PG Roxette’s second single is out!

PG Roxette released his debut single, The Loneliest Girl In The World on 3rd June. The song was the first taste from the upcoming album, Pop-Up Dynamo!, which will come out on 28th October. Before we get to hear the debut album, Per decided to surprise us with a second single. Walking On Air is released today, 23rd September and just like the first single, it also contains another song that won’t be included on Pop-Up Dynamo! The vinyl single has two B-sides: Necessary and a remix of Walking On Air made by Bridge & Mountain.

You can order the 7” vinyl at Bengans, Ginza and some more Scandinavian online shops. The single is also available on all streaming services. Actually, on streaming it became a mini EP, because now all PG Roxette releases will appear under three “brands”: PG Roxette, Roxette and Per Gessle, to make sure anyone can find them easily. Listen to the EP on Spotify, Deezer, Apple Music or YouTube!

Regarding the vinyl single availability Per says:

It’s up to the local Warner office to order it. If they don’t, you won’t find it in that particular country.

To the question if it was the original plan to release two singles before Pop-Up Dynamo! comes out PG replies:

Well, this album has been postponed a few times for various reasons; Covid – legal things – internal Warner reasons. It was finalized already in April 2021.

This spring we made a plan where Loneliest Girl” became the first single. Then the album-release got delayed again because we couldn’t get any slot time making the vinyls. So we decided to go with a second single before the album comes out. There will be a lyric video popping up soon, too!

The lyric video is set to premiere at 12 pm CEST on 23rd September. Don’t miss it! You’ll be able to watch it HERE! The video was made by Ebba Gustafsson Ågren, based on filmed material and photos by Fredrik Etoall and Per Gessle.

Per tells about WOA:

“Walking On Air” was the very first song written for “Pop-Up Dynamo!” I got a request to write something for the “Top Gun: Maverick”-movie in the fall of 2019. So I wrote “WOA”.

It was actually written for a particular scene in the film where someone was going to dance on a beach (hence the lyrics “oh I’m sure you love to dance on the beach”). However, the movie people involved didn’t use the song. Maybe they didn’t like it as much as I did? Or maybe they took away the scene? I don’t know. I haven’t seen Top Gun yet.

So I kept it to myself and started writing more stuff in the same ’80s-’90s style that reminded me of “Look Sharp!” + “Joyride”. That’s how the whole new PG Roxette album came about.

It’s Helena and Dea combined that sing the lead vocals in the choruses. Helena is the driving force but Dea is overdubbing her and also sings harmony vocals. And they share the “wailing duties”. They have such different styles which I love to work with.

This is the sound, combined with my own voice, that shines through the whole new album. Together they create almost a “third persona”, it’s hard to say who’s who. A little bit like Agnetha + Frida in ABBA.

Btw, there is a version with Helena singing the verses. That’s how I wrote originally for the Top Gun-movie.

Mr. G shares some details about Necessary too:

“Necessary” was one of the songs I wrote for “Pop-Up Dynamo!” It’s one of only three recordings I did with Christoffer producing this time. And only one made the album! You’ll notice!

One of them was actually a different version of “Sunflower” that I didn’t like… I preferred my own version that’s on TLGITW single.

The rest of the album was produced by Magnus Börjeson + Clarence Öfwerman + myself. Christoffer came in late in this production to do some overdubs. Jonas joined us a couple of days as well. It’s basically the same people that did the Metallica-song who are involved.

Besides other Gessleish phrases, there is one that pops out in Necessary. Here is what Per has to tell about it:

Glad you like the “pop just like a bubble”-phrase. “Pop Like A Bubble” was actually the working title of the album!!!

There’s no doubt the new PG Roxette single Walking On Air is keeping the Roxette sound alive. The classic and familiar Roxette ingredients of a smart production with great hooks and a “don’t bore us, get to the chorus”-attitude shine through the entire song.

Per says:

There are millions of people out there who still love Roxette so of course I want to keep our music relevant. At first, I wasn’t sure which way to go but as time passed by it became clear that I want to continue this fantastic joyride. I want to keep the legacy of Roxette alive.

Tracklist (7” vinyl)

Side A

Walking On Air

Side B

Necessary
Walking On Air (Bridge & Mountain Remix)

 

Walking On Air

If you could stick around
No need to bother with the other side of town
Set the mood make it bright
I wanna go and be your Saturday night
Oh oh oh – it couldn’t get better
Yea yea yea – listen to what I say

Hey hey, my eyes just stop and stare
I got it good you got me walking on air
Every time you’re coming around
I wish you were here to stay
Hey hey, my eyes can’t look away
I got it good you got me walking on air
Every time you’re getting so near

Would you mind stick around
No need to bother with the glass on the ground
Summertime within reach
Oh I’m sure you love to dance on the beach
Oh oh oh – it couldn’t be better
Yea yea yea – listen to what I say

Hey hey, my eyes just stop and stare
I got it good you got me walking on air
Every time you’re coming around
I wish you were here to stay
Hey hey, my eyes can’t look away
I got it good you got me walking on air
Every time you’re getting so near
I’m walking on air

WORDS + MUSIC BY PER GESSLE

Necessary

When I walk
I tend to move sideways
When I talk
I only get halfway
Well, you pop just like a bubble
And I only want to keep good company

Oh oh oh oh
I’ve been up all night where I used to be
Oh oh oh oh
Hey I can’t believe my own memory
Oh oh oh oh tell me baby
What are you doing to me?
Is it really necessary?

When I call
It sounds like I’m praying
When I fall
All songs keep on playing yea

Oh oh oh oh
I’ve been up all night where I used to be
Oh oh oh oh
Hey I can’t believe my own history
Oh oh oh oh tell me baby
What are you doing to me?
Guess it’s really necessary

WORDS + MUSIC BY PER GESSLE

Got You Back – base book for the upcoming Roxette musical

When Per in the past talked about the fact that Roxette’s music has theatrical potential, I always thought that one day there will be a big musical written based on Roxette songs. Now the thing is, a book is already written and a script from that with matching Roxette songs will be adapted to theatre stage. (We wrote about it in May HERE.) I don’t know which direction is more difficult. To write a story based on existing songs or find the most fitting songs for an already existing story.

The base book from which the script will be written is a novel by Jane Fallon. She is an English author and television producer who debuted as a full-time novelist with her first national bestseller, Getting Rid of Matthew in 2007. She has followed this with several other bestsellers. Her books have been translated into more than 20 languages.

Got You Back is the second novel written by Jane, published in 2008. It’s an entertaining story about the triangle between a husband, his wife and his mistress and the revenge of the latter two gone wrong.

A husband. A wife. A mistress. And the ultimate plan for revenge…

The husband James never intended to lead a double life with a wife in London and a mistress in the country, it’s exhausting. But that’s all about to change…

The wife Stephanie isn’t really snooping when she finds a text message from a strange woman on her husband’s mobile. But now she’s found it, how can she ignore it? It’s time to track the woman down and find out what’s going on…

The mistress Katie has no reason to believe her boyfriend, James, is cheating until someone claiming to be his wife gets in touch. Now she’s been cast in the role of mistress. Not one she’s happy with…

Once Stephanie and Katie know about each other, they must decide what to do. They could both just throw him out or they could join forces to make his life hell first…

But revenge isn’t always sweet. And what happens when one woman thinks enough is enough but the other doesn’t know when to stop?

I had the chance to read it this weekend and what I really like about the novel is that Jane tells the story from all three angles, so you have an in-depth view of these three characters’ personalities. Some of their actions make them sympathetic, others make you roll your eyes – like Finn, the 7-year-old son of Stephanie (stylist) and James (vet) roll them sometimes. Until a certain point you keep your fingers crossed that James pays for all his mistakes, but after a while you feel it’s getting too much and you feel sorry for him. The tension is built up very cleverly and it is also kept after everything turns out to all three parties. You never know how all your la-la-la-la-lies affect your Lover, Lover, Lover until you realize she already knows everything and your wife knows everything too.

And yes… with this, let’s get down to the main thing. The story being the base of an upcoming Roxette musical. There is actually a tremendous amount of Roxette songs that popped up in my mind while reading. The ones that would be obvious choices (for me) are Spending My Time, Listen To Your Heart, The Look, It Must Have Been Love, Things Will Never Be The Same, Dangerous, Sleeping Single, Dressed For Success, Joyride, Come Back (Before You Leave), What’s She Like?, You Don’t Understand Me, A Thing About You. But there are several more that could be included. Fading Like A Flower (Every Time You Leave), I Don’t Want To Get Hurt, Lies, Paint, Lover, Lover, Lover, Pay The Price, The Sweet Hello, The Sad Goodbye, Wish I Could Fly, I’m Sorry, Secrets That She Keeps, Vulnerable, Staring At The Ground, The Centre Of The Heart (Is A Suburb To The Brain), Easy Way Out, Cry, From One Heart To Another, Dance Away, Do You Wanna Go the Whole Way?, It Just Happens

Now I stop making a list here, because in the end, all Rox tracks will be added to this article and „only” 20-25 songs fit in a real musical. Oh well… how about a musical version of Crush On You? Haha. Nah, OK, I really stop it. Certainly, the most well-known Roxette hits will be included.

Besides being a Roxer, another passion of mine is theatre. I love dramas, comedies and musicals the most. Coming it from Webber or anyone else, I like it when stories are told by the help of songs.

This musical is set to premiere in Malmö Opera in autumn 2024. The script will be written by Swedish playwright and director Klas Abrahamsson. That makes me wonder about the language of the play. Roxette lyrics are in English of course, but if I look at musicals I saw in Hungary, the lyrics (also in Mamma Mia!) are translated into Hungarian. Thinking about Jesus Christ Superstar that toured around Sweden recently, it was performed in English, but I also saw Swedish versions in the past. For the time being, we are talking about the musical getting on stage in Sweden and of course, in Sweden there is no issue with it being in English. Later it will be interesting to see how the project develops and how many theatres will join worldwide. I already heard a Hungarian version of The Look in a play a couple of years ago and It Must Have Been Love also has a Hungarian version. Hm… I think it will also be different when you hear your top favourite band’s songs in another language than the original. Do I care when I see Mamma Mia! the musical that the songs are sung in Hungarian? Not really. I have the original English lyrics in my head, but I watch the musical as a theatre play, not as an ABBA „show”. Then it’s totally fine.

Let’s see what happens! Only 2 more years to go! Haha. It’s an exciting project, that’s for sure. Good luck to the whole team involved!

Until then, you can get yourself Got You Back to read. HERE you can read the first chapter!

Fun fact: Jane Fallon is the partner of comedian Ricky Gervais and you might remember Ricky’s guilty pleasures video from 2014… Still much fun!

ROX RMX – Remixes From The Roxette Vaults

Three separate digital releases of Roxette remixes popped up on 20th, 22nd and 24th June. Altogether 44 remixes are out under this project. Most of them were not available digitally before. Listen here to Vol. 1, Vol. 2 and Vol. 3!

Per Gessle says:

The remix saga of Roxette started early on. We released the “Dance Passion” album which contained remixes of a few songs from our debut album “Pearls Of Passion” in 1987. To tell the truth, I never listened to D.P. that much. And I’m pretty sure Marie didn’t listen to it at all. No, that album wasn’t really our cup of tea.

However, time went by and before long we found out about new amazing DJ’s, remixers and producers doing stunning stuff to original and great songs. We definitely wanted to be part of that journey! It’s very exciting to hear new interpretations of your own music, made by talented people coming in with new ideas from different angles.

Now, after 35+ years, it’s time for the collected works. The Roxette Remixes. ROX RMX.

I’ve put together three digital volumes of my favourite Roxette remixes created by big names, tiny names, on huge budgets and no budgets at all. It’s a pretty cool collection I’m very proud of.

I’m especially happy that we, against all odds, actually found the original masters to all these recordings. It’s been hidden in mirror balls and sweaty underwear, hahaha.

Since the time span is over 35 years you can easily hear the changes in pop. Some of the 80’s stuff suddenly sound very modern. And vice versa. Recent stuff can sound a bit dated already. But that’s the way it should be and what pop music is all about. Communication. Enjoy!

Tracklists

ROX RMX Vol. 1 (Remixes From The Roxette Vaults)

  1. Fading Like A Flower (Roxette + Galantis Remix)
  2. Stars (Almighty 12” Definitive Mix)
  3. Real Sugar (Shooting Star Treatment)
  4. The Centre Of The Heart (Is A Suburb To The Brain) (Stonebridge Club Mix Edit)
  5. The Look (Rapino 7” Remix)
  6. Why Don’t You Bring Me Flowers? (Addeboy vs. Cliff Remix)
  7. Wish I Could Fly (Stonebridge R&B Mix)
  8. Some Other Summer (Alexander Brown Remix)
  9. From A Distance (SingSing Version)
  10. Reveal (The Attic Remix)
  11. Crush On You (Almighty Club Mix)
  12. Dressed For Success (New Radio Mix)
  13. Milk And Toast And Honey (Active Dance Remix)
  14. The Rox Medley – A Remix Medley

ROX RMX Vol. 2 (Remixes From The Roxette Vaults)

  1. She’s Got Nothing On (But The Radio) (Adam Rickfors Remix)
  2. Fading Like A Flower (Dancing DJs vs. Roxette)
  3. The Look (Big Red Mix)
  4. Stars (X-Treme Extended Mix)
  5. Knockin’ On Every Door (BomKrash 12” Remix)
  6. Speak To Me (Bassflow Remake)
  7. Dangerous (Power Mix – Short Version)
  8. Spending My Time (Electric Dance Remix)
  9. How Do You Do! (BomKrash US Mix)
  10. Opportunity Nox (Hard Act 2 Follow vs. Sharpshooter Extended Remix)
  11. Joyride (Magic Friend Mix)
  12. Wish I Could Fly (Todd Terry – Tee’s Radio Mix)
  13. Why Don’t You Bring Me Flowers? (Patrick Jordan Remix)
  14. Fireworks (Jesus Jones Remix)
  15. The Look (Head-Drum Mix)

ROX RMX Vol. 3 (Remixes From The Roxette Vaults)

  1. Stars (Almighty Radio Edit)
  2. The Look (Rapino Club Mix)
  3. She’s Got Nothing On (But The Radio) (Adrian Lux Remix)
  4. Crush On You (Almighty 7 Radio Mix)
  5. Dressed For Success (Look Sharp! Mix)
  6. Milk And Toast And Honey (Shooting Star Treatment)
  7. Some Other Summer (TRXD Remix)
  8. Dangerous (Waste Of Vinyl 12” Mix)
  9. Fading Like A Flower (Dancing DJs vs. Roxette – Hardino Mix)
  10. The Centre Of The Heart (Is A Suburb To The Brain) (Yoga Remix)
  11. Wish I Could Fly (Stonebridge Club Mix)
  12. Reveal (Kleerup Remix)
  13. The Look (Chaps 1995 Remix)
  14. Stars (Almighty Dub)
  15. Chances (Dancehall version)

Roxette’s music becomes a musical

Roxette’s vast catalogue of hits is the soundtrack for generations all over the world. It is now time for it to be used in a brand new musical, based on the hit author Jane Fallon’s novel “Got You Back”. The opening is scheduled to be in the autumn of 2024 at Malmö Opera in Malmö, Sweden.

The Swedish duo Roxette, Marie Fredriksson and Per Gessle, is one of the most successful pop groups ever. Their iconic songs like “Listen To Your Heart”, “It Must Have Been Love”, “The Look”, “Joyride” and many more have ruled the charts around the globe. The classic Roxette catalogue will be the soundtrack for a brand new musical, based on the English hit novelist Jane Fallon’s book “Got You Back” with a script by the Swedish playwright and director Klas Abrahamsson. Per Gessle is the hugely successful songwriter and frontman of Roxette which he formed with singer Marie Fredriksson in 1986. Their sales to late exceeds 80 million albums since their first release.

Per Gessle says:

My immediate feeling is that Roxette’s music is perfect for a musical, a rich bunch of songs with lots of familiar melodies. The mix of our legacy and Jane Fallon’s brilliant story feels like a match made in heaven. I look forward to this exciting project.

Jane Fallon is the celebrated TV-producer who became a successful author. Fallon has published eleven novels since her debut “Getting Rid Of Matthew” in 2007 and the sales has passed the million mark in UK alone.

Jane says:

I love musicals and I love Scandinavia and I love Roxette’s music so this is like a dream come true. I’m so happy to be part of this production.

The playright and director Klas Abrahamsson has been praised for several of his plays like “Camping”, “My Friend The Fascist” and “Ingvar! A Musical Furniture Tale” – the two latter together with composer Erik Gedeon.

Klas says:

The music is so great and cool and the story is important and has a most relevant intrigue. I’m so thrilled.

Malmö Opera is one of Sweden’s biggest producer of musical theatre. Carina Ostrander says:

Malmö Opera has yet again shown the power to launch new projects, from the first idea to a full stage production. We do look forward to the collaboration with Per Gessle, Jane Fallon, Klas Abrahamsson and all of the skilled professional craftsmen necessary for a successful stage show.

The musical is a collaboration between Per Gessle, Nordiska ApS and Malmö Opera.

Tickets will go on sale in 2023/24.

Per Gessle demo cassettes TEAC At Home No. 1-2-3

Yet another 3 cassettes are out „from the Drawer Of Dreams”, as Per says. He had a TEAC four-channel tape recorder which he used all the time for a couple of years. Tricky but it worked, he says. PG adds:

Amazing to think I actually did this on my own. I’ve always been lousy with technology. But there you go. Don’t give up!

“Studio Tor” on cassette No. 3 refers to Mr. G’s apartment that was situated on Torsgatan in Halmstad.

Those magic drawers surely contain some more cassettes and that TPGA box vol. 2 is shouting for a release. Only on these three cassettes there are so many tracks we haven’t heard so far!

TEAC AT HOME #1

A

1. Krig (Instr.) (6th September 1983)

2. Krig (7th September 1983)
Released on The Per Gessle Archives – På väg – Demos 1982-86. Monica Törnell released the song in 1984.

3. The Sound Of My Falling Tears (2 vers.) (10th/12th September 1983)
The September 12th version is released on The Per Gessle Archives – Demos & Other Fun Stuff! Vol. 3.

Info from PG: „I bought this 4-track Tascam machine and I did all these things on my own, which is quite scary, being me. So I recorded this at home with just a small synthesizer and a Roland drum machine. Very distinctive 80’s sound. I probably wrote it for „The Heartland Café” album, Gyllene Tider’s English album. That was in the can at the time. It’s sometimes good to work on your own, because you have to solve all your problems yourself. You have to be the engineer, you have to play the instruments, you have to do everything on your own. Which means that you learn a lot. So I did that for a couple of minutes in my life, before I decided to get some collaborators on board. I like to work very rapidly, so if things grew up like technical stuff grew up, I’m lost in the shuffle. It’s just terrible. I had really big studios in my homes over the years, but I always gave it up in the end of the day, because I need an engineer, I need someone to make things work for me. If I have a musical idea, I want to play it now, I want to record it now and if I’m gonna do it on my own it’s gonna be made in like two hours, because I have to find all the wires and connections, hit the right buttons. And when I’ve done that finally, I forgot about all the idea that I had in the first place. That’s why I use my iPhone, my smartphone to do very simple demos on.”

4. Rosa vind (4th November 1983)
Info from PG: „It’s an early version of “Om jag en dag”, the final cut on the “Scener”-album.”

5. Liksom fåglar (26th November 1983)
Probably the Fåglar demo released on The Per Gessle Archives – På väg – Demos 1982-86.

Info from PG: „It’s an early version av “Fåglar”.”

6. Fri som en fågel (26th November 1983)
Info from PG: „It’s a waltz I wrote on the piano for “Scener”. Never made it. Stupid lyrics.”

7. From One Heart To Another (8th December 1983)
Info from PG: „I wrote this even prior to the last Gyllene Tider album, which was in English of course, so it could have been written for that album. I don’t know, I can’t remember. It was a little bit more guitar-driven in 1983 than in 1984 when I did another demo, which was a bit more sequencer and synthesizers. Then in 1985 it was a reggae. The reggae version was what I played for Marie and then we went into the Montezuma studio in 1986 to do an acoustic demo of it, which eventually lead to its inclusion on the first Roxette album. It was never a favourite song for me. Especially in the Roxette version. I had it in so many versions. When it was written, it was supposed to be a guitar-driven song and that’s the way it should have stayed. It’s got a big chorus and you can actually pump it up with guitars. The Roxette version is a little bit more easy-listening, more smooth. When a song lies around for so many years it travels. This song was sent into the Swedish Eurovision Song Contest in 1985 or so in Swedish with a lyric by Ingela “Pling” Forsman, called „Skepp utan roder”. That didn’t go anywhere, of course.

8. En man av väntan (11th December 1983)
Info from PG: „It’s a very boring piano ballad. Next please.”

9. Dreaming (14th December 1983)
Demo of Dreaming by Gyllene Tider.

10. Light Of Love (29th December 1983)
Info from PG: „Frida in ABBA was doing a solo-album in 1982 (produced by Phil Collins) and asked me to write a song for her. And she gave me a book of Dorothy Parker’s poems. I wrote music to two of them, “Threnody” and “Light of love”.”

11. Don’t Want To Live Alone (4th January 1984)
Info from PG: „It’s an early version av “30 skäl”.”

12. Rickie Lee (2 vers.) (19th January 1984)
Demos to the song Rickie Lee that was released on Per Gessle’s second solo album, Scener. It was composed for Marie Fredriksson’s Het vind album, but she released the song only when the album was reissued in 2003.

B

1. Stand By Me (24th January 1984)
Is that a Ben E. King cover?

Info from PG: „It’s not the Ben E. King standard. It’s an original song I probably wrote for “The Heartland Café”. This demo from January is made by me on my own. There is another one from later in the year, in July, with Gyllene Tider playing. It’s a pretty cool one. And a nice song. Might release it one day.”

2. Ros (26th January 1984)
Released on The Per Gessle Archives – På väg – Demos 1982-86.

3. Like Lovers Do (3rd February 1984)
Info from PG: „Most of the songs on „Pearls Of Passion” are songs written in Swedish, including „Like Lovers Do”. I can’t remember what the title was, but it was written in Swedish.”

4. From One Heart … (13th February 1984)
See what’s written at side A track 7.

5. Ingen kan som du (17th February 1984)
Released on The Per Gessle Archives – På väg – Demos 1982-86.

6. Skyldig (20th February 1984)
Skyldig is a song written by Per Gessle, released as a bonus song on Basse Wickman’s 2001 compilation album, Da Capo.

7. Sommardans (20th February 1984)
Info from PG: „It’s another piano ballad. I wrote a lot of those! It’s… hmmmm… OK. Next life, maybe?”

8. Like Lovers Do (Marie) (24th February 1984)
See what’s written at side B track 3.

9. 12 23 05 (28th February 1984)
Per wrote this song and The Pinks [Swedish boyband of kids aged 8-14] released it in 1984 in Swedish. It made headlines in the newspapers, because the number in the title was an existing phone number of a 83-year-old lady in Örebro who got a tremendous amount of calls. According to The Pinks, Per said the song was originally written in English.

10. Never Say Goodbye (29th February 1984)
Later, in 1990 the track was released as a song written by Per Gessle and Clarence Öfwerman under this same title by Passagerarna [band members: Clarence Öfwerman, Mats Persson (not MP!), Micke Jahn, Pelle Alsing, Tommy Cassemar].

Info from PG: „It’s an original song by me. There is actually another demo from July 1984 which is much better. Uptempo pop ditty. Catchy chorus. I gave the lyrics to Clarence many years later and he wrote new music to it for his band “Passagerarna”. They recorded it (with Clarence music) and it was sung by Mats “Myrdal” Persson who played percussion with Roxette on the CBB tour. Small world.”

11. Sheik (6th March 1984)
Info from PG: „It’s an early version of “Physical Fascination”.”

12. Ingen annan (9th March 1984)
Info from PG: „It’s a pretty cool song in 6/8-beat. Forgot about this one. Thanks for bringing it up. I might use it some day.”

13. ”Sköna juveler” / Tema #? (26th March 1984)
There was a 1984 Swedish movie with this title. Can it have any relation to this demo? Hm.

Info from PG: „Yes, I got a request to write some music to this movie. But the people in charge didn’t really like my home made electronic stuff. Who can blame them?”

TEAC AT HOME #2

A

1. Innan du går, kom tillbaka (4th March 1984 – 27th March 1984)
As Marie mentions in her biography, she and Per wanted to play and sing together and they started writing songs together. One of them was Innan du går, kom tillbaka. Per wrote the lyrics and they wrote the music together. The song was released on Hi Fidelity (Various Artists) with Marie singing, Gyllene Tider playing.

2. Fascination (3rd April 1984)
Anything physical?

Info from PG: „It’s yet another early version of Physical Fascination. How many does the world need?”

3. I Call Your Name (11th April 1984)
The Montezuma demo is only from 1986.

Info from PG: „It’s my first demo of what became a Roxette song.”

4. Mandolindagar (16th April 1984)
The song was released on the Inte tillsammans, inte isär EP in 1986 and as a bonus track on the 1994 re-release of Scener.

5. See (16th April 1984)
Regarding the 1989 demo version of See on demo cassette No. 7 Per said: „It’s still unreleased, but there was a Swedish translation and recording made by Sylvia Vrethammar in 1990 with the title „Öppna dina ögon”. My music, Sylvia’s lyrics. Produced by Clarence. How about that? Also… “See” + “See Me” has got the same lyrics. But different music. “See” = music by me. “See Me” = music by sweet Marie.”

6. Innan du går (M. GIT) [if I can read it correctly]
Probably another demo version of Innan du går, kom tillbaka.

Info from PG: „It’s the same demo as the one from March but “M GIT” which means “med gitarr/with guitar”. Duet with Marie. It’s always a joy to hear her sing. I have to release this one. Thank you.”

7. Önskar att du (27th April 1984)
Might be an earlier version of the 1986 Önskar demo, which later became Sleeping Single.

Info from PG: „It’s not the same song as “Önskar” (which became “Sleeping Single”). This one is also uptempo, not terrible, not amazing, pretty dull actually if you play it twice.”

8. Lidelsens vita flagg (2nd May 1984)
Info from PG: „It’s not a bad song. Uptempo, great chorus. Chords sound pretty classic, a little bit like Dressed For Success. It actually sounds like Marie is singing backing vocals on this one. Major problem is that the lyrics stink. That’s probably why it was left in the ditch.”

9. Den tunna linjen (1st May 1984)
Den tunna linjen was released on Scener.

10. Flickor älskar att dansa (5th May 1984)
Info from PG: „It’s an early version of ”Dreams Of Love And Devotion”. Sounds a bit like the Cars. Pretty good.”

11. (I Feel) Fire (8th May 1984)
Info from PG: „It was my favourite for a month or so. This version is sung by Marie. And it sounds “SO MUCH MARIE” from those days. High pitch. Brilliant and strong emotions. Could have been fab on the first Rox album but it never happened. Am I making you curious, hahaha?”

12. Om jag en dag (9th May 1984)
Om jag en dag was released on Scener.

B

1. Anytime (14th May 1984)
Anytime was released on Hi Fidelity (Various Artists) and as a bonus track on the 1990 CD release of The Heartland Café. There is a demo on YouTube. Can it be this one from the cassette?

2. Run To Me (21st May 1984)
It’s the English version of Regn, the song released on Per’s first solo album. There is a demo of Run To Me on YouTube. Can it be this one from the cassette?

Run To Me by the way was released by Christopher Barker in 1994 on his All In Love album.

3. Lycklig en stund (22nd May 1984)
Lycklig en stund was released on Scener in 1985 and another version later in 2020 on Gammal kärlek rostar aldrig.

4. Hi Fidelity (22nd May 1984)
Hi Fidelity was released on the compilation album, Hi Fidelity.

5. Girl On The Phone (25th May 1984)
Info from PG: „It’s an uptempo song. A smaller and younger brother to, let’s say, “The Big L”. Efva Attling wrote a Swedish lyric to it and released on her first solo album in 1985. It was called “Leka på pojkars vis”. Badabam bam bam.”

6. Den bästa tiden (27th May 1984)
Released on The Per Gessle Archives – På väg – Demos 1982-86.

7. Fly Like The Wind Thru … (28th May 1984)
The first version of the 1986 Fly Like The Wind demo.

Info from PG:Fly Like The Wind Through My Hair was the original title.”

8. Dreams Of Love & Devotion (29th May 1984)
Info from PG: „Part of the lyrics is the same [as LaLaLove by Mono Mind]. Not the music, though. Have to recycle. Good for Planet Earth!”

9. Dancing On The Night Wire (7th June 1984)
Info from PG: „This song was written in the spring of 1984. At that time I was preparing for my second Swedish solo album, „Scener”, so I don’t really know why I wrote this one. It was a very complicated time for me, so I wrote so many things going different directions.”

10. Jag hoppas att du finner (7th June 1984)
Info from PG: „It’s another song written for the “Scener”-album. I’ve always liked this one. Unfinished lyrics. That’s probably why it was left out in the cold.”

11. Victoria (10th June 1984)
Info from PG: „VICTORIA / SISTA CHANSEN VÄSTERUT / HJÄRTA OCH SJÄL. Same song, different lyrics. All terrible.”

12. Sista chansen västerut (11th June 1984)
Info from PG: „VICTORIA / SISTA CHANSEN VÄSTERUT / HJÄRTA OCH SJÄL. Same song, different lyrics. All terrible.”

13. Hjärta och själ (11th June 1984)
In the Att vara Per Gessle book on side 97 this song is listed as a side A track on PG’s planned – but never recorded – third Swedish solo album.

Info from PG: „VICTORIA / SISTA CHANSEN VÄSTERUT / HJÄRTA OCH SJÄL. Same song, different lyrics. All terrible.”

TEAC AT HOME #3 (Studio Tor – 6.84. – . )

A

1. Body & Soul (13th June 1984)
In the Att vara Per Gessle book it’s written on side 85 that Per got into contact with Dale Tedesco Music in Los Angeles and sent this song to them, but nothing really happened. However, the fact that Dale – an American who had a record label – liked Per’s songs made PG more self-confident.

2. Cherry Gardens (16th June 1984)
Info from PG: „Extremely bad English version of Gyllene Tider’s “Cilla 16, söt som socker”.”

3. Blå December (17th June 1984)
Blå December was released on Scener.

4. Jag är en liten pojk (21st June 1984)
Pugh Rogefeldt has a song with the same title, released in 1972.

Info from PG: „It’s a bad cover of the Pugh Rogefeldt-song.”

5. Juli-natt (24th June 1984)
Info from PG: „No. No. No. Not very good. Take me out of here!”

6. Lycklig en stund (25th June 1984)
Lycklig en stund was released on Scener in 1985 and another version later in 2020 on Gammal kärlek rostar aldrig.

7. Afrikas <3 (27th June 1984)
In the Att vara Per Gessle book on side 97 a song titled simply Afrika is listed as a side B track on PG’s planned – but never recorded – third Swedish solo album

8. Magic Spell (3rd July 1984)
There is a track on YouTube from the Myths. Can it be this demo?

Info from PG: „Magic Spell was written and demoed twice in the summer of 1984. It will pop up one day!”

9. Vitt Café (5th July 1984)
Info from PG: „It’s another leftover that was written for the “Scener”-album.”

10. Love Darts (7th July 1984)
Info from PG: „It’s the English version of Gyllene Tider’s “Bara vara nära”.”

11. Ge allt du kan o vill (10th July 1984)
Ge allt du kan was demoed again in 2016 and released on En vacker dag in 2017. Sven-Ingvars released the song in 1996.

12. Kyss från en främling (13th July 1984)
It was recorded in English with Gyllene Tider for The Heartland Café album, but it became a leftover because of the little too much country flair to it, says Per. It was later released on Andra Tider – Bonuslåtar och alternativa versioner 82-84. A later demo from 1999 was released on The Per Gessle Archives – Demos & Other Fun Stuff! Vol. 1. Blue Light released the song in 1985.

13. Springer i cirklar
Info from PG: „It’s a demo by Gyllene Tider. Pretty good backing track, terrible vocals by me. Wrong key. Lousy lyrics on top of it all.”

B

1. La Luna (13th August 1984)
The first Spanish roots?

Info from PG: „Instrumental saxophone (!) version of “Scen” from the “Scener” album. Interesting is a word I could use. But I don’t.”

2. Jupiter kallar (17th August 1984)
The 1995 English demo, Jupiter Calling was released on the extended version of The World According To Gessle.

3. Speedo (23rd August 1984)
Speedo was released on Scener.

4. FOX (27th August 1984)
Info from PG: „I wrote this one for Anne-Lie Rydé. She never recorded it. I can understand why.”

Västervik fest (8th July 1985)

1. Vandrar …
2. En känsla …
3.
Ännu doftar …
4.
Love The One …

Info from PG: „It was the mighty “Exciting Cheeses” that performed at Västervik. Same set as we played at the ANC-gig at Scandinavium in Gothenburg in november 85. Just yesterday.”

Info from Marie’s biography: „In the summer of 1985, we went on a minor tour with acoustic guitars and sang vocals. In addition to Per and I, Mats MP Persson and Lasse Lindbom were present. We called ourselves Exciting Cheeses. The name came about because Lasse was asked what we should call ourselves while he was in a grocery store and saw the sign “Spännande ostar”.”

The songs above are: Vandrar i ett sommarregn, En känsla av regn, Ännu doftar kärlek and Love The One You’re With.

Here you can watch the TV broadcast of the 1985 ANC gala. Exciting Cheeses perform Love The One You’re With from 1:08:41.