Per Gessle’s Top9 songs sung by John Lennon

The penultimate part of Swedish Radio’s Per Gessle podcast is about Per’s favourite Beatles songs sung by John Lennon. PG thinks this is probably one of the best lists he has ever put together. Mr. G says he is a big Paul McCartney fan, but he always loved John Lennon’s voice. He thinks Lennon had a completely different composing style vs. McCartney’s and it’s a little closer to Per. Paul is a little too advanced for Mr. G. Per thinks why John and Paul could work so well together, writing songs is exactly their very different style. Sven says he is a Lennon freak and he loves actually everything The Beatles did. Listen to the podcast or download it from HERE!

Mr. G’s Top9 Beatles songs sung by John Lennon:

9. A Hard Day’s Night
8. I Feel Fine
7. I Am the Walrus
6. You’ve Got To Hide Your Love Away
5. Cry Baby Cry
4. I Should Have Known Better
3. And Your Bird Can Sing
2. Come Together
1. Rain

PG_HdIJHctl
Still is from the ”How did It Just Happens come to life” video

A Hard Day’s Night has the world’s coolest intro chord and it’s fantastic pop music. Gyllene Tider did a cover of this song on their early tour. Per couldn’t remember why, but they just couldn’t resist. Micke Syd was Paul and Per was John with a questionable result. Per thinks I Feel Fine’s intro sounds fantastic and he played it again and again to enjoy that ”nnnnnnwahhhhh”. Sven says it’s definitely an attention grabber pop intro, the riff is very original. I Am the Walrus is a fantastic song according to Mr. G. He always loved its nonsense lyrics, the amazing melody and John’s wonderful voice.

You’ve Got To Hide Your Love Away is an incredibly attractive, John Lennon style song. Lennon’s acoustic guitar and his voice drive the whole song. It has no strange intro, it’s a super simple one. Per and Sven say there are many Beatles books around, but most of them are full of speculations. Cry Baby Cry is one of Sven’s absolute favourite hits. Per thinks it’s a terribly awesome song, one of John’s finest moments. Mr. G says The White Album is probably his favourite Beatles album. He was 9 when it was released and he played it a lot of times. I Should Have Known Better is a magnificent pop loop. John had the best voice during that period. Sven says in one of the books ISHKB was mentioned as a throw away track, even Lennon thought so and Per says he as a songwriter would love to have such a throw away song. PG says he can respect that and he also read that some of the Lennon songs he thinks are the best, John thought were throw away tracks. Per talks about his childhood when A Hard Day’s Night, the movie was on TV. There wasn’t too much pop on TV when he grew up and it was always sensational when any pop stuff appeared on the telly.

No. 3 on the list is And Your Bird Can Sing from the album, Revolver. The whole album is guitar-based and Mr. G loves it. Per tells Gyllene Tider recorded a Swedish version of AYBCS [Och jorden den är rund (And Earth is round)] on the EP which was included with their album Moderna Tider, 1981.

The second best Beatles song sung by Lennon is Come Together. It’s the first song on Abbey Road. Other Beatles albums sound very much ’60s, but Abbey Road is so modern that it still sounds awesome today. According to Per, Come Together has a sexy hypnotic groove. It has John’s fantastic voice, Paul’s cool bass play and Ringo’s drum beat.

Mr. G’s No. 1 Beatles song sung by John Lennon is Rain. It was the B-side of the Paperback Writer single in 1966. Per says 1966 is the best year when it comes to pop music. Rain is a bit hypnotic song, a very advanced one including backwards vocals.

Only 1 more podcast to go and this fab series of awesome chat between 2 pop nerds about great music is over. Tune in next Thursday for the last show!

 

Vote for Roxette and Roxers!

Nomination period started for this year’s Rockbjörnen (music prize awarded by Aftonbladet annually). Last year Aftonbladet introduced a drop down menu for those who find it hard to nominate a band / artist / etc. by themselves and if you check it, you can see they still have Roxette on the list for the bands and Roxette fans on the list for the fans of the year. So, please, fill in at least the live band of the year and fans of the year boxes at the voting link. You can surely fill in other boxes, too, e.g. Swedish song of the year: ”It Just Happens – Roxette” or when the album is out, you can pick another song as well. 😉

Vote HERE each day until 10th July!

If you can’t speak Swedish, we help you which boxes to fill in and how you can proceed with your voting:

  • Årets livegrupp = Live band of the year: Roxette
  • Årets bästa fans = Fans of the year: Roxette fans
  • Årets svenska låt = Swedish song of the year: It Just Happens – Roxette (or any other new song after the album is released)

After filling it in, click on ”Nästa” (= ”Next”) and fill in your name (first name & surname), e-mail address, mobile number, year of birth (födelseår) and whether you are female (kvinna) or male (man) or other (annat), then reply to the control question (e.g. 2 + 2 = 4). If you want to receive info and offers from Aftonbladet, leave the tick in. ”Tillbaka” means ”Back”, ”Rösta” means ”Vote”. It’s simple as that.

 

Pic by Patrícia Peres; Göteborg 24/07/2015

 

For a little Rockbjörnen history check out our article from 3 years ago.

 

Per Gessle’s corporate gig in Stockholm

Last night (12th May) Per did a corporate show for the same company (DLF) as Gyllene Tider played for in April 2014. The venue was the same, Berns in Stockholm. The company held its annual meeting and Per appeared on stage together with Pelle, Clarence, Christoffer, Magnus and Helena. Among other songs they performed Dangerous, Dressed For Success, The Look and Tycker om när du tar på mej.

Funny solution to hide the XXX or ROX on Per’s shirt. What happened to the PER shirt? 😉

Videos

Dressed For Success
Dangerous
Tycker om när du tar på mej: 1; 2

Instapics and vids

1, 2, 3, 4, 5, 6, 7,

 

Per Gessle’s Top9 producers

The 8th episode of Swedish Radio’s Per Gessle podcast is about producers. Per says they are very important in pop history. Actually, nowadays producers are sometimes more important than the artists themselves. Mr. G tells he works very well together with his producers, Clarence Öfwerman and Christoffer Lundquist. Listen to the podcast or download it from HERE!

Mr. G’s Top9 producers:

9. Frankie Goes To Hollywood – Relax
8. Tom Petty and the Heartbreakers – Here Comes My Girl
7. The Ronettes – Be My Baby
6. The Cars – Drive
5. Lesley Gore – It’s My Party
4. The Spencer Davies Group – Gimme Some Lovin’
3. David Bowie – Sound and Vision
2. The Knack – My Sharona
1. The Beatles – Something

Per chose Frankie Goes To Hollywood’s Relax, produced by Trevor Horn as No. 9 on his list. The song has a sound Per had never heard before and he thinks it’s a great club music, a classic pop song. Here Comes My Girl was produced by Jimmy Iovine. Jimmy has a unique sound and he even worked together with John Lennon. Be My Baby by The Ronettes was produced by Phil Spector. Sven says he’s a legend. Mr. G is not the world’s greatest Phil Spector fan, but what he likes about him is how he produced all the girl groups’ songs. Phil Spector is the producer behind John Lennon’s Imagine as well.

Drive by The Cars was produced by Robert John “Mutt” Lange. He is also one of the greatest producers and hit makers. Quincy Jones is the producer of Lesley Gore’s It’s My Party. Per says he is a phenomenal musician and producer. PG doesn’t know much about Quincy, but he knows he was the producer of the classic Michael Jackson records. When the album Thriller came out, it sounded magical and it still sounds so. The Spencer Davies Group’s Gimme Some Lovin’ was produced by Jimmy Miller who also produced some Rolling Stones albums. Per thinks Jimmy made the songs attractive.

No. 3 on the list is David Bowie with Sound and Vision. Bowie’s producer was Tony Visconti and their cooperation was magnificent. Per and Sven have a long chat about both David’s and Tony’s greatness. No. 2 is The Knack’s My Sharona, produced by Mike Chapman who is a hit maker, mostly known for producing Blondie and The Knack. No. 1 is The Beatles with Something, produced by the greatest of all, Sir George Martin.

This part was the most nerdish so far, linking tremendous amount of songs and albums to each and every producer who were mentioned. It’s really so enjoyable to listen to these two pop nerds, Per G and Sven L. Too bad now only 2 podcast parts are left. Tune in next Thursday!

PG_producers

 

What happened to the “It just happens” video?

It’s been 36 days since the release of the first single off “Good Karma” – “It just happens”. We got an official lyrics video which has around 260.000 views by now (the video which went live for Germany has 30.000 views so far). This lyrics video has been published and posted on Facebook shortly after the song was out. But we know for sure that there was a video shooting for a “proper” video – proper meaning it includes Per and Marie.

What we know so far is that a video has been shot between March 21st and March 28th – Per confirmed this in an interview on P4 Halland a week before the shooting. We also assume that back then the promo shots for the album must have taken place.

We know that on April 1st (certainly it wasn’t meant as April fools) they were still busy “preparing the new video”.

Shot_2

 

Two weeks later, on April 16th, Per reminded us of the video and wrote this:

Shot_1

Another two weeks later, on April 29th, The Daily Roxette asked on Twitter about the video and Per replied it will be out SOON. Sure, we know enough about Per’s understanding of the way “soon”, but another two tweeks later we are still waiting and there are some questions coming up:

1.) I Does it make sense to release a video for a single that basically flopped more than five weeks later (in case it was out TODAY which probably won’t happen) or even more?

2.) Why didn’t they release it only some days after the single – many artists do these, but I haven’t heard about one who waits more than a MONTH with it, especially not when the single isn’t a mega seller.

3.) What happened? Technical issues, human failure, Marie’s news made it impossible to release it or simply a promo strategy gone wrong?

Having discussed this topic on some Facebook walls and in Facebook groups some ideas came up to save the video from the trash can:

1.) Use the footage for the second single. Just cut what you filmed into something new and ignore the different lyrics.

2.) Release the video together with the album on June 3rd.

3.) Release the single again with the proper video and put some money into promoting the song and getting it to the radio stations.

Any other suggestions how to release the video after months of the single release without looking a bit bad?