CONTEST – Win a signed copy of Staffan Öfwerman’s biography!

Your Backstage Pass to My Life in Music by Staffan Öfwerman is a truly remarkable biography. Written by Staffan himself, the book chronicles his life as a musician behind several Swedish artists, with a significant focus on his time with Roxette, where he worked as a musician during their peak years. The book is not presented in chronological order; instead, Staffan weaves captivating stories that revolve around similar themes, blending various anecdotes from different periods of his life in an entertaining manner.

Opening with a fantastic experience of performing at a retirement home, the first chapter sets the tone for the book. Your Backstage Pass to My Life in Music also includes a selection of both black-and-white and color photographs. Moreover, readers gain access to a private website where they can explore a treasure trove of Staffan’s photographs taken during his numerous tours. These images are truly unique, never seen before by the public.
Furthermore, the website features a treasure trove of video and audio clips, including demos and unreleased songs. These elements complement the reading experience, offering a multi-dimensional glimpse into Staffan’s extraordinary musical career.

As Staffan shares his journey, the personal touch of the author and his direct involvement in these events make the reading experience even more captivating. The narratives are authentic, coming from someone who was an insider throughout these experiences.
In conclusion, Your Backstage Pass to My Life in Music is an excellent and entertaining book that takes readers on an enthralling journey. Staffan’s firsthand accounts and musical prowess make this biography a must-read for anyone seeking an insider’s perspective.

A great advantage is that the book is written in English. The 286-page biography was published in June 2023 and contains photos as well. It can be ordered HERE!

Everyone who has purchased the book gets access to an online backstage area with exclusive content.

Listen to Staffan’s solo music HERE!

Staffan kindly offered one signed copy for a RoxBlog contest. In order to participate, answer the following questions correctly:

  1. Name at least 3 songs on Roxette’s Joyride album where you can hear Staffan singing backing vocals! – Hotblooded, Fading Like A Flower, I Remember You, The Big L., (Do You Get) Excited?, Church Of Your Heart, Small Talk
  2. What’s the title of the latest single released by Staffan as a solo artist? – Let Us Take You Higher
  3. What’s the title of Ofwerman’s 1987 debut single written by Per Gessle? – Young

Send an e-mail with your name, address and the correct answers to the questions to roxblog.contest@gmail.com until 23:59 CET, 5th November 2023. The lucky winner will be announced on 6th November 2023. Good luck!

UPDATE on 6th November: the winner has been picked and informed via email about his winning. Thanx, everyone, for taking part! The winner is Michael Haskamp from Germany! Congrats!

Contest terms and conditions:
– In order to participate, you have to send an e-mail to roxblog.contest@gmail.com with name, address and correct answers to the 3 questions. We will consider all e-mails we receive until 23:59 CET on 5th November 2023.
– 1 winner will be picked randomly among those who have participated and sent the correct answers.
– You can only participate once. Any attempt to participate twice or more times will lead to your disqualification.
– Prizes won’t be paid out in cash. Prizes will be sent by registered mail only once.
– The winner will be announced on this website, on our Facebook page and will also be notified per e-mail. You’ll be required to answer the e-mail confirming your address.
– RoxetteBlog will not enter into any correspondence regarding the result of the contest and is not liable for any damages, loss or expenses that may result in connection to the prizes.
– By taking part in the contest, personal data (first name, surname, e-mail address and address) will be collected. These data are needed in order to run the contest, particularly in order to match participation applications to their entries as well as to identify and notify the winners. This method of processing data is therefore required pursuant to Article 6 Paragraph 1 lit b of the GDPR to fulfil contractual obligations. The personal data collected will be processed and used by RoxetteBlog only to the extent that is required in order to run the contest. The personal data will be stored for the duration of the contest and – in order to process any claims relating to winnings and damages – for a maximum of 6 months afterwards and they will then be deleted. By participating, you agree to all above mentioned and your name being published on this website, as well as on our social media channels in case you win.

Micke Syd Andersson about Gyllene Tider on Norwegian podcast

Micke Syd was a guest on Oppland Arbeiderblad’s podcast, Backstage the other day. It’s a Norwegian podcast, so the questions were asked in Norwegian, the answers were given in Swedish. Since these two languages are so close to each other, there is no need for an interpreter to understand each other. Here comes the English transcript of the chat between Micke and Frode Hermanrud. Listen to the podcast HERE!

Gyllene Tider had a concert in Gjøvik on the Moderna Tider tour in 1981, so a bit more than 40 years ago. Micke says it’s a lot and he informs that they are going back to Finland also after more than 40 years on this next tour. He says it’s great to come back and say hello. When GT was there last time, 41 years ago, the reviewer wasn’t too happy, Micke says. He explains he got a clipping of a review from Frode and from that he sees that the reviewer didn’t think GT was that good. Frode reads from the review that the music goes straight to the heart of teenagers in the Nordic region, it’s built on worn-out clichés with lyrics that address youth love and all its variants. „Jag vill känna din kropp emot min…”. It can’t be Swedish top music and the vocalist wasn’t shining either. Micke laughs and says here we are 41 years later and the singer has had three careers and GT is still there. He thinks it’s awesome and it would be fun to meet this guy who wrote the review. His name is Tore Hansen, Frode says. Micke thanks him for the review and says maybe they see each other in Fredrikstad in summer. He puts the guy on the guest list, he promises. „Let’s see if you feel the same way now.” Haha.

Micke says it wasn’t unique that guys didn’t like them back in the days. It’s because the girls thought they were cute. But what could they do… They were nice, sweet and kind. They were on the Swedish charts and so there was a lot of screaming girls. It has evened out over the years. Now the girls don’t scream as much and the guys are much happier these days. Haha.

Frode says what a tour it was in 1981. Micke says it was amazing and just think about that they went all the way without GPS or mobile phones and they set up and took down everything at the concerts themselves. He just watched a film 2 weeks ago when he was at home in Halmstad and did Christmas shows at Gessle’s hotel together with Tommy Ekman from Freestyle and Lili & Susie, Swedish eighties artists. So, a friend of his parents had filmed them in 1981 in a folkpark in Falkenberg which is another town in Halland where Micke Syd comes from and then he saw all the work and all the people. It was a lot of work. And it’s so funny because they did all that job during one year in 1981, then in 1996 they went to „only” 21-22 places and played for as many people. The ’80s were very different.

Frode says Gyllene Tider had 6 concerts before their incredible break-through with Flickorna på TV2. Micke says there was a TV program called Måndagsbörsen, which was huge in Sweden at the time because there were only two TV channels. If you had the chance to be on Måndagsbörsen then there was a big chance to break through. Gyllene Tider appeared on the program as a replacement of an English band, because they couldn’t come. Micke can’t remember who they were. They had Flickorna på TV2 with the lyrics „tänk att få sätta på flickorna på TV2”, but „sätta på” (turn on) has this double meaning, although that was not what it was about. It’s about turning the TV on. Per is good at those formulations. And to appear on the TV was enough for them to make it happen. It’s only them five who sound like them, they had a unique sound already back then. So what Frode said regarding the gigs is true. They had booked some gigs because they had a record deal and were going out to play. They were paid very little, but that was a few years before they were on TV. And then they got paid more after TV, because then everyone wanted to book them. Micke Syd has a friend he has known all his life who was 16 at the time. He organized a gig up in Rottneros which is outside Karlstad in Värmland and he had booked GT for 2500 SEK before the TV program. 2000 people came. There was big chaos and it was overcrowded, because everyone wanted to see GT. Micke’s friend said he has never had such a good evening.

Frode asks Micke about their ambitions outside Sweden, in Norway, for example. Micke says it’s been so long ago and to remember anything from the ’80s they have to be together all 5 of them. Haha. But he is pretty sure their record label EMI had an office in Norway. The music industry was completely different back then. The ambition was to come over to Norway as well, because Swedish music existed there after all. Ledin and lots of others before GT existed and became popular in Norway, so it’s clear that they also wanted to go there. They wanted to be as big as possible. That’s why they did The Heartland Café album. So yes, that was definitely the intention, Norway, Finland. Denmark is a bit more difficult because the languages differ. Some Swedish artists work in Denmark and GT also did some TV in Denmark, but that doesn’t happen much anymore. Norway has always taken Swedes with open arms. Micke is in Norway a lot with Tommy Ekman from Freestyle, doing corporate gigs and other stuff. They appreciate Norway a lot and Norway appreciates them too. Also that’s why Gyllene Tider played in Fredrikstad and then in Oslo, on the roof of the Opera in 2019. Micke tells how the opera gig was. They were on the stage that was above the water and played for people on the opera terrace and it started raining cats and dogs. Micke says they are coming back to Fredrikstad again this summer. Gonna be fun.

Frode asks Micke about the concert film, Parkliv! and is joking if he had a stylist. Micke thinks he looked too terrible. His mom was a hairdresser and had permed his hair. Micke didn’t like it, so he was wearing a cap the entire film and shorts and a T-shirt that he got in a rock club in Southern Sweden. So it wasn’t anything he thought about. The others looked quite nice, he says. It’s as usual with the drummers… So they didn’t have a stylist. If you compare it with the band Freestyle, the old Freestyle, it’s a completely different thing. They have really thought well about the clothes and everything. But that’s Micke’s personality, it’s the way he was. He wanted to play and didn’t think too much about other things. He thinks it’s also part of their success that they are quite ordinary. Now it has become different and Per also had his career with Roxette, but they are from the countryside, they all grew up in small towns and have been close to it all the time throughout their career. Micke thinks maybe that’s what makes people like them too, besides making really good music together of course. And they are good at it. They are good at working. They are very good at what Gyllene Tider is and they stood the test of time. Those songs stay with us. You hear this and that song and think about your teenage years when you were in love or anything else. Micke says he can see it when they play that there are a lot of young people too. When he did those Christmas shows in Halmstad, there were many tables with guests who were 20-25 or so. They weren’t even born when GT broke through. Their parents were teenagers then. But they are just as happy as those who are 60 now, because it means the same thing. Micke thinks it’s cool. It still feels a bit unique that you can get the same feelings when you hear these songs now. They are 40-year-old songs, but still they fit into life in a way. That it would be like this they didn’t know. After all, they just did what they wanted to do, it kind of worked and then it turned out well.

Micke says that when you work with music, it’s not like a regular job. He works with different bands and sings a lot and then he doesn’t play the drums. People in those bands can be much younger than he is. They are working with Gyllene Tider songs too and then Micke sings them. He says you forget age then. He doesn’t think about how old he is. He thinks it’s just as fun now. Micke explains they sat and watched Parkliv! on Youtube in 2013. He tells the listeners to watch it if they want to see him in terrible stage clothes. Then they sat and looked at themselves. They were 20 years old on that film. When he sees it now, he realizes that his youngest son Eddie, who turns 30 now, he was the same age in 2013 as Micke was on that film. And a second later he thought „wait, where am I sitting now”. He is as old now as his father was on the film. It was huge and when you still do it what you were doing back then, it’s just as fun. You can carry something like this with you for the rest of your life. Now there comes another tour, they have finished a brand new record, which they all think will be great. They feel that they make relevant music. Those who like Gyllene Tider will like the record, because it doesn’t sound like they are 62 to 64, but it sounds like they are 20. That’s how they sound together and the best part is to be on this journey together and to share it with people.

Frode shows an autograph card and Micke says he appreciates completely different things now than when he was 20. Then he wanted to be a pop idol and wanted the girls to scream. Then he was kind of satisfied. It’s not quite like that now. But sharing this experience of what they went through together with the others and to talk about that means something to others too. Not so much for Tore in 1981 maybe. Haha. For Micke it’s cool, because it feels like they have done something good with their lives and Per has done even more, because it’s absolutely unique to succeed in having 2-3 different careers at an even bigger level. There isn’t that many artists who have done it the way he did. Micke thinks Per has a great career as a Swedish solo artist and also with Roxette. And Gyllene Tider to begin with. Without that, the other things had not happened and that they are still around is amazing. They reunite every few years and they all have the same attitude as they had when they were 20. They think they should do their absolute best.

The guys talk about 2019, the farewell tour. Micke says it was his idea. He pushed the guys for it to be the last tour, because it was 40 years since they started. He thought anything can happen anywhere at any time in life, but the older you get, the greater the risk is that something happens to you and you wouldn’t be able to give your 100% to, for example, playing in Gyllene Tider. They have some kind of long marriage with their audience that actually the audience has taken care of. They broke up in 1985, but in 1995 they realized how popular they still were, because they sold a lot of compilation albums. So they did a gig at home in Halmstad in 1995. A lot of people came and they didn’t understand it. Then they went on the Återtåget tour, which became the biggest tour in Scandinavia. A band that doesn’t exist. So it’s the audience’s credit. And it was because GT made the songs that you listen to. GT and the audience need each other. They don’t exist without each other. So Micke thought in 2019 they end with the flag at the top, because he saw so many bands and artists that he looked up to and they don’t have the force anymore. Then how to play if someone might pass away, so it’s not all 5 of them? The whole thing about them is that it should be the 5 of them playing, because it’s the 5 of them who can make that Gyllene Tider sound. So he felt they should stop and wanted to honor it. They were doing this because Micke’s feeling was that if they go on stage with that attitude, that this is the last thing they do, then they will have another gear when they do it and those who will see them will understand that. It was so important for Micke, because what he appreciates about all of this is that they and the audience have had this long marriage. They still perform the songs in different forms, Per is out on his solo tour, Micke is out as well playing them. But the 5 of them, they played together then and Micke kind of wanted to say thank you very much to the audience. This is how he wanted the audience to remember them, having a lot of fun instead of saying „yes, it was good when I saw them in 1996, but shit, now it wasn’t fun because they don’t have the power anymore”. So then they decided to make a record in France and that it would be a fantastic tour. But then Covid happened and it was terrible. Sitting for 2 years and not being allowed to do anything. Micke was lucky, because he had a buffer to live on. But he has a lot of musician friends in Norway and in Sweden who didn’t get any money. They didn’t know how to survive. For 2 years, it’s completely unacceptable. Not getting to work, not getting out and do what they think is the most fun. Micke thinks his mental health affects him a lot and it was like that for the others too. Per did a seated acoustic session when it wasn’t allowed to be so many people in the audience and they had to sit. He sang GT songs as well. That session at Hotel Tylösand was a huge success, because people got to see music and we got to go out. Then he was visited by 4 girls who have a film production company. They said they want to make a film about the ’80s from when GT started until they finished in 1985. There should be actors and it should be a feel good drama. So the guys had a meeting with them and were surprised the girls would want to make a movie about them. The girls thought GT has a fantastic story. So there will be a movie. Then Per had bought a new guitar and started writing songs. He is always writing songs, Micke says. So PG wrote 2 songs and said they sound like Gyllene Tider. He asked if they could just test them. Micke was very doubtful, but they did it. Just for fun. The guys recorded those songs and they turned out great. So Micke was more in doubt. He was thinking and also talked to his wife about all his doubts. He thought they fulfilled the criteria, he felt the album is great. They are still doing their best when it comes to GT. Obviously, people would be happy if they go on tour. We are living in pretty tough times now so maybe they can contribute to better times with a little joy out there. And they get the joy back form the audience. So he felt OK, let’s do this. That wasn’t the plan, but no one said that he would be locked up for 2 years either. Haha. So if life is stupid to him, then he can enjoy life instead. So they decided to do this and they did it so good. They can do even better than what they did before and that’s right.

Since it’s a video interview, Micke tells Frode that he can see his drums behind, his digital drums. He thinks they are very good. Micke says this room is his mancave where all the gold records and everything from the ’80s and on can be found. He thinks it’s great fun that nowadays, how the two of them are now sitting and talking to each other via the computer or that thanks to Facebook and Instagram you have contact with so many people who have seen them on stage over the years. He is in contact with 2 or 3 girls in Stockholm who were outside the studio when GT recorded their first album. Micke knows they are very happy and as Frode said, he also bought a ticket to Ullevi. For Micke, this is what makes him think it’s worth it. If people are happy, he is happy. Micke says maybe Frode should bring Tore with him to Ullevi. Let’s see if he still thinks the same as in 1981. If nothing else, then at least it’s a nice ending to everything that he gets to come and check on GT again. Micke says he loves such things. It’s great fun to have reviews from a young person who didn’t think it was fun and here we are again.

Frode says he was there in Karlstad in 1996 with his brother and had much fun and it will be fun again. Micke says the same thing again, we have grown older, but the memories also grow in us. He can see from the stage when someone remembers what it was like when they fell in love with the one standing next to them, things like that. And it’s so cool to see and it’s so much fun. We are older and he is not that little guy in shorts anymore. Haha. He says it might be stupid for a middle-aged man, but when he can see a girl who was in love with him in the ’80s looking at him with the same eyes now, then he knows it’s just an illusion, because it is the memory that she is in love with. It’s so nice to see that music has that power. All music has that, but Micke can only talk about their own songs.

Micke says that he is the type of guy who if once said something, he sticks to that. So he really thought the last tour was the last tour. It wasn’t the case that they wanted to get the most money out of it. Some people think that it was the case, but not at all. He thought it doesn’t work for him, once he said that was the last one, then that was the last one. But then he was thinking a lot and it was exactly as Per said that with Covid and everything that happened during that time, they needed to do something to feel good. He thinks it’s fun and, after all, that’s the way it is. The 5 of them have done it all their lives. He has done a lot of other things too, but without GT none of the other things would have happened. And when life goes in a way that didn’t turn out as you had imagined and you sit at home for 2 years, then you just feel that. They still have very high demands on themselves, both how they deliver the music but also with songs and everything. Micke says no one thought Per would have the motivation to write songs for GT again. They recorded the album a little differently. MP has his own studio where he and Per have made demos since long. Mats has been a very, very important person in Per’s life because he has been involved and done Roxette songs and other projects of Per over the years and so they have done a lot together. They had done rough sketches of songs for GT and done a lot of vocals and guitars so the guys got to listen to them. Micke and Anders come from a small community outside Halmstad called Harplinge and 1 km from Micke’s parents’ home there is now a fantastic studio. It didn’t exist back then, but now it’s there and they recorded in that studio for a week. Micke went home and slept in his boy room at his parents each day after the recordings. The room looks the same as it did when he was 16. He was the last to move away from his parents, so everything remained in the room. It’s hard to understand for those who are not making music, but even if he has played with so many great musicians, them 5 have something together that he couldn’t find anywhere else. The sound and everything. That’s what makes it sound like Gyllene Tider and it doesn’t go away. It’s there even though the years go by and once they are at it again, it’s just there. They were going to do soundcheck in the studio, that’s how it should work, but everything sounded good. They haven’t played together in 3 years, so they tested the drums and bass and MP tested the guitar. Staffan, the technician sat there and recorded. They were all sitting in the same room, tested a song the first day. They would just do soundcheck to see if everything worked well to record the next day. So they tested a song and half an hour later another one. And then all the others. Staffan told Micke a month ago that he was completely shocked. He wasn’t prepared for the guys to start recording right away. Micke says it was like they kind of knew what they were going to do. It’s so cool that it works like that for them. He wants to honor what they have done all the way as long as they exist. Now it seems they got another chance to go on. The album release date is not decided yet. They have just signed a record deal in their fifth decade. How nice, Micke thinks.

Frode asks Micke about his parents whether they supported him in being a pop star or they were skeptical and wanted him to have a regular job. Micke says all five of them wanted to do just this, music. They actually all had regular jobs in principle. But they didn’t care. They recorded their first album and went on with that. That’s how it’s been all the time since then. Micke is turning 62 this year and the only permanent job he had as an employee was for 4 years in the early and mid ’80s. Since then he has always been a freelancer. He is coping with his own life and no one believed it would work. He doesn’t know what his parents thought back then, but it’s clear they were worried and that’s right. But it went well and he can see how happy they were for him over the years. Especially after 1996 when GT reunited again and that they have been allowed to participate. It’s only Micke’s and Göran’s parents who are still alive. Micke’s parents are probably the ones who have been at the most gigs from all the GT guys’ parents. For Micke personally, it is also another highlight, to be able to share this with his parents. They sat and listened when Micke was practicing drums in a sauna in the basement with regular drums for whatever number of years and they never said anything. As he said, his mother was a hairdresser and the saloon was in their house. So the clients always asked about Micke and lot of fans, especially after Roxette, came to see where they lived. Fans have travelled from all over the world and sometimes people knocked on the door at home and said „hello, we are from Germany. Are you Micke’s parents?” Then they tried to talk to them in English and they were very proud and even showed Micke’s room to the fans. Haha. Micke is happy to share all this experience with his family, wife and children now. In the video of Småstad by Pers Garage there is a quick cut of a baby. It was recorded in 1989. It’s Micke’s oldest son who turns 34 this year. He was a newborn then. Micke’s father is also in the video in the car repair shop. His dad was 58 in that clip, Micke was 28. Both his mom and dad are very proud of him. His mother had a lot of contact with people who came to their house. In Parkliv! there is this scene where they say a phone number. That was the number of Micke’s mom’s saloon. Even if they beeped it out, it wasn’t the best of ideas, because it wasn’t that difficult to read the lips what number it was. This was in 1981. There were so many people calling. It was Per’s fault, he was the one who said the number. Haha. Now that’s fun, but it wasn’t back then.

The guys talk about Tuff tuff tuff (Som ett lokomotiv) in Parkliv!, how Micke played the drums there. Micke says it’s called youth and testosterone. It’s fun to see himself there and think „damn, is that me?” Micke says that in the movie it’s not visible, but there was someone who threw a coke bottle on stage. He thinks it was during the first song even. So a glass bottle landed on stage and it might as well hit him. There was some guy who wasn’t completely satisfied, so he threw a coke bottle and it landed between Micke’s legs. He was sitting and playing. They have gotten eggs on them too and things like that sometimes from guys who were mad at them. But that’s what makes it so fun to see themselves there in that film.

Micke says it’s a completely different musical world today than it was back then. But that’s what he thinks is so fun about them that they keep going. They make music the way they have always done it. They can do it in a different way now, but what drives them is that they play together. That’s where their sound comes from. That they are 5 souls, 5 hearts that contribute their part to this delicious cake that becomes Gyllene Tider. That mix has only been refined over the years. They are still doing the same thing. Although, they have a little more screens now, but it’s more for the experience for the audience. It’s all about the connection between the band and the audience.

Frode is curious if it has ever happened that Per presented a song that later became a hit, but when he presented it they thought it wouldn’t work. Micke says they had hits in every decade from the ’80s to the ’90s to the 2000s. And it might happen this time too. There are some songs that can be hits, Micke thinks, because they are spreading Gyllene joy. But to be honest, he can’t remember if they ever said to a song that later became a hit that it wouldn’t work. They must have had it, but it’s been so long and he, for some reason, have gained the ability to remember events. He can remember feelings and stuff, but especially when the GT guys all talk. He always says it’s full on the hard drive. There is no space left up in the hub, things happen all the time. He says he remembers that Per wrote Sommartider while all other four guys went for a lunch break. EMI, their record company said there was no single among their materials when they recorded Puls. So Per got pissed off and he sat down and wrote Sommartider. There is a song, Mony, Mony by Billy Idol. They got inspiration from the groove of it and then it was done.

Frode mentions that when the EP with Gå & fiska! came out in 1996, there was a new, modern, fresh Gyllene Tider sound. Michael Ilbert was the producer. Micke says they worked with Ilbert already before Gå & fiska! in 1995 when Kung av sand and Det är över nu came out. Ilbert had worked with Per and Ilbert had quite a special way of working. And somehow it fitted them and also how Per wrote the songs. So it became a completely different Gyllene Tider that fit with the times and how they played then. How you play also becomes different with the years. You play differently when you are 20 or 25. It worked so well with Ilbert that Per made an English solo album with him and if you listen to June Afternoon and She Doesn’t Live Here Anymore by Roxette, it’s MP, Micke and Anders who are playing there too. Micke liked that era too. It was Roxette, but sounded like Gyllene Tider, just without Fritzon. Now GT is back to something else that’s more where they come from. Now it’s a poppier album than their last record was. Don’t bore us, get to the chorus. Micke says they really felt like 20 and somehow they got the energy. It was like when they did the Sven-Ingvars song on their previous album. That was the last song they recorded, they had 4 hours until their flight departed. They thought they try it and an hour later, it was all done. Micke says it’s nice to have this extra chance to do it again and say that age ain’t nothing but a number. He says they are lucky that they became musicians instead of sportsmen, because then it would have been over. If you take care of yourself as best as you can and you think it’s fun what you are doing, then you can actually maintain a divine level as you get older. Age has nothing to do with it really. It’s more about the attitude. Tommy Körberg is still out there, for example. He plays shows in Sweden. He sings so well and his presence on stage is amazing. Micke says he went to see Paul McCartney at Tele2 and besides the songs that are amazing themselves, it was great to hear McCartney being able to sing that way. And he still has that energy. Music is like that. It works. The joy of it. And the audience will be just as happy.

Frode asks Micke about Ullevi. Micke says it will be the fourth time they play there and he hopes that there will be a lot of people. That will be the last gig in Sweden on the tour. They played Ullevi for the first time in 2004. They were the first real Swedish band to play at Ullevi. When you keep going as Gyllene Tider have, you always have dreams, Micke says. When they started, they wanted to be on a big stage in Halmstad. They made it in 1981. Then there were some other places, 1996 was Stockholms Stadion. There were a lot of people. There were probably no Swedish bands that had been there before, so they have constantly moved the goals. Micke remembers he was at Ullevi when Springsteen was there in 1982 or so. He was also there when the Stones played there. You think you would want to do that too and you thought it would never happen, then it does. They got there and they broke crowd records and it was 26 degrees and a perfect day. It was summertime as much as possible and everyone who was in town was excited. 15 minutes before they started playing Micke’s wife said this is completely crazy with so many people there. Everyone was very happy. And then they went out on stage, started with En sten vid en sjö i en skog and it starts with the drums. They have never played for this many people, they were the first ones. The only ones who did it until then. It was a great day. Micke’s whole family was there. He says first you are nervous, but then it falls and then it’s just outpouring love. He couldn’t manage to sing at the top of his lungs. It was overwhelming. It’s the same thing for the audience, so the band and the audience take each other to new levels. All those who were there they knew that they were part of something unique. Then it happened with a lot of other Swedish artists after that, but right then they were the only ones. Foreign artists came and they did a gig, but GT did more than 20 shows and had almost thirty thousand people at each gig in Sweden except for Ullevi, where the number of people in the audience was double. So that tour was completely crazy in itself, because there were half a million people attending that tour. Micke will never forget that.

Frode asks Micke what he would suggest someone who has never listened to Gyllene Tider and know nothing about them. Micke says they should just put on a compilation album and start there and see if there is something that makes them happy. Everyone finds their thing, or if they don’t find anything, they listen to something else. But there is surely a song they will like.

Frode says or they just have to see Min tjej och jag in Parkliv! Micke says that’s exactly what he thought about. It’s the first song in the encore. When you watch it, you can see why Göran climbed a lot on Micke’s back in that film. Watching a GT film now, you can see why Göran wouldn’t climb on Micke’s back these days. Haha. He says it with all love. He thinks it’s funny how they have changed as people, both in size and in everything else. Although they are the same in spirit.

Pic by Patrícia Peres, GT40 Tour, Halmstad 2019

Mats MP Persson on Skiss podcast about himself, Gyllene Tider and Roxette

Musician Morgan Lydemo is doing a podcast, Skiss where he meets influential people from different corners of the music industry, who have managed to develop and build a stable platform for themselves with the help of musical talent, hard work and a sense of entrepreneurship. This time he invited Mats MP Persson who was involved in two of the biggest acts of Swedish music history, to talk about himself, the songs he was involved in, Gyllene Tider, Per Gessle and Roxette. You can listen to the podcast episode HERE.

Morgan introduces MP as a producer, songwriter and musician and is uncertain about Mats being a drummer or a guitarist in the first place. MP tells that in his teens he started out as a drummer, but of course, many know him as the guitarist in Gyllene Tider. Morgan tells MP is recording most of the demos of Per Gessle and he asks Mats if he is also doing the final production of the songs. MP tells final production he doesn’t do so often, but last year they recorded a home-made solo album for Per and that was mastered by MP. Demos are recorded at his studio since the early 80’s and it’s fun that they are also released on albums to show how the songs started out. Some are very much produced, some are very simple.

MP tells that at high school he played in a band as a drummer. The bassist, Peter Nilsson was friends with Per Gessle and Per visited them at their rehearsal studio in the attic of MP’s grandma’s house. MP thinks Per changed then completely. Until then he was sitting at home translating Leonard Cohen lyrics, listening to David Bowie, playing a nylon-string guitar nicely, but the rock ’n’ roll experience in the rehearsal studio changed him and he thought that was what he wanted to do.

Morgan asks MP if one can say that he is Per Gessle’s right hand both in Gyllene Tider and Roxette. MP says Per writes a lot himself, but it happened that MP had some ideas before PG started writing and Per thought those were fun to build on. When that happens, both of them are stated as composers of the song. Regarding their collaboration, Mats says it can only work well if you realize that making it together is one step ahead vs. if you are doing it on your own and the other is doing it on his own. Then the collaboration is perfect. Morgan notices that if they have been working together since so long, it must be working fine between them. MP adds of course there are discussions like could we change this or that, related to the arrangement or so and it’s fun. MP has a well-isolated studio and he thinks his stuff there simply fits Per quite well. Often when Per comes to the studio, MP just puts on the right microphone capsule and Per sounds absolutely fantastic, his voice. Per feels safe there and has MP as a sounding board when he sings. Per decides 80% himself and then asks MP for his opinion.

Morgan asks MP how it was to start a band when they started playing together, how different it was vs. nowadays. MP says he hasn’t really been following the music scene nowadays, but today it’s more about computers and music programs, back then it was a must to build a band, have a rehearsal studio, rehearse a lot and do something that no one else was doing or at least do it better than anyone else, create your own identity. The lead singer often became the face of the band. You had to play a lot to be better and better at playing your instrument. It cost a lot of efforts, but if you were talented, it was probably all worth it.

Morgan says Halmstad has always been a big music scene. MP says he and Per were influenced by the punk era at the end of the 70’s, the sound was awesome, they thought. There were a lot of bands in Halmstad those days.

Morgan compares Gyllene Tider to ABBA in the sense that they weren’t so popular in the homefront. MP says GT was on TV on Måndagsbörsen in 1980 and played some songs there. Everyone in Sweden was watching that TV program back then. Himmel No. 7 and Flickorna på TV2 were already out on a single. They picked Himmel No. 7 as the A side, but Flickorna på TV2 was played at discos in Stockholm, so there was a second release of the single as a double A side. They had a huge break-through then and played live on TV. It was awesome. One could see what effect appearing live on a TV show had back then. There were only two TV channels those days.

They were touring, they rehearsed a lot in the studio and they weren’t really social, but had their close friends around them. MP tells that in another sound recording they talked about 1978-79 when they spent ten thousand hours at the rehearsal studio. They were there every day instead of going to the soccer field or running after girls. The money they earned with their summer jobs they spent on strings and cables. They were really focused. MP thinks it comes from those days that whenever they sit down to play together, it’s still there. All of them 5 ride in the same tempo and everyone strives towards one aim. When there is e.g. another drummer or bassist playing those songs, it’s different. Not better or worse, just different. The beat is not the same. All 5 of them live different lives, but when they get together there is a smile on their faces and they know they are there for the sake of music.

Morgan says Listen To Your Heart is probably the most known song MP composed together with Per. He asks MP to mention some more Roxette songs where he was co-writer. Mats mentions (Do You Get) Excited? and Spending My Time from the Joyride album. As per Gyllene Tider, he can’t remember anymore, but it was mainly their first album, e.g. Flickorna på TV2, Ska vi älska, så ska vi älska till Buddy Holly, (Dansar inte lika bra som) Sjömän.

Getting back to LTYH, Morgan asks MP to tell the story of the song, how it was written. MP remembers that they were sitting in the studio in Gullbrandstorp or Styrdal in 1988. MP recorded something on the sequencer, what became the verse part of LTYH, one can say. Per came in with a paper and wanted to record something totally different, but he asked what that was. He thought the melody could work with the text he had on the paper. He put the paper to the side and they started working with the melody. For the next day, Per added another part and they did a simple demo. It’s Per who is singing on the demo. MP says it felt like a little happy accident, because if Per hadn’t entered the studio when Mats was playing that melody, maybe it would have never turned up.

Talking about the studio work, Morgan asks MP if he thinks the new generation is missing anything when it comes to the old studio techniques. MP says that in a way it’s fun to have the limitations of tapes and distortions and such things. When they started, he didn’t have a 24-track multitrack recorder, but an 8-channel recorder, then in 1989 they upgraded to a 16-track recorder and used it until 1998. Now it’s computers and it’s much easier to manipulate the sounds. Morgan says it’s easy to sound good nowadays. MP agrees. Mats adds that it’s e.g. fun for him if there are 4 choruses in a song, he wants to record all four. Copy-paste of course saves time, but it’s more fun in the old school way.

Morgan asks for some basic tips from MP as producer and technician for those musicians who would like to build their own studio. What is what they should think about in the first place. MP repeats that when they started they had a simple mixer and an 8-channel recorder. He adds tips about microphones and amps. He says he still likes coloured sounds, which can e.g. be a strange frequency or a certain distortion. It’s so easy with the plug-ins nowadays. One has to test them.

Morgan asks MP about GT’s break-up in 1985, how it was and how it felt. MP says it was a horrible feeling. They all felt that they had reached a career that they couldn’t top. Before that, they felt they did everything they could in Sweden, so they recorded an English album, The Heartland Café under the name Roxette, not Golden Times. MP thinks the album sounds quite good, but what they did before was not reflected on that album. It became a mini LP with 6 songs in the US, but it didn’t sell at all. Anders wanted to leave the band, so they broke-up in 1985. For Per then came Roxette, a collaboration with Marie Fredriksson, trying something in English with her. It was fun, MP says and in the end, GT’s break-up was a milestone in Roxette’s history. MP adds he started working at Halmstad airport at the time to be on the safe side, so he was recording demos with Per and working at the airport.

Morgan asks MP about GT’s comebacks too. Mats says that in 1989 both he and Per turned 30, then Roxette was on tour for a long time, then they made the album Crash! Boom! Bang! and went on tour again. Then there was a pause and there was this Halmstad All Stars happening at Stora torg in Halmstad in 1995 and the guys in GT were asked if they could put together something for that event. It became so huge that journalists wrote it was time for a comeback of GT. So the guys decided for what became Återtåget and it was fantastic with sold out concerts all around.

There was a longer break when Marie got ill and Per did his Mazarin album in Christoffer Lundquist’s studio in 2002 and went on tour in the summer of 2003. Then came the idea to celebrate GT’s 25th anniversary in 2004. They wanted to do the same size tour as Återtåget was, but they had to book football stadiums instead. So instead of venues of 10.000 they played venues of 20-25.000, then there was Stockholm Stadium and Ullevi too. It was totally crazy, of course.

Mats remembers Marie was a secret guest at their last show on the Återtåget tour at Brottet in Halmstad and it was fun when she was singing a verse of När alla vännerna gått hem. It was like being on a completely different planet. It gives you goosebumps, Morgan says, she was one of the best singers.

MP says there are a lot of things and happenings that became really successful, but all projects take a lot of time and energy. In between their big GT tours they didn’t do anything related to Gyllene Tider. What MP thinks is that a lot of people who listened to them in the beginning of the 80’s are the same age as them 5 and as they got older, they would have also loved to relive their youth. They have now kids and grandchildren and the guys can see that there are different generations at their shows. They are very fortunate. Before they got their record contract in 1979, they – mainly Per – sent mails to e.g Mats Olsson at Expressen, to Aftonbladet, to record labels they also sent cassettes again and again and again, quite frequently. It was kind of a ritual every wekk. One doesn’t have this kind of energy nowadays. They thought they had something in them, they believed in themselves.

Their songs live their own lives, new generations are also listening to them. Morgan says they are evergreens. Mats tells when they were recording Puls, they were looking for a sound and they were inspired by the big American sound that Tom Petty represented. When they thought they were ready, Kjell Andersson at EMI said there was no hit on the album. They needed a hit for the summer. Then Per went and wrote Sommartider, so that was the last song they recorded and it became a huge hit.

Morgan asks MP to tell some more anecdotes he thinks would be interesting for the listeners to hear. MP laughs and says there are some he can’t tell. He says many thought they had a lot of girls around them, a girlfriend here and there, but it wasn’t the case. They were really nice and good guys and were focusing on their job. MP also talks about touring in the 80’s and that they had the same financial management as Björn Skifs.

At the end of the interview Morgan asks MP to pick one option from two made-up happenings (related to music and Gyllene Tider) and then pick another one from other two made-up stories and here it turns out that MP played the trumpet until the age of 15, but he can’t really play the violin.

Morgan asks for some closing thoughts and MP says to play music for people who enjoy it is pure happiness and so satisfying. Music spreads joy, he thinks.

Pic by Patrícia Peres, Ronneby, GT40 tour 2019

Per Gessle and Co. on The Metallica Blacklist

As Per Gessle informs, together with Dea Norberg, Helena Josefsson, Clarence Öfwerman, Magnus Börjeson, Christoffer Lundquist and Jonas Isacsson he is among those 53 artists who are covering their favourite songs from The Black Album of Metallica, which celebrates its 30th anniversary this year. 12 songs in several interpretations will be released on 7 LPs / 4 CDs under The Metallica Blacklist project. Per & Co. covered the legendary Metallica ballad, Nothing Else Matters.

All profits go to charity. Release date is 10th September 2021.

Pre-save links are available HERE.

 

Per says:

I’m thrilled to participate in the “Metallica Blacklist” project. Picking a song to record from their classic “Black Album” was pretty easy for me. “Nothing Else Matters” has always been a favourite of mine. Wow, it’s such a great track!

Under the banner ”PG Roxette” I joined forces with long-time Roxers Clarence Öfwerman + Jonas Isacsson + Christoffer Lundquist + Magnus Börjeson together with Helena Josefsson + Dea Norberg, both closely linked to the Roxette touring band of the past.

My ambition was to treat the song with respect while transforming it to a style of my own. I’m very pleased and proud with the outcome.

All proceeds from the recording will go to Metallica’s All Within My Hands Foundation and to UNHCR, a charity I chose together with Marie Fredriksson’s family.

 

Stills are from the official trailer.

Micke Syd Andersson on Made in Halmstad

Christian Albinsson did a podcast interview with Micke Syd for Made in Halmstad. Listen to it HERE!

Micke talks about his name that it’s really Micke Syd Andersson. Syd was his nickname, because there was another musician, guitarist Micke „Nord” Andersson and it was confusing that they had the same name. Micke says the fun thing is that they both had hairdressers called Maria. Micke Nord is from Dalarna in the North and Syd is from Halmstad in the South, so that’s how they got their nicknames.

It turns out that Micke Syd loves driving. He was driving the tour bus on the GT tour and Christian tells it’s hard to imagine a band doing it nowadays. Micke says they are from another generation, they learned everything themselves. In Gyllene Tider all of them had different qualities. MP and Micke Syd were always the ones who fixed and controlled everything themselves. Their fundamental personalities haven’t changed much. The band brought the instruments themselves to the concerts and set up things for the gigs. They did 150 concerts in 1980, if he remembers right. They had Anders Herrlin’s brother as lighting technician and a friend from Gullbrandstorp as the sound technician.

Micke is 59 years old now and was grown up in Harplinge.

Christian asks Micke about his salary. Syd says when they broke through with GT they had Janne Beime to help them with the financial things. Janne was 35 years old then and they were 18-19. Janne still works together with Per. Micke Syd says he has never had a steady job and never really knew what he would earn money on in the next year. He has what he needs, he is not interested in cars or any other things that cost a lot of money. He has a Plug-in Hybrid Ford Kuga.

Christian asks Micke what he is interested in. Syd says „life, music, my family, my wife”.

Christian is curious if Micke has always been positive. Syd says he is not always positive, but he tries to be. He has been working a lot on it. He is the type who sees the opportunities and thinks how he feels on the inside can be seen on the outside. At the age of 35 you realize that you are not as hot as you were at the age of 20 or 30 and you start managing your life differently. Then he had kids, he divorced. Micke says he is tender on the inside. He says he e.g never drank alcohol or used other stuff. Looking back he thinks he took the right decision, how he has lived his life. He says life is tough anyway, sometimes even for him.

Christian says GT broke through when they were very young and there must have been many parties. Micke says Halmstad was very lively back then and there were indeed a lot of parties and alcohol and he doesn’t know why, but he ignored it. He was driving the tour bus, MP also did that during the first year.

Christian asks what Micke thinks when he says the word Halmstad. Syd says it’s home. He says it’s very strange, because he has been living in Stockholm now for 35 years, so for more years than in Halmstad, but home is still Halmstad. His parents still live there. Stockholm will never become home. Micke says all of them in the band are hillbillies, Halmstad characterized them and how they dealt with their career. They had those un-popidolish pop idol genes and even if they were so different personalities and they still are, they made awesome pop together. There is something very special about them.

Micke Syd is a HBK fan when it comes to soccer. He talks about his favourite players and tells he always had a dream to play in HBK, but he stopped playing football when he was 17. He thinks there is a similarity how you pick your instrument and your position in a football team. Micke was a goalkeeper and says drummers are usually goalkeepers. If you look at it from a psychological point of view, the goalkeeper is a quite exposed position and if he makes a mistake, it’s seen immediately. That’s the case with the drummer too. If he doesn’t do his job well, then the whole band won’t be so good. Micke likes that challenge. He says he has always been a team player and loves teams.

Christian mentions QBTQ (four brave bulls in Spanish), Adam Alsing’s house band on his talk show. Micke Syd was a member of the band in the 90’s for 5 years. Micke tells a story when an adult film actress was on the show and after the program the band went to the swingers club with her where she met other adult film people and partied with them. That was surreal, Micke says.

Christian asks Micke about Halmstad. Micke says summer is Halmstad. He tells that when they had the rehearsals before their last tour with GT, he lived in a house in Frösakull with his wife, Helena for almost a month. It was near Prins Bertils stig and it was magical that each morning he could walk through the woods, along the beach and up to Hotel Tylösand. Christian says he heard the guys rehearsing, but didn’t dare to disturb them. Micke says they tried old songs they never played. One of them was Sista gången jag såg Annie from their debut album. Christian thinks that was their best album. Micke Syd explains when you are young and you just want to make music and your creativity is on a high, it can be heard. For the second album they thought much more about how they should sound, how they should play, etc.

Christian asks about the lyrics that they sound different when a 20-year-old sings them vs. when you sing them now at the age of 60. He means Flickorna på TV2. Micke thinks that the songs belong to those who they play them for. These songs still have their audiences and they associate these songs with happenings and experiences in their lives, so when they play them to the crowds, there is a contact between the band and the audience. He tells these are timeless songs and carry the summer feeling. The songs they play are the ones people want to hear. He remembers he saw Tom Petty live once and he expected to hear the songs he was listening to when Tom was the God for them in GT and he got disappointed, because Tom played his new songs from the new album. Syd says Per wrote so friendly texts that they are still working with teens nowadays. They sing along När vi två blir en, for example. Even if life has changed a lot, people still experience these feelings in life and music is their soundtrack to it. Different bands mean different things for different audiences. On the last tour GT played new songs too, which the guys liked, but still they played the old songs and then you could see a different crowd reaction, when they realized it’s this or that song they knew and associated an experience with it.

Micke says he and Helena went to Halmstad’s city entre and it felt totally dead. He says it’s the same with many other city centres, but it’s sad how fun it was back then and how it is now.

Christian asks Micke when he feels the best. Syd says when he is with his family and when he is playing. They have grown-up children now and they don’t meet very often, but when they meet, he sees and thinks they did a good job. Both Helena and him. They don’t have kids together, but their children are like syblings. So it’s lovely when they are together.

Christian is curious when Micke feels the worst. He says at 3 in the morning. Haha. Syd says he is a sensitive person. He is Pisces and Pisces are sensitive. He is thinking a lot about things. He thinks many things are not managed well in the music branch now and it feels that those who should make it better don’t do their job. He thinks it’s the same in the whole world, but since he lives in Sweden, he talks about that.

To the question how he develops himself Micke replies that everyone has their better and worse sides and he is still learning a lot. He learned a lot about life. There is peace that everyone is looking for. You have to be good to yourself and then it will be visible on the outside as well. Positivity comes through and it motivates him. He says you always have the possibility to change yourself.

Christian asks how Micke is as a lover. He answers Christian should ask Helena. But he thinks he is like when he plays the drums: he recognizes, he listens and feels and he wants to please.

Christian says he heard Micke increase the pace in a song when he gets excited. Micke says everyone has their own tricks. Christian realized it when they 5 play together in GT, it’s so much different to when they play the songs in other constellations. Micke tells a story when in 2013 they played (Dansar inte lika bra som) Sjömän, there was a background screen with different images during the verses and the choruses. The lighting technician came to Micke when they had the final rehearsal in Halmstad Arena and said he couldn’t tune it right for the chorus. It worked for the verses, but not for the chorus. Then Micke asked for a little screen in front of him and played in the pace according to that, so that the film came in the right pace as well. Then when the guys listened to the song they liked it, but they thought something felt strange. Everyone was doing what they had been doing for more than 30 years except for Micke, because he was checking the screen and played according to that. He felt like a restrained horse.

Christina asks Micke how he was at school. He says he was nice except towards one guy. He has never been in a fight except for with that one guy at school and Micke’s brother. He tells he has always been fair.

Regarding the band, Christian tells Per and Micke take different positions, but with the same determination, while Anders, Göran and MP are more in the background. Syd says it has to do with their personalities as well. Per and him are different, but they want the same thing, to do something good. And that’s been like that since the beginning. Christian says Micke mentioned earlier he is a team player and on stage they are indeed a team, but he is curious if they are a team off stage as well. Micke says in the band they all have different musical qualities, but the differences were refined over the years, not only musically. All of them developed and they have fun together when they meet. When they recorded their last album in France, Micke was driving to there with a friend and driving back with Helena. It was practical, because there was stuff they couldn’t have brought there on a flight and he also thought that it was the cheapest option for him. Christian asks if you really think about that when you record an album. Micke says the music industry has changed a lot. These days you don’t earn money when people are listening to music digitally. But the creative process, the recordings cost a lot. You can earn on tour then. But ask people if they want to work gratis. Spotify earns millions, but you get nothing. Micke can’t understand that. It’s not OK. So, recordings cost much and you get a little contribution from the record label, but otherwise, the rest is paid by you.

Regarding who is driven to what extent Micke says MP is not that driven, he is more silent, but his musicality is great. He is cautious, he has always been. It’s so nice to see that they got this far in their career and in a way they are still the same. Micke tells a fun story. When they took the press photos in France, everyone was dressed up, then they checked the photos and saw that MP was wearing his slippers. It didn’t really feel like a pop idol, so they had to photoshop the picture and put jeans on him. [Haha. Yeah, one could realize it already back then, when they shared the picture on GT’s Facebook page. See photos: MP in slippers; photoshopped press photo. /PP] No one really thought about that or cared much. There is something charming in that. When they are on stage, they create something cool, but they are still the guys from Harplinge and Åled and so.

Christian mentions words and asks Micke te react on them in one word. To Halmia he reacts Gessle, to Per Gessle he reacts Halmia, to Harplinge he reacts home. Regarding Hallandian dialects he says there are at least 5 and he loves that.

Christian is curious if Micke will get fat again. Syd says he won’t. Christian asks what was it that wasn’t so good in being fat. For Micke the change was about being healthy and of course also being on stage in top shape. He lost 18 kg in 4 months, he gained 5 kg back though, but he still keeps himself fit. It was a good challenge for him.

Christian asks Micke how he ended up in Gyllene Tider. Syd says Per and MP asked him. He played the drums and Janne Carlsson was the bassist. Then Anders became the bassist and Göran joined them. Then there was the Farfisa. Micke says there were many coincidences in their history or they weren’t coincidences at all.

Christian is curious how it was to break through when they were so young. Syd says such things he can’t remember much. They were 18-19 years old and suddenly people started screaming after them. They called his mom’s hairdresser salon or were lying in the ditch in front of it waiting for Micke to come home. People stole washed clothes from Per’s garden. Such things happened. They all lived with their parents at the time. They were the non-smoker generation, however, Göran and MP smoked. But they advertised jeans and soft drink. They were who they were and he thinks that was their key to success. If you watch Parkliv, you can see what outfit they had. Nothing special. Christian asks when they met other artists who they maybe thought were cooler, maybe Europe, what Micke thinks they thought about Gyllene Tider. Doesn’t he think they thought they were frumpish? Micke thinks they rather thought about their platinum albums. Haha.

Regarding the recordings in France, Micke says it was much fun. They decided that it would be their last album. It was Micke’s idea. The others thought it was a good idea when he told them why he thought so. They had a unique career and all of them 5 are still there. They decided to record the album in a totally different way at a different place than ever before. If they travelled only to Stockholm, it wouldn’t have been the same. They had to go further and be in that Gyllene Tider vibe. Christoffer Lundquist was there with them. They didn’t listen to the demos, they decided just to play and see what happens. Per did the demos with MP, so he knew them, but not the others. They had a big space where the studio was, it was very nice. It was just them and 2 French technicians. There were cooks who prepared meals for them, so they could just concentrate on their work. They created the songs from scratch and it was a very creative process. The surroundings were magical. Micke says he is a lonely guy, so they weren’t hanging out together after work. He likes to contemplate and look at things. There was a gym, they could go out in the garden, so they didn’t have to be together all the time. They all loved it and they loved the result of their work as well. It became a very good album. What they created during their career they could do it only together, them 5. And to know that what they did meant a lot for people and also that they did something good in their lives is great. When they were 20 they just wanted to be pop idols, but 40 years later they still had fun making music together.

Christian asks if they sat down to discuss the problems they had before. Micke says not really. You can only sort things out if you are interested in it and it has to come from both sides. The problem stays there until you solve it. Sometimes it would just be about opening that door and talk about it, but sometimes it’s hard to open the door.

Christian asks Micke about money. Micke says it doesn’t mean much to him. It’s important until the point he can live his own life. It was important for him to raise his kids and live where he wanted to live.

Micke knows a lot of people spend a lot of money to see them on tour and it feels nice that they can give back something via their music. On the last tour they invited a group of policemen, firefighters and ambulance, as well as defense veterans to thank for their service. Anders Thornberg was also there. He is the National Police Commissioner and is also from Halmstad. He is the brother of Per Thornberg, great saxophonist. Many don’t know that Anders is also a great musician, he plays the drums. They shared their drumset in the 70’s when they played at the same rehearsal studio. Micke says at one concert Anders was at the mixing board and Micke started playing the wrong song at some point. Shit happens. There were 10 thousand people, he said they start again. It was fun. He says he later explained the rason was that he was nervous because of Anders Thornberg being there. [Haha. That happened in Eskilstuna. /PP] He says he also managed to get tickets for fans from South America. They flew in from South America, but they couldn’t get tickets, so of course he sorted it out.

Christian asks about the last song on the last concert, how it felt. Micke says it happened in Halmstad and it was very special. The song was När alla vännerna gått hem and when he came to the front of stage he saw there were many people holding up a TACK sign. He is still touched by that. It was nice to close it all at home. A lot of people came who had been following them for more than 30 years and also people from several parts of the world to see them. He cried during the last song and you could see that all the others were so touched too.

Micke is contemplating what if they hadn’t told it was the last one, how would it have been. What would have happened then. He thinks it wouldn’t have been the same. Earlier they never said it was the last tour. They came back several times. They are still good at what they are doing. He says it’s different when he performs the songs separately from the band or when Per performs them on his solo tours. It’s never the same as when they 5 play together.

Micke says he likes meeting people. He likes to perform for smaller crowds and see people’s happy faces and he also likes to stand there at Ullevi. He mentions he took a selfie at Ullevi with 55 thousand people in 2019. That was cool.

Christian thanks Micke for the conversation and Micke says it’s his pleasure and he is thankful he could be on the podcast.