Halmstad was cooking almost at the same temperature as Gothenburg! What a great show and what a great audience again!
Since the venue was changed from Halmstad Arena to Halmstad Theater, a much smaller place, everyone who bought the tickets already the first day they went on sale in October was worrying about the seats, how the organizers would solve this issue. We hoped for not sitting in the 15th row if we had a ticket for the 1st row, however, the organizers tried to assure us that it wouldn’t be the case. We were still not sure about how it could work, until we actually got into the theater and saw that they renumbered the seats, so everyone could be satisfied with the new seats.
In the audience – besides many Roxers from abroad(Argentina, Brazil, Japan, Spain, Poland, Hungary, Bulgaria, Denmark, etc.) – there were Göran Fritzon(from Gyllene Tider)and Jan-Owe Wikström(Hallandsposten; author of the Alla tiders Gyllene Tider book among others). We missed 1 big Roxer though, but we hope for his appearance at least in the crowd at a future concert. Per, you must go and see Ms Effe! She’s awesome! But you know that.
Some of us met Marie and the band when they arrived to Halmstad and they were all smiles already then. We were excited to see them on stage again. Before the show, when almost everyone found their places, a girl from the crew came and distributed some signed Marie cards(the one you could get if you pre-ordered her album Nu!) to the fans in the front rows. It was very nice. Thanks a lot for that!
And the show began. Should I mention Marie was barefoot? Now it’s quite evident she performs like that and we just love it.
After the acoustic Så stilla så långsamt we just jumped up from our seats and so did almost the whole audience, so the fab intro of Kom vila hos mig led us to a great party this time again. Halmstad crowd was almost as cooperative as the one in Gothenburg. Marie mentioned it already at this song how fantastic the audience is. She kept the acting she did in Gothenburg during Bara för en dag. So lovely! The bridge between Det regnar igen and Sista sommarens vals is still something fabulous. Ber bara en gång brought the party feeling again, but we were sitting, just clapping and dancing while sitting. At Sparvöga Marie mentioned it’s her favourite song and it sounded amazing this time, too. During Ett hus vid havet a seagull flew to the wrong place, but otherwise the performance was fantastic. Still so heart-warming how Marie and Jokke are performing it together. Then came the 2 most touching songs, Ett bord i solen and Så skimrande var aldrig havet. Marie’s facial expressions and how she feels these songs were again undescribable. Ännu doftar kärlek made the audience sing along. Not too loud, but you could hear more people were singing out loud than before. Party time again AND this time the audience stayed standing also after Så länge det lyser mittemot, so we were still dancing during Om du såg mig nu and of course during Efter stormen. Wow! THAT was a party! By the end of the tour there might be a concert where no one is sitting, but standing during the whole show. Before ES, Marie thanked the Roxette fans in English for being there. She got a loud response from the fans. Some fans also shouted ”I love you, Marie!” several times and they got a reply from Marie: ”I love you, too!” The party at the end of Den sjunde vågen when Marie already went off the stage (helped by MNS) was so intensive that even Christoffer’s hat fell off his head.
During the break we didn’t sit down, were clapping and standing all the time, waiting for Marie to come back. And she came back, of course. Micke was helping her again to find her place at the mic stand. The party went on with Mellan sommar och höst, then came Den bästa dagen. Before the closing song, Tro, Marie thanked in Swedish for all the energy she gets from the crowd. It means a lot to her. And it means a lot to us. It’s really fantastic to see her reactions, how she loves the active audience. One can see the whole band enjoys it much more when the crowd makes some noise. Even Surjo was acting more tonight, clapping and dancing a bit in the background and Micke was playing the keyboards many times standing and dancing more than how I could see them before.
At the end of the concert, a red heart was back. This time there wasn’t ”Tack!” written on it, but it was a heart-shaped pillow Marie got from a fan, Nikolett. That’s what you can see on the picture here.
Halmstad audience was really fab, joining us whenever we stood up and clapping with us to the rhythm. I loved the reactions of some older Swedish people behind me. They were happy about being part of a crowd like this and they were smiling all the time.
After the show Marie came out and gave some autographs. We also met Pelle and Chris. Chris said it really makes a difference to them when we are there. He said his favourite concert so far was Gothenburg and also Växjö, but tonight’s Halmstad show was very close to them. Chris asked us if we know the guitarist of Gyllene Tider… Of course we know! Pelle and Chris said MP (Mats MP Persson) was playing at a place not too far from the theater, so if we want to see him, we should go there. Some of us went there and yes, MP was playing with a band. They were covering e.g. Bryan Adams: Summer of 69 and we were in time for hearing their cover of Tylö Sun from Gyllene Tider. Per’s voice was definitely missing, but otherwise MP’s playing was great. I had a chance to talk to him a bit and he said they play together with this band once a month. He seemed to feel more comfortable with this cozy set up on stage than with Gyllene Tider. He agreed. This ”after-party” was a great closure of tonight.
Marie and the band are in Karlstad tomorrow. Have fun, everyone and make some noise there, too!
Setlist (no changes)
1. Så stilla så långsamt [1992 – DSR]
2. Kom vila hos mig [2013 – Nu!]
3. Bara för en dag [1987 – ES]
4. Det regnar igen [1992 – DSR]
5. Sista sommarens vals [2013 – Nu!]
6. Ber bara en gång [1996 – IETSV]
7. Sparvöga [1989 off the Swedish drama TV series]
8. Ett hus vid havet [1985 – DSV]
9. Ett bord i solen [2007 – TFT]
10. Så skimrande var aldrig havet [1990 off Taube compilation album]
11. Ännu doftar kärlek [1984 – HV]
12. Så länge det lyser mittemot [1992 – DSR]
13. Om du såg mig nu [1987 – ES]
14. Efter stormen [1987 – ES]
15. Den sjunde vågen [1985 – DSV]
16. Mellan sommar och höst [1992 – DSR]
17. Den bästa dagen [1985 – DSV]
18. Tro [1996 – IETSV]
For the setlist and collection of reviews click here.
Take my review from yesterday and multiply the blowing-away factor by at least 10! Göteborg concert was P-U-R-E A-W-E-S-O-M-E-N-E-S-S!
Before the concert we met Christoffer and he said we should be prepared for maybe not the best sound, because the acoustics of the concert hall are not the best as he knows it. However, we were sure they would do their best with the sound anyway and in the end, to me it seemed to be perfect. We also met Marie before the show and she said she is so happy that so many international fans are here to support her. She was in a great mood, smiling again all the time and she also said she tries to be better than she was yesterday in Jönköping.
One word: BAREFOOT! Now we know this always means a concert will be mind-blowing.
Some of us decided that whatever happens, we will stand up already when Kom vila hos mig comes. As we’ve been mostly in the first 3 rows, we all stood up and the rest of the audience realized it had to be like that, so they stood up as well. Great crowd it was! Everyone could see that Marie & the band liked it a lot, so we kept the energy high in the crowd and so did Marie on the stage.
She was acting much more, e.g. in Bara för en dag she made gestures according to the lyrics like ”… göra mej vacker och tvätta mitt hår, låta solen torka det …”. It was great to see her acting.
During Sparvöga the audience held up glow sticks (thanks Basia Konarzewska & Chrissie Roehrs for organizing it) and moved their arms to the rythm of the song. After the song Marie said it’s a fantastic crowd. She said that after several songs, since the audience indeed was continuously fantastic.
Ett hus vid havet today was how it has to be, all the boats and seagulls were at the right place now and the ”Och göra som jag vill” (= And do what I want to do) line at the end was as effective as yesterday.
We stood up again when Så länge det lyser mittemot started and the whole audience joined us. We held up some letters to show Marie the words: KÄRLEK and VINNARE. She recognized it. KÄRLEK stayed there on the stage. Thanks to our RXB Team mate, Kirsten Ohlwein for organizing this and drawing the letters.
The biggest party was again at Efter stormen. Everyone in the front was dancing, jumping, singing along and in the back people were rather clapping. It was fab to see the crowd like this!
It was again Micke N-S who helped Marie going off the stage during Den sjunde vågen. Now talking about the crew, I must mention at this point the hilarious guitar changings of Christoffer. He is wearing a hat and when Jakob Johnzén, his technician comes up the stage, Jakob gets the hat to his head while the guitar finds its right place at Chris.
There wasn’t a long break before Marie came back to the stage. Micke was helping her to come to the mic stand. Aw, they are such a lovely couple! We’ve been already standing and also the rest of the crowd, so we were in the right position to continue the party during Mellan sommar och höst.
When we could hear the first notes of the closing song, Tro, I couldn’t and didn’t want to believe that this party was coming to an end. It was such an amazing night! Those who were in Växjö said it was very-very close to it. But one thing is sure: Göteborg crowd was the best so far! Marie confirmed it as well.
I must add that there were some changes in the lyrics here and there, but if someone doesn’t know them by heart, couldn’t recognize it. Marie handled it perfectly and she gave each song a great flow. Hats off!
After the concert Marie went straight to have a rest, but we could talk to the band. Jokke said the audience was amazing and the show was fantastic. Very similar to Växjö. Micke said it means so much to Marie that the audience is reacting like this and that gives her even more energy. He also said it was a fantastic concert and Pelle thought so, too.
Thank you, Marie & the band for the amazing experience and huge thanx for your cooperation, Göteborg!!!
Next show is on 19th March in Uppsala. There will be a bit less international fans, but I hope the spirit stays like this. More of us are there in Halmstad on 21st March, so we are expecting a very similar energetic night then.
It was a special concert from RoxetteBlog’s point of view, since 4 of the 5 RoxetteBloggers were there in Jönköping tonight. The standard review you will find if you scroll down on our website, but why I’m writing a separate review is because almost a month passed since the tour started, but my time has come only today. For me it was a very special show, because it was my first ever Marie solo concert. And it was just a perfectly fantastic first experience for me.Marie was in a very good mood, smiling all the time, even joking many times and doing funny facial expressions. One must love this woman!
When she entered the stage we could already see she was barefoot again. So we could be kind of sure about the outcome, that it was going to be a fab show. Sitting in the front row made you feel very close to her, actually, it felt like being on a private concert.
Så stilla så långsamt sounds awesome in this arrangement live. I saw some videos already on YouTube and already thought it sounded great, but hearing it live was amazing. Marie and Christoffer are magical in this.
Then came Kom vila hos mig. I was among the ones who from the very beginning questioned this tour being seated. Then I thought OK, maybe I’ve just never attended any concerts like this in the past and just don’t know how it is when you’re actually there. NOW I can tell it IS very hard to be sitting. At this song I felt like standing up, but as everyone was still sitting, I didn’t dare to. Too bad. This song just rocks too much. Both on the album and live.
If you ask me, it was still hard sitting during Bara för en dag. I’m always amazed how Marie can sing this song live because of the fast parts. I can’t even read out those words so fast after one another. She rulez!
Det regnar igen, just like any other song from Marie’s best album, Den ständiga resan, is very much her. How she is feeling the song makes you have goosebumps.
Sista sommarens vals is also very much Marie. Of course, it’s the only song she wrote for her latest album, Nu! What I was missing in this song was a closer connection between Marie and Micke. Yes, sometimes I felt Micke was sitting too much in the back for that. And it’s of course not a complaint and I know it can’t always be the way it was in Tack för musiken show last December. Micke is fantastic on the piano.
I always liked Ber bara en gång, but it was just after I saw a video from this tour on YouTube when I started loving it. Should I mention it was hard sitting during this one, too…?
Sparvöga was again an awesome live experience. You can see how much Marie loves this song. All her facial expressions are showing it.
Then came some real funny moments in Ett hus vid havet. This is the song which is performed by Marie and Jokke. Jokke is standing next to her, also singing some part of the song. He has a great voice! From the videos it might not be evident for everyone, but he DOES have a pleasant voice. The funny moments: Marie messed up the lyrics, but was just smiling at it, mixing up boats and seagulls. She was looking at Jokke’s mouth to see what he was singing, but she just wanted to sing ”Och göra som jag vill” (= And do what I want to do). Who cares? Marie, you CAN do whatever you want to do! We were laughing so much at her reactions during this song.
Ett bord i solen was one of the most touching songs. She said before she started singing that she wrote it when she got cancer. It made me remember how grateful we all have to be that she is still here, giving so much to us with her singing.
The next most touching song was Så skimrande var aldrig havet. I’ve never been a big fan of this song, but my Gosh… Marie’s performance left me breathless. Also her facial expressions during the song were undescribable. This song is just so much hers.
At some point, Marie said she is performing new and old songs during the concert, but mainly old ones. It was funny how she expressed herself. Ännu doftar kärlek is definitely one of the oldest, but also one of the best songs.
Then came Så länge det lyser mittemot. I don’t even have to mention it was hard sitting during this song, too…. So we stood up towards the end. Unfortuntaly, from row 4 no one else felt like this, but at least we had a party in the front and Marie and the band liked it.
I’m not sure anymore about before which song Marie wanted to go on with the next song, but everyone else was late, so she was laughing and said: ”OK, nästa” (= OK, the next one). The audience was also laughing out loud. Maybe it was before Om du såg mig nu.
And what we’ve been all waiting for, the real party came at Efter stormen. First we stood up in the front rows, then everyone else in the audience stood up. We’ve been dancing, jumping, singing along. At last!!! It felt incredibly good!
Again came a slower song, Den sjunde vågen. We had some more funny moments, which I also have on video. Check it out by clicking on the embedded video in the article. I started recording it from the lovely sound Marie made while taking a breath (we were smiling at it) and you can also see it wasn’t BoJo who helped Marie going off the stage tonight, but Micke N-S. It was such a funny part. After Miss Effe went off the stage, the guys went crazy with the guitars. They could have their rocking moments. Both Christoffer and Jokke could let their guitars bleed. Surjo might not be the craziest guitarist on Earth. To me he seems to be a calm and quiet person, but he is also doing a fantastic job back with his bass. Pelle is great on the drums, we could get used to it during the Roxette tours. There is a plexi glass in front of his drumset since Malmö concert and this probably provides an even better sound. The sound was fab.
Marie didn’t let us wait so long and she came back to the stage after about 2 minutes. It was just a very short break. We felt she really wanted to be on stage again. And oh yes! The first extra song is Mellan sommar och höst, my all time favourite MF song. It rocked big time and the whole audience was standing again. Front rows were even dancing & jumping again. Woohoo!
Then came Den bästa dagen and when Marie messed up the lyrics, the audience helped her singing out loud and she thanked it while she was smiling. It is always so heart-warming when the audience helps her like this. Those who already attended some other concerts during the tour, said it was the first time during this tour when the audience helped like this.
Why do all good things come to an end? The last song was of course Tro. Yet another song which is very much Marie. Towards the end of the song we held up some letters so she could read the word: VINNARE (= winner). She is! And we are also winners to have her! Thank you so much for all what you are giving to us, Marie!
After the concert fans were heading to the hotel where we thought Marie was staying and when Marie and Micke came we had a small chat with them. They said it was a great show and thanked to us for that. They also said it was hot in the theatre, but we said they could only thank it to themselves.
Then came the rest of the band, Chris, Pelle, Jokke and Surjo. Chris said from the stage the beginning of the concert seemed to be so-so, but the energy was rising and rising. When I said there is not so much space for Chris and Jokke to play the guitar like what we are used to how Chris plays it on a Roxette tour or Jokke in his own band, they said it’s fine like this. And it IS fine like this. The focus is now completely on Marie and we love it. But we also love the band. They sound great together!
God! I’m sooo grateful I still have 4 concerts to go! Tomorrow Göteborg!!!
If anyone had told me in the past that one day I’d have the chance to do an interview with Per Gessle, I would have surely told them they were insane. But life proves, you should dream also those dreams you don’t dare to dream! Getting myself together after the positive shock, I must say that it continuously gets confirmed that I’m a fan of the most amazing and most caring Artist in the Universe and the fastest on Planet Earth! Well, what else could I expect from the Son of The Fastest Plumber in the West?
It’s an interview done via e-mail to keep Mr G’s quotes correct. Per, thanx a million again for spending your precious time with this! It’s much appreciated and you definitely made me feel being the luckiest, happiest and most grateful person on the Globe. Also thanks heaps to D&D Management for their cooperation!
The interview is about the customized plecs, info about the customizing process, stories connected to the picks, some details about the phrases on the plectrums, Per’s thoughts about the picks in general and how he is using them etc. So everything you wanted to know about the plecs and more! Don’t forget to check the PLECtionary again, because some ”Trivia from Per” can now also be found at the picks he talked about.
Now the intro is over. Go and read the real deal, Roxers! Enjoy!
Patrícia Peres: – First of all, thank you very much for taking your time and I hope you won’t get tired by all the plec questions, but we, Roxers are very curious about any tiny detail about these precious little items and stories related to them. We got very positive feedback from the fans and we are very happy that you also like the PLECtionary. Sandra did a fantastic job with it and we are very grateful to her that she made it possible to see all the picks at one place. She has an amazing collection! How does it feel that there is such a dedicated fan of your plecs?
Per Gessle: – It feels, of course, most rewarding. I encourage every form of extreme and meaningful hobby, like collecting rare snakeskin-boots or grey square Russian cars.
PP: – Haha. Rare snakeskin-boots! Now that you say it… When and how did it all start for you? I mean having your own customized plectrums. What was your very first idea to print on a guitar pick and which became the first customized PG-plec?
PG: – Oh, I can’t remember. In the old days it was very rare that you’d find customized picks. I think I hooked up as soon as I heard it was possible. It’s a great way of sharing a joke and showing off your humble personality!
PP: – Do more plecs exist besides the ones you can see in the PLECtionary?
PG: – No, I think everything is covered in the article. It’s a shame in a way but the sad and plain truth.
PP: – Have you kept at least one of each of your plectrums over the years?
PG: – Yes, I think so. I’ve looked for the ones Sandra is missing but can’t find any extras. Only the ones I keep in my archive. If I find more of them I will of course give them to her. She deserves the best. The best and the complete. I consider it a mission to help her find Plectrum-Nirvana.
PP: – Wow! I’m 1000% sure Sandra is gonna be extremely happy to hear this! I was just about to ask if you have those plecs she is missing.
PG: – Yes, like I said, I keep them proud and polished in my archive. Clarence pops in once in a while to sniff them. He likes the smell of vintage success.
PP: – How should we imagine where you keep your plecs? Are they in a box in a drawer or maybe in a big glass bowl in the hall or they are just lying anywhere around your house / apartment? OK, knowing how pedantic you are, this latter one is surely not applicable.
PG: – Oh, they are kept in a red Ferrari-box in a metal cupboard in my office. Next to the diaries I always write when I’m recording. I try to keep my life tidy and in order. My cupboards are holy ground. If you open them things will never be the same.
PP: – Ferrari-box, metal cupboard, diaries. Aaah, sounds like holy ground indeed. When it comes to brands, are you more into Dunlop or Fender guitar picks? Or does it matter at all? What kind of plecs were you playing the guitar with before you started customizing the picks?
PG: – It never mattered. It’s the feel that decides. On stage I have a softer pick for the acoustic guitars, in the studio I rarely use picks at all when I play acoustic. I don’t like my picks to be very thick. Then the sound becomes too hard, too rough. I lose the touch.
PP: – So no thick picks for Gessle. OK. Is it always your actual guitar tech – earlier Falken, now Micke N-S – who is in charge of making the plectrums designed and produced or did it work in a different way in the past?
PG: – Yes, in the past I ordered them myself. The Party Crasher-one (with the sleeve on it) I ordered myself from Australia. Nowadays, MNS is taking care of business. I tell him what kind of slogans or messages I want and then he comes up with zillions of suggestions and colours etc.
PP: – How does the whole customizing process work? Micke N-S mentioned in the interview I did with him during the GT tour that you usually give him a few lines you want to see on the plecs and he does the rest. Is it totally up to him how the design (plec colour, font type) will look like in the end or does he send it over to you several times during the development phase to check and confirm if you’re OK with it?
PG: – Yes, he comes up with layout suggestions most often based on the current tour logo etc. It can, for instance, be the same logo on my picks as Pelle’s got on his bass drum. I guess you’ve noticed. I know I have.
PP: – Haha. Well, you can’t have all the stars just for yourself. Regarding the phrases we can read on the picks, there are some quite obvious ones, like ”HELLO YOU FOOL I LOVE YOU” or ”HOW DO YOU DO!”, but other phrases are rather filled with humor, which is even more fun. For example, there are those early plecs with the catchy money reference: ”MONEY NEVER SLEEP$” or ”ANOTHER DAY ANOTHER DOLLAR” or ”CASH BOOM BANK”. I think I also read ”WE ARE IN THI$ ONLY FOR THE MONEY” somewhere, however, I’ve never seen a plec like that. Did it exist?
PG: – No, I’ve never heard of that one. It’s a bad phrase, too clumpsy, not my style.
PP: – True. It doesn’t sound too Gessleish. What was that about the money those days?
PG: – The ”money-picks” came from an idea to harass the Swedish media who always considered me / us to be too commercial and never could read between the lines. ”Money never sleeps” came from the ”Wall Street”-movie (a quote by Gordon Gekko), ”Another day, another dollar” was a phrase our American lawyer used all the time. It’s always rewarding to try to make fun of reporters, I think every artist agrees on that. Come to think of it, most humans probably do.
PP: – ”ART FOR ME IS JUST SHORT FOR ARTHUR”. Knowing you are very much into art, it’s too funny to read something like this from you. Is there any special story behind this phrase?
PG: – Yes, it’s a quote from Keith Richards. I thought it was pretty cool at the time. It’s very old. I wouldn’t use it today.
PP: – All the plecs are real gems, even if they only have the text ”ROXETTE – PER GESSLE 2011” on them. But there is one which we don’t know too much about. It says: ”TEDDE GOES 50! – WITH LUV FROM THE GESSLES”. Can you tell us who Tedde is?
PG: – He’s a dear friend to me and my family. We gave him a Les Paul as a birthday-gift and of course he needed his own guitar pick! Doesn’t everybody?
PP: – So now Tedde plays that Les Paul with another pick. Different number of plectrums were designed in the past and nowadays for one tour. Do you have lucky numbers? Or how do you decide on how many different picks to produce for one tour(leg)?
PG: – No, I suggest a few lines or slogans and then suddenly MNS comes up with 25 different suggestions. He likes things plenty. I think we should slow it down a bit in the future.
PP: – Talking about luck, do you have any plec you consider as a lucky charm? Do you believe in such things at all?
PG: – No, I only try to hit the right strings with them.
PP: – And you do it so right. At least most of the time. By the way, how many pieces of each plec are produced nowadays? Was it the same amount per plec in the past?
PG: – No, the editions are much bigger nowadays. We use them as giveaways a lot, I throw a lot of them out to the crowds. In the past it was more of an internal thing. Like those hidden messages on the vinyl records. ”Don’t forget you’re a rocker” etc.
PP: – Which is the all time favourite plec of yours and why?
PG: – They’re all part of my family tree. No personal favourites. Sorry.
PP: – I can completely understand you. Is there a guitar pick of yours you like the least? We know, for example, that you don’t really like baby blue plectrums, as you gave some of them to Chris to play with.
PG: – It’s not really true, I like blue plectrums. The thing is that I prefer lighter colours (white, for instance) because when you play, often in the dark on the stage, it’s really hard to know / see what you do with black picks. I’ve hit the wrong strings far too many times because of this. It makes you feel silly. And it sounds shit.
PP: – Now I’ll pay more attention to the shitty sounds next time you are playing the guitar with a dark plec on a future tour. The plecs related anyhow to Åsa are usually the nicest or coolest ones. E.g. the latest ”WOODY – VEM FAN ÄR VERA?” is one of your funniest picks ever. The design with that marbled blue base colour and that silver print looks fab! What is Åsa saying about the Woody / Åsa picks? I bet she likes them a lot.
PG: – She ordered them. I had nothing to do with those. It’s something she and MNS came up with.
PP: – Ahaaa, now that’s really cool! Well done, Fru Nordin! She was also the one who made the ”Ta mej… nu är jag din! / Åsa” plec produced as a surprise for you. Can you tell us a bit more about it? How many plecs like this were produced?
PG: – Oh, I dunno. There are always some goofy ones like that on every tour. It makes us smile.
PP: – Thanx to you, I’m a lucky owner of one of those misspelled ”WODDY / HEJ DIN TOK JAG ÄLSKAR DIG” picks. Which year is that from exactly? What’s the story of it and what was your first reaction when you saw the misspelling? Rumour has it, you gave these plecs to MP to use them. How come?
PG: – Can’t remember. It certainly wasn’t me who ordered them, I know howh too spel.
PP: – Yeah, sure you do! Was there another production of these plecs with correct spelling?
PG: – No, I don’t think so. We were poor in those days, one edition was enough to crash the budget.
PP: – Talking about MP and also Chris, did you encourage them to have their own customized plecs or was it them (or maybe their technicians) who came up with the idea to have their own picks?
PG: – Yep, it was their guitar guys who came up with those picks. It’s not really neither MP’s nor Chris’s cup of tea to order personalized plectrums. Trust me.
PP: – I trust you, Sir. Were there ever customized Marie Fredriksson plectrums back in the days when Marie was also playing the guitar? I remember a TV show – I think it was in Argentina – when the hosts found 2 ”HELLO YOU FOOL I LOVE YOU” picks after your playback was over. So that means Marie played the guitar with the same customized plec you played it with. Was it always the case?
PG: – Yes, I believe so. She used anything. Or wait. Maybe she had one of her own. It rings a bell. Let’s keep it ringing for a while….
PP: – Oh! It sounds exciting! Anytime the ringing is over and you find it out, just let us know. Sandra mentioned the gauge of the plecs you used in the early years was heavier than nowadays. Micke N-S said in the interview with him that he is using one gauge thicker plec than what you are using, because it’s more accurate to tune with. What makes you decide on what gauge to use? We can see you use the thin plecs for the acoustic guitar, but what about the medium and heavy ones? Does it make any difference to you?
PG: – Yes, I hate thick ones. It makes your playing very clumpsy and too ”masculine”. I like medium gauge for electric and light for the acoustics on stage. I’m a delicate guy! A ballet dancer. You know that.
PP: – A ballet dancer? Dunno, but a left leg stomper for sure and a delicate guy indeed. When you post pictures of the plecs on Facebook, fans get very excited and you can see many comments regarding how much we want to have them or how awesome they look like. You even mentioned in your 2012 Xmas message on roxette.se that ”… loads and loads of autographs signed, letters written, stamped and sent, guitar picks urgently needed by all of you”. How does it feel that we are so crazy about these tiny little picks of yours?
PG: – I think it fits the Roxers really well to spend quality time on stuff like that. I can fully identify with it. Groove is in the heart.
PP: – And we stomp on a stoop when we hear your pop loop. Now this might be a stupid question, but take into consideration that I’m not a pro when it comes to how to use plecs properly. What happens to the plec when you lick it? I think you did it the most often at the Snowpenair concert in Switzerland, kind of once in every 5 minutes. No clue whether it has anything to do with the cold or it makes a better sound or it just sticks more to your fingers.
PG: – It sticks to the finger. Normally (not necessarily at Snowpenair) you’re very sweaty everywhere (including your hands) so you tend to drop the pick if it doesn’t stick. It has happened a lot.
PP: – Ah, OK. Thanx for the clarification. Do you chew on plecs while writing songs or doing demos? I mean chewing like others chew on the end of pens.
PG: – No, I never use picks when I write. I actually never use picks at all playing acoustic guitar at home or in the studio, I only use my nails to get the right feel. On stage however, you need a pick to get the volume.
PP: – We often comment on Facebook that it would be great if you could include your plecs in the merchandise. Do you plan to include them in the future?
PG: – Well, yea. We try to come up with new things for the store all the time so custom made guitar picks, why not? We had guitar picks with the Gyllene Tider-cartoons on for sale last summer, didn’t we? In a tiny black box. I have a few of those in the cupboard.
PP: – Yes, that special pick collection is very cool. I have one of that tiny black box on my holy shelf, too. Well, OK, the more difficult to obtain the plecs, the more precious they are for us. I remember a chat where someone said he got a plec from you in Karlstad and asked how much you think that plec would worth in 20 years. You replied: ”The question is what Karlstad is worth in 20 years.” That’s a good one. There are people (mainly not fans, but traders) who are selling your plecs at a ridiculously high price on eBay, Tradera etc. and of course there are fans who are buying them. What do you think about this fact?
PG: – It’s like you say, the more rare an item is the more people want it. I don’t really have an opinion on this, some people sell, other people buy. The wheels keep on spinnin’!
PP: – Talking about catching picks at the gigs, you throw much more plecs these days than earlier (and definitely much more plecs than towels). During the GT tour Micke N-S even put an extra plec holder on the mic stand after some gigs to have 18 picks there instead of 12. Do you throw more just to make more fans happy or is it just cool throwing the plectrums and you do it automatically?
PG: – I throw them because I know a lot of people want them. And like I said earlier, MNS orders so many of them I might as well distribute them myself.
PP: – Keep throwin’ them! The adhesive tape on the guitar is of great help to have some plecs always at hand. Does it happen often that a plec falls out of your hand and you can’t pick another one quick enough during a song, so you have to play the guitar with your fingers / nails? OK, your nails are surely touching the strings as the nail polish almost disappears by the end of a show.
PG: – It happens but not that often anymore. I lick ’em!
PP: – Yeah, now we know lickin’ is of great help, too. There was a video you posted after Brisbane show in 2012, where Christoffer’s hand and guitar were covered with blood. Ouch! It has also made it to the Roxette Blu-ray. Did it ever happen that your fingers got hurt badly while playing the guitar?
PG: – Oh yea, many times. For me the most common injury is that I crash my right arm very hard into the body of the guitar when I try to look cool and do a massive sexy move hitting some adrenalin-droolin’ power chord. Oh, it hurts. It hurts to be alone. The plan’s gone wrong like a runaway train going down.
PP: – OK, Mr G… I can imagine all Gessle Girls are now sliding down a dream when you are mentioning your massive sexy moves in the same sentence as adrenalin-droolin’. Ehm… Come back to the original topic, PP… Last summer we saw a girl in Tele2 Arena at the GT gig picking up a Woody plec from the floor. She just found it there and the concert hadn’t even started. Do you usually throw plecs during the soundchecks, too? Checking how it works at the certain venue or how far you have to throw the plecs?
PG: – I was probably aiming at Pelle or someone who was running late for the soundcheck.
PP: – It must have been Micke Syd then. When it comes to throwing distance, do you pay attention to it before the concert starts? Do you try throwing your plecs into the crowd at venues where the distance of the crowd from the stage is quite long (e.g. China)?
PG: – Yes, it doesn’t really matter. I don’t have a system, I just throw them. Or I don’t. If the feeling’s right those picks have to go.
PP: – Was there any memorable moment for you regarding your throwing the plecs? Maybe 10 fans jumped on each other just to catch your pick or anything else?
PG: – No, not really. Most of the time it’s hard to see from the stage where they land. I try to throw them up in the air so I don’t hit anyone in the eye. Or in the mouth. Or, God forbid, what would happen if I make a scratch on a smartphone?
PP: – Trust me, if you would scratch any fan’s smartphone with your plec, that smartphone would become one of the most precious items of that fan’s collection. Oh, and that throwing moment at the end of Man blir yr video looks so hot! How many times did you have to record it to be this perfect?
PG: – It’s a first take. Of course.
PP: – Of course, silly me! Until now I asked you about YOUR plecs and those related anyhow to the Rox World, but I’m curious about the coolest guitar pick you have ever seen in your life. Could you describe it? Whose plec was it?
PG: – We have a great collection of Jonas Åkerlund’s photos of guitar picks at Hotel Tylösand. All of them are fab! Nikki Sixx’s ”Fuck The Fucking Fuckers” is pretty spot on, don’t you think?
PP: – Haha. A fab one, but let’s say I prefer your phrases on a pick. I’m not a Mötley Crüe type of girl. As a last question: do you have plectrums from any of your idols? Tom Petty or David Bowie maybe? Or from any other guitar players? If yes, how did you get them and where do you keep them? If no, would you love to have a pick of theirs one day?
PG: – I don’t actually. A Dylan-pick or a T.P.-pick would be nice. Or from Nick Lowe. But I don’t lose any sleep over it.
PP: – That’s nice to hear, but in case insomnia is reaching you because of this, I suggest you go to their concerts and stand in the front row. You might get lucky! Thank you very much again for taking your time. Can’t wait to see your next set of plecs (coming hand in hand with a next tour) and update the PLECtionary with them!
PG: – That makes it two of us! Cheers!
Update on 2nd February, 2014: Per shared 2 pics of a box in which he keeps plectrums in the guest bathroom. Check out pic No. 1 and pic No. 2.
Mikael Nogueira Svensson is the most well-known member of the crew among fans. Many people know him as Micke N-S, the guy behind the iPhone, taking the panorama pics we can see on Roxette Official and on Gyllene Tider’s Facebook site. We know his face and sometimes fans are chatting with him at the venues, but still, we don’t know too much about Micke, just that he is doing a fantastic job as backline technician.
He took his time between Gyllene Tider’s Örnsköldsvik show and 2nd Halmstad gig and was happy to share some more information about himself & his work and told us some interesting and funny stories, too.
PP: – On a Swedish drum workshop website I read this: ”Workshop leader is Mikael Nogueira Svensson, one of the most experienced and hired drum technicians in Sweden.” When did you start your work as a drum / guitar technician? What came first: drums or guitars?
MNS: – I started around 1997 with some local acts in the middle of Sweden, Dalarna. First it was only drums. The guitar bit of it came in the picture in around 2002, when I ran a rental company in Stockholm and had to go on tour with a band and also help the guitar player. And basically, it’s more common in Sweden that the techs help the guitar player more than the drummer.
PP: – Do you like working with drums or guitars more? Or does it depend on the person whom you are working with?
MNS: – It’s totally up to the artist I work for, so it doesn’t matter at all if it’s drums or guitars. But I toured with Prince between Roxette tour legs, which was more of a challenge, because then I did keyboards and piano for him.
PP: – Even keyboards and piano. Great! By the way, have you ever been studying music? Or you just learned to play the instruments by yourself?
MNS: – I’ve been studying at Stockholm Conservatory of Music for 3 years. But the fun part of it is that I decided to play the drums when I was a child, after meeting Pelle Alsing backstage in Gävle on the Joyride tour. And now I work for them.
PP: – Really? That sounds cool! What was Pelle’s reaction, when you told him you decided to play the drums because of him?
MNS: – Can’t remember. Nothing special I guess.
PP: – Oj, Pelle… Any other instruments you play besides the drums and guitar?
MNS: – I can only play the drums, can’t play the guitar. I only know a few chords. But I guess I can set up a guitar better than most of the guitar players out there…
PP: – You’re kidding! I thought it’s evident that you can play the guitar. Hats off then! Besides Roxette and Per Gessle you worked together with many other artists on tour (e.g. Peter Jöback, Carola) or played the drums for (e.g. Rod Stewart and the producer of U2). Who is the one whom you enjoyed to work together with the most?
MNS: – First, I didn’t play the drums for Peter or Carola. I was a tech for them. I played the bass on a singback performance with Peter Jöback once at the Swedish football gala. I kind of like to work with artists who are very aware of everything. It’s a give and take. I like to make it nice for them and they appreciate it. If it’s an artist who doesn’t care about anything, I don’t like it. You get no positive feedback then.
PP: – You are now on tour with Gyllene Tider. How different is it to work with them vs. Roxette?
MNS: – There’s no difference, except that I sleep at home from Sunday till Tuesday. We are the same crew and everything is the same.
PP: -Who is the easiest to work with in GT?
MNS: – I would say it’s equal. Everyone demands a certain kind of professionalism and everyone is just as kind as the other. But I’ve known Micke Syd for the longest time, so he is kind of the same ”father” figure for me as Pelle Alsing.
PP: – You are taking care of Per Gessle’s guitars, Micke Syd’s drums and also Anders Herrlin’s bass guitars, as well as many other things before, during and after the GT concerts. Which is the toughest part of your job now and what do you like the most?
MNS: – I wouldn’t say that I take care of many other things than Per, Micke and Anders. Actually, I only take care of them (their gear). And if you think that something is not connected to them, it is. No one would think about it, but it’s kind of boring to change strings every day.
PP: – Every day??? That must be boring indeed. When do you have to be at the venue on a concert day? What’s the daily routine? What are the first tasks and what is the last thing you do after a gig ends?
MNS: – I’m the last to arrive, at around 11 am. The stage is built the day before by the second unit crew. The riggers and light crew set up everything from 8 am on a concert day. Then I start building the drums, which takes about 1 hour including tuning, head change and miking the drums. After that I set up Per’s VOX rig and Fender amps of Anders. Then it’s lunch. After lunch I set up my tech world [see photo] and connect everything to the sound desk. Around 2 pm we do line check with the crew. Then we remove all the things in front of our risers, so Linnea and her band can set up.
PP: – You do soundchecks in the early afternoon with or without the band, but you are also checking the sounds before the concert starts. Were there any difficulties during this tour that you had to solve very quickly before a concert started to make everything work in the end? Or all is going smoothly during these soundchecks?
MNS: – There was no problem so far. Knock on wood.
PP: – I remember there was a moment in Karlstad, when Per looked at you and showed he has problems with his guitar. They were just coming back to the stage for the 2nd extra with Sommartider. You had to come up the stage and change the guitar settings from silent mode to normal, while Per was playing the guitar. It was hilarious. Are you and Micke Syd teasing him a lot with this since then? (At least in Örebro I saw you and Micke Syd were teasing him and showing the guitar was then set to normal mode.)
MNS: – Hahaha! Shit happens to everyone. And actually Syd is not talking about the guitar, he is just teasing me, because Per makes fun of me holding the guitars for so long. He’s fooling me and decides to wipe his face once again and have another drink. So I have to stand there and look like a fool. Sometimes I walk back before he can take the new guitar.
PP: – Now that’s too funny. Anyway, which is your personal favourite among Per’s actual guitars – Cherry Gibson, Blonde Gibson, Black Gibson or the Black Acoustic – and why?
MNS: – I like the Black Gibson, because it’s the easiest to work with. But I bought the Blonde for Per during the Roxette tour and that one has grown in my mind and feelings. (Also in Per’s, I guess, since it’s used for more songs now.)
PP: – Between the support act, Linnea Henriksson and the GT gig we see you on stage with a red plec saying ”Tänk att få sätta på” (part of the lyrics of Flickorna på TV2). Lookin’ good. Is it your personal plec? Is it an own design?
MNS: – It’s my personal tuning pick. It’s one gauge thicker than what Per plays with. It’s more comfortable and more accurate to tune with. I have had own tuning picks since Roxette started the tour. Purple ones.
PP: – We know that for the Roxette tour you had many ideas regarding plecs and Pelle’s drumkit with the star was absolutely your idea. How much have you been involved in designing this year’s plec collection and drumkit?
MNS: – I have designed all of them. Per gave me a few lines he wanted to see on them and I did the rest. The drumkit setup is designed by me. The front head design is Gyllene Tider’s official tour shield, not my design, but I made a few changes to it. It’s 3D, if you look closely at it. Peter, who printed and helped out with the Roxette drumkit, also did the graphic work and printing for this and the Leif on the small kickdrum.
PP: – Talking about ideas, we could see one of your greatest in the Roxette live concert film, namely the small cam on Per’s guitar. Awesome camera angle. Can we expect anything like this in the coming GT live film?
MNS: – No, but I pitched the idea for the show designer to add the GoPro wide angle cameras in the production inside the drumkit. But that is shown every night, so it’s nothing new.
PP: – Back to your past. Have you ever played in any band? Are there any plans that you want to leave backstage and come into the spotlight one day or it’s not your cup of tea at all?
MNS: – I was playing in a band during my years at the Conservatory of Music. We did a reunion in 2009 and played for 2 weeks in St. Anton ski resort. But there are no other plans and it’s nothing I want to do.
PP: – Do you already know what’s next, whose backline are you going to be after the tour ends? Or do you take a good rest and have some free weeks?
MNS: – I do all the pre-work for the Swedish / Norwegian talk show, Skavlan at our national TV station (SVT). I take care of the acts playing there when it comes to all backline work and logistics. It can be any artist: Foo Fighters, Take That, Alicia Keys or a local act. Funny thing is that Sinéad O’Connor asked me if I could get her a guitar for her performance. The only one who I knew he had a guitar Sinéad wanted was Per. So I called him and borrowed his guitar for that show. He told me to say hello to her, since earlier they met in another TV show (where she ripped a photo of the Pope).
You can watch Sinéad O’Connor’s performance in Skavlan show here. She was playing Per’s Gibson Les Paul Jr. /PP/
PP: – One last question came into my mind when I looked at your cover picture on Facebook – Bruce Springsteen throwing the guitar to his technician. Cool one! Who is the artist you would love to work with if you had one wish and why?
MNS: – Foo Fighters, because it’s good music and they are nice guys.
PP: – Fingers crossed for you to work with Foo Fighters then. Thank you for your time and for the fun stories. See you on a next Gessle-related tour!
MNS: – Thank you for coming to the shows. We are nothing without you. And who knows. There might be something in the future, or not…