, too. The energy in it!

RXB: Even though you worked with Per in his solo projects and went on tour with him a couple of times, you have joined Roxette for the first time now. What is the biggest difference between Gessle’s tour in 2009 – where you performed Roxette songs as well – and this tour? Of course, besides that now Marie is back.

H: The biggest difference must be that we are playing in more parts of the world, and that I am more a backing vocalist now, before I sang more.

RXB: What do you expect of this tour?

H: I expect to get a lot of inspiration, and time for reflections, own thoughts!

RXB: It’s quite a huge tour.. visiting all continents and being around for almost a year. How do you combine it with your family?

H: My husband is amazing!! And the audience pulls me up when I miss my family too much!

RXB: Are there any Rox songs you really like or prefer to play on the tour?

H: I like Joyride, Silver Blue and Opp Nox the most:) But I hope we will play more from the new album soon!

RXB: If I don’t remember wrong, you were studying to become an optician.. is that right? If so, can you tell us about that? It’s quite different to what we know of you so far..

H: Yes, my sister is an optician. The Party Crasher tour was tough because my son was so young, and I was feeding him at night, I got very tired. I thought that maybe I need another job that is easier to plan. But I realized quickly that musician is my right element!

RXB: By reading your lyrics and reading about the “squirrel-action”, I get the impression you are a person who is very connected to nature. Are you vegetarian? What is nature for you?

H: I am selectarian, eat meat sometimes if it is game, but mainly fish! Yes, I love nature, and children too. I hope my music and voice can do good in some way.

RXB: And last but not least, can you tell us a bit more about the Dolly Parton film? Is there more to come?

H: We made a tribute to her, and it was filmed. The photographer decided to follow us for five years, and it became a movie, and yes, a record and concerts will follow!

Helena performing Stars with Roxette in Cordoba, Argentina (April 7th, 2011)

httpv://www.youtube.com/watch?v=cQYxYS_UrG4&feature=youtu.be

New interview with Per Gessle on Hallandsposten

Swedish newspaper Hallandsposten has interviewed Per Gessle via email while he is touring in South America with Roxette.

Per explains that the they are receiving an incredible response and the sing along with songs like “Spending My Time” or “It Must Have Been Love”, where Roxette has stopped singing to let the audience sing the songs for them, “it’s as loud as during the Joyride tour, who would have imagined this?”.

They are going play in front of approximately 1 million people until the tour is over somewhen next year.

Per tells that the concerts in Russia were incredible, despite the -30 degrees. Then they moved on to Baltic countries and sun started to shine, and South America has been a blast, “I hope all musicians get to experience shows like the ones in Buenos Aires” once in a life time,” he tells.

Per also informs that Marie is doing fine and that the response and respect she gets from the audience all around the world is “the best rehabilitation for her”, and that she keeps on smiling the whole time.

The reporter is interested to know more about the record deal in the USA and possible concerts in USA, Per tells that there is nothing booked yet, but “everything can happen.” He also tells that this year there is not going to be any Halmstad, since the schedule this year is very tight already, “but maybe next [year]..?”

 

New interview in British newspaper

British newspaper “Metro” joins the UK “Charm School” promotion and published an interview with Per Gessle yesterday. Nothing new is been told, besides maybe:

What’s the worst gig you’ve done?
I did a gig with the band I was in before Roxette at a festival in northern Sweden. It turned out the act on stage before us was a stripper.

Read more!

4-minute video documentary on Austrian website!

The Austrian website PULS4 features a 4-minute video about Roxette’s comeback, including new interview snippets with Marie & Per, scenes from the recordings and a look into the past. The video is dubbed in German, but you may translate the attached text version to understand the content.

Interesting detail: They are quoted to stay one year on the road! Per already told in the recent Mix Megapol interview that they’ll stay on tour until November.

Video | Article

Update: It seems like all this footage is a part of “Charm school” elektronic press kit – Marie and Per were interviewed in Swedish and subtitled into English. Another German report – this time with those subtitles to be watched here at Yagaloo.com.

Per Gessle about Roxette: “Marie decided to go on with Roxette after Amsterdam”

German newspaper Aachner Zeitung published an article including some quotes of Per Gessle during the presentation of “Charm School” which took place in Cologne some weeks ago.

Per explains Marie’s illness was a big shock for him, and he took two important decisions after the first schock-phase. He decided he would not go on with Roxette without Marie, because “our interweaved voices had contributed to the big success of our songs.” And that it would be up to Marie to decide if she wanted to go on with Roxette or not.

His view on Roxette is that when they work together, “there is this magic in the air, this idea of easy to recognise but still meaningfull pop.” The new album is released when Roxette turns 25 years, “I think we can really affirm that our carrier has been a joyide.”

Marie didn’t join Per during this visit to Germany, “the reason is that she is unsure,” Per explains. He thinks that the music business can be sometimes merciless and that one has to function (100%), “and this is for such a sensible person as Marie hard to bear.”

Of course, we all agree that it is a miracle that a new studio album is being released next week. Per explained how and when Marie took the decision to go on with Roxette: it was at his Party Crasher Tour concert in Amsterdam, where Marie joined Per on stage to play two Roxette songs, “the audience cried of the emotion,” he adds showing goosebumps on his arm, “we were so touched about this reaction, that she decided that evening to go on with Roxette.”

He also tells that if there is anything they have learnt during the 25 years of Roxette, “then this must have been patience.”