Pugh Rogefeldt

Per Gessle at the Pugh Rogefeldt tribute gala

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On 18th October, Sweden’s artist elite gathered at Cirkus in Stockholm to pay tribute to Swedish rock icon Pugh Rogefeldt, who passed away on 1st May 2023. Per Gessle also performed at the gala “De va dä, dä”. SVT recorded the event and decided to broadcast it on the first anniversary of loss. Watch it HERE!

Per said in October:

I’m very proud and grateful to be involved. Pugh has meant a lot to me and my generation. I understand that everyone wants to join. He was unique, a forerunner. I learned so much about how you can stretch languages. That’s what Pugh did. I learned that there are no rules and norms to follow.

In 2004, Pugh Rogefeldt toured together with Gyllene Tider. Per continued:

He asked me to help choose songs. It was a super big moment for me. I chose songs from the records I loved, “Stinsen i Bro” from the record “Pughish”. He was an amazing man. It will be wonderful to pay tribute to him.

Also in October last year, Per released a single, Vandrar i ett regn, a cover of Pugh’s song. Mr. G recorded it in April 2023.

“Vandrar i ett regn” was released on Pugh Rogefeldt’s live album “Ett steg till” in 1975. An album that – besides other places – was recorded at Halmstad Theatre in December 1974. I was then fifteen years old and there, of course. Since then I have always loved this song and now that I had the honor to be at a tribute gala for dear Pugh, it felt natural to record and release my own version.

I worked together with pure Halmstad musicians; MP from Gyllene Tider on mandolin, Gicken Johansson on bass and lap steel, Magnus Helgesson on drums and Linnea Olsson on vocals. As icing on the cake, Ola Gustafsson from Norrland has added his fine guitar loops here and there.

I know Pugh heard my version before he passed away and of course it feels fantastic and big. He was a unique artist with exciting and high ambitions where he did not always take the easiest path. Thanks Pugh.

Per performed this song at the gala together with Linnea Olsson and Ola Gustafsson, Andreas Dahlbäck, David Nyström, Martin Tronsson, as well as Anders Pettersson in the band.

Screenshots are from the tribute concert broadcast on SVT.

Per Gessle on “Halv tre med Lotta Bromé” on Mix Megapol

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Per Gessle was Lotta Bromé’s guest on radio Mix Megapol on 18th October. You can listen to the interview HERE.

Lotta welcomes Per in the studio and mentions that it was exactly a year ago when Per was on this show, October 2022. She finds it fun that PG always releases new music in October. Per laughs and says it’s a coincidence of course. He releases music all the time. Lotta knows it and says she was sitting here in the studio all Easter waiting for Per to come, because he promised to come back then when he was on the show last time. She had eggs and stuff, but PG didn’t come. Per laughs and says something came in the way. Lotta says it was Gyllene Tider. She asks how the tour was.

Per says it was fantastic. The GT tour was magical and Gyllene Tider is a wonderful little pop band. They have always been touring regularly with odd intervals. These days, it feels like there is almost no one left who makes that kind of music anymore. So all of a sudden, they kind of represent a bygone era. They felt it for the first time this year. It didn’t feel like that at all when they toured in 2019. Lotta asks if it was a farewell tour again this summer. PG says it wasn’t. He doesn’t think you should paint yourself into a corner. Only Micke thinks so. Per laughs. So Lotta is curious if another GT tour is coming. Per doesn’t know, but it’s always fun to play together with the guys.

Lotta thinks GT has a very mixed audience. PG confirms it. It’s mostly those who have been there before, but it’s a fantastic mix of all sorts and they have been lucky enough to have managed to build up a song catalogue that is still attractive to a lot of people.

Lotta says it must be fun to get to a younger audience as well and that there are people who only now discover the music that has been around for so long for us. Per confirms it’s cool. The case is that the majority of those who listen to almost all music he makes, it’s music that they have gotten married to, they have divorced, they have graduated and stuff like that. There is so much going on in their lives and the music represents so many life events. It becomes a kind of soundtrack to everything that people have been through. It’s cool to be a part of it.

Lotta asks Per if he himself should pick one GT song that meant the most to him, what song would that be. PG finds it difficult to pick one and Lotta says he can’t cheat and say a Roxette or PG Roxette or Per solo song. It has to be a GT song. So after thinking, Per says a song that was some sort of a stepping stone to something new is Det är över nu. It was the first time that they really sounded the way they always wanted to sound. They got a new producer and it was recorded in 1995. Per had been out for 7 years with Roxette and got more routine through Roxette, so that all of a sudden when GT got back together in 1995, they sounded damn good.

After they play Det är över nu on the radio, Lotta mentions that Per will be on stage tonight. PG explains that there will be a tribute concert to Pugh Rogefeldt at Cirkus. It’s Per, Tomas Ledin, First Aid Kit and other artists on stage. Lotta asks Per why Pugh meant so much to him. Mr. G says Pugh has been with him his whole life. Pugh’s first concert Per saw was when he was 14, in Halmstad’s folk park. Pugh played there with his band Rainrock. Per remembers that Pugh had a bandana on his head and a long ponytail and after a few songs he took off this scarf and then they saw he was completely bald. He looked like Kojak. The Halmstad audience had never seen anything like that before, so they were shocked. Afterwards PG and his friends went to the Esso Motor Hotel where the band lived. They waited for the band there at the reception. Lotta asks if they dared to say hi to the band. PG says they didn’t dare to talk to them. Lotta asks if Per had the chance to tell Pugh about this when they met. PG says he did.

The first time Per and Pugh met was when Gyllene Tider recorded their second LP. It came out in 1981 and Pugh came to the studio to read the stanza “mina damer och herrar, det är gyllene tider för rock’n’roll”, the intro to the song Gyllene Tider för rock’n’roll. It’s unbelievably big for the guys in GT that he did it. Then he went on tour with Gyllene Tider in 2004, on the biggest GT tour. Pugh was a special guest.

Lotta says people always talk about Pugh as the father of Swedish rock. His first album was Ja, dä ä dä! and he wrote lyrics in Swedish. PG says not only that he wrote in Swedish, but he actually created his own language. The second record was called Pughish and there he sings in his own language. Per has always been interested in lyrics and he thinks there are similarities between Pugh’s lyrics and John Lennon’s lyrics. There are these nonsense, odd lyrics, e.g. I Am The Walrus. That’s very attractive to Per. Especially Pugh’s early records, which are a little more fuzzy and a little more unstructured are incredibly attractive to PG.

He chose to cover Vandrar i ett regn. It came out on a live record called Ett steg till in 1975. That was recorded at Halmstad Theatre – among other places – where Per saw Pugh and Rainrock and Janne Lucas and Ola Magnell.

Lotta says Pugh was truly an idol. Per says he had great vibes and he looked cool. Mr. G says he made a video for Vandrar i ett regn and Ebba, who directed this video, has managed to find a lot of cool pictures of Pugh from the past. He looked damn cool.

Lotta says Per doesn’t wear a bandana. Per laughs and says he doesn’t have any. Too much hair to put under, Lotta says. Per laughs and then they play Vandrar i ett regn.

Lotta asks when was the last time Per met Pugh. Mr. G says he met Pugh in person at his last concert. He performed at Cirkus in Stockholm in 2019. Per was there with Clarence Öfwerman, Roxette’s producer. They were sitting in the first row of the gallery and at one song Pugh went out into the audience and sang the song. He caught sight of Per, walked up to him and then he hugged Mr. G. It made Per so happy, because they never had that kind of a relationship, but he just hugged PG. He was happy to see Per.

When Mr. G had recorded Vandrar i ett regn, it ended up with Pugh, so he listened to it and thought it was great that Per recorded it. It was only a couple of days before he passed away, so it also feels great that he got to hear it and Per got a response to it.

Lotta is curious how often Per makes covers. It’s not that often. However, PG likes covers as an artist, because you can use them to tell a little about where you are coming from. They did that with Gyllene Tider early on. They played, for example, ABBA’s S.O.S., Mott The Hoople, The Beatles, a bit of everything by Tom Petty. Roxette played a bit of Blondie and a bit of The Birds. One of Per’s favourite records is David Bowie’s Pin-Ups album, which is a fantastic collection of Bowie’s ’60s favourites. Lotta adds that Bryan Ferry has done some great covers too. Per agrees.

So, Per thinks covers are fun, but he doesn’t make covers that often. You have to prioritize your own songs.

Lotta wants to know how many times Per was asked to be on Så mycket bättre. [It’s a Swedish TV reality show in which participating musicians perform their own version of well-known songs by other artists. /PP] Many times, Per replies. Lotta is curious why Per doesn’t take part in it. Per says from what he understands, you have to go away for 6 weeks and live with other artists. It sounds like a nightmare. They are laughing. Lotta says that Per is touring a lot and asks if it is OK to live with the guys in GT then. PG says it’s true he is away on tour a lot, but there are no cameras all the time.

Lotta says the last time they also talked about getting older and people passing away. Then Per also talked about the importance of nurturing relationships. PG says you have to make the most of what you have. He says you start to become like your parents, throwing out clichés like this about how you should behave when you get old. Per laughs. Lotta says she is very happy that Per came here today and nurtures their relationship. Haha.

Last time Per was on the show he had many things coming up. There was the PG Roxette album, the Gyllene Tider record, then a tour. PG says there will be a lot of stuff happening next year as well that he can’t really reveal yet, but he thinks he will have to do it before Easter. Haha.

What he can tell is that a Gyllene Tider movie will premiere next summer. The shootings end this week. Then next autumn the Roxette musical will premiere in Malmö.

Lotta asks Per about contemporary music. She is curious if Per heard anything lately that he liked. There aren’t too many new songs that Per gets hooked on, but there are occasional artists who are exciting. Weyes Blood, for example. He says now he is like his parents again and laughs. Mr. G says when he really needs to listen to music, he often goes back to the music he grew up with. He doesn’t need a new Joni Mitchell, because he has Joni Mitchell and he doesn’t need a new Tom Petty, because he has Tom Petty. He knows so much music and he has such a huge music collection that it’s enough for him. So it’s not that easy to knock on his door and get in with a new song.

Lotta asks Per to pick an old song they should play then. PG chooses American Girl by Tom Petty.

Lotta says it’s always a pleasure to see Per and a warm welcome back at Easter or even earlier. Per thanks for it and says he’ll be glad to come back.

Stills are from THIS video.

Per Gessle on Nyhetsmorgon on TV4 talking about Pugh Rogefeldt

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Per Gessle was a guest on TV4’s morning show, Nyhetsmorgon on 13th October, release day of his new single, a cover of Pugh Rogefeldt’s Vandrar i ett regn. Program leaders Sofia Geite and Steffo Törnquist interviewed him.

The interview starts with premiering the song’s video and after they play a short part of it, Steffo says it’s such a good song choice, because one could think it could have been written by Per. It fits Per very well. PG agrees that it’s a fantastic song. Steffo says Pugh was great and Per discovered him early. Mr. G says the first time he saw Pugh must have been 1974 in Halmstad’s folk park. He played there with his band, Rainrock. He had a scarf on his head and a long ponytail and after a few songs he took off the bandana and everyone saw he had shaved his hair and was bald, just had the ponytail left. The whole audience was shocked. Per says you had never seen anything like that before. Pugh took a bet with his brother, but when his brother saw how Pugh looked, he withdrew himself from the bet. Haha.

The following year Pugh was on tour and played at Halmstad Theatre. There they played, among other songs, Vandrar i ett regn, Per says. Steffo says it’s a song that makes you happy and it’s lovely. PG thinks it has fantastic lyrics and it’s a wonderful song. Pugh was a great songwriter. Steffo mentions a word Pugh uses, “gamman” for happy. “Glad och gamman” in the lyrics, Per thinks it’s a nice expression. He had to check what that meant.

Steffo says Pugh was purely musical too and very innovative. Per agrees. He says Pugh actually created his own language, Pughish. That was even the title of his second album, Pughish. He simply wrote lyrics in his own language. It’s very unique. So there was a musical madness in all this fantastic melodic work he did. Per likes his songs a lot. He thinks there are similarities between Pugh’s lyrics and for example John Lennon’s lyrics. Sometimes there are these kind of nonsense lyrics that you can make your own and you can interpret them as you want. A bit like how Per tried to write The Look. That song isn’t about anything, but you can make it your own. That’s the cool thing about pop music and PG thinks Pugh was a master of it.

Sofia mentions that there will be a tribute concert for Pugh at Cirkus in Stockholm. That place has been chosen for a reason, also because it was where Pugh had his last concert. Per was there in the audience then. He says it was a great concert, but it was a bit strange, because Pugh behaved a bit odd. Per doesn’t know why. He says he was there with his producer, sitting in the first row of the gallery and at one song Pugh went out into the audience and sang the song. He caught sight of Per, walked up to him and then he hugged Per. PG doesn’t really understand why. It was a long hug and a bit magical in a way. In retrospect now it feels super wonderful.

Steffo says Gyllene Tider and Pugh toured together. Per smiles and says Pugh wasn’t a support act, because he was too good for that, he was a special guest for Gyllene Tider in 2004. It was a huge tour. They of course met during the tour, but they didn’t travel together. On a tour it’s when they play, you are in the dressing room, changing clothes, you are getting ready for your part, putting on your make-up and stuff, Per says, so you often miss out on each other.

Sofia says that the big hug Pugh gave Per must have been a surprise for PG, because he and Pugh didn’t have a very tight relationship. Per confirms he was surprised. Pugh was 5-6 metres away from him when he caught sight of PG, so he doesn’t know why he got the feeling. Sofia says probably this relationship meant a lot to Pugh.

Per tells Sofia and Steffo that Pugh asked him to help put together the setlist of what he would play as the special guest on the GT tour. He knew Per was a big fan. Mr. G made a list based on the early records that he loved, Pughish and Hollywood. Pugh always wondered why Per chose these weird songs that he had basically forgotten about. But those songs were so good.

Sofia aks Per what it was like to meet his idol when he was young. Because she knows PG had the chance to meet Pugh in some hotel foyer. Per says when Pugh played the folk park in Halmstad, he and his friends knew that they would be staying at a hotel in Vallås, outside Halmstad. They went there to the hotel and waited for the band to come. The band came and then they walked half a metre past. The guys sat there and were too shy to say anything at the age of 14. They just wanted to be close to the pop gods. Haha.

Regarding the Gyllene Tider movie, Per says the shooting lasts until next week and the movie is out next summer. Steffo asks how it feels. Per says it’s scary, but it’s cool. He has seen a bit of it and it’s amazing. The script is awesome, so he hopes the film will be as good as the script is. It’s a movie about 5 crazy guys in a small town who start a band. But in the end, it’s not like a documentary about Gyllene Tider. It ends with Sommartider released in 1982, so it’s kind of about how the band got there. Sofia asks Per if he recognizes himself or he sees new sides of him in the movie. [Here they show the group picture of Gyllene Tider and the cast.] Per points at the picture and says he recognizes himself there. Haha. PG says the actors interpreted the film well and they are incredibly talented. The director is also wonderful. The program leaders say it’s fun and they look forward to it. They also wish Per to have a good time at the Pugh gala.

Stills are from the morning show.

Per Gessle covers Pugh Rogefeldt’s “Vandrar i ett regn”

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Swedish artist and songwriter Pugh Rogefeldt passed away on 1st May 2023. The day the sad news came out, Per remembered him like this:

He was a magnificent artist, songwriter, singer. My early teenage life was coloured in the most unlikely shades by Pugh’s magical songs, lyrics and imagination. The “Pughish” album was my favourite. I sat in the eighth row at Halmstad Theatre when the “Ett steg till” tour came to town and was completely mesmerized. One of the greatest moments in my career is when Pugh read the stanza “Mina damer och herrar, det är gyllene tider för rock’n’roll” so that we at Gyllene Tider could use his voice in the intro to the song “Gyllene Tider för rock’n’roll” in 1981. Many years later, in 2004, we had the honour of having him as a support act on GT’s 25th anniversary tour. He wanted me to help him put together his setlist for the tour. I was happy to do that. Amazing, when you think about it.

As a tribute, Per releases a single, Vandrar i ett regn, a cover of Pugh’s song. Mr. G recorded it in April 2023. He says:

“Vandrar i ett regn” was released on Pugh Rogefeldt’s live album “Ett steg till” in 1975. An album that – besides other places – was recorded at Halmstad Theatre in December 1974. I was then fifteen years old and there, of course. Since then I have always loved this song and now that I had the honor to be at a tribute gala for dear Pugh, it felt natural to record and release my own version.

I worked together with pure Halmstad musicians; MP from Gyllene Tider on mandolin, Gicken Johansson on bass and lap steel, Magnus Helgesson on drums and Linnea Olsson on vocals. As icing on the cake, Ola Gustafsson from Norrland has added his fine guitar loops here and there.

I know Pugh heard my version before he passed away and of course it feels fantastic and big. He was a unique artist with exciting and high ambitions where he did not always take the easiest path. Thanks Pugh.

In the June episode of Nordic Rox, the Pugh Rogefeldt special, PG mentioned that the backing vocals on the live recording of Vandrar i ett regn from the double LP, Ett steg till are half crazy. It’s typically Pugh as well. Mr. G says it’s an homage to the Doo Wop ’50s style of music.

The B side of the single is a so far unreleased version of “If I Knew Then (What I Know Now)”. Per says:

It’s basically the same backing track as “Om jag vetat då” from “En händig man”, but with new vocals and no girls around this time. Forgot about it, but found it in my files.

Mr. G will perform at the tribute concert for Pugh Rogefeldt at Cirkus in Stockholm on 18th October.

I’m very proud and grateful to be involved. Pugh has meant a lot to me and my generation. I understand that everyone wants to join. He was unique, a forerunner. I learned so much about how you can stretch languages. That’s what Pugh did. I learned that there are no rules and norms to follow. He was an amazing man. It will be wonderful to pay tribute to him.

Listen to the single on any streaming site (Spotify, Deezer, YouTube)! Pre-order the 7″ vinyl edition at Bengans, Ginza or some other Scandinavian webshop! The vinyl is out on 10th November.

A video to Vandrar i ett regn is also out soon!

Per Gessle on Nordic Rox – June 2023

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In May it was only Sven Lindström on Nordic Rox, but for the June episode, Per Gessle got back on track and joined him.

The guys focus on one of the biggest legends in Swedish rock history, Pugh Rogefeldt, who unfortunately passed away a couple of weeks ago. Sven says he left a mark on Swedish music and changed it more or less forever. Per agrees. Pugh was probably the first Swedish rock act to sing in Swedish. Nobody did that. Everyone in Europe thought that they had to write in English. Except in France, PG adds. Haha. In Sweden, in the ’60s, all those bands that were big, were either singing Middle of the Road songs in Swedish or they were doing rock and pop music based on Brit pop from the ’60s. Pugh Rogefeldt was the one in 1969 who did an album in Swedish. It took everyone by surprise and it earned him a Grammy. The first three or four albums he did were truly amazing, Mr. G says. Pugh actually influenced him a lot and lots of his peers too. Sven says Pugh made a massive impression on the scene. The guys will play 4 Rogefeldt songs and talk about them in a little while, but before that, they play some fasten-your-seatbelts songs.

Our Own Revolution by Brainpool is the opener. Per says it’s a sadly missed band. Sven adds they were discovered and signed by Per. Mr. G says oh yeah, he forgot about that. It happened once upon a time in the ’90s when he had a publishing company. Per says they were great writers and a great band. He thinks they did three or four albums. Christoffer Lundquist is on bass guitar here. Later he became Per’s producer and also lead guitar player in Roxette. He started out as a bass player. A very cool guy according to Sven.

Driving One Of Your Cars by Lisa Miskovsky is next. A great track according to Sven and Per. Then comes Just Kids by Lowland Circus.

The next song is (Do You Get) Excited? by Roxette. It’s one of the tracks from the massively successful Joyride album from 1991. Those were the days, the guys say. PG says Sven had hair those days. They are laughing. (Do You Get) Excited? is one of Per’s favourite songs from the album. He loves the sound of it. There are great guitar parts by Jonas Isacsson and Marie, of course, is singing the shit out of this song. Sven is curious if Per remembers writing and recording it. PG can’t really remember, but he says they had a big argument, because there is lots of modulations in this song. Per was really into modulations at the time and so he tried to use that in the arrangement of the song a lot. It’s got a little Led Zeppelin riffs, combined with a little drum machine here and there, it’s pretty special.

Broder Daniel’s Underground comes next. A lovely song, Mr. G thinks. Then it’s the Darkest Hour’s turn by Astrid S.

The guys get down to the Pugh Rogefeldt session. Sven says he was 22 years old when he made his debut album. He came from a small town and he was the father of two children. He didn’t expect anything, he didn’t really think anyone would listen to the album. PG says Pugh was lucky in a way, because there was a Swedish producer, Anders Burman, who had a record label called Metronome and he discovered him and put him together with two guys, Janne Carlsson on drums, who came from Hansson & Karlsson. Sven states that Hansson & Karlsson made the song Tax Free that Jimi Hendrix found about and recorded as well. To continue the story, Per says then there was this bass and guitar player called Georg Wadenius, who eventually became a member of Blood, Sweat & Tears three years later. So there is a slight American connection there, Sven says. PG says that Janne Carlsson on drums, Georg Wadenius on guitar and bass and Pugh on everything else, it was a great trio and great songs, unique songs. Like Per said earlier, Pugh was the first one to write in Swedish and he even created his own language on the second album. So three or four songs on that album are in his own language. Weird but nice, Mr. G says. Sven says Pugh was a very creative guy. He didn’t expect anything to happen, but as the months passed in 1969, more and more influential people in the radio and in the newspapers started to discover him. Then suddenly he became declared a complete genius. He said that it took him half a year to come down from that. He was elevated up to the stratosphere. Here the guys play the first Pugh song and it’s from his debut album. Här kommer natten was his breakthrough song. Per thinks it’s very good.

Sven says what happened after this album came out was that Pugh basically opened the door single-handedly for rock artists to express themselves in Swedish. And suddenly, from having been deemed impossible, everyone started to discover that Swedish was not that bad. PG thinks it’s cool. He did a couple of albums after this first one of course, which were very successful as well, and the second one was called Pughish. Pugh sort of invented his own language and that was the first album Per heard from him. It was the same for Sven. Per says he was about ten or eleven years old back then, maybe twelve. It’s a tremendous album. Then Pugh did an album called Hollywood, which was probably his bigger success up until the Bolla och Rulla album came in 1974. Sven says that was more of a straight ahead rock album and it was really successful. After that a couple of Swedish artists went on tour and recorded a Pugh song called Vandrar i ett regn (walking in the rain). The backing vocals on this are half crazy. It’s typically Pugh as well. Mr. G says it’s an homage to the Doo Wop ’50s style of music. This live recording is really special for Per, because he was at the show where they recorded it. They played in Per’s hometown and Pugh was a superstar at the time. PG was in the 8th row and just mesmerized by this concert. He really loves this double LP, Ett steg till.

After this live recording from 1974 is played, Sven says he and Per are celebrating Pugh Rogefeldt, the father of rock music with Swedish lyrics in Sweden. Per thinks that the most famous of Pugh’s songs is coming up next. Små lätta moln is also taken from the 1969 debut album. It has been covered by a lot of people, even though it’s a pretty strange song, but it’s beautiful. Sven agrees. He says Pugh is singing it with this original twist. Nobody sounded like him before that. Playful and inventive he was. PG says Pugh has got this very high-pitched voice, using falsettos and he is just doing his own thing. It’s a trademark sound, Mr. G thinks. Sven wants to know if there is anything Per as a songwriter picked up from Pugh that he is aware of. Mr. G says Pugh is a pretty unorthodox writer. He is not following any rules at all. Per was more rooted in the classic songwriting style when he started out, but he was influenced by Pugh for sure. Especially when it came to writing lyrics. Per started writing lyrics in Swedish and Pugh was definitely one guy to look up to. So if Per should say he was influenced by Pugh, it’s more about the lyrics than the music. Små lätta moln is translating into tiny light clouds, the guys say.

The last Pugh song Sven and Per play is from 1974. Per says it’s from a very raw album called Bolla och Rulla, which is a sloppy Swedish translation of rock ‘n’ roll. Sven says it’s also the typical Pugh attitude, twisting the words. By this time he had a good band. Both Per and Sven saw this tour in the summer of 1974. Per adds that Pugh toured Sweden all the time. He remembers going to this show as well and it was really good. The lead guitar player was actually his younger brother, Ingemar. He had a great Les Paul Special and it sounded amazing. Sven says to top it all off, the bassist was Roger Pettersson. He performed this show that Sven saw in a denim skirt. Per says he had that in Halmstad too. Sven says he always thought that Roger lost a bet or something, so he had to perform in that. But then he realized that it was a stage outfit. Per says he looked cool. At the time, it was the glam rock days, anything went. So it was cool. The song the guys play is the opening track on this album, and it’s called Hog farm. It’s about a hippie commune from the States that came to Sweden. Per says it was lots of scandals and drugs and minors and this and that.

Lambretta’s Bimbo is played. Ifrån mej själv by Dundertåget is the next one. Such a great one, Per loves it.

The guys thank everyone for listening, then as usual, Cigarettes by Anita Lindblom is closing the show.

Still is from the Bag of Trix comment videos recorded by Anders Roos.

Thanks for your support, Sven!