Together with the Mono Mind press release 2 days ago, there was the opportunity to ask 5 questions from Per about his latest project. 5 might be even too many for most journalists, but too few for a fan who already has more than 30 in her mind. Fortunately, some of my relevant questions were answered in an earlier Instagram Q&A and the „Per Gessle presents Mono Mind” videos include quite some details too, so I could reduce the number of questions. But not to 5, no way. Haha. I thought Per knows anyway that I like novels, so I sticked to sending some more questions hoping for at least as many answers. He is fast, the answers are just in! And they are detailed. Enjoy!
Patrícia Peres: – Hi Per! First of all, thank you very much for the opportunity regarding the interview. What a fab birthday gift, a new album under a new project! Pure awesomeness! As far as I know, the songs were recorded years ago. (Not sure if all of them though.) Why did you decide to wait for so long with the release?
Per Gessle: – Hey Pat! Thank you. I started fooling around with this idea in 2014, spent weeks and weeks trying to find out how I could create different sounds with my voice. I did all this work together with Christoffer Lundquist in his fancy studio way down south. Why did you try to change your voice, Per? Well, that’s a very good question, Pat.
PP: – Haha. Thanks for asking in my name. Since the number of questions was limited, I didn’t want to use some which I thought journalists would ask anyway. But of course I’m very much interested in why you wanted to change your voice.
PG: – The thing is that the voice is the main thing you listen to in pop music. I felt a bit tired of my own tool and wanted to dream up something new and fresh. I tried out different manners, singing in various octaves and „wrong” keys to see if something special happened. We tried to out different gadgets in the computer and eventually found a way to stretch/ shorten the words, vowels and consonants and create different styles of melodies. We basically „drew” the melody lines by hand. I didn’t really sing it the way it sounds. Exciting, heh? It took forever, don’t try it at home.
Most of the stuff on the album was finalized 2016 and 2017. „LaLaLove” was recorded 2018. I wanted to start with at least three singles before I put together the first album. The big moment for this project was, of course, the six weeks at the Number One spot on the MediaBase Dance chart in the US with „Save Me A Place” in the late summer of 2017. That’s when I realized I had something special going on.
My ambition with Mono Mind has always been to create a „classic” album, that’s why you have instrumentals like „Away Away Away” and „Lap Dancing” in there to glue things together. Also, I wanted to use the same lyrics in different songs to see what happened and how they worked in various environments. It’s all been a magic carpet ride for me. Every song has created a new urge for another one.
Musically I wanted to create songs à la PG but made in the computer. We certainly used some guitars and keyboards from the outside but I wanted the production to sound electronic. Funny thing is I did most of this stuff while working on the Nashville albums which are TOTALLY DIFFERENT. Two sides of the same coin? The dark side of the moon? Fascinating.
And when I finally found the sound I liked I created the four characters. They were not there from the beginning. If you think about it… the history of pop is filled with „characters” with fake names; The Ramones, David Bowie, Marc Bolan, Alice Cooper. It made sense to me to create my own little circle of friends. Four cool names, looks, voices and opinions. It’s been very exciting to visit the Mono Mind quarters from time to time. And, of course, I had to invent Wicked Pete, their manager who takes all the money. He’s been all over me sometimes.
PP: – Amazing to hear so many details about how it all started and the way to what it has become! What is the main thing that you think differentiates Mono Mind from any other EDM band?
PG: – Mono Mind is not really about EDM. Mono Mind at this point is about combining classic pop music with electronica. That’s what’s been going on on the first album. However, next recordings might be different. It all depends on who I’m working with. I want to stay open to anything. I might lose the robot voice eventually. But right now I’ve been into putting together computerized pop and computerized voices with my style of writing which, as you know, is based on the 60’s and 70’s songwriting tradition. The EDM elements you are referring to must be from some remixes that’s been done. Some of them have been wunderbar, others have been crap. You haven’t heard those. Lucky you.
PP: – Yeah, the remixes might have misled me, but also I’m not a pro when it comes to defining genres. What can you tell us about your laboratory co-workers besides the wonderful trio of Helena Josefsson, Christoffer Lundquist and Clarence Öfwerman?
PG: – They’ve been crucial to the project. Especially in the beginning. Dr Robot’s unique voice wouldn’t have happened without Chris. I also wanted to use a female voice here and there to soften things up a bit and Helena is da shit! She makes a perfect Cooky. Also, I’ve been working with quite a few people from all over Europe and the US. Lots of stuff are not included on the album. Some things didn’t work out.
PP: – From your career so far I think Good Karma is the closest to Mono Mind. What was the difference in the process and cooperations of recording MM songs vs. GK songs? Or the difference to any other earlier project of yours.
PG: – GK was a Roxette album which was pretty complicated to create due to Marie’s illness. For me, Mono Mind is VERY different. And if I’m gonna be frank, the MM album got much better songs.
PP: – Your latest album lengths were quite short. Now with this release you get back to a length that is over 50 minutes. That’s really cool! Why did you decide for a longer album this time?
PG: – I have so many versions of various Mono Mind songs lying around. My first idea of the CD was over an hour long. But I skipped two songs (that I love) and put them on the double vinyl instead. I hate it when CD’s become too long.
PP: – Which was the very first song you wrote especially for Mono Mind?
PG: – „In Control”.
PP: – Now that’s really interesting. This is the song that has become an instant top favourite for me off the album, right after the first listening. Is there any song you wrote for another project of yours, but it has ended up as a Mono Mind song and is now on the album?
PG: – Yes, „Couldn’t Believe My Luck” was written for Roxette but was never recorded. And „Shelter From The Storm” (from the vinyl album) was written in the 80’s. The rest are Mono Mind originals.
PP: – Which song on Mind Control would you suggest a non-electronica fan to listen to for sure that you think it would engage the listener and would start to like EDM music?
PG: – Like I said I don’t consider MM to be an EDM-act. If you listen to „Tell Him I Said Hi!” or „Mile-Melter” or „Couldn’t Believe My Luck” or „In Control” for example, I don’t think the first three letters that pop up in your head will be E and D and M.
PP: – Before I get on your nerves with those 3 letters, I promise I’ll never use them again regarding Mono Mind. On the vinyl there are 2 extra songs. How did you decide which ones not to include on the CD & digital release?
PG: – „Shelter From The Storm” is amazing but very long so I kept it away from the CD. „Have Another Go” felt similar in style to „Love Is Loud” so one had to go.
PP: – Your Mono Mind lyrics also have that PG trademark on them. It’s amazing that no matter in what genre you write songs, it shines through. How can you keep your own basic style in such different projects?
PG: – That’s the whole idea. To mix my style of writing with new ingredients and other collaborators’ visions. It’s not that complicated. You have to have your antennas out, though. You have to like the final result. Sometimes I didn’t and those songs will not be released. Mono Mind will always be, first and foremost, my vision.
PP: – When you turned 50, you turned towards disco and released Party Crasher. Now when you turn 60, you come up with a whole new electro project. What do you think you’ll be dealing with when you’re 70?
PG: – Hahaha. Heavy metal? Haven’t got a clue. As long as I think I create interesting things (for myself, that is….) I will have a go. Ten years is a long time. Maybe we’re all dead and gone by then and will be singing „Love Is All” upside down on a cloud.
PP: – Oj… Don’t even joke with that, Per! I mean not with heavy metal. I would love to hear your growled vocals one day. Haha. I know I had the option for 5 questions only and I’m well over it, but let me ask one more. Is there any chance we will get to hear the demos to the songs with your non-distorted voice one day?
PG: – No, there isn’t any. I didn’t make any demos for this one. There is an acoustic version of „Couldn’t Believe My Luck” (or at least half of it…) but that’s it. The rest was made in the studio. And in bits and pieces on my iPhone.
PP: – No demos? Wow. Now you really surprised me. Good luck with the album release and I wish you a bright future with Mono Mind, as well as a fabulous 60th birthday!
PG: – Thank you. And thanks for your great support. Appreciate that.
Per & Co. entered the stage at 20:30 and rocked big time with the opener The Look. After TL, Per told the crowd it’s always, always fun to be in Göteborg. I have to agree with him. I only remember fab shows in this city. PG said it wasn’t so long ago when he played in Gothenburg. It was last year. He asked if we were there. He got a loud yes as a reply from the audience. Christoffer and Magnus also said into the mic they were there. Haha. Then Mr. G said it’s bizarre that he has been writing songs for more than 40 years. The most songs he wrote for Roxette, so he thought to dive deep into that catalogue and play a few favourites, but he also sneaked in some of his solo songs to be on the safe side. The crowd was cheering for him and he asked them to sing along.
Mr. G said what a fantastic evening it is. The last time he had a fantastic evening, or better said a good day was in 1990. He said he woke up and found a note on his piano saying ”Hej, din tok, jag älskar dig” (Hello, you fool, I love you). It was left there by his then girlfriend, now wife, since he had to marry Åsa after such a cute note. After writing Joyride in the morning, it was still only 11 am, so PG had a little break and after lunch he wrote another song, SMT. Per was talking so much about Joyride that he even picked a white medium plectrum off his mic stand. The thing is that he plays the acoustic guitar (for SMT) with a thin red pick. We were wondering when he would change it. He was probably also distracted a bit by the fact that his power chord finger started bleeding again. Not as much as in Linköping, but it was visible. So one could get hold of some bloody picks this time again. 😉 While Chris and Malin-My were playing the intro in the front and Per was standing in the back, he might have realized he had the wrong pick in hand, but still hadn’t changed it. He was looking at his finger rather. Then Helena started singing and when Per came to the front, he was playing the guitar with the medium pick, then when he went towards the back of the stage, he threw the white medium pick away, towards his ginger tea-holding trolley and picked a thin red plectrum off his guitar, licked it to have it stuck to the finger (however, the blood would have done it, haha) and played on. Helena was singing beautifully, for which she got a huge applause from the audience again.
Then came the intro talk to IMHBL. Per said he sent the band 96(!) songs to rehearse for the tour. Magnus said they learned to play 102! They overdelivered. Haha. Per said it’s fake info. He said he was thinking about skipping one song, because there are so many others, but then came Magnus and actually, he has only 3 favourite songs. One of them is ”Livet är en fest” from Nationalteatern, the other is ”Happy Nation” from Ace of Base and the third one is what they are going to play right now. Magnus said to the crowd ”thank me later!” Haha. The crowd loved IMHBL. It would have been a big mistake not to include it in the setlist.
The crowd was loud, clapping and shouting, so Per and the band came back on stage, PG thanked the crowd and said what a fantastic evening it is. They performed QOR, one of Per’s favourite Roxette songs and of course Helena was cheered after the song. Then it was time for a little Joyride. How Chris and Per were teasing each other in the intro part was again much fun! During the song both Chris and Ola got on their knees and were playing their guitars like that. It was so cool! Helena sat on the edge of the stage in front of us and animated the crowd from there. She’s so good at that (too)! She had a tambourine in her hands and rocked using it. At the end of the song she put it on her head, like a crown. Looked so great! Haha. Then off they went.
PG & THE Band came back for the 2nd encore. Per thanked once again and he put his hand on his heart to emphasize how he wanted to absorb all the love they got from the crowd. Then he said: ”A Friday night in Göteborg! That would be a good song title actually.” Haha. They played LTYH after this and it sounded wonderful. The crowd’s sing-along was the loudest at this song. Great! Before they played the very last song, Per said it’s a special night, because this is the last concert on the European tour. He thanked the band and also the crew for their fantastic job, he thanked Live Nation that made the tour possible and also thanked the people that came to the shows and he mentioned those separately who came to several shows. Then he switched to English and said: ”Thank you very much, you know who you are! Thank you!” And he showed thumbs up and looked at those fans in the front row. He is so amazing! Ojojoj! The bittersweet goodbye was getting closer. TSHTSG, the closing song that probably became everyone’s favourite earworm during the tour in this new arrangement. Another MUST BE RELEASED (on CD and DVD) song! Just saying! 😉 Since I somehow wanted to thank Per and the band for the whole tour right there at the last concert, being fortunate enough to have seen 15 shows out of 20, I prepared 
The Look was a blast already! Not only Per and the band were rocking on stage, but the audience also rocked big time. Loud sing-along, clapping, shouting. One could feel it would be an awesome show. After TL, Per told the crowd it’s so nice to see so many people and that it was quite long ago, the last time he played in Oslo, he can’t even remember. He asked if anyone remembers and someone shouted 1995. Could be. During his talking, the crowd was cheering him all the time. Amazing!
IGYC sounded beautiful, just like STT. Before the latter one Per talked about Nashville. The crowd enjoyed both songs so much, they clapped loud and cheered the musicians up on stage. Per showed thumbs up to them after STT.